Agland, Jamie. "Madness and Masculinity in the Caricatures of the Regency Crisis, 1788–89." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009. |
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Agosta-Ives, Valérie. "Salomon Assus (1850–1919): Humoristic Postcards as a Powerful Visual Medium Transcending Ethnic and Gender Issues in Early 1900s’ French Algeria." International Journal of Comic Art 11. (2009): 113–34. |
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Ahmed, Maaheen. "Moebius, Gir, Giraud, Gérard: Self-Visualizations." International Journal of Comic Art 11. (2009): 421–31. |
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Ahrens, Jörn. "A History of Violence: David Cronenberg, die Graphic Novel und die Repräsentation der Gewalt." Comic. Film. Helden. Heldenkonzepte und medienwissenschaftliche Analysen. Ed. Barbara Kainz. Wien: Löcker, 2009. 125–37. |
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Alaniz, José. "Masculinity and the Superhero in Post-Soviet Russian Comics." International Journal of Comic Art 11. (2009): 396–425. |
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Alary, Viviane. "The Spanish Tebeo." European Comic Art 2. (2009): 253–76. |
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Aldama, Frederick Luis. A User’s Guide to Postcolonial and Latino Borderland Fiction. Austin: Univ. of Texas Press, 2009. |
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Added by: joachim Last edited by: joachim 7/22/15, 2:28 PM |
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Aldama, Frederick Luis. Your Brain on Latino Comics: From Gus Arriola to Los Bros Hernandez. Cognitive Approaches to Literature and Culture. Austin: Univ. of Texas Press, 2009. |
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Allen, Chadwick. "Tonto on Vacation, or How to Be an Indian Lawyer." Canadian Review of American Studies 39. (2009): 139–61. |
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Alspaugh, Leann Davis. "Treading Upon the Shroud: Martin Rowson’s Graphic Novel Version of Tristram Shandy." The Shandean 20. (2009): 131–46. |
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Anderson, Mark. "Oshii Mamoru’s Patlabor 2: Terror, Theatricality, and Exceptions That Prove the Rule." Mechademia 4. (2009): 75–109. |
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Apostolidès, Jean-Marie. The Metamorphoses of Tintin, or, Tintin for Adults. Palo Alto: Stanford Univ. Press, 2009. |
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Added by: joachim Last edited by: joachim 8/17/11, 3:01 PM |
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Arnold, Heinz Ludwig and Andreas C. Knigge, eds. Comics, Mangas, Graphic Novels. Text + Kritik Sonderbände. München: edition text + kritik, 2009. |
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Arp, Robert. "Hooded Justice and Captain Metropolis: The Ambiguously Gay Duo." Watchmen and Philosophy. A Rorschach Test. Ed. Mark D. White. The Blackwell Philosophy and Pop Culture Series. Hoboken: Wiley, 2009. 185–96. |
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Atkinson, Paul. "Movements within Movements: Following the Line in Animation and Comic Books." Animation 4. (2009): 265–81. |
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Atkinson, Paul. "The Time of Heroes: Narrative, Progress, and Eternity in Miracleman." The Contemporary Comic Book Superhero. Ed. Angela Ndalianis. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2009. 44–63. |
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Aune, Mark G. "Teaching the Graphic Travel Narrative." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 223–29. |
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Ayala Garcia, Patricia. "Comic Books and the Experience of Self-Fulfillment: A Study with High School Students." Diss. Ed.D. Columbia University, 2009. |
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Azuma, Hiroki. Otaku: Japan’s Database Animals. Minneapolis: Univ. of Minnesota Press, 2009. |
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Bachmann, Christian A. "Von Masken und Mäusen: Zu Masken in Superhelden- und autobiographischen Comics." Masken. Eds. Kurt Röttgers and Monika Schmitz-Emans. Essen: Blaue Eule, 2009. 210–32. |
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Bachmann, Christian A. "Chris Wares labyrinthische Comics." Labyrinthe als Texte – Texte als Labyrinthe. Eds. Monika Schmitz-Emans and Christian A. Bachmann. forum texte + projekte. Bochum: Ch.A. Bachmann, 2009. 157–62. |
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Badman, Derik A. "Comics studies: Resources for scholarly research." College & Research Libraries News 70. (2009): 574–82. |
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Baetens, Jan. "How Many is Multi? On the Example of Photo Narrative, High and Low." Image [&] Narrative 10. 3 2009. Accessed 1Jun. 2013. <http://www.imageandnarr ... tive/article/view/37/22>. |
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Baetens, Jan. "Littérature et bande dessinée: Enjeux et limites." Cahiers de Narratologie 16 2009. Accessed 1Jun. 2013. <http://narratologie.revues.org/974>. |
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Baetens, Jan and Thomas van Parys. "The Surrogates: Science-Fiction as MacGuffin." Quaderns de Filologia 14 2009. Accessed 29May. 2016. <https://ojs.uv.es/index ... /article/view/4011/3653>. |
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Baetens, Jan. "A Cultural Approach to Nonnarrative Graphic Novels: A Case Study from Flanders." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 281–87. |
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Bainbridge, Jason. "‘Worlds Within Worlds’: The Role of Superheroes in the Marvel and DC Universes." The Contemporary Comic Book Superhero. Ed. Angela Ndalianis. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2009. 64–85. |
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Baker, Anthony D. "Chris Ware’s Postmodern Pictographic Experiments." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 111–19. |
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Ballhausen, Thomas. "Die Liebe am Ende (der Zeiten): Adaptive Strategien und Begehrenskonzepte in A Boy and his Dog." Reddition 26. (2009): 23–27. |
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Ballhausen, Thomas and Günter Krenn. "Politik der Feindschaft: Notizen zum dunkelsten aller Ritter." Comic. Film. Helden. Heldenkonzepte und medienwissenschaftliche Analysen. Ed. Barbara Kainz. Wien: Löcker, 2009. 53–65. |
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Added by: joachim Last edited by: joachim 4/4/10, 11:32 PM |
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Barker, Martin. "Jackie and the Problem of Romance." A Comics Studies Reader. Eds. Jeet Heer and Kent Worcester. Jackson: Univ. Press of Mississippi, 2009. 190–206. |
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Added by: joachim 1/3/11, 2:50 AM |
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Barnes, David. "Time in the Gutter: Temporal Structures in Watchmen." KronoScope 9. (2009): 51–60. |
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Added by: joachim Last edited by: joachim 2/23/17, 11:55 AM |
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Barr, Terry. "Teaching Maus to a Holocaust Class." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 76–83. |
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Baschiera, Stefano. "The Thickness of the Panel: Narrative Stratification and Complexification in Azzarello’s 100 Bullets." Cinema e fumetto. Cinema and comics. Eds. Leonardo Quaresima, Laura Ester Sangalli and Federico Zecca. Udine: Forum, 2009. 367–80. |
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de la Batelière, Jean-Loup. Comment Hergé a créé Tintin au Congo. Bédéstory, 2009. |
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Beard, David and Kate Vo Thi-Beard. "Comic Fans and Convergence Culture: Community of Readers in The Master of Kung Fu." Harlot 2 2009. Accessed 13Nov. 2023. <https://harlotofthearts ... rlot/article/view/26/17>. |
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Bearden-White, Roy. "Closing the Gap: Examining the Invisible Sign in Graphic Narratives." International Journal of Comic Art 11. (2009): 347–62. |
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Becker, Richard A. "The Crisis of Confidence in Comics Adaptations: Why Comics Are So Rarely Faithfully Adapted to the Big Screen." International Journal of Comic Art 11. (2009): 436–56. |
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Added by: joachim 9/26/12, 11:13 AM |
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Becker, Thomas. "Genealogie der autobiografischen Graphic Novel: Zur feldsoziologischen Analyse intermedialer Strategien gegen ästhetische Normalisierungen." Comics. Zur Theorie und Geschichte eines populärkulturellen Mediums. Eds. Stephan Ditschke, Katerina Kroucheva and Daniel Stein. Bielefeld: Transcript, 2009. 239–64. |
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Becker, Thomas. "Vom Bubblegum zum Holocaust: Art Spiegelmans MAUS." Mediale Erregungen? Autonomie und Aufmerksamkeit im Literatur- und Kulturbetrieb der Gegenwart. Eds. Markus Joch, et al. Tübingen: Niemeyer, 2009. 309–30. |
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op de Beeck, Nathalie. "Autobifictionalography: Making Do in Lynda Barry's One Hundred Demons." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 163–71. |
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Beez, Jigal. "Cartoons as Pop Idols: The “Sani Star Search” Contest in Tanzania." International Journal of Comic Art 11. (2009): 281–93. |
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Added by: joachim Last edited by: joachim 9/25/12, 6:36 PM |
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Beez, Jigal. "Stupid Hares and Margarine: Early Swahili Comics." Cartooning in Africa. Ed. John A. Lent. Cresskill: Hampton, 2009. |
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Added by: joachim 9/25/12, 7:11 PM |
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Behringer, Marco. Der Holocaust in Sprechblasen: Erinnerung im Comic. Marburg: Tectum, 2009. |
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Added by: joachim 7/15/11, 9:59 PM |
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Berlatsky, Eric. "Lost in the Gutter: Within and Between Frames in Narrative and Narrative Theory." Narrative 17. (2009): 162–87. |
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Added by: joachim Last edited by: joachim 6/7/11, 3:07 PM |
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Berndt, Jaqueline. "Shōjo global: Japanische Mädchenmanga zwischen Kitsch und Kritik." kjl&m 61. (2009): 32–38. |
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Added by: joachim Last edited by: joachim 11/19/10, 1:34 AM |
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Berndt, Jaqueline. "Manga and ‘Manga’: Contemporary Japanese Comics and their Dis/similarities with Hokusai Manga." Civilisation of Evolution, Civilisation of Revolution. Metamorphoses in Japan 1900–2000. Eds. Arkadiusz Jabłoński, Stanisław Meyer and Morita Kōji. Kraków: Muzeum Sztuki i Techniki Japońskiej Manggha, 2009. 210–22. |
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Added by: joachim Last edited by: joachim 2/20/11, 11:27 PM |
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Berse, Gerald. Accessed 19Feb. 2013. The Unofficial Handbook of Marvel Comics Creators German Edition. [Online]. Available: http://www.marvelguide.de/. |
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Added by: joachim 2/19/13, 4:13 PM |
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Bertin, Jean-Marie. "Press Cartoons in France: A Short History." International Journal of Comic Art 11. (2009): 231–71. |
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Added by: Deleted user 11/30/09, 2:34 PM |
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Bierly, Steve R. Stronger Than Spinach: The Secret Appeal of The Famous Studios Popeye Cartoons. Duncan: BearManor Media, 2009. |
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Added by: joachim 7/26/10, 11:21 PM |
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Bigelow, Susan J. "Technologies of Perception: Miyazaki in Theory and Practice." Animation 4. (2009): 55–75. |
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Added by: joachim Last edited by: joachim 5/3/23, 5:09 PM |
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Bitz, Michael. Manga High: Literacy, Identity, and Coming of Age in an Urban High School. Cambridge: Harvard Education Pr. 2009. |
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Black, James Eric. "Amoozin’ but Confoozin’: Comic Strips as a Voice of Dissent in the 1950s." ETC. A Review of General Semantics 66. (2009). |
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Blatt, Ari J. "The interphototextual dimension of Annie Ernaux and Marc Marie’s L’usage de la photo." Word & Image 25. (2009): 46–55. |
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Blume, Otto-Michael. "A nos amours …: Die Emotionen Titeufs beschreiben." Der Fremdsprachliche Unterricht. Französisch 43. (2009): 10–13. |
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Added by: joachim Last edited by: joachim 8/21/22, 4:35 PM |
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Blume, Otto-Michael. "Au bord de l'éclatement: Beziehungsgeflechte in der BD »No limits« analysieren." Der Fremdsprachliche Unterricht. Französisch 43. (2009): 30–35. |
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Bock, Marek. "Die Darstellung des Holocaust im Comic: Maus, Die Suche, Auschwitz, Yossel." Bachelorarbeit BA. RWTH Aachen, 2009. |
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Bohrmann, Thomas. "»Aus großer Kraft folgt große Verantwortung«: Superhelden im Kino." Handbuch Theologie und Populärer Film. Eds. Thomas Bohrmann, Werner Veith and Stephan Zöller. Paderborn: Schöningh, 2009. 199–212. |
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Added by: joachim 10/29/11, 7:59 PM |
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Boillat, Alain. "La figuration du mouvement dans les dessins de presse et albums illustrés signés « O’Galop »: Des images en séries (culturelles)." 1895 59 2009. Accessed 3Sep. 2013. <http://1895.revues.org/3915>. |
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Bonesteel, Michael. "Henry Darger’s Search for the Grail in the Guise of a Celestial Child." Third Person. Authoring and Exploring Vast Narratives. Eds. Pat Harrigan and Noah Wardrip-Fruin. Cambridge, London: MIT Press, 2009. 253–66. |
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Added by: joachim 6/30/11, 11:59 AM |
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Botshon, Lisa and Melinda Plastas. "Homeland In/Security: A Discussion and Workshop on Teaching Marjane Satrapi’s Persepolis." Feminist Teacher 20. (2009): 1–14. |
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Botzakis, Stergios. "Adult Fans of Comic Books: What They Get out of Reading." Journal of Adolescent & Adult Literacy 53. (2009): 50–59. |
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Bowman, Michael, Cristine N. Paschild, and Kimberly Willson-St. Clair. "How the dark horse came in: Portland State University Library acquires Dark Horse Comics archives." College & Research Libraries News 70. (2009): 570–72. |
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Boy, Florie. "Les femmes dans la bande dessinée d’auteur depuis les années 1970: Itinéraires croisés : Claire Bretécher, Chantal Montellier et Marjane Satrapi." Diplôme national de master Mémoire Master. Université Lyon II Lumière, 2009. |
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Breccia, Patricia. "Remembrances of My Father, Alberto Breccia." International Journal of Comic Art 11. (2009): 80–89. |
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Brems, Elke. "Noise and Nostalgia: The Literary Identities of Brussels in Contemporary Dutch Literature." Modern Language Review 104. (2009): 120–32. |
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Bresler, Liora. "University Faculty as Intellectual Entrepreneurs: Vision, Experimental Learning, and Animation." Visual Arts Research 35. (2009): 12–23. |
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Bricco, Elisa. "Biografie finzionali tra racconto e fumetto: Arno Bertina e Stéphane Levallois." Nuova corrente 56. (2009): 243–64. |
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Bridges, Elizabeth. "Bridging the Gap: A Literacy-Oriented Approach to Teaching the Graphic Novel Der erste Frühling." Die Unterrichtspraxis/Teaching German 42. (2009): 152–61. |
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Brie, Stephen. "The struggle to survive without spandex in Harvey Pekar’s American Splendor." Critical Engagements 3. (2009): 73–90. |
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Brienza, Casey E. "Books, Not Comics: Publishing Fields, Globalization, and Japanese Manga in the United States." Publishing Research Quarterly 25. (2009): 101–17. |
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Brienza, Casey E. "Paratexts in Translation: Reinterpreting “Manga” for the United States." International Journal of the Book 6. (2009): 13–20. |
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von Brincken, Jörg. "Ganz schön gewaltige Bilder: Zack Snyder’s Film 300." Medienobservationen 2009. Accessed 20Feb. 2014. <http://www.medienobserv ... no_pdf/brincken_300.pdf>. |
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Brinkmann, Frank Thomas. "Comics und Religion." Popkultur und Religion. Best of …. Ed. Harald Schroeter-Wittke. POPKULT. Jena: IKS Garamond, 2009. 271–90. |
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Broderick, Mick. "Superflat Eschatology: Renewal and Religion in anime." Animation Studies 2009. Accessed 29Aug. 2011. <http://journal.animatio ... -superflat-eschatology/>. |
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Broderick, Mick. "Making things new: Regeneration and transcendence in Anime." The End All Around Us. Apocalyptic Texts and Popular Culture. Eds. John Walliss and Kenneth G. C. Newport. London, Oakville: Equinox, 2009. 120–47. |
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Brown, Sarah Annes. "“Shaping Fantasies”: Responses to Shakespeare’s Magic in Popular Culture." Shakespeare 5. (2009): 162–76. |
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Brunner, Miriam. Manga – Die Faszination der Bilder: Darstellungsmittel und Motive. München: Fink, 2009. |
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Added by: Martin de la Iglesia Last edited by: joachim 9/23/10, 1:04 AM |
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Brunner, Edward. "The Comics as Outsider’s Text: Teaching R. Crumb and Underground Comix." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 137–46. |
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Bruno, Franklin. "An Interview with Peter Blegvad: “I’m a dilettante, ‘polymorphously perverse,’ a perpetual amateur”." The Believer (2009). |
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Bruttmann, Tal. "The Holocaust through Comic Books." Re-examining the Holocaust through Literature. Eds. Aukje Kluge and Benn E. Williams. Newcastle upon Tyne: Cambridge Scholars Publ. 2009. 173–200. |
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Brysbaert, Xavier. "Le théâtre chez Marc-Antoine Mathieu." Mémoire Master. EESI Angoulême / UFR lettres et langues Poitiers, 2009/2010. |
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Buhle, Paul. "Eco-Comics, Then and Now." Capitalism Nature Socialism 20. (2009): 68–73. |
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Buhle, Paul. "Wisconsin’s Comic Art: From Underground to the Forefront." The Wisconsin Magazine of History 92. (2009): 42–53. |
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Bukatman, Scott. "Secret Identity Politics." The Contemporary Comic Book Superhero. Ed. Angela Ndalianis. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2009. 109–25. |
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Buljan, Katharine. "The Uncanny and the Robot in the Astro Boy Episode “Franken”." Animation Studies 2009. Accessed 29Aug. 2011. <http://journal.animatio ... -boy-episode-“franken”/>. |
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Burnett, Andrew. "Mad Genetics: Sinister Side of Biological Mastery." X-Men and Philosophy. Astonishing Insight and Uncanny Argument in the Mutant X-Verse. Eds. Rebecca Housel and J. Jeremy Wisnewski. Blackwell Philosophy and Pop Culture. Hoboken: Wiley, 2009. 53–65. |
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Burt, Stephen. "Poems About Superheroes." Michigan Quarterly Review 48. (2009). |
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Butler, Matthew and Lucie Joschko. "Final Fantasy or The Incredibles: Ultra-realistic animation, aesthetic engagement and the uncanny valley." Animation Studies 2009. Accessed 29Aug. 2011. <http://journal.animatio ... asy-or-the-incredibles/>. |
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Campbell, Joseph. "Bridge of Bronze: Using Shanower’s Age of Bronze in the Contemporary Literature Classroom." Atenea 29. (2009): 135. |
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Campbell, Bruce. ¡Viva la historieta! Mexican Comics, NAFTA, and the Politics of Globalization. Jackson: Univ. Press of Mississippi, 2009. |
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Carpenter, Stanford W. "Black Lightning’s Story." Third Person. Authoring and Exploring Vast Narratives. Eds. Pat Harrigan and Noah Wardrip-Fruin. Cambridge, London: MIT Press, 2009. 275–86. |
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Carrier, David. "Caricature." A Comics Studies Reader. Eds. Jeet Heer and Kent Worcester. Jackson: Univ. Press of Mississippi, 2009. 105–15. |
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Carter, James Bucky. "Teaching Watchmen in the Wake of 9/11." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 99–108. |
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Casey, Jim. "Silver Age comics." The Routledge Companion to Science Fiction. Eds. Mark Bould, et al. London, New York: Routledge, 2009. 123–33. |
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Casey, Jay. "‘What’s So Funny?’: The Finding and Use of Soldier Cartoons from the World Wars as Historical Evidence." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009. |
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Cavallaro, Dani. Anime and Memory: Aesthetic, Cultural and Thematic Perspectives. Jefferson, London: McFarland, 2009. |
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Cavallaro, Dani. The Art of Studio Gainax: Experimentation, Style and Innovation at the Leading Edge of Anime. Jefferson, London: McFarland, 2009. |
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Chaney, Michael A. "Is There an African American Graphic Novel?." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 69–75. |
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Chang, Jeff. "Morrie Turner and the Kids: The Story of the Man Responsible for Bringing Color to the Black-and-White Pages of the Sunday Comics." The Believer (2009). |
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Added by: joachim Last edited by: joachim 12/31/20, 4:45 PM |
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