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| Bevin, Phillip. "Spider-Man and Batman, Disordered Minds Friendship through difference." Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Eds. Robert Moses Peaslee and Robert G. Weiner. Jefferson, London: McFarland, 2012. 134–44. |
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| Bharucha, Feshid. Richard Corben: Flights into fantasy. Brooklyn: Thumb Tack, 1981. |
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| Bhattacharjee, Partha and Priyanka Tripathi. "“Traumics”: Genesis and journey of trauma narratives in comics." Gnosis Special Issue (2019): 26–44. |
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| Bicker, Mathis. "Museumslektionen: Comic und archiv, ein versuch." Prinzip Synthese: Der Comic. Eds. Mathis Bicker, Ute Friederich and Joachim Trinkwitz. Edition Kritische Ausgabe. Bonn: Weidle, 2011. 17–24. |
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| Bierbach, Mechtild. "Sprachwelten – Zur Semiose von Onomatopoetika in französischsprachigen Comics." Bilderwelten – Textwelten – Comicwelten. Romanistische Begegnungen mit der Neunten Kunst. Eds. Frank Leinen and Guido Rings. München: Meidenbauer, 2007. 351–79. |
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| Bierly, Steve R. Stronger Than Spinach: The secret appeal of the famous studios popeye cartoons. Duncan: BearManor Media, 2009. |
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| Bingxiong, Liao. "Speaking Out on Going To Make a Will." International Journal of Comic Art 9.(2007): 647–49. |
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| Bird, Lawrence. "States of Emergency: Urban space and the robotic body in the metropolis tales." Mechademia 3.(2008): 127–48. |
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| Birek, Wojciech. Z teorii i praktyki komiksu: Propozycje i obserwacje. Refleksje i analizy. Poznań: Centrala Mądre Komiksy, 2014. |
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| Birkmeyer, Jens. "Bildersuche nach dem Krieg: Eignet sich der holocaust-comic die suche für den deutschunterricht?." kjl&m 62.(2010): 56–63. |
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| Birmingham, Elisabeth. "Anime’s Dangerous Innocents: Millennial anxieties, gender crises, and the shōjo body as a weapon." Cycles, Sequels, Spin-offs, Remakes, and Reboots. Multiplicities in Film and Television. Eds. Amanda Ann Klein and R. Barton Palmer. Austin: Univ. of Texas Press, 2016. 130–47. |
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| Bishop, Kyle W. How Zombies Conquered Popular Culture: The multifarious walking dead in the 21st century. Jefferson, London: McFarland, 2015. |
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| Bishop, Chris. Medievalist Comics and the American Century. Jackson: Univ. Press of Mississippi, 2016. |
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| Bishop, Kyle W. "Battling Monsters and Becoming Monstrous: Human devolution in the walking dead." Monster Culture in the 21st Century. A Reader. Eds. Marina Levina and Diem-My T. Bui. New York: Bloomsbury, 2013. 73–85. |
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| Bishop, David and Karl Stock. Thrill-Power Overload: 2000 ad – the first forty years. Oxford: Rebellion, 2017. |
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| Bissette, Stephen R., et al. "Curious His Entire Life: Remembering tom roberts." International Journal of Comic Art 20.(2018): 453–69. |
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| Bissette, Stephen R. "Mr. Moore and Me." Alan Moore. Portrait of an Extraordinary Gentleman. Eds. smoky man and Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003. 217–32. |
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| Bistis, Margo. "Bad Art: The decline of academic art in the caricatural salon." International Journal of Comic Art 7.(2005): 126–48. |
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| Bitz, Michael. "The Comic Book Project: The lives of urban youth." Art Education 57.(2004): 33–39. |
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| Bitz, Michael. Manga High: Literacy, identity, and coming of age in an urban high school. Cambridge: Harvard Education Pr, 2009. |
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| Bitz, Michael. "Manga and the Motivated High Schoolers." SANE journal 1.1 2010. Accessed 15 Dec. 2010. <http://digitalcommons.unl.edu/sane/vol1/iss1/2>. |
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| Bitz, Michael. When Commas Meet Kryptonite: Classroom lessons from the comic book project. Language and Literacy. New York: Teachers College Pr, 2010. |
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| Bitz, Michael and Obiajulu Emejulu. "Creating Comic Books in Nigeria." Journal of Adolescent & Adult Literacy 59.(2016): 431–41. |
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| Bivins, Jason C. "“Jesus Was Not a Weak Fairy”: Chick tracts and the visual culture of evangelical fear." Religion of Fear. The Politics of Horror in Conservative Evangelicalism. New York: Oxford Univ. Press, 2008. 41–89. |
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| Biwas-Diener, Robert. "Positive Psychology of Peter Parker." The Psychology of Superheroes. An Unauthorized Exploration. Eds. Robin S. Rosenberg and Jennifer Canzoneri. Psychology of Popular Culture. Dallas: Benbella Books, 2008. 65–74. |
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| Bjegac, Vesna and Anna Waczek. "Spiel mit Perspektiven: hilda und der mitternachtsriese von luke pearson." Praxis Deutsch (2015): 15–18. |
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| Black, Jake. "Flop of Steel: Why “it's a bird, it's a plane, it's superman” did not fly over broadway." International Journal of Comic Art 7.(2005): 546–52. |
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| Black, James Eric. "Amoozin’ but Confoozin’: Comic strips as a voice of dissent in the 1950s." ETC. A Review of General Semantics 66.(2009). |
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| Black, James Eric. Walt Kelly and Pogo: The art of the political swamp. Jefferson, London: McFarland, 2016. |
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| Blackbeard, Bill. Sherlock Holmes in America. New York: Abrams, 1981. |
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| Blackbeard, Bill. "The Four Color Paper Trail: A look back." International Journal of Comic Art 5.(2003): 205–15. |
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| Blackbeard, Bill. "Iggy, Pin a Rose on Milt! The screwloose and fancy-free career of milt gross." The Comics Journal. Special Edition (2005): 98–105. |
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| Blackmore, Tim. "The Dark Knight of Democracy: Tocqueville and miller cast some light on the subject." Journal of American Culture 14.(1991): 37–56. |
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| Blackmore, Tim. "Blind Daring: Vision and revision of sophocles’s oedipus tyrranus [sic] in frank miller’s daredevil: born again." Journal of Popular Culture 27.(1993): 135–62. |
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| Blackmore, Tim. "Cerebus: From aardvark to Vanaheim, reaching for creative heaven in Dave Sim’s hellish world." Canadian Children’s Literature (1993): 57–78. |
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| Blackmore, Tim. "Doug Murray’s The ’Nam, a comic battle for Vietnam at home and abroad." LIT. Literature Interpretation Theory 5.(1994): 213–25. |
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| Blackmore, Tim. "Krazy as a Fool: Erasmus of rotterdam's praise of folly and herriman of coconino's krazy kat." Journal of Popular Culture 31.(1997): 19–46. |
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| Blackmore, Tim. "McCay’s McChanical Muse: Engineering comic strip dreams." Journal of Popular Culture 32.(1998): 15–38. |
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| Blackmore, Tim. "300 AND TWO: Frank miller and daniel ford interpret herodotus’s thermopylae myth." International Journal of Comic Art 6.(2004): 325–49. |
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| Bladow, Kyle. "Framing Storytelling: Indigenous graphic narratives." Journal of Popular Culture 52.(2019): 35–52. |
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| Blair, M. M. "“She Should Just Die in a Ditch”: Fan reactions to female characters in boys’ love manga." Boys’ Love Manga. Essays on the Sexual Ambiguity and Cross-Cultural Fandom of the Genre. Eds. Antonia Levi, Mark McHarry and Dru Pagliassotti. Jefferson, London: McFarland, 2010. 110–25. |
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| Blake, Brandy Ball. "Watchmen: The graphic novel as trauma fiction." ImageTexT 5.1 2010. Accessed 1 Feb. 2010. <http://www.english.ufl. ... xt/archives/v5_1/blake/>. |
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| Blake, Nayland. "Tom of Finland: An appreciation." Out in Culture. Gay, Lesbian and Queer Essays on Popular Culture. Eds. Corey K. Creekmur and Alexander Doty. London: Cassell, 1995. 343–53. |
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| Blanc-Hoàng, Henri-Simon. "Colonialism, postcolonialism and science fiction comics in the Southern Cone." Studies in Comics 8.(2017): 29–49. |
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| Blanc-Hoàng, Henri-Simon. "Antiquity and Bandes Dessinées: Schizophrenic nationalism between atlanticism and marxism." Comics as History, Comics as Literature. Roles of the Comic Book in Scholarship, Society, and Entertainment. Ed. Annessa Ann Babic. Madison [etc.]: Fairleigh Dickinson Univ. Press, 2014. 15–32. |
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| Blanchard, Gérard. La Bande Dessinée: Histoire des histoires en images de la préhistoire à nos jours. Marabout université. Verviers: Gérard, 1969. |
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| Blanchard, Gérard. "Le véritable domaine de la bande dessinée." Communication et langages (1969): 56–69. |
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| Blanco Cordón, Tatiana. "L’image de la femme dans les cómics femeninos des années 1960–1970 en Espagne: Conflit identitaire ou schizophrénie de genre." Comicalités 2013. Accessed 9 Mar. 2015. <http://comicalites.revues.org/1569>. |
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| Blanco de la Cruz, Caridad. "Always the Other One: Salomón." International Journal of Comic Art 2.(2000): 178–89. |
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| Blanco de la Cruz, Caridad. "Always the Other One: Salomón." Cartooning in Latin America. Ed. John A. Lent. Cresskill: Hampton, 2005. 241–52. |
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| Blank, Juliane. "Erzählperspektive im Medienwechsel: Visuelle fokalisierung in comic-adaptionen von texten franz kafkas." kunsttexte.de 1 2011. Accessed 13 Dec. 2011. <http://edoc.hu-berlin.d ... juliane-9/PDF/blank.pdf>. |
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| Blank, Juliane. Vom Sinn und Unsinn des Begriffs Graphic Novel. Comiqheft / Comiqbook. Bochum: Ch.A. Bachmann, 2014. |
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| Blank, Juliane. "Aktualisierung der Superheld*innen-Identität: marvel’s jessica jones aus der perspektive der adaptionsforschung." Folge um Folge. Multiple Perspektiven auf die Fernsehserie. Eds. Marco Agnetta and Markus Schleich. Hildesheim: Universitätsverl. Hildesheim, 2020. 129–45. |
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| Blank, Juliane. "Shaping the World: Dreams, dreaming, and dream-worlds in comics: dream of the rarebit fiend (1904–1911), little nemo (1905–1911) and the sandman (1989–1996)." Writing the Dream / Écrire le rêve. Eds. Bernard Dieterle and Manfred Engel. Cultural Dream Studies. Würzburg: Königshausen & Neumann, 2017. 277–303. |
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| Blank, Juliane. "The Appeal of the Real: Representations of ›authentic‹ dreams in comics." Mediating the Dream / Les genres et médias du rêve. Eds. Bernard Dieterle and Manfred Engel. Cultural Dream Studies. Würzburg: Königshausen & Neumann, 2020. 511–40. |
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| Blankenship, Anne. "Catholic American Citizenship: Prescriptions for children from treasure chest of fun and fact (1946–1963)." Graven Images. Religion in Comic Books & Graphic Novels. Eds. A. David Lewis and Christine Hoff Kraemer. London, New York: Continuum, 2010. |
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| Blaschitz, Edith. "Kampf gegen »Schmutz und Schund«: Medienrezeption in österreich (1945–1965)." Medienbildung in Österreich. Historische und aktuelle Entwicklungen, theoretische Positionen und Medienpraxis. Eds. Edith Blaschitz and Martin Seibt. Berlin [etc.]: LIT, 2008. 136–47. |
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| Blauner, Andrew, ed. The Peanuts Papers: Writers and cartoonists on charlie brown, snoopy & the gang, and the meaning of life. New York: Library of America, 2019. |
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| Bledsoe, Alex. "To the Batpole! Alfred explains the facts of life: three parodies." Batman Unauthorized. Vigilantes, Jokers, and Heroes in Gotham City. Eds. Dennis O’Neil and Leah Wilson. Smart Pop. Dallas: Benbella Books, 2008. 171–80. |
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| Blegvad, Peter. "The Birth of Leviathan." The Education of a Comics Artist. Visual Narrative in Cartoons, Graphic Novels, and Beyond. Eds. Michael Dooley and Steven Heller. New York: Allworth Pr, 2005. 98–100. |
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| Bleicher, Thomas. "Rechts-seitig oder rechts-zeitig – Anmerkungen zum Denken und Wirken Rolf Kaukas." Krägermanns Comic Katalog 97/98. Ed. Andreas Krägermann. Berin: Krägermann, 1996. 105–12. |
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| Blin-Rolland, Armelle. "Fidelity versus Appropriation in Comics Adaptation: Jacques carelman’s and clément oubrerie’s zazie dans le métro." European Comic Art 6.(2013): 88–109. |
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| Blin-Rolland, Armelle. "Re-inventing the origins of the boy who wouldn’t grow up: Régis loisel’s peter pan." Studies in Comics 5.(2014): 275–92. |
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| Blitz, Marcia. Donald Duck. London: New English Library, 1979. |
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| Last edited by: joachim 11/29/10, 11:37 PM |
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