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| Preußer, Heinz-Peter. "Mythos als Meta- und Konnotationsnarrativ: Antikenrezeption und popkultur im kino seit dem jahr 2000." Transmediale Texturen. Lektüren zum Film und angrenzenden Künsten. Schriftenreihe zur Textualität des Films. Marburg: Schüren, 2013. 388–413. |
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| Preußer, Heinz-Peter. "Zerstörung, Rettung des Mythos im Trivialen: Über die travestie der tradition in comic und literatur, in film und fernsehen." Transmediale Texturen. Lektüren zum Film und angrenzenden Künsten. Schriftenreihe zur Textualität des Films. Marburg: Schüren, 2013. 315–33. |
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| Michell, Kalani. "Comic Storyboardkonstruktionen: Petzolds angriffsflächen." Storyboarding. Filmisches Entwerfen. Eds. Anna Häusler and Jan Henschen. Marburger Schriften zur Medienforschung. Marburg: Schüren, 2017. 127–47. |
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| Kocian, Eric J. "The Dark Knight of Deterrence." Theories of Crime Through Popular Culture. Ed. Sarah E. Daly. New York [etc.]: Palgrave Macmillan, 2021. 7–16. |
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| Reed, Shon M. and Breanna Boppre. "“Could You Introduce Me as Joker?”: An application of labeling theory to explain the creation of the clown prince of crime." Theories of Crime Through Popular Culture. Ed. Sarah E. Daly. New York [etc.]: Palgrave Macmillan, 2021. 173–83. |
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| Shapiro, Stephen. "Speculative Nostalgia and Media of the New Intersectional Left: My Favorite Thing Is Monsters." The Novel as Network. Forms, Ideas, Commodities. Eds. Tim Lanzendörfer and Corinna Norrick-Rühl. New Directions in Book History. New York [etc.]: Palgrave Macmillan, 2020. 119–36. |
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| Round, Julia. "From Comic to Graphic and from Book to Novel: sandman’s invisible authors and the quest for literariness." The Novel as Network. Forms, Ideas, Commodities. Eds. Tim Lanzendörfer and Corinna Norrick-Rühl. New Directions in Book History. New York [etc.]: Palgrave Macmillan, 2020. 137–62. |
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| Pizzino, Christopher. "Can a Novel Contain a Comic? Graphic nerd ecology in contemporary us fiction." The Novel as Network. Forms, Ideas, Commodities. Eds. Tim Lanzendörfer and Corinna Norrick-Rühl. New Directions in Book History. New York [etc.]: Palgrave Macmillan, 2020. 87–110. |
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| Giddens, Thomas. "Towards a Metaphysics of Comics." Cultural Excavation and Formal Expression in the Graphic Novel. Eds. Jonathan C. Evans and Thomas Giddens. At the Interface, Probing the Boundaries. Oxford: Inter-Disciplinary Pr. 2013. 207–16. |
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| Sulmicki, Maciej. "‘And All Right, We Need a Woman’: Victimised heroines and heroic victims in alan moore's quasi-victorian graphic novels." Cultural Excavation and Formal Expression in the Graphic Novel. Eds. Jonathan C. Evans and Thomas Giddens. At the Interface, Probing the Boundaries. Oxford: Inter-Disciplinary Pr. 2013. 173–83. |
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| Reid, Britanny. "Destroyer and Preserver: Monstrous intertextuality in watchmen." Monstrous Manifestations. Realities and Imaginings of the Monstrous. Eds. Agnieszka Stasiewicz-Bieńkowska and Karen Graham. At the Interface. Oxford: Inter-Disciplinary Pr. 2013. 87–94. |
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| Wilde, Lukas R. A. "Recontexualizing Characters: Media convergence and pre-/meta-narrative character circulation." IMAGE 29. 1 2019. Accessed 16 Oct. 2021. <http://www.gib.uni-tueb ... Article&showArticle=516>. |
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| Hibbett, Mark. "In Search of Doom: Tracking a wandering character through data." IMAGE 29. 1 2019. Accessed 16 Oct. 2021. <http://www.gib.uni-tueb ... Article&showArticle=520>. |
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| Lauwers, Joran. "Intertextuality and Adaptation as a Narrative Framework: Creating the new from the inexplicable in neil gaiman’s “the sandman”." Master in de taal- en letterkunde Masterproef. Universiteit Gent, 2016. |
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| Alegría Sabogal, Diego Cristóbal. "Autorenfunktion, Comic-Kontinuität und Transmedia Storytelling: Intertextuelle bedeutungsketten bei neil gaiman." Ketten. Ed. Petra Gehring. Essen: Blaue Eule, 2017. 111–28. |
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| Alegría Sabogal, Diego Cristóbal. "Voices Staged and Shaded: Comic collaborations between p. craig russell and neil gaiman." Cuadernos Literarios 9. (2015). |
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| Nayar, Pramod K. "Narrating Alzheimer’s Disease: Graphic medicine and dana walrath’s aliceheimer’s alzheimer’s through the looking glass." Sambalpur Studies in Literatures and Cultures 6. (2021): 25–34. |
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| Camus, Cyril. "Les collaborations de Neil Gaiman et Dave McKean." Fabula.org: Colloques en ligne 2016. Accessed 14 Oct. 2021. <https://www.fabula.org/colloques/document3899.php>. |
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| Luna-Dubois, Álvaro. "Recovering migrant spaces in Laurent Maffre’s graphic novel Demain, Demain." Postmigration. Art, Culture, and Politics in Contemporary Europe. Eds. Anna Meera Gaonkar, et al. Postmigration Studies. Bielefeld: Transcript, 2021. 265–82. |
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| Geczy, Adam and Vicki Karaminas. "‘Daddy’s Lil Monster’: suicide squad, third-wave feminism and the pornification and queering of harley quinn." Film, Fashion {&} Consumption 8. (2019): 171–88. |
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| Garland, Tony W. "Villainous Adoration: The role of foe as fan in batman narratives." Fan Phenomena: Batman. Ed. Liam Burke. Fan Phenomena. Bristol, Chicago: Intellect Books, 2013. 120–29. |
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| Anderson, Kane. "Becoming Batman: Cosplay, performance, and ludic transformation at comic-con." Play, Performance, and Identity. How Institutions Structure Ludic Spaces. Eds. Matt Omasta and Drew Chappell. New York & London: Routledge, 2015. 105–16. |
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| Burke, Liam. "Harley Quinn and the carnivalesque transformation of comic book fandom." Transformative Works and Cultures 36 2021. Accessed 12 Oct. 2021. <https://journal.transfo ... p/twc/article/view/2015>. |
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| Camus, Cyril. "Fantasy and Landscape: Mountain as myth in neil gaiman’s stories." Mountains Figured and Disfigured in the English-Speaking World. Ed. Françoise Besson. Newcastle upon Tyne: Cambridge Scholars Publ. 2010. 379–91. |
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| Camus, Cyril. "Calibans for the 1990s and 2000s: Shakespeare and fantasy in the age of “professional fan fiction” and integrative fiction." Caliban (2014): 109–24. |
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| Dalmaso, Renata and Thayse Madella. "Queering Space in Neil Gaiman’s Illustrated Works." The Artistry of Neil Gaiman. Finding Light in the Shadows. Eds. Joseph Michael Sommers and Kyle Eveleth. Critical Approaches to Comics Artists. Jackson: Univ. Press of Mississippi, 2019. 204–16. |
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| Camus, Cyril. Mythe et fabulation dans la fiction fantastique et merveilleuse de Neil Gaiman. Univers anglophones. Rennes: Presses Univ. de Rennes, 2018. |
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| Schwarzenbacher, Martin. "»Doom Messiah«: Mythen in der narrativen religionsästhetik von science fiction- und supermenschencomics." M.A. Masterarbeit. Universität Wien, 2019. |
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| Guillaume, Isabelle. Dramatis personae: Valeurs symboliques du masque dans sandman et the invisibles. Masques, identités et bande dessinée: Lyons, 20 May, 2014. |
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| Klęczar, Aleksandra. "The Revenge of Augustus: Caesar, octavian and history in neil gaiman’s august." Classica Cracoviensia 21 2018. Accessed 10 Oct. 2021. <https://journals.akademicka.pl/cc/article/view/890>. |
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| Guillaume, Isabelle. "Les Figures du rêve dans The Sandman." Mémoire de Master 2 en recherche anglophone ENS de Lyon, 2012. |
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| Stuhlfauth-Trabert, Mara. "»der schwerkraft der meisten japan-erzählungen« entgegen – Kathrin Rögglas und Oliver Grajewskis tokio, rückwärtstagebuch." Kathrin Röggla. Eds. Iuditha Balint, Tanja Nusser and Rolf Parr. München: edition text + kritik, 2017. 196–215. |
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| Scherer, Elisabeth. "Popularisierung von Kriegserinnerung im Manga In this corner of the world (Kōno Fumiyo, 2007–2009)." Krieg und Migration im Comic. Interdisziplinäre Analysen. Ed. icon Düsseldorf. Bielefeld: Transcript, 2020. 207–40. |
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| Trabert, Florian. "Im Zwischenraum − Migration in deutschsprachigen Comics der Gegenwart." Krieg und Migration im Comic. Interdisziplinäre Analysen. Ed. icon Düsseldorf. Bielefeld: Transcript, 2020. 107–26. |
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| Stuhlfauth-Trabert, Mara and Florian Trabert. "Kartierung der Flucht – Karten in Migrations-Comics." Krieg und Migration im Comic. Interdisziplinäre Analysen. Ed. icon Düsseldorf. Bielefeld: Transcript, 2020. 75–106. |
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| Leinen, Frank. "Biopolitik und Transversalität − Eine Analyse von Javier de Isusis graphischer Erzählung Asȳlum." Krieg und Migration im Comic. Interdisziplinäre Analysen. Ed. icon Düsseldorf. Bielefeld: Transcript, 2020. 265–302. |
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| Leinen, Frank. "Das andere Denken – das Andere denken: Grenzüberschreitungen als gestaltungsprinzip bei marc-antoine mathieu." Kartografie der Träume. Die Kunst des Marc-Antoine Mathieu. Eds. David Beikirch and Matthias Wagner K. Berlin: Ch.A. Bachmann, 2017. 93–102. |
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| Leinen, Frank. "GedächtnisKultur im Museum: Zur problematik der formung von wissen, erinnerung und kultur in marc-antoine mathieus les sous-sols du révolu." Kartografie der Träume. Die Kunst des Marc-Antoine Mathieu. Eds. David Beikirch and Matthias Wagner K. Berlin: Ch.A. Bachmann, 2017. 45–56. |
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| Leinen, Frank and Corinna Koch. "Vom Süden und Norden: Aktuelle herausforderungen und möglichkeiten der convivencia in der novela gráfica calle del norte und ihre einbettung in den fortgeführten spanischunterricht der qualifizierungsphase." Convivencia. Dialogische Studien von Fachdidaktik und Fachwissenschaft zu ambivalenten Deutungsmustern gesellschaftlichen Zusammenlebens in Spanien. Eds. Corinna Koch and Sabine Schmitz. Romanische Literaturen & Kulturwissenschaften. Berlin [etc.]: Peter Lang, 2020. 131–80. |
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| Leinen, Frank. "Histoire(s) de la Grande Boucle – Die Tour de France in der französischen Bande Dessinée." Vélomanie. Facetten des Radsports zwischen Mythos und Ökonomie. Ed. Frank Leinen. Bielefeld: Transcript, 2019. 67–112. |
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| Hume, Kathryn. "Neil Gaiman’s Sandman as Mythic Romance." Genre 46. (2013): 345–65. |
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| Jahlmar, Joakim. "“Give the devil his due”: Freedom, damnation, and milton’s paradise lost in neil gaiman’s the sandman: season of mists." Partial Answers 13. (2015): 267–86. |
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| Pedler, Caroline. "Sketchbook as therapist: Self-authorship and the art of making picturebooks." Journal of Illustration 7. (2020): 147–77. |
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| Roy, Suddhabrata Deb. "The Indian Superheroine costume: Analysing indian comics’ first superheroine." Film, Fashion {&} Consumption 10. (2021): 313–24. |
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| Kahler, Jason. "The many masks of Dr Henry Pym: Alter ego, identity, disability and personality of a founding avenger." Film, Fashion {&} Consumption 10. (2021): 299–311. |
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| Henry King, Lorraine. "Black skin as costume in Black Panther." Film, Fashion {&} Consumption 10. (2021): 265–76. |
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| Geraffo, Monica. "No tights, no flights: Constructing the wardrobe of television superheroes." Film, Fashion {&} Consumption 10. (2021): 233–50. |
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| Uzu, Tonka. "The role of the autobiographical graphic novels in the elaboration of psychic traumas: Art spiegelman, david b. and justin green." Journal of Illustration 7. (2020): 109–28. |
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| Cooke, Jon B., ed. Joe Kubert, Creator & Mentor: A tribute to the comic book master. Comic Book Creator. Raleigh: TwoMorrows, 2013. |
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| Lévrier, Alexis and Guillaume Pinson, eds. Presse et bande dessinée: Une aventure sans fin. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2021. |
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| Natsume, Fusanosuke. "Making It Just in Time: Author-creator matsumoto taiyō." The Comics Journal 2021. Accessed 27 Sept. 2021. <https://www.tcj.com/mak ... reator-matsumoto-taiyo/>. |
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| O’Neil, Tegan. "The Wreckage: Part two." The Comics Journal 2020. Accessed 27 Sept. 2021. <https://www.tcj.com/the-wreckage-part-two/>. |
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| O’Neil, Tegan. "The Wreckage: Part one." The Comics Journal 2020. Accessed 27 Sept. 2021. <http://www.tcj.com/the-wreckage-part-one/>. |
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| Jenkins, Henry, et al. "Superpowers to the People! How young activists are tapping the civic imagination." Civic Media. Technology, Design, Practice. Eds. Eric Gordon and Paul Mihailidis. Cambridge, London: MIT Press, 2016. 295–319. |
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| Stuhlfauth-Trabert, Mara and Florian Trabert. "Verwandlungen vom literarischen Text zur Graphic Novel." Allmende (2018): 20–30. |
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| Hülsmann, Katharina. "Controlling the spreadability of the Japanese fan comic: Protective practices in the dōjinshi community." Participations 17. 2 2020. Accessed 23 Sept. 2021. <https://www.participati ... e%2017/Issue%202/14.pdf>. |
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| Scorer, James. "Comics and the slaughterhouse: Alberto breccia and the neighbourhood of mataderos." Journal of Urban Cultural Studies 5. (2018): 281–97. |
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| Kupczyńska, Kalina and Renata Makarska, eds. Handbuch Polnische Comickulturen nach 1989. Berlin: Ch.A. Bachmann, 2021. |
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| Palandt, Ralf, ed. Anne Frank im Comic. Berlin: Ch.A. Bachmann, 2021. |
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| Eder, Barbara. AlieNation: Migration in graphic novels. Bildnarrative. Berlin: Ch.A. Bachmann, 2021. |
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| Hausmanninger, Thomas. Religion als Kultur: Das judentum und die jüdische identität bei joann sfar. Bildnarrative. Berlin: Ch.A. Bachmann, 2021. |
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| Peppard, Anna F. "‘A cross burning darkly, blackening the night’: Reading racialized spectacles of conflict and bondage in marvel’s early black panther comics." Studies in Comics 9. (2018): 59–85. |
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| Helgason, Jón Karl. Echoes of Valhalla: The afterlife of the eddas and sagas. trans. Jane Victoria Appleton. London: Reaktion Books, 2017. |
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| Lanza, Carmela Delia. "Tales and Dreams: Neil gaiman’s the sandman and critical and creative thinking in the english classroom." Comic Connections. Building Character and Theme. Ed. Sandra Eckard. Lanham [etc.]: Rowman & Littlefield, 2019. 7–22. |
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| Wells, Holly M. "Marvelous Families, Epic Dysfunction: Combining norse mythology, the thor comics, and marvel films in a general education literature course." Comic Connections. Building Character and Theme. Ed. Sandra Eckard. Lanham [etc.]: Rowman & Littlefield, 2019. 23–38. |
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| Alaniz, José. "Death and Mourning in Graphic Narrative." The Routledge Companion to Death and Literature. Eds. W. Michelle Wang, Daniel K. Jernigan and Neil Murphy. London, New York: Routledge, 2020. 117–22. |
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| Faye, Martha. Out of Line: The art of jules feiffer. New York: Abrams, 2015. |
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| Ernberg, Nicklas. "De gamla gudarnas viskningar: En kvalitativ textanalys på serietidningen northlanders." yrkesexamen Självständigt arbete på grundnivå. Linnéuniversitetet, Fakulteten för konst och humaniora, 2017. |
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| Gelfand, Lynn. "The End of the World as We Know It: Neil gaiman and the future of mythology." The Mythological Dimensions of Neil Gaiman. Eds. Anthony S. Burdge, Jessica Burke and Kristine Larsen. Crawfordville: Kitsune, 2012. 223–38. |
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| Peppard, Anna F. "“Is that a monster between your legs or are ya just happy to see me?”: Subjectivity, sex, and the superbody in the marvel swimsuit special." The Routledge Companion to Gender and Sexuality in Comic Book Studies. Ed. Frederick Luis Aldama. Routledge Companions to Gender. London, New York: Routledge, 2021. 90–105. |
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| Schröer, Marie. "Too Graphic a Novel?! charlie hebdo, cultural connotations, and change of register in the german translation of luz’ catharsis." Speaking like a Spanish Cow. Cultural Errors in Translation. Eds. Clíona Ní Riordain and Stephanie Schwerter. Stuttgart: ibidem, 2019. 135–62. |
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| Schröer, Marie. "Resignation und Ressentiment: Zu den grenzfällen politischer korrektheit bei michel houellebecq und virginie despentes (mit einem seitenblick auf charlie hebdo)." Political Correctness. Kultur- und sozialwissenschaftliche Perspektiven. Eds. Georg Albert, Lothar Bluhm and Markus Schiefer Ferrari. Landauer Beiträge zur Kultur- und Sozialgeschichte. Marburg: Tectum, 2019. 237–65. |
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| Kunzle, David. Rebirth of the English Comic Strip: A kaleidoscope, 1847–1870. Jackson: University Pr. of Mississippi, 2021. |
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| Ingold, Julia. "»Schöne Selbstbespiegelung«: Romantische ironie und die moderne kunstform des comics." Gestern | Romantik | Heute 2021. Accessed 1 Sept. 2021. <http://www.gestern-roma ... na.de/index.php?cID=751>. |
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| Grewe, Cordula. "The Arabesque from Kant to Comics." New Literary History 49. (2018): 617–60. |
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| Ahmed, Maaheen. Monstrous Imaginaries: The legacy of romanticism in comics. Jackson: University Pr. of Mississippi, 2019. |
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| Grünewald, Dietrich. "Kunst im Comic: Das zitieren von kunstwerken in comics und was man davon hat." Aspekte – Impulse und Beispiele zur Vermittlung historischer Kunst. Eds. Johannes Kirschenmann and Frank Schulz. München: kopaed, 2021. 328–51. |
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| Harnett, John. "Shelley’s Progeny: Using the comic to re-animate frankenstein’s vision." Sequential Art. Interdisciplinary Approaches to the Graphic Novel. Eds. Kathrin Muschalik and Florian Fiddrich. Oxford: Inter-Disciplinary Pr. 2016. 11–21. |
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