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Lipenga, Ken Junior. "The New Normal: Enfreakment in Saga." The Comics Grid 9. 1 2019. Accessed 18Dec. 2019. <http://doi.org/10.16995/cg.161>. Added by: joachim (12/18/19, 11:50 AM) Last edited by: joachim (12/18/19, 11:53 AM) |
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| Resource type: Web Article Language: en: English Peer reviewed DOI: 10.16995/cg.161 BibTeX citation key: Lipenga2019 Email resource to friend View all bibliographic details  |
Categories: General Keywords: "Saga", Body, Canada, Science Fiction, Staples. Fiona, USA, Vaughan. Brian K. Creators: Lipenga Collection: The Comics Grid |
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| Attachments | URLs http://doi.org/10.16995/cg.161 |
| Abstract |
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This article draws on the award-winning fantasy comic Saga (Vaughan and Staples 2012–present), in order to explore how it portrays bodily difference as the norm, presenting to us a fantasy reality that nevertheless uncannily parallels ours in many ways. If ‘enfreakment’ is the creation of the freak, the article argues that the comic achieves something that might be termed ‘dis-enfreakment’. This article is mainly grounded in literary disability studies, drawing upon the work by Rosemarie Garland-Thomson and others. The article explores how Saga portrays racism, miscegenation, and homosexuality. The basic argument is that, through the presentation of a variety of races and species of life, Saga deliberately questions the very idea of ‘normal’ by presenting many co-existing forms of normalcy.
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