| Berlatsky, Eric, ed. Alan Moore: Conversations. Conversations with Comic Artists. Jackson: Univ. Press of Mississippi, 2011. |
 
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| Berlatsky, Eric. The Real, The True, and the Told: Postmodern historical narrative and the ethics of representation. Theory and Interpretation of Narrative. Columbus: Ohio State University Libraries, 2011. |
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| Berlatsky, Eric. "“Lightning Only Strikes Twice Once, Y’Know”: Phallic mothers, fetishism, and replacement in the comics of los bros hernandez (part i)." The Hooded Utilitarian 2012. Accessed 6 Oct. 2014. <http://www.hoodedutilit ... -bros-hernandez-part-i/>. |
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| Berlatsky, Eric. "“Lightning Only Strikes Twice Once, Y’Know”: Phallic mothers, fetishism, and replacement in the comics of los bros hernandez (part ii)." The Hooded Utilitarian 2012. Accessed 6 Oct. 2014. <http://www.hoodedutilit ... bros-hernandez-part-ii/>. |
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| Added by: joachim 06/10/2014, 15:54 |
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| Berlatsky, Eric. "Between Supermen: Homosociality, misogyny, and triangular desire in the earliest superman stories." Comics Forum 2013. Accessed 12 Apr. 2013. <http://comicsforum.org/ ... ries-by-eric-berlatsky/>. |
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| Berlatsky, Noah. Wonder Woman: Bondage and feminism in the marston/peter comics, 1941–1948. Comics Culture. New Brunswick: Rutgers Univ. Press, 2015. |
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| Berlatsky, Eric. "Time and Free Will: Bergson, modernism, superheroes, and watchmen." Understanding Bergson, Understanding Modernism. Eds. Paul Ardoin, S. E. Gontarski and Laci Mattison. London, New York: Continuum, 2013. 256–80. |
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| Berlatsky, Eric and Sika Dagbovie-Mullins. "The Mixed-Race Child Within: Psychoanalyzing race, trauma, vermin, and spider-man." American Imago 77. (2020): 569–601. |
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| Berlatsky, Eric. "“Does That Change Anything?”: (post)feminist implications of gemma bovery." Drawn from the Classics. Essays on Graphic Adaptations of Literary Works. Eds. Stephen E. Tabachnick and Esther Bendit Saltzman. Jefferson, London: McFarland, 2015. 127–46. |
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| Berling, Anne, Karlheinz Borchert, and Joachim Kaps. "»Der Comic ist die komplexeste aller Formen«: Lorenzo mattotti im gespräch." Comic Almanach (1993): 50–59. |
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| Berman, Margaret Fink. "Imagining an Idiosyncratic Belonging: Representing disability in chris ware’s “building stories”." The Comics of Chris Ware. Drawing is a Way of Thinking. Eds. David M. Ball and Martha B. Kuhlman. Jackson: Univ. Press of Mississippi, 2010. 191–205. |
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| Berman, Laine. "Comics as Social Commentary in Java, Indonesia." Illustrating Asia. Comics, Humor Magazines and Picture Books. Ed. John A. Lent. ConsumAsiaN. Honolulu: Univ. of Hawai‘i Press, 2001. 13–36. |
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| Bermudez Brataas, Delilah. "Gods and monsters: Authorial creation in gaiman’s sandman and mccreery and del col’s kill shakespeare." Journal of Graphic Novels and Comics (2020): 1–24. |
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| Bernard, Mark and James Bucky Carter. "Alan Moore and the Graphic Novel: Confronting the fourth dimension." ImageTexT 1. 2 2005. Accessed 6 Jul. 2012. <http://www.english.ufl. ... t/archives/v1_2/carter/>. |
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| Bernardo, Susan M. "Recycling Victims and Villains in Batman Returns." Literature/Film Quarterly (1994): 16–20. |
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| Berndt, Jaqueline. "Japanische Massenkultur im Wandel: Ästhetisch-kulturelle prozesse im gegenwärtigen japan am beispiel massenliterarischer bestseller und manga." Dissertation Dr. phil. Humboldt-Universität zu Berlin, 1990. |
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| Berndt, Jaqueline. "Japanische Bilderwelten: Popularität des manga und visualitätskultur." Comics Anno (1995): 228–40. |
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| Berndt, Jaqueline. Phänomen Manga: Comic-kultur in japan. Japan-Edition. Berlin: edition q, 1995. |
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| Berndt, Jaqueline. El fenómeno manga. Ediciones Martínez Roca, 1996. |
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| Berndt, Caroline M. "Popular Culture as Political Protest: Writing the reality of sexual slavery." Journal of Popular Culture 31. (1997): 177–87. |
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| Berndt, Jaqueline. "»Verkunstung« des Comics. Wo japanische Kunstwissenschaft und Mangastudien sich bislang begegnen." Thesis. Wissenschaftliche Zeitschrift der Bauhaus-Universität Weimar (1998): 52–73. |
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| Berndt, Jaqueline. "The Time of Comics. Reading a Post/historical Art Form from the Perspective of Manga." Aesthetics 11. (2004): 13–19. |
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| Last edited by: joachim 30/07/2009, 15:05 |
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| Berndt, Jaqueline. "Beweglich, flächig, glatt: »japan« und »manga« in den arbeiten des künstlers murakami takashi." Facetten der japanischen Populär- und Medienkultur 1. (2005): 5–36. |
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| Berndt, Jaqueline. "Comics an der Uni: Japanisch-deutsche erfahrungen mit japanologie und kunstwissenschaft. erfahrungsbericht zur daad-gastdozentur, universität leipzig/japanologie, ss 2005." 2005. Accessed 4 Aug. 2011. <http://www.uni-leipzig. ... daad_bericht_berndt.pdf>. |
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| Berndt, Jaqueline. "Etikett »Manga«: Comics als alltagsreferenz und exotikum bei gegenwärtigen japanischen künstlern." Ostasiatische Zeitschrift (2006): 19–28. |
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| Berndt, Jaqueline. "Subculture und Otaku – Manga und Anime in Japan als Nischenkulturen." Veröffentlichungen des Japanisch-Deutschen Zentrums Berlin. Reihe 1. Deutsch 54. (2006): 28–41. |
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| Berndt, Jaqueline. "Traditions of Contemporary Manga (1). Relating Comics to Premodern Art." SIGNs. Studies in Graphic Narratives 1. (2008): 33–47. |
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| Berndt, Jaqueline. "Shōjo global: Japanische mädchenmanga zwischen kitsch und kritik." kjl&m 61. (2009): 32–38. |
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| Last edited by: joachim 19/11/2010, 01:34 |
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| Berndt, Jaqueline, ed. Comics Worlds and the World of Comics: Towards scholarship on a global scale. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2010. |
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| Berndt, Frauke. "Über die ästhetische Erziehung des Menschen oder: Von Schiller zu Magneto." Figurationen (2011): 81–99. |
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| Last edited by: joachim 17/01/2020, 13:25 |
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| Berndt, Jaqueline. "Facing the Nuclear Issue in a “Mangaesque” Way: The barefoot gen anime." Cinergie 2 2012. Accessed 20 Apr. 2013. <http://www.cinergie.it/?p=1840>. |
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| Last edited by: joachim 20/04/2013, 19:34 |
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| Berndt, Jaqueline, ed. Intercultural Crossovers, Transcultural Flows: Manga/comics. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2012. |
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| Last edited by: joachim 30/05/2012, 22:05 |
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| Berndt, Jaqueline, ed. Manhwa, Manga, Manhua: East asian comics studies. Leipziger Ostasien-Studien. Leipzig: Leipziger Universitätsverlag, 2012. |
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| Added by: joachim 21/12/2012, 17:38 |
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| Berndt, Jaqueline. "Manga ist nicht gleich Manga: Plädoyer für eine differenzierung." Aus Politik und Zeitgeschichte 64. (2014): 49–54. |
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| Berndt, Jaqueline. "Studying Comics From Southeast Asia." Kyoto Review of Southeast Asia 16 2014. Accessed 6 Jan. 2016. <http://kyotoreview.org/ ... cs-from-southeast-asia/>. |
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| Added by: joachim 07/01/2016, 10:16 |
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| Berndt, Jaqueline. Manga: Medium, Kunst und Material: Manga: medium, art and material. Leipzig: Leipziger Universitätsverlag, 2015. |
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| Last edited by: joachim 11/08/2015, 13:07 |
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| Berndt, Jaqueline. "'Comfort Women' Comics, Multifaceted: Revisiting the 2014 manhwa exhibit in angoulême from the perspective of manga studies." Orientaliska Studier (2016): 143–69. |
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| Added by: joachim 23/06/2020, 02:11 |
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| Berndt, Jaqueline. "Reflections: Writing comics into art history in contemporary japan." Konsthistorisk tidskrift/Journal of Art History 86. (2017): 67–74. |
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| Last edited by: joachim 12/03/2018, 19:10 |
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| Berndt, Jaqueline. "Anime in Academia: Representative object, media form, and japanese studies." Arts 7. 4 2018. Accessed 30 Aug. 2020. <https://www.mdpi.com/2076-0752/7/4/56>. |
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| Berndt, Jaqueline. "Manga als Kunst: Zur sprache des comic in der bildenden kunst der 90er jahre." Referate des 10. Deutschsprachigen Japanologentages vom 9. bis 12. Oktober 1996 in München. Eds. Ulrich Apel, Josef Holzapfel and Peter Pörtner. München: Japan-Zentrum der Ludwig-Maximilians-Universität, 1997. 336–41. |
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| Added by: joachim 01/04/2019, 13:18 |
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| Berndt, Jaqueline. "Hand in Hand: Kouno fumiyos mangaserie kono sekai no katasumi ni (in this corner of the world) im vergleich zur anime-adaptation durch katabuchi sunao." Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Eds. Hans-Joachim Backe, et al. Berlin u. Boston: de Gruyter, 2018. 53–84. |
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| Last edited by: joachim 11/11/2018, 12:06 |
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| Berndt, Jaqueline. "Introduction: Attempts at cross-cultural comics studies." Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2010. 5–16. |
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| Added by: joachim 25/01/2011, 00:32 |
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| Berndt, Jaqueline. "Manga x Museum in Contemporary Japan." Manhwa, Manga, Manhua. East Asian Comics Studies. Ed. Jaqueline Berndt. Leipziger Ostasien-Studien. Leipzig: Leipziger Universitätsverlag, 2012. 141–50. |
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| Added by: joachim 21/12/2012, 18:39 |
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| Berndt, Jaqueline. "The Intercultural Challenge of the “Mangaesque”: Reorienting manga studies after 3/11." Manga’s Cultural Crossroads. Eds. Jaqueline Berndt and Bettina Kümmerling-Meibauer. Routledge Advances in Art and Visual Studies. London, New York: Routledge, 2013. 65–84. |
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| Added by: joachim 14/02/2014, 09:20 |
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| Berndt, Jaqueline. "‘Adult’ Manga: Maruo suehiro's historically ambiguous comics." Reading Manga. Local and Global Perceptions of Japanese Comics. Eds. Jaqueline Berndt and Steffi Richter. Mitteldeutsche Studien zu Ostasien. Leipzig: Leipziger Universitätsverlag, 2006. 107–25. |
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| Last edited by: joachim 14/05/2010, 20:12 |
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| Berndt, Jaqueline. "Skim as Girl: Reading a japanese north american graphic novel through manga lenses." Drawing New Color Lines. Transnational Asian American Graphic Narratives. Ed. Monica Chiu. Global Connections. Hong Kong: Hong Kong Univ. Press, 2015. 257–78. |
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| Berndt, Jaqueline. "Manga für Erwachsene. Maruo Suehiros vampyristische Nostalgie." Szenarien des Comic. Helden und Historien im Medium der Schriftbildlichkeit. Eds. Stefanie Diekmann and Matthias Schneider. Berlin: SuKuLTuR, 2005. 128–42. |
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| Berndt, Jaqueline. "‘Real’ Manga: Diversity, hybridity, relationalities." Shinjigen. Manga hyōgen no genzai. Manga Realities. Exploring the Art of Japanese Comics Today. Eds. Yasuko Furuichi and Mito Geijutsukan. Tōkyō: Kokusai Kōryū Kikin, 2010. 203–09. |
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| Last edited by: joachim 29/08/2013, 16:54 |
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| Berndt, Jaqueline. "Un/sichtbare Nacktheit. Zur kulturellen und ästhetischen Spezifik japanischer Comics." Nacktheit. Ästhetische Inszenierungen im Kulturvergleich. Ed. Kerstin Gernig. Literatur – Kultur – Geschlecht. Kleine Reihe. Köln, Weimar, Wien: Böhlau, 2002. 327–48. |
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| Last edited by: joachim 30/07/2009, 15:00 |
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| Berndt, Jaqueline. "Von Japan aus gesehen: Comics und Ästhetik." Ästhetik. Aufgabe(n) einer Wissenschaftsdisziplin. Eds. Karin Hirdina and Renate Reschke. Freiburg im Breisgau: Rombach, 2004. 135–44. |
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| Berndt, Jaqueline. "Manga and ‘Manga’: Contemporary japanese comics and their dis/similarities with hokusai manga." Civilisation of Evolution, Civilisation of Revolution. Metamorphoses in Japan 1900–2000. Eds. Arkadiusz Jabłoński, Stanisław Meyer and Morita Kōji. Kraków: Muzeum Sztuki i Techniki Japońskiej Manggha, 2009. 210–22. |
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| Last edited by: joachim 20/02/2011, 23:27 |
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| Berndt, Jaqueline and Bettina Kümmerling-Meibauer, eds. Manga’s Cultural Crossroads. Routledge Advances in Art and Visual Studies. London, New York: Routledge, 2013. |
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| Last edited by: joachim 25/06/2020, 11:57 |
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| Berndt, Jaqueline. "Considering Manga Discourse: Location, ambiguity, historicity." Japanese Visual Culture. Explorations in the World of Manga and Anime. Ed. Mark W. MacWilliams. Armonk: M. E. Sharpe, 2008. 351–69. |
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| Berndt, Jaqueline. "Permeability and Othering: The relevance of “art” in contemporary japanese manga discourse." Critical Perspectives on Twentieth Century Japanese Thought. Ed. Livia Monnet. Montreal: Montreal Univ. Press, 2001. 349–75. |
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| Last edited by: joachim 14/05/2010, 22:47 |
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| Berndt, Jaqueline. "Mangamania: Dis/continuities, perspective changes and diversity." Ga-netchū! The Manga Anime Syndrome. Eds. Hans-Peter Reichmann and Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008. 12–23. |
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| Berndt, Jaqueline. "Mangamania: Dis/kontinuitäten, perspektivenwechsel, vielfalt." Ga-netchū! Das Manga Anime Syndrom. Eds. Hans-Peter Reichmann and Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008. 12–23. |
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| Berndt, Jaqueline. "Eine zeitlos schöne Nation: Das neue geschichtslehrbuch als bildergeschichte." Vergangenheit im Gesellschaftskonflikt. Ein Historikerstreit in Japan. Ed. Steffi Richter. 2003. 191–217. |
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| Last edited by: joachim 14/05/2010, 22:49 |
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| Berndt, Jaqueline and Steffi Richter, eds. Reading Manga. Local and Global Perceptions of Japanese Comics. Mitteldeutsche Studien zu Ostasien. Leipzig: Leipziger Universitätsverlag, 2006. |
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| Berndt, Jaqueline. "Historical Adventures of a Posthistorical Medium: Japan's wartime past as represented in manga." Contested Views of a Common Past. Revisions of History in Contemporary East Asia. Ed. Steffi Richter. Globalgeschichte. Frankfurt am Main: Campus, 2008. 287–320. |
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| Berndt, Jaqueline. "Bilderwelten: Popularität des manga und visualitätskultur." Ästhetik und Ästhetisierung in Japan. Ed. Werner Schaumann. München: iudicium, 1993. 41–53. |
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| Berndt, Jaqueline. "Ghostly: ‘asian graphic narratives,’ nonnonba, and manga." From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative. Eds. Daniel Stein and Jan-Noël Thon. Narratologia. Berlin u. Boston: de Gruyter, 2013. 363–84. |
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| Berndt, Jaqueline. "A Manifold ‘Flat Battlefield’: The critical potential of manga as seen through okazaki kyoko’s works." LIFE, English Supplement to Exhibition Catatalogue. Ed. Mizuki Takahashi. Contemporary Art Center, Art Tower Mito, 2006. 23–26. |
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| Berning, Nora. Towards a Critical Ethical Narratology: Analyzing value construction in literary non-fiction across media. Handbücher und Studien zur Medienkulturwissenschaft. Trier: Wissenschaftlicher Verlag Trier, 2013. |
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| Berninger, Mark. "Workshop II: Comics in School." Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives. Eds. Mark Berninger, Jochen Ecke and Gideon Haberkorn. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2010. 245–52. |
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| Berninger, Mark. "Workshop III: Teaching Comics and Literary Studies—Neil Gaiman and Charles Vess’ “A Midsummer Night’s Dream”." Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives. Eds. Mark Berninger, Jochen Ecke and Gideon Haberkorn. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2010. 253–64. |
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| Berninger, Mark. "“Scott Pilgrim Gets It Together”: The cultural crossovers of bryan lee o’malley." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 243–56. |
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| Berninger, Mark, Jochen Ecke, and Gideon Haberkorn, eds. Comics as a Nexus of Cultures: Essays on the interplay of media, disciplines and international perspectives. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2010. |
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| Berns, Jörg Jochen. Film vor dem Film: Bewegende und bewegliche bilder als mittel der imaginationssteuerung in mittelalter und früher neuzeit. Marburg: Jonas Verl. 2000. |
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| Berns, Jörg Jochen. "Horribilicinefax: Von geburt und gebaren des daumenkino-flipp-flick-muto-blow- & gaukelbuchs." Die Jagd auf die Nymphe Echo. Zur Technisierung der Wahrnehmung in der Frühen Neuzeit. Presse und Geschichte – Neue Beiträge. Bremen: edition lumière, 2011. 417–26. |
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| Bernstein, Frank. "Beim Iuppiter, was für ein Circus! Asterix bei den römischen spielen." Asterix und seine Zeit. Die große Welt des kleinen Galliers. Ed. Kai Brodersen. München: C.H. Beck, 2001. 143–58. |
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| Beronä, David A. "Picture Stories: Eric drooker and the tradition of woodcut novels." Inks 2. (1995): 2–11. |
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| Beronä, David A. "Breaking Taboos: Sexuality in the work of will eisner and the early wordless novels." International Journal of Comic Art 1. (1999): 90–103. |
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| Beronä, David A. "Pumping Iron: Male stereotypes in delisle’s albert et les autres." International Journal of Comic Art 6. (2004): 299–315. |
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| Beronä, David A. "A Renegade of Expression: David wojnarowicz’s autofiction in comics." Image [&] Narrative 9. 2 2008. Accessed 27 Oct. 2012. <http://www.imageandnarr ... utofiction2/berona.html>. |
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| Beronä, David A. Wordless Books: The original graphic novels. New York: Abrams, 2008. |
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| Beronä, David A. "Woodcut Novels: Cutting a path to the graphic novel." Comics Forum 2013. Accessed 9 Sept. 2013. <http://comicsforum.org/ ... ovel-by-david-a-berona/>. |
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| Beronä, David A. "Wordless Comics: The imaginative appeal of peter kuper’s the system." Critical Approaches to Comics and Graphic Novels. Theories and Methods. Eds. Matthew J. Smith and Randy Duncan. London, New York: Routledge, 2012. 17–26. |
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| Beronä, David A. "Pictures Speak in Comics without Words: Pictorial principles in the works of milt gross, hendrik dorgathen, eric drooker, and peter kuper." The Language of Comics. Word and Image. Eds. Robin Varnum and Christina T. Gibbons. Studies in Popular Culture. Jackson: Univ. Press of Mississippi, 2001. 19–39. |
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| Berra, John. "Deep, Deep, Down: The social satire of mario bava’s danger: diabolik." Film International 10. (2012): 44–51. |
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| Berres, Werner P. Accessed 20 Aug. 2019. Fachmagazin-Index – Das ICOM-Magazin: Mit verweisen zur gesamten deutschsprachigen periodischen comic-fachpresse 1989–1995. [Online]. Available: http://www.comic-i.com/Index/Index.html. |
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| Berres, Werner P. Comic-Fachpressen-Index 1989–1995. Zebra Sonderband. Köln: Georg K. Berres, 1999. |
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| Berres, Werner P. Comic-Fachpressen-Index 1999. Zebra Sonderband. Köln: Georg K. Berres, 2000. |
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| Berres, Werner P. Comic-Fachpressen-Index 1996–1999: Register deutschsprachige [sic] comic-fach-periodica. Zebra Sonderband. Köln: Georg K. Berres, 2001. |
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| Berres, Werner P. Comic-Fachpressen-Index 2000: Inhaltsverzeichnis und register deutschsprachiger comic-fachperiodika. Zebra Sonderband. Köln: Georg K. Berres, 2002. |
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| Berres, Werner P. Annotierter Index historischer Personen und Comics in Michael Chabon's Die unglaublichen Abenteuer von Kavalier und Clay. Zebra Sonderband. 2nd ed. Köln: Georg K. Berres, 2008. |
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| Berres, Werner P. and René Waran. Comixene-Index. Zebra Sonderband. Köln: Georg K. Berres, 1987. |
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| Berry, Ellen E. "Becoming-Girl/Becoming-Fly/Becoming-Imperceptible: Gothic posthumanism in lynda barry’s cruddy: an illustrated novel." A Companion to American Gothic. Ed. Charles L. Crow. Blackwell Companions to Literature and Culture. Chichester: Wiley-Blackwell, 2014. 405–17. |
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| Berse, Gerald. Accessed 19 Feb. 2013. The Unofficial Handbook of Marvel Comics Creators German Edition. [Online]. Available: http://www.marvelguide.de/. |
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| Berse, Gerald, ed. HIT Comics und Williams: Der ultimative führer durch die dt. marvel horror storys. HIT Chronik. Selbstverl. 2011. |
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