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Atkinson, Paul. "Why pause? The fine line between reading and contemplation." Studies in Comics 3.(2012): 63–81. |
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Levin, Bob. "Why Roy Lichtenstein is a Greater Artist Than Ghastly Ingels." Outlaws, Rebels, Freethinkers & Pirates. Essays on Cartoons and Cartoonists. Seattle: Fantagraphics, 2005. 183–90. |
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Goetz, Ann. "Why Sell to Women, Parents, and Children?." How to Get Girls (into your store). A Friends of Lulu Retailer Handbook. Ed. Deni Loubert. San Diego: Friends of Lulu, 1997. 6–10. |
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Pratt, Henry John. "Why Serials Are Killer." Journal of Aesthetics and Art Criticism 71.(2013): 266–70. |
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Evans, Stephen C. "Why Should Superheroes Be Good? Spider-Man, the X-Men, and Kierkegaard's Double Danger." Superheroes and Philosophy. Truth, Justice, and the Socratic Way. Eds. Tom Morris and Matt Morris. Popular Culture and Philosophy. Chicago: Open Court, 2005. 161–76. |
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Moody, Kyle Andrew. "“Why So Serious?”: Comics, Film and Politics, or the Comic Book Film as the Answer to the Question of Identity and Narrative in a Post-9/11 World." Thesis Master of Arts. Miami University, 2009. |
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Tojirakarn, Mashima. "Why Thai Girls’ Manga Are Not “Shojo Manga”: Japanese Discourse and the Reality of Globalization." International Journal of Comic Art 13.(2011): 143–63. |
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Evans, Woody. "Why they won’t save us: Political dispositions in the conflicts of superheroes." Transformative Works and Cultures 17 2014. Accessed 8 Oct. 2014. <http://journal.transfor ... hp/twc/article/view/533>. |
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Howard, Sheena C., ed. Why Wakanda Matters: What Black Panther Reveals About Psychology, Identity, and Communication. Dallas: Smart Pop, 2021. |
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Kahan, Jeffrey. Why We Need Superheroes. Jefferson: McFarland, 2022. |
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Pellitteri, Marco. "Why We Should Read Joe Sacco." Joe Sacco. Nuvole da oltre frontiera. Joe Sacco. Clouds from beyond the Borders. Eds. Elettra Stamboulis and Gianluca Costantini. Ravenna: Comune di Ravenna, 2002. 34–47. |
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Adler-Kassner, Linda. “Why Won’t You Just Read It?”: Comic Books and Community in the 1950s. Annual Meeting of the Association for Education in Journalism and Mass Communication: 9—12 Aug, 1995. |
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Adler-Kassner, Linda. "“Why Won’t You Just Read It?”: E.C. Comic Book Readers and Community in the 1950s." Reader 38/39.(1997–98): 101–27. |
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Ulrich, Johann. "»Wichtig ist der Spaß an der Sache«: Johann Ulrich im Gespräch mit ATAK." Plaque (2002): 215–36. |
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Ritzer, Ivo. "Wicked City: Superhelden im transnationalen Hongkong-Kino." Superhelden zwischen Comic und Film. Eds. Thomas Koebner, et al. Film-Konzepte. München: edition text + kritik, 2007. 89–96. |
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Roeder, Katherine. Wide Awake in Slumberland: Fantasy, Mass Culture, and Modernism in the Art of Winsor McCay. Great Comics Artists. Jackson: Univ. Press of Mississippi, 2014. |
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Spahr, Clemens. "Widersprüchliche Superhelden: Erzählung und Gesellschaft in Kick-Ass und Unbreakable." Medien. Erzählen. Gesellschaft. Transmediales Erzählen im Zeitalter der Medienkonvergenz. Eds. Karl N. Renner and Dagmar von Hoff. Media Convergence / Medienkonvergenz. Berlin u. Boston: de Gruyter, 2013. 139–62. |
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Heuer, Christian. "»Wie befriedigend es ist, auf einer weißen Fläche Spuren zu hinterlassen«: Versuch über das lebensgeschichtliche Erzählen im Comic." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 325–35. |
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Schüwer, Martin. Wie Comics erzählen: Grundriss einer intermedialen Erzähltheorie der grafischen Literatur. Handbücher und Studien zur Medienkulturwissenschaft. Trier: Wissenschaftlicher Verlag Trier, 2008. |
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Wüllner, Daniel. "»Wie Conan auf Viagra«: Tim Pilcher im Interview." Comicgate Magazin (2011): 28–35. |
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Sackmann, Eckart. "Wie deutsch ist der deutsche Comic? Auf der Suche nach einer nationalen Bildliteratur." Comic Almanach (1993): 12–18. |
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Meier, Stefan. "›Wie die Helden laufen lernen‹: Stil und Transkription in aktuellen Comics und Comic-Verfilmungen." Mediale Transkodierungen. Metamorphosen zwischen Sprache, Bild und Ton. Ed. Hartmut Stöckl. Heidelberg: Winter, 2010. 189–208. |
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Löffler, Henner. Wie Enten hausen: Die Ducks von A bis Z. München: C.H. Beck, 2004. |
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Morsbach, Petra. "Wie ich lernte, Comics zu lieben." Frankfurter Allgemeine Zeitung 15 Dec 2015: 18–19. |
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Dolle-Weinkauff, Bernd. "Wie im Comic erzählt wird: Erzählerrollen in der Bildgeschichte." Kindliches Erzählen – Erzählen für Kinder. Erzählerwerb, Erzählwirklichkeit und erzählende Kinderliteratur. Ed. Hans-Heino Ewers. Weinheim, Basel: Beltz, 1991. 171–86. |
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Greinecker-Morocutti, Hannelore. "Wie ist die Darstellung des Warschauer Ghettos im Comic möglich? Der Himmel zwischen den Mauern." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 139–52. |
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Grünewald, Dietrich. Wie Kinder Comics lesen: Eine Untersuchung zum Prinzip Bildgeschichte, seinem Angebot und seinen Rezeptionsanforderungen sowie dem diesbezüglichen Lesevermögen und Leseinteresse von Kindern. Jugend und Medien. Frankfurt am Main: dipa, 1984. |
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Schikowski, Klaus. "Wie kleine Kinder: Über das Verhältnis der Comics zur Kunst." Neue Rundschau 123.(2012): 104–21. |
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Packard, Stephan. "Wie können Comics politisch sein?." Aus Politik und Zeitgeschichte 64.(2014): 17–23. |
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Bauer, Gerd. "Wie liest man einen Collageroman? Zu Max Ernsts ›La femme 100 têtes‹." Max Ernst. Illustrierte Bücher und druckgraphische Werke. Die Sammlung Hans Bollinger. Köln: Wienand, 1989. 51–73. |
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Acevedo, Juan. Wie man Comix macht. trans. Klaus Schübbe and Andreas Baumgart. Materialien der AG SPAK. München: Arbeitsgemeinschaft Sozialpolitischer Arbeitskreise, 1982. |
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Meyer, Eva. "Wie man sich als Zuhörer malt." Faltsache. Frankfurt am Main, Basel: Stroemfeld/Nexus, 1996. 23–48. |
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Laqua, Carsten. Wie Micky unter die Nazis fiel: Walt Disney und Deutschland. rororo Sachbuch. Reinbek bei Hamburg: Rowohlt, 1992. |
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Becker, Walter. Wie schützen wir unsere Jugend vor Schmutz und Schund? Wegweiser für die Jugendhilfe. 2., erw. ed. Gütersloh: Mohn, 1959. |
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Hommer, Sascha. "»Wie so Fraggles …«: Sascha Hommer über sein China-Projekt." Neue Rundschau 123.(2012): 184–89. |
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Fuchs, Wolfgang J. "Wie übersetzt man eigentlich Sprechblasen? Eine kleine Bestandsaufnahme." kjl&m 61.(2009): 61–66. |
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Kyungu, David. "Wie werden die Schwarzen im Comic dargestellt: Medienkritische Untersuchung." Diplomarbeit Hochschule für Bildende Künste Hamburg, 1989. |
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Potysch, Nicolas. Wiederholt doppeldeutig in Bild und Schrift: Ambiguität im durchbilderten Roman. Hannover: Wehrhahn, 2018. |
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Sata, Lehel. "Wiederholung als Grenzüberschreitung: Rhetorik der intermedialen Narration am Beispiel von Kafka-Comics." Prinzip Wiederholung. Zur Ästhetik von System- und Sinnbildung in Literatur, Kunst und Kultur aus interdisziplinärer Sicht. Eds. Károly Csúri and Joachim Jacob. Bielefeld: Aisthesis, 2015. 191–212. |
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Garlinski, Bojarek. "»Wieviele Bilder müssen wir noch hopsen?«: Glanz ohne Elend der Künstler ohne Namen." »Mit Pikasso macht man Kasso.« Kunst und Kunstwelt im Comic. Eds. Cuno Affolter, Urs Hangartner and Martin Heller. Zürich: Edition Moderne, 1990. 82–86. |
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Labarre, Nicolas. "WildC.A.T.S./Aliens: A Meaningful Death." The Comics Grid 2012. Accessed 18 Jul. 2012. <http://blog.comicsgrid. ... log/wildc-a-t-s-aliens/>. |
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Ueding, Gerd. Wilhelm Busch: Das 19. Jahrhundert en miniature. 2nd ed. Frankfurt am Main: Insel, 2007. |
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Lahaye, Charlotte. "Wilhelm Busch und das Genre der Comics." Staatsexamensarbeit RWTH Aachen, 2002. |
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Krause, Bernd. "Wilhelm Buschs Karikaturenfolge Der Virtuos: Analyse und Interpretation unter Berücksichtigung möglicher Vorbilder." [Privatdruck] 2008. Accessed 12 Jan. 2016. <https://www.academia.ed ... ung_möglicher_Vorbilder>. |
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Sackmann, Eckart and Joachim Knüppel. "Wilhelm Eigener – Comiczeichner auf Abruf." Deutsche Comicforschung 12.(2016). |
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Sackmann, Eckart. "Wilhelm-Busch-Nummern." Deutsche Comicforschung 7.(2011): 35–42. |
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Greenberger, Robert. Will Eisner. The Library of Graphic Novelists. New York: Rosen, 2005. |
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Hajdu, David. "Will Eisner." Heroes and Villains. Essays on Music, Movies, Comics, and Culture. Cambridge: Da Capo, 2009. 178–86. |
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Yronwode, Catherine. "Will Eisner." The New Comics. Interviews from the pages of The Comics Journal. Eds. Gary Groth and Robert Fiore. New York: Berkley, 1988. 11–23. |
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Schumacher, Michael. Will Eisner: A Dreamer’s Life in Comics. New York: Bloomsbury, 2010. |
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Couch, N.C. Christopher and Peter Livingston Myer, eds. Will Eisner: A Retrospective. New York: Museum of Comic and Cartoon Art, 2005. |
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Andelman, Bob. Will Eisner: A Spirited Life. Milwaukie: M Press, 2005. |
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Wolk, Douglas. "Will Eisner and Frank Miller: The Raconteurs." Reading Comics. How Graphic Novels Work and What They Mean. Cambridge: Da Capo, 2007. 166–80. |
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Wolk, Douglas. "Will Eisner and Frank Miller: The Raconteurs." The Best American Comics Criticism. Ed. Ben Schwartz. Seattle: Fantagraphics, 2010. 93–103. |
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Added by: joachim 30/10/2010, 01:53 |
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Fitzgerald, Paul E. Will Eisner and PS Magazine: An Ongoing Legacy of Nitty-Gritty Laughs and Deadly Serious How-to Comics for Generations of America’s Warriors. An Illustrated History and Commentary. Fincastle: FitzWorld.US, 2009. |
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Added by: joachim 09/05/2011, 17:40 |
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Chaney, Michael A. "Will Eisner and the Making of A Contract With God." The Cambridge History of the Graphic Novel. Eds. Jan Baetens, Hugo Frey and Stephen E. Tabachnick. The Cambridge Companions to Philosophy, Religion and Culture. Cambridge [etc.]: Cambridge Univ. Press, 2018. 191–202. |
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Levitz, Paul. Will Eisner: Champion of the Graphic Novel. New York: Abrams, 2015. |
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Inge, M. Thomas, ed. Will Eisner: Conversations. Conversations with Comic Artists. Jackson: Univ. Press of Mississippi, 2011. |
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Willms, Jennifer. "Will Eisner – Der »Spirit« New Yorks." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 89–97. |
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Andelman, Bob. Will Eisner: El espíritu de una vida. Barcelona: Norma, 2008. |
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Braun, Alexander. Will Eisner: Graphic Novel Godfather. Berlin: Avant, 2021. |
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Couch, N.C. Christopher. "Will Eisner, Master of Comic Art and Father of the Graphic Novel." Will Eisner. A Retrospective. Eds. N.C. Christopher Couch and Peter Livingston Myer. New York: Museum of Comic and Cartoon Art, 2005. 9–14. |
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Last edited by: joachim 15/08/2016, 10:28 |
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Kaplan, Leonard V. "Will Eisner: Master of Graphic Wisdom." Comics and Sacred Texts. Reimagining Religion and Graphic Narratives. Eds. Assaf Gamzou and Ken Koltun-Fromm. Jackson: Univ. Press of Mississippi, 2018. 269–80. |
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Barrier, Michael. "Will Eisner: Moved by The Spirit." 2003. Accessed 26 Nov. 2009. <http://www.michaelbarri ... Eisner/essay_Eisner.htm>. |
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Knorr, Wolfram. "Will Eisner: Oder: Das visuelle Rauschgift des Bilderromans." Comics, Mangas, Graphic Novels. Eds. Heinz Ludwig Arnold and Andreas C. Knigge. Text + Kritik Sonderband. München: edition text + kritik, 2009. 74–89. |
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Will Eisner: Portrait of a Sequential Artist. 2007. Jon B. Cooke. |
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Will Eisner: Profession: Cartoonist. 1999. |
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Wiater, Stanley and Stephen R. Bissette. "Will Eisner: The Old Man on the Mountain." Comic Book Rebels. Conversations with the Creators of the New Comics. Eds. Stanley Wiater and Stephen R. Bissette. New York: Donald I. Fine, 1993. 269–81. |
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Added by: joachim 27/04/2015, 07:41 |
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Andelman, Bob. Will Eisner: Una vita per il fumetto. Spoltore: DOUbLe SHOt, 2013. |
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Schmidt, Sabine Maria. "Will Eisner und Anmerkungen zur Vorgeschichte der »Graphic Novel«." Tausend Bilder und eins. Comic als ästhetische Praxis in der postmigrantischen Gesellschaft. Eds. Angela Weber and Katharina Moritzen. Bielefeld: Transcript, 2017. 398–405. |
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Last edited by: joachim 04/08/2021, 10:47 |
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Smith, Greg M. "Will Eisner, Vaudevillian of the Cityscape." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 183–98. |
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Added by: joachim 25/03/2010, 00:26 |
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Clark, Daniel D. "Will Eisner’s A Contract with God." The Graphic Novel. Ed. Gary Hoppenstand. Critical Insights. Englewood Cliffs: Salem Pr. 2014. 57–68. |
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Added by: joachim 23/02/2017, 17:53 |
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Gómez, Felipe. "Will it be possible? Apocalypse and Resistance in Latin American Graphic Novels." Paradoxa 32.(2021): 201–24. |
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Lloyd, Michelle Anne. "Will The Real Captain America Please Stand-Up: Redefining the Patriotic Hero Post-9/11." Thesis Master of Arts English. Clemson University, 2016. |
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McClelland-Nugent, Ruth. "“Will the Real Dr. Psycho Please Stand Up?”: Finding the Origins of Wonder Woman’s Golden Age Characters." International Journal of Comic Art 20.(2018): 575–86. |
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Johnsen, Derek. "Will the Real Wolverine Please Stand Up? Marvel’s Mutation from Monthlies to Movies." Film and Comic Books. Eds. Ian Gordon, Mark Jancovich and Matthew P. McAllister. Jackson: Univ. Press of Mississippi, 2007. 64–86. |
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Alaniz, José. "‘Will You Listen to That!’: (Dis)Ability in Moore/Willingham’s ‘In Blackest Night’." Comics Forum 2012. Accessed 13 Apr. 2013. <http://comicsforum.org/ ... t-night-by-jose-alaniz/>. |
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Broglio, Ron. "William Blake and the Novel Space of Revolution." ImageTexT 3.2 2007. Accessed 25 Jan. 2010. <http://www.english.ufl. ... /archives/v3_2/broglio/>. |
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Ritchie, Matthew. "William Blake: On the Infinite Plane." ImageTexT 3.2 2007. Accessed 25 Jan. 2010. <http://www.english.ufl. ... /archives/v3_2/ritchie/>. |
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Acciaioli, Stefania. "William Blakes intertextueller Dialog zwischen Wort und Bild." Schrift und Graphisches im Vergleich. Eds. Monika Schmitz-Emans, Linda Simonis and Simone Sauer-Kretschmer. Bielefeld: Aisthesis, 2019. 165–82. |
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Inge, M. Thomas. "William Faulkner and the Graphic Novel." International Journal of Comic Art 5.(2003): 214–19. |
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Nyberg, Amy Kiste. "William Gaines and the Battle over EC Comics." Inks 3.(1996): 2–15. |
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Nyberg, Amy Kiste. "William Gaines and the Battle over EC Comics." A Comics Studies Reader. Eds. Jeet Heer and Kent Worcester. Jackson: Univ. Press of Mississippi, 2009. 58–68. |
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Jones, Sumie. "William Hogarth and Kitao Masanobu: Reading Eighteenth-Century Pictorial Narratives." Yearbook of Comparative and General Literature 34.(1985): 37–73. |
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Wagner, Hans-Peter. William Hogarth. Das graphische Werk: Ein kommentierter Auswahlkatalog. Trier: Wissenschaftlicher Verlag Trier, 2013. |
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Kidson, Mike. "William Hogarth: Printing Techniques and Comics." International Journal of Comic Art 1.(1999): 76–89. |
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Bartual, Roberto. "William Hogarth’s A Harlot’s Progress: The beginnings of a purely pictographic sequential language." Studies in Comics 1.(2010): 83–105. |
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Finn, Michelle R. "William Marston’s Feminist Agenda." The Ages of Wonder Woman. Essays on the Amazon Princess in Changing Times. Ed. Joseph J. Darowski. Jefferson: McFarland, 2013. 7–21. |
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Berse, Gerald, ed. Williams, Bastei, Condor und Co. Der ultimative Führer durch die dt. Marvel Horror Storys. HIT Chronik. Selbstverl. 2011. |
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Noomin, Diane. "Wimmin and Comix." ImageTexT 1.2 2005. Accessed 9 Dec. 2009. <http://www.english.ufl. ... t/archives/v1_2/noomin/>. |
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Platten, David. "Windows of Cognition: Contemporary French Comics and the Cultural Middlebrow." Belphégor 15.2 2017. Accessed 15 May. 2019. <http://journals.openedition.org/belphegor/1005>. |
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Beez, Jigal. "Winners, Cheats, and Witches: East African Soccer Cartoons." International Journal of Comic Art 8.(2006): 114–36. |
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Braun, Alexander. Winsor McCay: Comics, Filme, Träume. Bonn: Bocola, 2012. |
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Robb, Jenny E. "Winsor McCay, George Randolph Chester, and the Tale of the Jungle Imps." American Periodicals 17.(2007): 245–59. |
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Canemaker, John. Winsor McCay: His Life and Art. 2nd ed. New York: Abrams, 2005. |
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Horn, Maurice. "Winsor McCay: Visionär und Zauberer der Comics." Comic Jahrbuch (1990): 187–93. |
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Nemeth, Gabriel and Ralf Palandt. "»Wir haben einen Betrieb in Auschwitz«: Der Geschichtscomic Sklaven oder Eine Geschichte von Wirtschaftswundern." Rechtsextremismus, Rassismus und Antisemitismus in Comics. Ed. Ralf Palandt. Berlin: Archiv der Jugendkulturen, 2011. 171–81. |
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Added by: joachim 04/09/2011, 22:52 |
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Autorenkollektiv. Wir machen unsere Comics selber: Erfahrungen mit Comics an der Grundschule. Basis Unterricht. Berlin: Basis, 1974. |
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Ueding, Gerd. "Wir Menschen in der Menge: Streifzug durch Sempés Welt." »Und wer bist du, der mich betrachtet?« Populäre Literatur und Kultur als ästhetische Phänomene. Festschrift für Helmut Schmiedt. Ed. Helga Arend. Bielefeld: Aisthesis, 2010. 17–26. |
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Added by: joachim 07/10/2010, 03:19 |
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