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| Özçınar, Meral. "A Cornerstone of Turkish Fantastic Films: From flash gordon to baytekin." Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives. Eds. Mark Berninger, Jochen Ecke and Gideon Haberkorn. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2010. 164–74. |
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| Lee, Peter W. "A Crisis of Infinite Dearth: Winning vietnam via the never-ending war on earth-x." The Ages of the Justice League. Essays on America’s Greatest Superheroes in Changing Times. Ed. Joseph J. Darowski. London: McFarland, 2017. 66–79. |
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| Worcester, Kent. A Cultural History of The Punisher: Marvel comics and the politics of vengeance. Bristol, Chicago: Intellect Books, 2023. |
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| Nericcio, William Anthony. "A Decidedly “Mexican” and “American” Semi[er]otic Transference: Frida kahlo in the eyes of gilbert hernandez." Latino/a Popular Culture. Eds. Michelle Habell-Pallán and Mary Romero. New York, London: New York Univ. Press, 2002. 190–207. |
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| Cook, Mike P. and Brandon L. Sams. "A Different Kind of Sponsorship: The influence of graphic narrative composing on ela pre-service teachers’ perceptions of writing and literacy instruction." Journal of Language and Literacy Education 14. 1 2018. Accessed 26 Apr. 2018. <http://jolle.coe.uga.ed ... 8/04/Cook_JoLLE2018.pdf>. |
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| Gabilliet, Jean-Paul. "A Disappointing Crossing: The north american reception of asterix and tintin." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 257–70. |
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| Kovan, Sarah B. and Derek R. Soled. "A Disembodied Dementia: Graphic medicine and illness narratives." Journal of Medical Humanities 44. (2023): 227–44. |
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| Stoll, Jeremy. "A Domestic Schizophrenia: Gender and political cartoons in the middle east." International Journal of Comic Art 12. (2010): 302–22. |
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| Strong, Anise K. "A Dream of Augustus: Neil gaiman’s sandman and comics mythology." Classics and Comics. Eds. George Kovacs and C. W. Marshall. Classical Presences. New York: Oxford Univ. Press, 2011. 173–82. |
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| Samson, Jacques. "A Face in the Mind." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 70–72. |
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| Trousdale, Rachel. "A Female Prophet? Authority and inheritance in marjane satrapi." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 241–63. |
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| Quiring, Björn. "“A Fiction That We Must Inhabit” – Sense Production in Urban Spaces According to Alan Moore and Eddie Campbell’s From Hell." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 199–213. |
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| Hernández, María Lorenzo. "A Film of One’s Own: The animated self-portraits of young contemporary female animators." Animation 5. (2010): 73–90. |
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| Perez del Solar, Pedro. "“A Führer’s Day”: Comics and politics of memory in 1980s spain." International Journal of Comic Art 10. (2008): 280–97. |
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| Andelman, Bob. "“A Great Bamboozler”: Howard chaykin on will eisner." The Best American Comics Criticism. Ed. Ben Schwartz. Seattle: Fantagraphics, 2010. 104–13. |
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| Clancy, Shaun. "A great friendship: An interview with friend and artist frank giusto." Matt Baker. The Art of Glamour. Eds. Jim Amash and Eric Nolen-Weathington. Raleigh: TwoMorrows, 2012. 122–35. |
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| Landon, Richard. "A Half-Naked Muscleman in Trunks: Charles atlas, superheroes, and comic book masculinity." Journal of the Fantastic in the Arts 18. (2007): 200–16. |
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| Romero-Jódar, Andrés. "A hammer to shape reality: Alan moore’s graphic novels and the avant-gardes." Studies in Comics 2. (2011): 39–56. |
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| Barker, Martin. A Haunt of Fears: The strange history of the british horror comics campaign. Studies in Popular Culture. Jackson: Pluto, 1992. |
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| Robbins, Margaret A. "A Hero’s Journey for Diverse Women in Comics: Teaching critical visual literacy skills through serenity and parallel texts ms. marvel, buffy the vampire slayer, and gotham." Comic Connections. Reflecting on Women in Popular Culture. Ed. Sandra Eckard. Comic Connections. Lanham [etc.]: Rowman & Littlefield, 2018. 107–20. |
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| Misemer, Leah. "A Historical Approach to Webcomics: Digital authorship in the early 2000s." The Comics Grid 9 2019. Accessed 20 Feb. 2020. <https://doi.org/10.16995/cg.162>. |
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| Cotter, Robert Michael. A History of the Doc Savage Adventures in Pulps, Paperbacks, Comics, Fanzines, Radio and Film. Jefferson, London: McFarland, 2009. |
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| Gardner, Jared. "A History of the Narrative Comic Strip." From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative. Eds. Daniel Stein and Jan-Noël Thon. Narratologia. Berlin u. Boston: de Gruyter, 2013. 241–53. |
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| Estren, Marc James. A History of Underground Comics. 3rd ed. Berkeley: Ronin, 1993. |
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| Ahrens, Jörn. "A History of Violence: David cronenberg, die graphic novel und die repräsentation der gewalt." Comic. Film. Helden. Heldenkonzepte und medienwissenschaftliche Analysen. Ed. Barbara Kainz. Wien: Löcker, 2009. 125–37. |
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| Valencia-García, Louie Dean. "A League of Orphans and Single Parents: Making a family in an era of father knows best." The Ages of the Justice League. Essays on America’s Greatest Superheroes in Changing Times. Ed. Joseph J. Darowski. London: McFarland, 2017. 18–32. |
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| Mouchart, Benoît. À l'ombre de la ligne claire: Jacques van melkebeke entre hergé et jacobs. Réflexions faites. 2nd ed. Bruxelles: Les Impressions Nouvelles, 2014. |
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| Alexandre-Bidon, Danièle. "À l’origine de l’imagerie onirique: La peinture du rêve dans l’art médiéval." Nocturnos. Le rêve dans la bande dessinée. Ed. Thierry Groensteen. Paris: Citadelles & Mazenod, 2013. 13–26. |
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| Cicci, Matthew Alan. "A Made Man: Joe fixit, the ’80s and consumption as resistance." The Ages of the Incredible Hulk. Essays on the Green Goliath in Changing Times. Ed. Joseph J. Darowski. Jefferson, London: McFarland, 2016. 111–23. |
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| Iadonisi, Richard. "‘A Man Has Risen’: Hard bodies, reaganism, and the dark knight returns." Graphic History. Essays on Graphic Novels And/As History. Ed. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ. 2012. 72–88. |
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