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| Childress, Kirby. "Abjection of the bisexual self: How haptic visuality brings internalized biphobia to screen in collard’s les nuits fauves and kechiche’s la vie d’adèle." Queer Studies in Media & Popular Culture 3. (2018): 335–45. |
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| Chisholm, James S., Ashley L. Shelton, and Caroline C. Sheffield. "Mediating Emotive Empathy With Informational Text: Three students’ think-aloud protocols of gettysburg: the graphic novel." Journal of Adolescent & Adult Literacy (2017). |
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| Chitikamoltham, Chanokporn. "Pleasure of Abjection: Cheap thai comics as cultural catharsis." Explorations: A Graduate Student Journal of Southeast Asian Studies 12 2014. Accessed 7 Jun. 2020. <https://www.cseashawaii ... /10/Explorations_12.pdf>. |
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| Chiu, Monica. "Sequencing and Contingent Individualism in the Graphic, Postcolonial Spaces of Satrapi's Persepolis and Okubo's Citizen 13660." English Language Notes 46. (2008): 99–114. |
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| Chiu, Monica. "Graphic Self-Consciousness, Travel Narratives, and the Asian American Studies Classroom: Delisle’s burma chronicles and guibert, lefèvre, and lemercier’s the photographer." Asian American Literature 5 2014. Accessed 14 Jan. 2021. <https://scholarworks.sjsu.edu/aaldp/vol5/iss1/5>. |
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| Chiu, Monica, ed. Drawing New Color Lines: Transnational asian american graphic narratives. Global Connections. Hong Kong: Hong Kong Univ. Press, 2015. |
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| Chiu, Monica. Show Me Where It Hurts: Manifesting illness and impairment in graphic pathography. Graphic Medicine. University Park: Penn State Univ. Press, 2024. |
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| Chivington, Lauren Elyse. "The Girl, the Man, and the Maus: Holocaust narratives in controversial media." International Journal of Comic Art 20. (2018): 615–48. |
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| Chivington, Lauren. "Signifying Silence: The empty speech balloon." ImageTexT 12. 3 2021. Accessed 25 Oct. 2021. <https://imagetextjourna ... e-empty-speech-balloon/>. |
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| Cho, Jennifer. "Touching Pasts In The Shadow of No Towers: 9/11 and art spiegelman’s comix of memory." Avant Garde Critical Studies 25. (2010): 201–11. |
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| Cho, Jennifer. "Touching Pasts In The Shadow of No Towers: 9/11 and art spiegelman’s comix of memory." The Popular Avant-Garde. Ed. Renée M. Silverman. Avant-Garde Critical Studies. Amsterdam [etc.]: Rodopi, 2010. 201–11. |
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| Choate, Gilbert. "James Joyes, Picasso, Stravinsky, and Spiegelman." Alternative Media 10. (1978): 5–7. |
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| Choi, Jinhee. "Webtoons to promote critical thinking in neo-liberal South Korea: A thematic analysis of awl social justice themes." East Asian Journal of Popular Culture 3. (2018): 111–27. |
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| Choo, Kukhee. "Girls Return Home: Portrayal of femininity in popular japanese girls’ manga and anime texts during the 1990s in hana yori dango and fruits basket." Women 19. (2008): 275–96. |
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| Choo, Kukhee. "Consuming Japan: Early korean girls comic book artists’ resistance and empowerment." Complicated Currents. Media Flows, Soft Power and East Asia. Eds. Daniel Black, Stephen Epstein and Alison Tokita. Clayton: Monash Univ. ePress, 2010. 6.1–6.16. |
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| Chopelin, Paul and Tristan Martine, eds. Le Siècle des Lumières en bande dessinée: De poudre et de dentelles. Esprit BD. Paris: Karthala, 2014. |
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| Christen, Matthias. "Düstere Clowns: Figuren des schreckens im kino der transgression." Über den Clown. Künstlerische und theoretische Perspektiven. Ed. Richard Weihe. Bielefeld: Transcript, 2016. 203–42. |
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| Christensen, William, ed. Alan Moore’s The Courtyard: A companion. Rantoul: Avatar, 2003. |
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| Christiansen, Hans-Christian. Tegneseriens æstetik. Teori & Æstetik. København: Museum Tusculanum, 2001. |
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| Christiansen, Steen. "Hyper Attention Blockbusters: Christopher nolan’s batman trilogy." Akademisk kvarter 7 2013. Accessed 8 Sept. 2014. <http://www.akademiskkva ... tentionBlockbusters.pdf>. |
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| Christiansen, Steen. "Between Media: David mack’s kabuki." Comics and Power. Representing and Questioning Culture, Subjects and Communities. Eds. Rikke Platz Cortsen, Erin La Cour and Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015. 72–88. |
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| Christiansen, Steen. "Continuity Breach: The british revision of the american superhero." Transatlantic. Eds. Camelia Elias, Bent Sørensen and Andrea Birch. Cultural Text Studies. Aalborg: Aalborg Universitetsforlag, 2006. 109–32. |
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| Christiansen, Steen. "Intermedial Escape: Michael chabon’s the amazing adventures of kavalier and clay." Interaktioner. Om kunstarternes produktive mellemværender. Eds. Peter Stein Larsen, et al. Aalborg: Aalborg Universitetsforlag, 2009. 37–58. |
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| Christiansen, Steen. "The Truth of the Word, the Falsity of the Image: transmetropolitan's critique of the society of the spectacle." Elective Affinities. Testing Word and Image Relationships. Eds. Catriona MacLeod, Véronique Plesch and Charlotte Schoell-Glass. Word & Image Interactions. Amsterdam [etc.]: Rodopi, 2009. 147–58. |
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| Christiansen, Hans-Christian. "Comics and Film: A narrative perspective." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 107–21. |
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| Christiansen, Hans-Christian and Anne Magnussen. "Tegneserieanalyse." Analyse af billedmedier – en introduktion. Eds. Gitte Rose and Hans-Christian Christiansen. Frederiksberg: Samfundslitteraturs, 2006. 103–43. |
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| Christiansen, Ole Johan and Thomas Plischke. "Übermenschen aus der Neuen Welt: Wie das land der freien zum land der superhelden wurde." Das Science Fiction Jahr 8. (2009): 53–75. |
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| Christiansen, Ole Johan and Thomas Plischke. "From Perpetrator to Victim and Back Again: The supervillain magneto as a representative of the holocaust in superhero comics." The Holocaust, Art, and Taboo. Transatlantic Exchanges on the Ethics and Aesthetics of Representation. Eds. Susanne Rohr and Sophia Komor. Heidelberg: Winter, 2010. 179–201. |
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| Christiansen, Steen. "Intermedial Escape: Michael chabon’s the amazing adventures of kavalier and clay." Interaktioner. Om kunstarternes produktive mellemværender. Eds. Peter Stein Larsen, et al. Interdisciplinære kulturstudier. Aalborg: Aalborg Universitetsforlag, 2009. 37–58. |
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| Christofori, Ralf. "Auge in Auge: Anime, manga und malerei bei amano yoshitaka." Ga-netchū! Das Manga Anime Syndrom. Eds. Hans-Peter Reichmann and Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008. 186–97. |
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| Christofori, Ralf. "Eye to Eye: Anime, manga and painting in the work of amano yoshitaka." Ga-netchū! The Manga Anime Syndrome. Eds. Hans-Peter Reichmann and Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008. 186–95. |
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| Christopher, Brandon. "“To dignify some old costumed claptrap”: Shakespearean allusion and the status of text in the dc comics of grant morrison." ImageTexT 6. 3 2013. Accessed 23 Apr. 2013. <http://www.english.ufl. ... hives/v6_3/christopher/>. |
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| Christopher, Brandon. "Rethinking Comics and Visuality, from the Audio Daredevil to Philipp Meyer's Life." Disability Studies Quarterly 38. 3 2018. Accessed 17 May. 2019. <http://dsq-sds.org/article/view/6477>. |
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| Christopher, Brandon. "Paratextual Shakespearings: Comics’ shakespearean frame." Shakespeare / Not Shakespeare. Eds. Christy Desmet, Natalie Loper and Jim Casey. Reproducing Shakespeare. New York [etc.]: Palgrave Macmillan, 2017. 149–67. |
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| Christopher, Stephen and Gabrielle Laumonier. "The eroticization of Tibetan monks in shōnen-ai and yaoi manga." East Asian Journal of Popular Culture 9. (2023): 83–102. |
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| Christopher, Brandon. "“I will not / be haunted / by myself!”: Originality, derivation, and the hauntology of the superhero comic." Seriality and Texts for Young People. The Compulsion to Repeat. Eds. Mavis Reimer, et al. Critical Approaches to Children’s Literature. New York [etc.]: Palgrave Macmillan, 2014. 166–87. |
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| Chudoliński, Michał. "Neurotyczny Rycerz: Reminiscencja azylu arkham granta morrisona i dave’a mckeana." Kultura popularna 61. (2019): 86–103. |
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| Chun, Christian W. "Critical Literacies and Graphic Novels for English-Language Learners: Teaching maus." Journal of Adolescent & Adult Literacy 53. (2009): 144–53. |
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| Chung, Christina. "Holy Fandom, Batman! Commercial fan works, fair use, and the economics of complements and market failure." Journal of Science & Technology Law 19. (2013): 367–404. |
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| Chute, Hillary. "Literal Forms: Narrative structures in maus." Indy Magazine Winter 2005. Accessed 4 Apr. 2008. <http://web.archive.org/ ... r_2005/chute/index.html>. |
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| Chute, Hillary. "An Interview with Alison Bechdel." Modern Fiction Studies 52. (2006): 1004–13. |
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| Chute, Hillary. "Decoding Comics." Modern Fiction Studies 52. (2006): 1014–27. |
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| Chute, Hillary. "“The Shadow of a Past Time”: History and graphic representation in maus." Twentieth Century Literature 52. (2006): 199–230. |
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| Chute, Hillary. "An Interview with Scott McCloud: “if you did a series of stained-glass windows telling the story of your life you’d be making comics. so if that leaves the family circus on the side of the road, so be it”." The Believer (2007). |
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| Chute, Hillary. "Temporality and Seriality in Spiegelman’s In the Shadow of No Towers." American Periodicals 17. (2007): 228–44. |
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| Chute, Hillary. "An Interview with Charles Burns: “i’m slowly learning to draw every human being in the united states”." The Believer (2008). |
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| Chute, Hillary. "An Interview with Lynda Barry: “somehow people started to actually start to like it, once they understood that i wasn’t making fun of the situation, but that a comic strip could contain something sad, like a song”." The Believer (2008). |
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| Chute, Hillary. "Comics as Literature? Reading graphic narrative." PMLA 123. (2008): 452–65. |
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| Chute, Hillary. "Ragtime, Kavalier & Clay and the Framing of Comics." Modern Fiction Studies 54. (2008): 268–301. |
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| Chute, Hillary. "The Texture of Retracing in Marjane Satrapi’s Persepolis." Women's Studies Quarterly 36. (2008): 92–110. |
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| Chute, Hillary. "An Interview with Aline Kominsky-Crumb: “the way i drew degrading, ugly sex and everything—it was really a turn-off to men. they hate it”." The Believer (2009). |
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| Chute, Hillary. "An Interview with Phoebe Gloeckner: “the relationship of a single illustration to the text is just by nature redundant”." The Believer (2010). |
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| Chute, Hillary. "An Interview with Joe Sacco: “when you draw, you can always capture that moment. you can always have that exact, precise moment when someone’s got the club raised, when someone’s going down. i realize now there’s a lot of power in that”." The Believer (2011). |
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| Chute, Hillary. "Comics Form and Narrating Lives." Profession (2011): 107–17. |
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| Chute, Hillary. "Comics as Archives: Metametamaus." emisférica 9. 1–2 2012. Accessed 15 Apr. 2016. <http://hemisphericinsti ... en/e-misferica-91/chute>. |
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| Chute, Hillary. "Secret Labor: Sketching the connection between poetry and comics." Poetry (2013). |
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| Chute, Hillary. Outside the Box: Interviews with contemporary cartoonists. Chicago: Univ. of Chicago Press, 2014. |
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| Chute, Hillary. Disaster Drawn: Visual witness, comics, and documentary form. Cambridge: Harvard Univ. Press, 2016. |
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| Chute, Hillary. Why Comics? From underground to everywhere. New York: Harper, 2017. |
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| Chute, Hillary. "Feminist Graphic Art." Feminist Studies 44. (2018): 153–70. |
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| Chute, Hillary, ed. Maus Now: Selected writing. New York: Pantheon, 2022. |
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| Chute, Hillary. "Graphic Narrative." The Routledge Companion to Experimental Literature. Eds. Joe Bray, Alison Gibbons and Brian McHale. Routledge Literature Companions. London, New York: Routledge, 2012. 407–19. |
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| Chute, Hillary. "Materializing Memory: Lynda barry’s one hundred demons." Graphic Subjects. Critical Essays on Autobiography and Graphic Novels. Ed. Michael A. Chaney. Wisconsin Studies in Autobiography. Madison: Univ. of Wisconsin Press, 2011. 282–309. |
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| Chute, Hillary and Marianne DeKoven. "Introduction: Graphic narrative." Modern Fiction Studies 52. (2006): 767–82. |
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| Chute, Hillary and Marianne DeKoven. "Comic books and graphic novels." The Cambridge Companion to Popular Fiction. Eds. David Glover and Scott McCracken. Cambridge Companions to Literature. Cambridge [etc.]: Cambridge Univ. Press, 2012. 175–95. |
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| Ciasullo, Ann M. "The Lighter—and Weightier—Side of Mad, Or: Everything I Needed to Know About Gender and Sexuality I Learned from Dave Berg." Studies in American Humor (2014): 77–94. |
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| Cicci, Matthew Alan. "Turning the Page: Fandoms, multimodality, and the transformation of the “comic book” superhero." Doctor of Philosophy Dissertation. Wayne State University, 2015. |
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| Cicci, Matthew. "Marvel Team-Up: Hawkeye, loki and the inescapable, innate resistance of the female superhero comic fan." Journal of Comics and Culture 1. (2016): 95–122. |
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| Cicci, Matthew. "The Invasion of Loki’s Army? Comics cultures increasing awareness of female fans." The Routledge Companion to Media Fandom. Eds. Melissa A. Click and Suzanne Scott. London, New York: Routledge, 2018. 193–201. |
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| Cicci, Matthew Alan. "A Made Man: Joe fixit, the ’80s and consumption as resistance." The Ages of the Incredible Hulk. Essays on the Green Goliath in Changing Times. Ed. Joseph J. Darowski. Jefferson, London: McFarland, 2016. 111–23. |
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| Cichon, Melina. "Die kulturelle Akzeptanz der Comics in Österreich: Eine untersuchung der österreichischen comic-kultur." Diplomarbeit M.A. Akademie der Bildenden Künste Wien, 2008. |
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| Cichon, Melina. "Comics in Österreich – das weite (unbekannte) Land." Prinzip Synthese: Der Comic. Eds. Mathis Bicker, Ute Friederich and Joachim Trinkwitz. Edition Kritische Ausgabe. Bonn: Weidle, 2011. 61–65. |
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| Ciment, Gilles, ed. Cinéma et bande dessinée. CinémAction. Condé-sur-Noireau: Corlet, 1990. |
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| Ciment, Gilles, ed. L’état de la bande dessinée: Vive la crise? Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2008. |
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| Ciment, Gilles. "Spectacles du siècle." Cinéma et bande dessinée. Ed. Gilles Ciment. CinémAction. Condé-sur-Noireau: Corlet, 1990. |
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| Ciment, Gilles. "Des comics au musical: Un genre translatif." La Transécriture. Pour une théorie de l’adaptation. Littérature, cinéma, bande dessinée, théâtre, clip. Ed. Thierry Groensteen. Québec: Éd. Nota bene, 1998. 187–214. |
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| Ciment, Gilles and Thierry Groensteen. 100 cases de maîtres: Un art graphique, la bande dessinée. Paris: Éd. de La Martinière, 2010. |
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| Cioffi, Frank L. "Graphic Fictions on Graphic Subjects: Teaching the illustrated medical narrative." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 179–87. |
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| Cioffi, Frank L. "Disturbing Comics: The disjunction of word and image in the comics of andrzej mleczko, ben katchor, r. crumb, and art spiegelman." The Language of Comics. Word and Image. Eds. Robin Varnum and Christina T. Gibbons. Studies in Popular Culture. Jackson: Univ. Press of Mississippi, 2001. 97–122. |
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| Cirella-Urrutia, Anne. "Heroes and Heroines of the Great War: The aesthetics of horror in bandes dessinées." Heroisches Elend. Der Erste Weltkrieg im intellektuellen, literarischen und bildnerischen Gedächtnis der europäischen Kulturen. Eds. Gislinde Seybert and Thomas Stauder. Stuttgart: Hirzel, 2012. 1553–73. |
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| Added by: joachim 25/01/2014, 00:59 |
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| Clancy, Shaun. "A great friendship: An interview with friend and artist frank giusto." Matt Baker. The Art of Glamour. Eds. Jim Amash and Eric Nolen-Weathington. Raleigh: TwoMorrows, 2012. 122–35. |
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| Added by: joachim 05/05/2016, 22:54 |
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