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| Sackmann, Eckart. "Addenda [zu: Ritter Sigurd. Das Streifenheft als Gattung, Muster und Mythos]." Deutsche Comicforschung 7. (2011): 142. |
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| Adventures Into Digital Comics. 2008. Robert Nichols. |
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| Samson, Jacques. "Adventures of the Proper Name in Tintin in Tibet." European Comic Art 5. (2012): 71–107. |
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| King, Alyson E. "Adventurous Children: Creating a Canadian Identity in Kayak: Canada’s History Magazine for Kids™." Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée 43. (2016): 119–36. |
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| Brunetti, Ivan. Aesthetics: A memoir. New Haven: Yale Univ. Press, 2013. |
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| Bray, Patrick M. "Aesthetics in the Shadow of No Towers: Reading virilio in the twenty-first century." Yale French Studies 114. (2008): 4–17. |
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| Pintor Iranzo, Ivan. "Aesthetics of Negativity in US Television Fiction and Comics: here by richard mcguire and twin peaks, the return." REDEN (2019): 35–54. |
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| Levitan, Alan. "Aether/Ore: The dreamworld descends to earth." The Sandman Papers. An Exploration of the Sandman Mythology. Ed. Joe Sanders. Seattle: Fantagraphics, 2006. 97–113. |
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| Luedecke, Patti. "Affect and the Body in Melville’s “Bartleby” and Jillian Tamaki and Mariko Tamaki’s Skim." International Journal of Comic Art 11. (2009): 299–321. |
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| Patel, Samir S., ed. Africacomics. New York: The Studio Museum in Harlem, 2006. |
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| Repetti, Massimo. "African “Ligne Claire”: The comics of francophone africa." International Journal of Comic Art 9. (2007): 515–41. |
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| Repetti, Massimo. "African Wave: Specificity and cosmopolitanism in african comics." African Arts 40. (2007): 16–35. |
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| Alexander, Torin Dru. "Africana Religion, Black Panther, and the Marvel Cinematic Universe (MCU)." Africology 11. 9 2018. Accessed 9 Jun. 2022. <http://www.jpanafrican. ... pecial-12-Alexander.pdf>. |
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| Becker, Jörg. "Afrikanischer Medienkannibalismus: Karikaturen über medien." Communicatio Socialis 36. (2003): 366–75. |
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| Cornet, Florencia V. "Afro-Caribbean Reflections on the Film Black Panther: Imagining superheroes in the nation-building process of curaçao." Africology 11. 9 2018. Accessed 9 Jun. 2022. <http://www.jpanafrican. ... .9-special-6-Cornet.pdf>. |
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| Coetzee, Carli. "Afro-superheroes: Prepossessing the future." Journal of African Cultural Studies 28. (2016): 241–44. |
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| Jungbluth, Eva. "After Alice: Wonderland’s autonomy in tommy kovac’s and sonny liew’s comic." ‘Tantalizing Alice’. Approaches, Concepts and Case-Studies in Adaptations of a Classic. Eds. Sissy Helff and Nadia Butt. ELCH - Studies in English Literary and Cultural History. Trier: Wissenschaftlicher Verlag Trier, 2016. 155–80. |
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| Meyer, Christina. "“After all, disaster is my muse”: Art spiegelman's in the shadow of no towers." American Studies as Media Studies. Eds. Frank Kelleter and Daniel Stein. American Studies. Heidelberg: Winter, 2008. 107–17. |
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| Gravett, Paul. "After Maus: Graphic novels confront the jewish experience." Jewish Quarterly 48. (2001): 21–28. |
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| Morton, Drew, ed. After Midnight: watchmen after watchmen. Jackson: Univ. Press of Mississippi, 2022. |
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| Pfahl, Courtney A. "“after the / Unauthor”: Fragmented author functions in tom phillips’s a humument." Studies in the Novel 47. (2015): 399–419. |
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| Green, Justin. "Afterword." Binky Brown meets The Holy Virgin Mary. San Francisco: McSweeney’s Books, 2009. 51–63. |
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| Denson, Shane. "Afterword: Framing, Unframing, Reframing: Retconning the transnational work of comics." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 271–84. |
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| Yoshimura, Kazuma. "Afterword: Intentions and methods behind my proposal for barefoot gen remakes abroad." Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2010. 308–17. |
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| Stewart, Bhob, ed. Against The Grain: Mad artist wallace wood. Raleigh: TwoMorrows, 2003. |
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| Henderson, Scott A. "Agency and Intertextuality: tank girl, subcultural aesthetics, and the strong female protagonist." Comics and Pop Culture. Adaptation from Panel to Frame. Eds. Barry Keith Grant and Scott A. Henderson. Austin: Univ. of Texas Press, 2019. 279–95. |
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| Mellette, Justin. "Agency Through Fragmentation? The problem of delirium in the sandman." Feminism in the Worlds of Neil Gaiman. Essays on the Comics, Poetry and Prose. Eds. Tara Prescott and Aaron Drucker. Jefferson, London: McFarland, 2012. 47–63. |
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| Payne, Philip G. and Paul S. Spaeth. "Agent of Change: The evolution and enculturation of nick fury." Comic Books and American Cultural History. An Anthology. Ed. Matthew Pustz. London, New York: Continuum, 2012. 184–201. |
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| Chambliss, Julian C., William Svitavsky, and Thomas Donaldson, eds. Ages of Heroes, Eras of Men: Superheroes and the american experience. Newcastle upon Tyne: Cambridge Scholars Publ. 2013. |
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| Miczo, Nathan. "Aging Superheroes: Retirement and return in kingdom come and old man logan." Aging Heroes. Growing Old in Popular Culture. Eds. Norma Jones and Bob Batchelor. Lanham [etc.]: Rowman & Littlefield, 2015. 143–55. |
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| Walshe, Shane. "‘Ah, laddie, did ye really think I’d let a foine broth of a boy such as yerself get splattered...?’: Representations of irish english speech in the marvel universe." Linguistics and the Study of Comics. Ed. Frank Bramlett. New York [etc.]: Palgrave Macmillan, 2012. 264–90. |
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| Jelinek, Elfriede. "Ahörnchen und Behörnchen: Gerade indem nichts geschieht, geschieht die liebe, die ja schon da war, damit sie da ist, wenn wir sie brauchen." du 64. (2004): 18–19. |
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| Rifas, Leonard. "AIDS Educational comics." Reference Services Review 19. (1991): 81–87. |
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| Demson, Michael and Heather Brown. "‘Aint I de Maine guy in dis paRade?’: Towards a radical history of comic strips and their audience since peterloo." Journal of Graphic Novels and Comics 2. (2011): 151–67. |
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| Parson, Sean. "Ain’t No Thing Like Me, Except Me: Rocket raccoon, cyborg queerness, and toxic-masculinity." Superheroes and Critical Animal Studies. The Heroic Beasts of Total Liberation. Eds. Sean Parson and J. L. Schatz. Lanham [etc.]: Lexington, 2018. 151–68. |
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| Gray, Maggie. "Airing Alan Moore’s Shorts." Comics Forum 2012. Accessed 13 Jan. 2013. <http://comicsforum.org/ ... -shorts-by-maggie-gray/>. |
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| Freiberg, Freda. "Akira and the Postnuclear Sublime." Hibakusha Cinema. Hiroshima, Nagasaki and the Nuclear Image in Japanese Film. Ed. Mick Broderick. London, New York: Kegan Paul Int. 1996. 91–102. |
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| Tagsold, Christian. "Akira and the Tokyo Olympics in 1964 and 2020/21: Reading the games through manga and anime—reading manga and anime through the games." Contemporary Japan 35. (2023): 117–35. |
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| de la Iglesia, Martin. "Akira im Westen." Comics – Übersetzungen und Adaptionen. Ed. Nathalie Mälzer. TRANSÜD. Berlin: Frank & Timme, 2015. 355–74. |
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| Standish, Isolde. "Akira, Postmodernism and Resistance." The Worlds of Japanese Popular Culture. Gender, Shifting Boundaries and Global Cultures. Ed. Dolores P. Martinez. 3rd ed. Contemporary Japanese Society. Cambridge [etc.]: Cambridge Univ. Press, 2001. 56–74. |
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| Omanga, Duncan. "‘Akokhan returns’: Kenyan newspaper comics and the making of an ‘african’ superhero." Journal of African Cultural Studies 28. (2016): 262–74. |
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| Frahm, Ole. "Aktualisierung der Geschichte: Warum comics den holocaust nicht trivialisieren." Phase 2. Zeitschrift gegen die Realität (2008): 71–75. |
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| Blank, Juliane. "Aktualisierung der Superheld*innen-Identität: marvel’s jessica jones aus der perspektive der adaptionsforschung." Folge um Folge. Multiple Perspektiven auf die Fernsehserie. Eds. Marco Agnetta and Markus Schleich. Hildesheim: Universitätsverl. Hildesheim, 2020. 129–45. |
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| Dolle-Weinkauff, Bernd. "Aktuelle Erscheinungsformen des Comic: Manga und graphic novel." Comics und Animationsfilme. Eds. Klaus Maiwald and Petra Josting. Jahrbuch Medien im Deutschunterricht. München: kopaed, 2010. 19–32. |
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| Schumacher, Michael and Denis Kitchen. Al Capp: A life to the contrary. New York: Bloomsbury, 2013. |
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| Goldstein, Kalman. "Al Capp and Walt Kelly: Pioneers of political and social satire in the comics." Journal of Popular Culture 25. (1992): 81–96. |
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| Caplin, Elliott. Al Capp Remembered. Bowling Green: Bowling Green State Univ. Popular Press, 1994. |
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| Weisman, Mary-Lou. Al Jaffee’s Mad Life. New York: HarperCollins, 2010. |
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| Nolen-Weathington, Eric, ed. Alan Davis. Modern Masters. Raleigh: TwoMorrows, 2003. |
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| Ironside, Hamish. "Alan Guppy and “Stone de Croze”." International Journal of Comic Art 10. (2008): 438–51. |
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| Heaphy, Maura. "Alan Moore." 100 Most Popular Science-Fiction Authors. Biographical Sketches and Bibliographies. Santa Barbara: Libraries Unlimited, 2010. 311–15. |
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| Killjoy, Margaret. "Alan Moore." Mythmakers & Lawbreakers. Anarchist Writers on Fiction. Oakland, Edinbourgh: AK Press, 2009. 41–57. |
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| Casey, Jim. "Alan Moore (1953–)." Fifty Key Figures in Science Fiction. Eds. Mark Bould, et al. Routledge Key Guides. London, New York: Routledge, 2010. 166–71. |
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| Peters, Jefferson M. "Alan Moore (1953– )." British Fantasy and Science Fiction Writers Since 1960. Ed. Darren Harris-Fain. Dictionary of Literary Biography. Farmington Hills: Thomson/Gale, 2002. 312–20. |
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| Ayres, Jackson. Alan Moore: A critical guide. Bloomsbury Comics Studies. New York: Bloomsbury Academic, 2021. |
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| Gifford, Denis and Orion Ussner Kidder. "Alan Moore and Anarchist Praxis in Form: Bibliography, remediation, and aesthetic form in v for vendetta and black dossier." Working-Class Comic Book Heroes. Class Conflict and Populist Politics in Comics. Ed. Marc DiPaolo. Jackson: Univ. Press of Mississippi, 2018. 94–125. |
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| Gaiman, Neil. "Alan Moore and Dave Gibbons." The New Comics. Interviews from the pages of The Comics Journal. Eds. Gary Groth and Robert Fiore. New York: Berkley, 1988. 94–104. |
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| Robinson, Michael G. "Alan Moore and Dave Gibbons’ Watchmen." The Graphic Novel. Ed. Gary Hoppenstand. Critical Insights. Englewood Cliffs: Salem Pr. 2014. 94–107. |
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| Leogrande, Cathy. "Alan Moore and David Lloyd’s V for Vendetta." The Graphic Novel. Ed. Gary Hoppenstand. Critical Insights. Englewood Cliffs: Salem Pr. 2014. 108–22. |
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| Green, Matthew J. A., ed. Alan Moore and the Gothic Tradition. Manchester, New York: Manchester Univ. Press, 2013. |
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| Green, Matthew J. A. "Alan Moore and the Gothic tradition." Alan Moore and the Gothic Tradition. Ed. Matthew J. A. Green. Manchester, New York: Manchester Univ. Press, 2013. 3–20. |
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| Bernard, Mark and James Bucky Carter. "Alan Moore and the Graphic Novel: Confronting the fourth dimension." ImageTexT 1. 2 2005. Accessed 6 Jul. 2012. <http://www.english.ufl. ... t/archives/v1_2/carter/>. |
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| Parkin, Lance. "Alan Moore and The League of Extraordinary Gentlemen." The Oxonian Review 26. 3 2013. Accessed 1 Jul. 2014. <http://www.oxonianrevie ... xtraordinary-gentlemen/>. |
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| Cooke, Jon B. and George Khoury. "Alan Moore and the Magic of Comics." Comic Book Artist (2003): 8–45. |
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| Wiater, Stanley and Stephen R. Bissette. "Alan Moore: Bard of the new order." Comic Book Rebels. Conversations with the Creators of the New Comics. Eds. Stanley Wiater and Stephen R. Bissette. New York: Donald I. Fine, 1993. 161–73. |
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| Groth, Gary. "Alan Moore Big Words." The Comics Journal (1990): 78–109. |
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| Di Liddo, Annalisa. Alan Moore: Comics as performance, fiction as scalpel. Great Comics Artists. Jackson: Univ. Press of Mississippi, 2009. |
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| Berlatsky, Eric, ed. Alan Moore: Conversations. Conversations with Comic Artists. Jackson: Univ. Press of Mississippi, 2011. |
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| Gavaler, Chris and Nathaniel Goldberg. "Alan Moore, Donald Davidson, and the Mind of Swampmen." Journal of Popular Culture 50. (2017): 239–58. |
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