| Abdullah, Muhamad Azhar. "The Development of Malaysia Comic Art." International Journal of Comic Art 15. (2013): 306–22. |
 
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| Abusch, Dorit. "Applying Discourse Semantics and Pragmatics to Co-reference in Picture Sequences." Proceedings of Sinn und Bedeutung 17. Eds. Emmanuel Chemla, Vincent Homer and Grégoire Winterstein. Washington: Linguistic Society of America, 2013. 9–25. |
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| Adler, Silvia. "Silent and semi-silent arguments in the graphic novel." Pragmatics 23. (2013): 389–402. |
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| Adolphson, Jeremy V. "Creative expression or compulsive exploitation in underground comix: The scapegoating of Mike Diana’s Boiled Angel." Journal of Graphic Novels and Comics 4. (2013): 297–308. |
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| Ahmed, Michael. "Captain America, Watergate, and the Falcon: Rediscovering the American Dream?." Intensities: The Journal of Cult Media 5 2013. Accessed 2Jul. 2016. <https://intensitiescult ... dream-michael-ahmed.pdf>. |
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| Ahrens, Jörn. "Comic und traumgebundene Realität: David B.s Die heilige Krankheit als Kunst des Erinnerns." Erzählen im Comic. Beiträge zur Comicforschung. Eds. Otto Brunken and Felix Giesa. Bochum: Ch.A. Bachmann, 2013. 273–92. |
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| Aldama, Frederick Luis. "Mood, Mystery, and Demystification in Gilbert Hernandez’s Twentieth-First-Century NeoNoir Stand-Alones." ImageTexT 7. 1 2013. Accessed 16Dec. 2014. <http://www.english.ufl. ... t/archives/v7_1/aldama/>. |
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| Alexandre-Bidon, Danièle. "À l’origine de l’imagerie onirique: La peinture du rêve dans l’art médiéval." Nocturnos. Le rêve dans la bande dessinée. Ed. Thierry Groensteen. Paris: Citadelles & Mazenod, 2013. 13–26. |
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| Allègre, Dominique. Astérix dévoilé: Argot, jeux de mots et gauloiseries. Démons et merveilles. Agnières: Le Temps Présent, 2013. |
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| Altehenger, Jennifer. "A Socialist Satire: Manhua Magazine and Political Cartoon Production in the PRC, 1950–1960." Frontiers of History in China 8. (2013): 78–103. |
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| Amihay, Ofra. "Passing under separation: Comics representations of the Holocaust and the Berlin Wall." Journal of Graphic Novels and Comics 4. (2013): 278–96. |
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| Andelman, Bob. Will Eisner: Una vita per il fumetto. Spoltore: DOUbLe SHOt, 2013. |
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| Antonutti, Isabelle. "Fumetto et fascisme: La naissance de la bande dessinée italienne." Comicalités 2013. Accessed 18Dec. 2015. <http://comicalites.revues.org/1306>. |
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| Apostolidès, Jean-Marie. Lettre à Hergé. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2013. |
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| Argiolas, Pier Paolo, et al. Le Grandi Parodie Disney, ovvero, I classici fra le nuvole. L’arte delle Nuvole. Roma: NPE, 2013. |
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| Arizpe, Evelyn. "Meaning-making from wordless (or nearly wordless) picturebooks: What educational research expects and what readers have to say." Cambridge Journal of Education 43. (2013): 163–76. |
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| Arnaudo, Marco. The Myth of the Superhero. Baltimore: Johns Hopkins Univ. Press, 2013. |
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| Arndt, Richard J. Horror Comics in Black and White: A History and Catalog, 1964–2004. Jefferson, London: McFarland, 2013. |
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| Asutay, Hikmet and Selma Akol. "Comics im Deutsch- und Türkischem [sic]: Eine vergleichende Geschichte der Comics in der Deutsch- und Türkischen Literatur von der Vergangenheit bis zur Gegenwart." International Journal of Human Sciences 10. 1 2013. Accessed 22Sep. 2024. <https://www.academia.ed ... sch_und_T%C3%BCrkischem>. |
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| Auer, Christina. D-Manga: Der japanische Comic und seine deutsche Adaption. Initialen. München: Grin, 2013. |
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| Avery-Natale, Edward. "An Analysis of Embodiment among Six Superheroes in DC Comics." Social Thought and Research 32. (2013): 71–106. |
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| Bachmann, Christian A. "Der Comic als Labor semiotischer Interpiktorialitätsforschung: Paul Karasiks und David Mazzucchellis City of Glass." Interpiktorialität. Theorie und Geschichte der Bild-Bild-Bezüge. Ed. Guido Isekenmeier. Bielefeld: Transcript, 2013. 299–318. |
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| Bachmann, Christian A., Véronique Sina, and Lars Banhold, eds. Comics intermedial. Bochum: Ch.A. Bachmann, 2013. |
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| Baetens, Jan. "Abstraction et narration: Une alliance paradoxale (notes sur la bande dessinée abstraite)." Études de Lettres (2013): 45–68. |
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| Baetens, Jan. "Comics and characterization: The case of Fritz Haber (David Vandermeulen)." Journal of Graphic Novels and Comics 4. (2013): 84–91. |
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| Baetens, Jan. "Du roman-photo aux romans-photos." Textimage Varia 3 2013. Accessed 25Jul. 2014. <http://www.revue-textim ... 7_varia_3/baetens1.html>. |
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| Baetens, Jan. "Entre transposition et imagination : à propos de Détective (1991): Jan Baetens s’entretient avec Antonio Altarriba." Formules (2013): 55–61. |
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| Baetens, Jan. "Image and visual culture after the pictorial turn: An outsider’s note." Visual Studies 28. (2013): 180–85. |
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| Baetens, Jan. "Learning From Comics (and Bart Beaty): On the Institutionalization of Comics. An Interview with Bart Beaty." Interférences littéraires / Literaire interferenties 11 2013. Accessed 7Oct. 2014. <http://www.interferenceslitteraires.be/node/232>. |
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| Baetens, Jan. "The Photo-Novel: Stereotype as Surprise." History of Photography 37. (2013): 137–52. |
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| Baetens, Jan. "« Une question de curseur » : un entretien sur NogegoN (1990): Jan Baetens s’entretient avec François Schuiten." Formules (2013): 63–68. |
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| Baetens, Jan. "The Photo-Graphic Novel: Hybridization and Genre Theory." The Cultural Dynamics of Generic Change in Contemporary Fiction. Theoretical Frameworks, Genres and Model Interpretations. Eds. Michael Basseler, Ansgar Nünning and Christine Schwanecke. Trier: Wissenschaftlicher Verlag Trier, 2013. 147–62. |
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| Baetens, Jan and Steven Surdiacourt. "European Graphic Narratives: Toward a Cultural and Mediological History." From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative. Eds. Daniel Stein and Jan-Noël Thon. Narratologia. Berlin u. Boston: de Gruyter, 2013. 347–62. |
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| Baetens, Jan. "Uncaging and Reframing Martin Vaughn-James’s The Cage." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 67–85. |
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| Bainbridge, Jason and Craig Norris. "Posthuman Drag: Understanding Cosplay as Social Networking in a Material Culture." Intersections 32 2013. Accessed 26Jul. 2014. <http://intersections.an ... 2/bainbridge_norris.htm>. |
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| Baird, John. "Evaluating Math Concept Learning Using Comics." International Journal of Comic Art 15. (2013): 456–68. |
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| Baker, James. "Satirising a Prince, or Making Light of a Culture of Errors." The Comics Grid 3. 3 2013. Accessed 4Apr. 2016. <http://www.comicsgrid.com/articles/10.5334/cg.ac/>. |
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| Ball, David M. "Allusive Confessions: The Literary Lives of Alison Bechdel’s Fun Home." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 3–25. |
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| Ballhausen, Thomas. "Stählernes Insektenzeitalter: Zu Jacques Tardis und Benjamin Legrands Tueur de cafards/Der Kakerlakenkiller." Medienimpulse 51. 3 2013. Accessed 21Jun. 2016. <http://www.medienimpulse.at/articles/view/566>. |
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| Ballis, Anja. "Dem Fremden begegnen: »Die Verwandlung« als Graphic Novel." Deutschunterricht 66. (2013): 20–25. |
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| Bamberger, W. C. "The Near-Awakening of Diana Prince." The Ages of Wonder Woman. Essays on the Amazon Princess in Changing Times. Ed. Joseph J. Darowski. Jefferson: McFarland, 2013. 117–25. |
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| Banita, Georgiana. "Cosmopolitan Suspicion: Comics Journalism and Graphic Silence." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 49–66. |
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| Barataud, Marie-Alexandra. "Fantômas, personnage mobile et intertextuel: De la série française à l’œuvre cortazarienne." Belphégor 11. 1 2013. Accessed 27Dec. 2013. <http://belphegor.revues.org/87>. |
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| Barkman, Adam. "Superman: From Anti-Christ to Christ-Type." Superman and Philosophy. What Would the Man of Steel Do? Ed. Mark D. White. Blackwell Philosophy and Pop Culture. Chichester: Wiley-Blackwell, 2013. 111–20. |
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| Bartley, Aryn. "Staging Cosmopolitanism: The Transnational Encounter in Joe Sacco’s Footnotes in Gaza." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 67–82. |
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| Bartosch, Sebastian. "Genre und Comic." Filmwissenschaftliche Genreanalyse. Eine Einführung. Eds. Markus Kuhn, Irina Scheidgen and Nicola Valeska Weber. De Gruyter Studium. Berlin: de Gruyter, 2013. 381–408. |
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| Bartosch, Sebastian and Andreas Stuhlmann. "Reconsidering adaptation as translation: The comic in between." Studies in Comics 4. (2013): 59–74. |
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| Basu, Lopamudra. "The Graphic Memoir in a State of Exception: Transformations of the Personal in Art Spiegelman’s In the Shadow of No Towers." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 163–84. |
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| Bateman, John A. and Francisco O. D. Veloso. "The semiotic resources of comics in movie adaptation: Ang Lee’s Hulk (2003) as a case study." Studies in Comics 4. (2013): 135–58. |
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| Baurin, Camille. "Alan Moore: Métalepse et réflexivité." L’engendrement des images en bande dessinée. Ed. Henri Garric. Iconotextes. Tours: Presses Univ. François-Rabelais, 2013. 81–96. |
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| Bavlnka, Timothy. "/Co/operation and /co/mmunity in /co/mics: 4chan’s Hypercrisis." Transformative Works and Cultures 13 2013. Accessed 19Jun. 2013. <http://journal.transfor ... wc/article/view/442/397>. |
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| Bavlnka, Timothy. "The Joke’s On Him: Shamanism, Literary Magic, and the Textualization of Grant Morrison, Heath Ledger, and The Joker." Intensities: The Journal of Cult Media 5 2013. Accessed 2Jul. 2016. <https://intensitiescult ... e-joker-tim-bavlnka.pdf>. |
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| Bazemore, Chanae. "The Art of Trauma: Holocaust Restatement in the Graphic Novel." Is This a Culture of Trauma? An Interdisciplinary Perspective. Eds. Jessica Aliaga Lavrijsen and Michael Bick. Oxford: Inter-Disciplinary Pr. 2013. |
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| Becker, Andreas. "Lady Snowblood (Shurayukihime) und Lone Wolf and Cub (Kozure Ôkami): Ein Vergleich zwischen weiblicher und männlicher Rache im Manga und in der Filmadaption." Mörderinnen. Künstlerische und mediale Inszenierungen weiblicher Verbrechen. Eds. Hyunseon Lee and Isabel Maurer Queipo. Bielefeld: Transcript, 2013. 197–218. |
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| Beckman, Karen and Liliane Weissberg, eds. On Writing with Photography. Minneapolis: Univ. of Minnesota Press, 2013. |
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| Begag, Azouz. "Mai 1945 à Sétif: Genèse d’une bande dessinée." Contemporary French and Francophone Studies 17. (2013): 99–116. |
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| Behrisch Elce, Erika. "“In Sum, Evil Has Prevailed”: The Moral Morass of Science and Exploration in Jacques Tardi’s The Arctic Marauder." Steaming into a Victorian Future. A Steampunk Anthology. Eds. Julie Anne Taddeo and Cynthia J. Miller. Lanham: Scarecrow, 2013. 105–23. |
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| Bell, Steve and Eli Valley. "Drawing truth to power: A conversation about cartoons between Steve Bell and Eli Valley." Jewish Quarterly 60. (2013): 28–33. |
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| Bell, Blake and Michael J. Vassallo. The Secret History of Marvel Comics: Jack Kirby and the Moonlighting Artists at Martin Goodman’s Empire. Seattle: Fantagraphics, 2013. |
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| Bellefroid, Thierry. François Schuiten: L’Horloger du rêve. Tournai: Casterman, 2013. |
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| Benton, Bond and Daniela Peterka-Benton. "When the Abyss Looks Back: Treatments of Human Trafficking in Superhero Comic Books." The Popular Culture Studies Journal 1. 1 & 2 2013. Accessed 8Oct. 2014. <http://mpcaaca.org/wp-c ... he-Abyss-Looks-Bac1.pdf>. |
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| Benton, Bond and Daniela Peterka-Benton. "When the Abyss Looks Back: Treatments of Human Trafficking in Superhero Comic Books." Popular Culture Studies Journal 1. (2013): 18–35. |
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| Berlatsky, Eric. "Between Supermen: Homosociality, Misogyny, and Triangular Desire in the Earliest Superman Stories." Comics Forum 2013. Accessed 12Apr. 2013. <http://comicsforum.org/ ... ries-by-eric-berlatsky/>. |
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| Berlatsky, Eric. "Time and Free Will: Bergson, Modernism, Superheroes, and Watchmen." Understanding Bergson, Understanding Modernism. Eds. Paul Ardoin, S. E. Gontarski and Laci Mattison. London, New York: Continuum, 2013. 256–80. |
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| Berndt, Jaqueline. "The Intercultural Challenge of the “Mangaesque”: Reorienting Manga Studies after 3/11." Manga’s Cultural Crossroads. Eds. Jaqueline Berndt and Bettina Kümmerling-Meibauer. Routledge Advances in Art and Visual Studies. London, New York: Routledge, 2013. 65–84. |
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| Berndt, Jaqueline and Bettina Kümmerling-Meibauer, eds. Manga’s Cultural Crossroads. Routledge Advances in Art and Visual Studies. London, New York: Routledge, 2013. |
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| Berndt, Jaqueline. "Ghostly: ‘Asian Graphic Narratives,’ Nonnonba, and Manga." From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative. Eds. Daniel Stein and Jan-Noël Thon. Narratologia. Berlin u. Boston: de Gruyter, 2013. 363–84. |
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| Berning, Nora. Towards a Critical Ethical Narratology: Analyzing Value Construction in Literary Non-Fiction Across Media. Handbücher und Studien zur Medienkulturwissenschaft. Trier: Wissenschaftlicher Verlag Trier, 2013. |
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| Berninger, Mark. "“Scott Pilgrim Gets It Together”: The Cultural Crossovers of Bryan Lee O’Malley." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 243–56. |
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| Beronä, David A. "Woodcut Novels: Cutting a Path to the Graphic Novel." Comics Forum 2013. Accessed 9Sep. 2013. <http://comicsforum.org/ ... ovel-by-david-a-berona/>. |
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| Best, Daniel. The 1955 Romance Comics Trial. Norwood: Blaq Books, 2013. |
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| Bieloch, Katharina and Sharif Bitar. "Batman Goes Transnational: The Global Appropriation and Distribution of an American Hero." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 113–26. |
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| Birmingham, Elisabeth. "Girls’ Fantasies, Freedom, and Brotherly Love: Incest Narratives in Shōjo Anime." Intensities: The Journal of Cult Media 5 2013. Accessed 2Jul. 2016. <https://intensitiescult ... lizabeth-birmingham.pdf>. |
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| Bishop, Kyle W. "Battling Monsters and Becoming Monstrous: Human Devolution in The Walking Dead." Monster Culture in the 21st Century. A Reader. Eds. Marina Levina and Diem-My T. Bui. New York: Bloomsbury, 2013. 73–85. |
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| Blanco Cordón, Tatiana. "L’image de la femme dans les cómics femeninos des années 1960–1970 en Espagne: Conflit identitaire ou schizophrénie de genre." Comicalités 2013. Accessed 9Mar. 2015. <http://comicalites.revues.org/1569>. |
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| Blank, Juliane. "»Aber wir dürfen uns vor dem Bösen nicht verstecken«: Die Vergegenwärtigung historischer Mordfälle in der »Serienmörder-Trilogie« von Peer Meter." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 101–17. |
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| Blin-Rolland, Armelle. "Fidelity versus Appropriation in Comics Adaptation: Jacques Carelman’s and Clément Oubrerie’s Zazie dans le métro." European Comic Art 6. (2013): 88–109. |
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| Bock, Charles. "On Archer’s Underground Comix Roots: How underground comic books helped give rise to Archer." Harper’s Magazine 2013. Accessed 4Feb. 2015. <http://harpers.org/blog ... nderground-comix-roots/>. |
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| Boer, Nienke. "Taking a Joke Seriously: Mickey Mouse and William Kentridge." MLN 128. (2013): 1146–69. |
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| Boesenberg, Eva. "Family Business: Death in Alison Bechdel’s Fun Home." American Lives. Ed. Alfred Hornung. American Studies – A Monograph Series. Heidelberg: Winter, 2013. 327–38. |
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| Boge, Chris. "Visualizing Histories and Stories: Revisionary Graphic Novels of the 1980s and 1990s." Medienimpulse 51. 3 2013. Accessed 21Jun. 2016. <http://www.medienimpulse.at/articles/view/571>. |
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| Boillat, Alain. "Récit(s) en fragments: Logiques sérielle et mondaine dans Little Nemo in Slumberland de Winsor McCay." Études de Lettres (2013): 93–124. |
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| Boillat, Alain and Raphaël Oesterlé. "Enjeux méthodologiques et théoriques liés à l’exploitation d’un fonds d’archives de magazines de bandes dessinées (1946–1959)." Cinergie 4 2013. Accessed 24Aug. 2020. <https://cinergie.unibo.it/article/view/7368>. |
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| Bolton, Matthew. "Narrativity, Purpose, and Visible Adaptation in Shari Springer Berman and Robert Pulcini’s American Splendor (2003)." Miranda 8 2013. Accessed 6Oct. 2014. <http://miranda.revues.org/3537>. |
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| Bordwell, David and Kristin Thompson. Christopher Nolan: A Labyrinth of Linkages. [Self-publ.], 2013. |
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| Bormann, Daniel Candel. "Moving Possible World Theory from Logic to Value." Poetics Today 34. (2013): 177–231. |
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| Bourdaa, Mélanie. "‘Following the Pattern’: The Creation of an Encyclopaedic Universe with Transmedia Storytelling." Adaptation 6. (2013): 202–14. |
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| Bowden, Jonathan. Pulp Fascism: Right-Wing Themes in Comics, Graphic Novels, & Popular Literature. Ed. Greg Johnson. San Francisco: Counter-Currents, 2013. |
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| Bradshaw, Michael. "‘The sleep of reason’: Swamp Thing and the intertextual reader." Alan Moore and the Gothic Tradition. Ed. Matthew J. A. Green. Manchester, New York: Manchester Univ. Press, 2013. 121–39. |
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| Added by: joachim 6/22/14, 11:49 AM |
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| Bragard, Véronique. "Conrad’s Two Visions: Intermedial Transgenericity in Anyango and Mairowitz’s Graphic Adaptation of Heart of Darkness." European Comic Art 6. (2013): 45–65. |
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| Added by: joachim Last edited by: joachim 7/18/13, 10:19 PM |
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| Bright, Amy. "Evaluating Text and Image Ratios in Contemporary Young Adult Literature." International Journal of Comic Art 15. (2013): 146–62. |
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| Added by: Deleted user Last edited by: Deleted user 9/11/14, 12:27 PM |
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| Brillenburg Wurth, Kiene, Sara Rosa Espi, and Inge van de Ven. "Visual Text and Media Divergence: Analogue literary writing in a digital age." European Journal of English Studies 17. (2013): 92–108. |
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| Added by: joachim 8/25/13, 3:02 PM |
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| Brisbin, Ally and Paul Booth. "The Sand/wo/man: The Unstable Worlds of Gender in Neil Gaiman’s Sandman Series." Journal of Popular Culture 46. (2013): 20–37. |
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| Added by: joachim Last edited by: joachim 5/2/13, 1:25 AM |
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| Brooker, Will. "Batgirl." Barthes’ Mythologies Today. Readings of Contemporary Culture. Eds. Pete Bennett and Julian McDougall. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2013. 27–31. |
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| Added by: joachim 12/15/16, 11:49 AM |
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| Brown, Kieron Michael. "Musical Sequences in Comics." The Comics Grid 3. 9 2013. Accessed 26Jun. 2014. <http://www.comicsgrid.com/article/view/cg.aj>. |
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| Added by: joachim Last edited by: joachim 6/20/16, 7:37 PM |
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| Brown, Lyndsay. "Pornographic space-time and the potential of fantasy in comics and fan art." Transformative Works and Cultures 13 2013. Accessed 18Jun. 2013. <http://journal.transfor ... wc/article/view/465/396>. |
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| Added by: joachim 6/18/13, 10:55 PM |
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| Brown, Lisa. "The Speaking Animal: Nonhuman Voices in Comics." Speaking for Animals. Ed. Margo DeMello. Routledge Advances in Sociology. Jefferson, London: McFarland, 2013. 73–77. |
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| Added by: joachim Last edited by: joachim 6/2/17, 9:59 AM |
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| Brozo, William G., Gary Moorman, and Carla K. Meyer. Wham! Teaching with Graphic Novels across the Curriculum. Language & Literacy. New York: Teachers College Pr. 2013. |
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| Added by: joachim Last edited by: joachim 10/11/16, 12:48 PM |
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