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Agosta-Ives, Valérie. "Salomon Assus (1850–1919): Humoristic Postcards as a Powerful Visual Medium Transcending Ethnic and Gender Issues in Early 1900s’ French Algeria." International Journal of Comic Art 11.(2009): 113–34. |
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Agüera Santiago, Laura. "Superhero Representation in Netflix Produced Serial Fiction: The Case of Daredevil, Jessica Jones, Luke Cage, Iron Fist and the Punisher." In a Stranger Field. Studies of Art, Audiovisuals and New Technologies in Fantasy, SciFi and Horror Genres. Eds. Mario-Paul Martínez Fabre and Fran Mateu. Elche: Fantaelx, 2019. 177–201. |
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Ahmad, Hafiz Aziz. "The Impacts of Visuals of Manga on Indonesian Readers’ Psychological and Behavioral Reactions." Thesis Dr. phil. Chiba University, 2012. |
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Ahmed, Mohamed Hamdy Hamed. "Sarcasm in the View of the Ancient Egyptian." International Journal of Comic Art 9.(2007): 243–47. |
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Ahmed, Maaheen. "Moebius, Gir, Giraud, Gérard: Self-Visualizations." International Journal of Comic Art 11.(2009): 421–31. |
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Ahmed, Meena. "Exploring the Dimensions of Political Cartoons: A Case Study of Pakistan." International Journal of Comic Art 12.(2010): 525–42. |
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Ahmed, Maaheen. "Fallen Angels and Shattered Skies: Rejected Conventions in Yslaire’s Could 99 (XXe Ciel)." International Journal of Comic Art 12.(2010): 103–23. |
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Ahmed, Michael. "Captain America, Watergate, and the Falcon: Rediscovering the American Dream?." Intensities: The Journal of Cult Media 5 2013. Accessed 2 Jul. 2016. <https://intensitiescult ... dream-michael-ahmed.pdf>. |
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Ahmed, Maaheen. "The Art of Splicing: Autofiction in Words and Images." International Journal of Comic Art 16.(2014): 322–38. |
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Ahmed, Maaheen. "State Protection and Identification in Hellboy: Of reformed devils and other Others in the Pentagon." European Journal of American Studies 10.2 2015. Accessed 12 Oct. 2015. <https://ejas.revues.org/10938>. |
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Ahmed, Maaheen. Openness of Comics: Generating Meaning within Flexible Structures. Jackson: Univ. Press of Mississippi, 2016. |
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Ahmed, Maaheen. "Instrumentalising Media Memories: The Second World War According to Achtung Zelig!." European Comic Art 12.(2019): 1–20. |
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Ahmed, Maaheen. Monstrous Imaginaries: The Legacy of Romanticism in Comics. Jackson: University Pr. of Mississippi, 2019. |
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Ahmed, Maaheen. "Reading children in comics: A sociohistorical mapping." Children’s Geographies 20.(2022): 349–60. |
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Ahmed, Maaheen. "Collages in Comics: The Case of Dave McKean." Le statut culturel de la bande dessinée – ambiguïtés et évolutions. The Cultural Standing of Comics – Ambiguities and Changes. Eds. Maaheen Ahmed, Stephanie Delneste and Jean-Louis Tilleuil. Paris: L’Harmattan, 2017. 53–74. |
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Ahmed, Maaheen. "Reading (and looking at) Mariko Parade: A methodological suggestion for understanding contemporary graphic narratives." Intercultural Crossovers, Transcultural Flows. Manga/Comics. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2011. 119–33. |
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Ahmed, Maaheen and Benoît Crucifix, eds. Comics and Memory: Archives and Styles. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2018. |
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Ahmed, Maaheen and Benoît Crucifix. "Coda: A User Guide to Comics Memory." Comics Memory. Archives and Styles. Eds. Maaheen Ahmed and Benoît Crucifix. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2018. 281–85. |
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Ahmed, Maaheen. "Historicizing in Graphic Novels: The Welcome Subjective G(l)aze." Graphic History. Essays on Graphic Novels And/As History. Ed. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ. 2012. 184–202. |
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Ahmed, Maaheen and Martin Lund. "Apocalypse Why? The Neutralisation of the Antichrist in Three Comics Adaptations." Scan. Journal of media arts culture 9.1 2012. Accessed 3 May. 2013. <http://scan.net.au/scn/ ... ed-and-Martin-Lund.html>. |
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Ahmed, Maaheen and Martin Lund. "“We’re all Avengers now”: Community-building, civil religion and nominal multiculturalism in Marvel Comics’ Fear Itself." European Journal of American Culture 35.(2016): 77–95. |
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Ahrens, Jörn. "The Father’s Art of Crime: Igort’s 5 Is the Perfect Number." International Journal of Comic Art 12.(2010): 192–208. |
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Ahrens, Jörn. "Imagine Reality: Negotiating Comics along David B.’s Epileptic." European Comic Art 7.(2014): 64–89. |
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Ahrens, Jörn. "Joe Sacco and the Quest for Documentation in Comics." ImageTexT 11.1 2019. Accessed 7 Nov. 2020. <http://imagetext.englis ... /archives/v11_1/ahrens/>. |
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Ahrens, Jörn. "The Ordinary Urban: 100 Bullets and the Clichés of Mass Culture." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 214–28. |
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Ahrens, Jörn, Frank Thomas Brinkmann, and Nathanael Riemer, eds. Comics – Bilder, Stories und Sequenzen in religiösen Deutungskulturen. Wiesbaden: Springer VS, 2015. |
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Ahrens, Jörn. "Bringing the War Back Home: Reflecting Violence in Brian Wood’s DMZ." Contexts of Violence in Comics. Eds. Ian Hague, Ian Horton and Nina Mickwitz. Routledge Advances in Comics Studies. London, New York: Routledge, 2019. 115–27. |
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Ahrens, Jörn and Arno Meteling, eds. Comics and the City: Urban Space in Print, Picture and Sequence. London, New York: Continuum, 2010. |
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Aiello, Thomas, ed. The Artistic Activism of Elombe Brath. Jackson: Univ. Press of Mississippi, 2021. |
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Aiken, Katherine. "Superhero History: Using Comic Books to Teach U.S. History." OAH Magazine of History 24.(2010): 41–47. |
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Aiyesimoju, Ayodeji Boluwatife. "Black Panther as Afro-complementary Cinematic Intervention: Lessons for Africa South of the Sahara African Movie Industries." Africology 11.9 2018. Accessed 10 Jun. 2022. <http://www.jpanafrican. ... -special-20-Ayodeji.pdf>. |
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Ajah, Richard Oko. "Nationalism and African Communal Identity in Marguerite Abouet’s and Clement Oubrerie’s Aya de Yopougon." Human and Social Studies 5.(2017): 85–99. |
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