Müller, Alain. "Der schmale Grat zwischen Realismus und Interpretation: Ein rekursiver dialog zwischen „realistischem“ franko-belgischem comic und ethnographie." Zeitschrift für Empirische Kulturwissenschaft 118.(2022): 51–77.  |
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| Baetens, Jan and Hugo Frey. "‘Layouting’ for the plot: Charles burns and the clear line revisited." Journal of Graphic Novels and Comics 8.(2017): 193–202. |
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| Harbeck, Matthias. "Alpen, Schwarzwald, Fachwerkhäuser Zum othering von deutschland in us-superheldinnencomics." Pop the Nation. Die Nation als Ressource und Argument in Kulturen populärer Unterhaltung und Vergnügen. Eds. Marketa Spiritova and Manuel Trummer. Kulturen populärer Unterhaltung und Vergnügung. Münster: Waxmann, 2023. 189–213. |
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| Harbeck, Matthias. "Alternate Histories des Zweiten Weltkriegs – Erinnerung oder Fetischisierung? Eine untersuchung am beispiel us-amerikanischer mainstreamcomics.." Mediated Pasts – Popular Pleasures. Medien und Praktiken populärkulturellen Erinnerns. Eds. Christoph Bareither and Ingrid Tomkowiak. Kulturen populärer Unterhaltung und Vergnügung. Würzburg: Königshausen & Neumann, 2020. 235–53. |
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| Nijhawan, Vikram. "“The lunatic, the lover, and the poet” Ambiguous three-way authorship in neil gaiman’s sandman #19, “a midsummer night’s dream”." Journal of Graphic Novels and Comics (2023): 1–20. |
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| Hertrampf, Marina Ortrud M. "Rupestres: Auf den Spuren der Menschheitsgeschichte oder Ein Comic begibt sich auf Spurensuche." Spuren.Suche (in) der Romania. Eds. Luca Melchior, et al.. Forum Junge Romanistik. Frankfurt am Main [etc.]: Peter Lang, 2014. |
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| Moszkowicz, Julia. "Time, Narrative and the Gutter How philosophical thinking can make something out of nothing." Cultural Excavation and Formal Expression in the Graphic Novel. Eds. Jonathan C. Evans and Thomas Giddens. At the Interface, Probing the Boundaries. Oxford: Inter-Disciplinary Pr, 2013. 197–205. |
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| Morton, Drew, ed. After Midnight: watchmen after watchmen. Jackson: Univ. Press of Mississippi, 2022. |
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| Serriere, Jérôme. Zum Bild des tirailleur sénégalais im französischen Comic: Repräsentation einer kolonialen figur in der erinnerungskultur des 1. weltkriegs. Wiesbaden: Springer VS, 2022. |
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| Pursall, Dona and Eva Van de Wiele, eds. Sugar, Spice, and the Not So Nice Comics picturing girlhood. Studies in European Comics and Graphic Novels. Leuven: Leuven Univ. Press, 2023. |
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| Stein, Daniel. "Conflicting Counternarratives of Crime and Justice in US Superhero Comics." Conflicting Narratives of Crime and Punishment. Eds. Martina Althoff, Bernd Dollinger and Holger Schmidt. New York [etc.]: Palgrave Macmillan, 2020. 139–60. |
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| Langhans, Britta, Ines Paraire, and Nathalie Schnitzer. "La bande dessinée en cours d’allemand entre comic strip et roman graphique." Tréma 51 2019. Accessed 27 August. 2022. <https://journals.openedition.org/trema/5055>. |
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| Harguindey Barrio, Breixo. "The Order of Comics: Dynamics of the ninth art’s devices." On the Edge of the Panel. Essays on Comics Criticism. Eds. Julio Cañero and Esther Claudio. Newcastle upon Tyne: Cambridge Scholars Publ, 2015. 65–73. |
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| Kashtan, Aaron. "Change the cover: Superhero fan identity in an age of diversification." Journal of Fandom Studies 6.(2018): 243–61. |
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| Stein, Daniel. "Spoofin’ Spidey—Rebooting the Bat: Immersive story worlds and the narrative complexities of video spoofs in the era of the superhero blockbuster." Film Remakes, Adaptations and Fan Productions. Remake/Remodel. Eds. Kathleen Loock and Constantine Verevis. New York [etc.]: Palgrave Macmillan, 2012. 231–47. |
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| Kwa, Shiamin. Perfect Copies: Reproduction and the contemporary comic. Ithaca: Rutgers Univ. Press, 2023. |
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| Beaty, Bart. Comics Versus Art. Toronto, Buffalo, London: Univ. of Toronto Press, 2012. |
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| Colaone, Sara and Lucia Quaquarelli, eds. Bande à part: Graphic novel, fumetto e letteratura. Tracciati. Milano: Morellini, 2016. |
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| Fitch, Alex. "One Soul, From Hell and Here The graphic novel page as time machine." Visions of the Future in Comics. International Perspectives. Eds. Francesco-Alessio Ursini, Adnan Mahmutovic and Frank Bramlett. Jefferson: McFarland, 2017. 30–48. |
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| Cook, Roy T. "Time Travel and Richard McGuire’s “Here”." Visions of the Future in Comics. International Perspectives. Eds. Francesco-Alessio Ursini, Adnan Mahmutovic and Frank Bramlett. Jefferson: McFarland, 2017. 12–29. |
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| Ursini, Francesco-Alessio, Adnan Mahmutovic, and Frank Bramlett, eds. Visions of the Future in Comics: International perspectives. Jefferson: McFarland, 2017. |
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| Olsza, Małgorzata. "Comics in the Anthropocene: Graphic narratives of apocalypse, regeneration and warning." Text Matters (2022): 51–68. |
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| Zullo, Valentino L. "Keeping Horror in Mind: Psychoanalysis and the “new direction” of ec comics." Journal of Popular Culture 54.(2021): 868–90. |
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| Antola, Laura. "Strategies of Adaptation in the Finnish Publications of Marvel’s Superhero Comics." Journal of Popular Culture 52.(2019): 703–24. |
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| Antola, Laura. "‘It is nice that you want to improve this comic book together with us’: The letters page’s significance in the transnational adaptation of marvel comics in finland." Participations 17.1 2020. Accessed 6 February. 2023. <https://www.participations.org/17-01-04-antola.pdf>. |
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| Serles, Katharina. "Bilder Sehen Erzählen: Kunstbetrachtung im comic." Closure 4.5 2018. Accessed 5 February. 2023. <https://www.closure.uni-kiel.de/closure4.5/serles>. |
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| Richter, Sebastian R. "Richard McGuires Here als implizite Selbstreflexion von Zeit." Closure 4.5 2018. Accessed 5 February. 2023. <https://www.closure.uni-kiel.de/closure4.5/richter>. |
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| Eckhoff-Heindl, Nina. Comics begreifen: Ästhetische erfahrung durch visuell-taktiles erzählen in chris wares building stories. Bild+Bild. Berlin: Reimer, 2023. |
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| Harguindey Barrio, Breixo. "A Haunted House: here de richard mcguire a la luz de la espectralidad derridiana." CuCo, Cuadernos de cómic 9 2017. Accessed 5 February. 2023. <https://erevistas.publi ... comic/article/view/1169>. |
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| Canavan, Gerry. "Memento Mori: Richard mcguire’s “here” and art in the anthropocene." Deletion 2017. Accessed 5 February. 2023. <https://www.deletionsci ... uires-art-anthropocene/>. |
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| Konstantinou, Lee. "A Theory of “Here”." The Account 4 2015. Accessed 4 February. 2023. <https://theaccountmagaz ... ticle/a-theory-of-here/>. |
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| Smith, Philip. "Rhyming Events: Contested narratives and “cli-fi” in richard mcguire’s here." Inks 2.(2018): 38–48. |
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| Perry, Laura. "Anthroposcenes: Towards an environmental graphic novel." C21 Literature 6.1 2018. Accessed 4 February. 2023. <https://c21.openlibhums.org/article/id/517/>. |
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| North, Laurence. "Architecture and the graphic novel." Journal of Illustration 6.(2019): 341–64. |
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| Sobelle, Stefanie. "Rhyming Times: The architecture of progressive time and simultaneity in richard mcguire’s here." A Question of Time. American Literature from Colonial Encounter to Contemporary Fiction. Ed. Cindy Weinstein. Cambridge [etc.]: Cambridge Univ. Press, 2018. 206–26. |
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| Balestrino, Alice. "Placing Time, Timing Space Memory as border and line of (hi)stories in richard mcguire’s graphic narrative here." Review of International American Studies 11.(2018): 67–79. |
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| Pintor Iranzo, Ivan. "Aesthetics of Negativity in US Television Fiction and Comics: here by richard mcguire and twin peaks, the return." REDEN (2019): 35–54. |
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| Manis, Karl. "Sounds of the Contemporary: Listening to the present in richard mcguire’s here." Critique: Studies in Contemporary Fiction (2022): 1–16. |
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| Moncion, Laura. "Time Frames: Graphic narrative and historiography in richard mcguire’s here." Imaginations 7.(2016): 198–213. |
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| Rabenstein-Michel, Ingeborg. "Nick Knatterton et le « rêve allemand » des années cinquante." Germanica 47.(2010): 51–66. |
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| Dauth, Lisa. "»Eines Tages werde ich dir alles erzählen«: Die biografische graphic novel der boxer zwischen wahrheit und fiktion." Germanica 70.(2022): 49–62. |
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| Faulstich, Werner. Medienästhetik und Mediengeschichte: Mit einer fallstudie zu "the war of the worlds" von h. g. wells. Reihe Siegen. Heidelberg: Winter, 1982. |
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| Kraenzle, Christina. "Risking Representation: Abstraction, affect, and the documentary mode in birgit weyhe’s madgermanes." Seminar 56.(2020): 212–34. |
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| Brinkmann, Frank Thomas, ed. Endlichkeit, Tod und der Comic. Berlin: Ch.A. Bachmann, 2022. |
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| "Dictionnaire esthétique et thématique de la bande dessinée." 2012. Accessed 27 September. 2015. <http://neuviemeart.citebd.org/spip.php?rubrique77>. |
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| Cole, Jean Lee. "Rising from the Gutter: Rudolph block, the comic strip, and the ghetto fiction of bruno lessing." Melus 41.(2016): 27–54. |
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| Lioi, Anthony. Nerd Ecology: Defending the earth with unpopular culture. Environmental Cultures. New York: Bloomsbury Academic, 2016. |
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| Philippi, Birte Svea. Sterben, Tod und Jenseits in der graphischen Literatur Schlüsselbildanalysen in bilderbüchern und graphic novels. Bielefeld: Transcript, 2022. |
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| Imperatore, Lynn. "See for yourself: Drawing (out) the interiors of vision." Drawing 1.(2016): 37–57. |
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| Gómez, Felipe. "Will it be possible? Apocalypse and resistance in latin american graphic novels." Paradoxa 32.(2021): 201–24. |
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| Banita, Georgiana and Lee Konstantinou, eds. Artful Breakdowns: The comics of art spiegelman. Tom Inge Series on Comics Artists. Jackson: Univ. Press of Mississippi, 2023. |
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| Jenkins, Tricia and Tom Secker. "Science, superheroes and the Science and Entertainment Exchange." Journal of Science & Popular Culture 4.(2021): 21–38. |
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| Michael, Olga. "Looking at the Perpetrator in Nina Bunjevac’s Fatherland." Journal of Perpetrator Research 4.2 2022. Accessed 24 October. 2022. <https://jpr.winchesteru ... t/10.21039/jpr.4.2.111/>. |
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| in ‘t Veld, Laurike. "Familial Complicity in Peter Pontiac’s Kraut, Nora Krug’s Belonging, and Serena Katt’s Sunday’s Child." Journal of Perpetrator Research 4.2 2022. Accessed 24 October. 2022. <https://jpr.winchesteru ... t/10.21039/jpr.4.2.117/>. |
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| Konrad, Tatiana. "The Legacy of American Slavery: Contesting blackness and re-envisioning nationhood in kindred: a graphic novel adaptation." Journal of Perpetrator Research 4.2 2022. Accessed 24 October. 2022. <https://jpr.winchesteru ... t/10.21039/jpr.4.2.110/>. |
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| Austin, Sara. Monstrous Youth: Transgressing the boundaries of childhood in the united states. Columbus: Ohio State Univ. Press, 2022. |
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| Kirtley, Susan E. Typical Girls: The rhetoric of womanhood in comic strips. Studies in Comics and Cartoons. Columbus: Ohio State Univ. Press, 2021. |
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| Oppolzer, Markus. Reading Autobiographical Comics: A framework for educational settings. Anglo-amerikanische Studien / Anglo-American Studies. Berlin [etc.]: Peter Lang, 2020. |
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| Linke, Kai. Good White Queers? Racism and whiteness in queer u.s. comics. Queer Studies. Bielefeld: Transcript, 2021. |
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| Hayes, David. "“You Guys Are Killing Me with This Dreck” Contemporary attitudes toward the golden, atomic, silver, and bronze eras of comic book production." Handbook of Cultural Studies and Education. Eds. Peter Pericles Trifonas and Susan Jagger. London, New York: Routledge, 2019. 255–76. |
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| Brown, Matthew J., Randy Duncan, and Matthew J. Smith, eds. More Critical Approaches to Comics: Theories and methods. London, New York: Routledge, 2019. |
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| Mikkonen, Kai. The Narratology of Comic Art. Routledge Advances in Comics Studies. London, New York: Routledge, 2017. |
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| Stańczyk, Ewa, ed. Comic Books, Graphic Novels and the Holocaust Beyond maus. London, New York: Routledge, 2018. |
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| Gorrara, Claire. "Not seeing Auschwitz: Memory, generation and representations of the holocaust in twenty-first century french comics." Comic Books, Graphic Novels and the Holocaust. Beyond Maus. Ed. Ewa Stańczyk. London, New York: Routledge, 2019. 111–26. |
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| Ribbens, Kees. "The Invisible Jews in August Froehlich’s “Nazi Death Parade” (1944) An early american sequential narrative attempt to visualize the final stages of the holocaust." Beyond MAUS. The Legacy of Holocaust Comics. Eds. Ole Frahm, Hans-Joachim Hahn and Markus Streb. Schriften des Centrums für Jüdische Studien. Köln, Weimar, Wien: Böhlau, 2021. 133–65. |
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| Frahm, Ole, Hans-Joachim Hahn, and Markus Streb, eds. Beyond MAUS: The legacy of holocaust comics. Schriften des Centrums für Jüdische Studien. Köln, Weimar, Wien: Böhlau, 2021. |
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| Schöbi, Karl. "Globi in der Verbannung: Ein ungeeignetes lehrmittel für unsere schulen." Schweizer Schulen 38.(1951): 152–55. |
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| Zberg, Ueli. Globi – ein wildes Kind Pädagogische betrachtung einer schweizer kultfigur. München: Grin, 2012. |
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| Roth, Walter. Globi: 60 Jahre Kinderfreund, beliebter denn je! Die geschichte einer erfolgsfigur. Zürich: Globi-Verl, 1992. |
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| Baer, Reto. "60 Jahre Globi: Eine schweizer erfolgsstory." Comic Almanach (1993): 147–51. |
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| Etter, Lukas and Jan-Noël Thon. "Erzählen im Comic." Grundthemen der Literaturwissenschaft: Erzählen. Eds. Martin Huber and Wolf Schmid. Grundthemen der Literaturwissenschaft. Berlin, Boston: De Gruyter, 2018. 485–98. |
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| O’Connell, Sean. Release the Snyder Cut: The crazy true story behind the fight that saved zack snyder’s justice league. Lanham: Applause, 2021. |
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| O’Connell, Sean. With Great Power: How spider-man conquered hollywood during the golden age of comic book blockbusters. Lanham: Applause, 2022. |
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| Daiya, Kavita, ed. Graphic Narratives about South Asia and South Asian America: Aesthetics and politics. London, New York: Routledge, 2019. |
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| Varughese, E. Dawson and Rajinder Dudrah, eds. Graphic Novels and Visual Cultures in South Asia. London, New York: Routledge, 2020. |
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| Williams, Paul. The US Graphic Novel. Critical Insights in American Studies. Edinburgh: Edinburgh University Press, 2022. |
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| Lent, John A., Wendy Siuyi Wong, and Benjamin Wai-ming Ng, eds. Transnationalism in East and Southeast Asian Comics Art. New York [etc.]: Palgrave Macmillan, 2022. |
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| Sackmann, Eckart and Gerd Lettkemann. "Der Contibube. Erich Maria Remarque als Comicautor." Erich Maria Remarque und der Comic. Ed. Thomas F. Schneider. Erich-Maria-Remarque-Jahrbuch. Göttingen: V&R unipress, 2007. 46–50. |
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| Sackmann, Eckart and Gerd Lettkemann. "Der Contibube – Erich Maria Remarque als Comicautor." Deutsche Comicforschung 2.(2006): 60–67. |
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| Dolle-Weinkauff, Bernd and Dietrich Grünewald, eds. Studien zur Geschichte des Comic. Berlin: Ch.A. Bachmann, 2022. |
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| Paim, Augusto. Die Comicreportage: Journalistische erzählung in comicform. Berlin: Ch.A. Bachmann, 2022. |
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| Dallet-Mann, Véronique. "Variations autour de la « Girlkultur » dans Thea, bande dessinée parue dans Das Heft. Die neue illustrierte Frauenzeitung (1929–31)." Studia Universitatis Babeş-Bolyai – Philologia 62.(2017): 113–26. |
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| Teissier, Catherine. "Bande dessinée et transmission de l’histoire récente Rda, chute du mur et réunification." Studia Universitatis Babeş-Bolyai – Philologia 62.(2017): 99–112. |
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| Schnitzer, Nathalie. "La relation texte-image dans le roman graphique Kermesse au paradis de Birgit Weyhe." Studia Universitatis Babeş-Bolyai – Philologia 62.(2017): 85–98. |
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| Bancaud, Florence. "Le Roman graphique: Une nouvelle écriture du traumatisme ?." Studia Universitatis Babeş-Bolyai – Philologia 62.(2017): 73–84. |
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| Faure-Godbert, Sylvaine. "Maîtres anciens de Nicolas Mahler (d’après Thomas Bernhard) L’art à l’épreuve de la caricature." Studia Universitatis Babeş-Bolyai – Philologia 62.(2017): 57–72. |
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| Visone, Roberta Fausta Ilaria. "Insegnare la storia in tedesco con approccio EMILE: Proposta d’intervento didattico." Studia Universitatis Babeş-Bolyai – Philologia 62.(2017): 43–56. |
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