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Baetens, Jan. "Un chronotope à personnage ajouté: Le nouveau fantastique des Cités obscures (Schuiten–Peeters)." Brumal 5.1 2017. Accessed 12 Jun. 2019. < ... icle/view/v5-n1-baetens>.  
Last edited by: joachim 6/12/19, 11:27 AM
Balinisteanu, Tudor. "Goddess Cults in Techno-Worlds: Tank Girl and the Borg Queen." Journal of Feminist Studies in Religion 28.(2012): 5–24.  
Last edited by: joachim 8/22/20, 8:15 PM
Burke, Liam. "Harley Quinn and the carnivalesque transformation of comic book fandom." Transformative Works and Cultures 36 2021. Accessed 12 Oct. 2021. <https://journal.transfo ... p/twc/article/view/2015>.  
Last edited by: joachim 10/12/21, 11:36 AM
Camus, Cyril. "Neil Gaiman’s Sandman as a Gateway from Comic Books to Graphic Novels." Studies in the Novel 47.(2015): 308–18.  
Last edited by: joachim 1/7/22, 7:27 PM
Cashell, Kieran and John Scaggs. "Transvestite Logic: Pat Mills and Kevin O’Neill’s Marshal Law and the Superhero Genre." Iowa Journal of Cultural Studies 6.(2005): 8–35.  
Last edited by: joachim 1/29/13, 12:35 AM
Cortsen, Rikke Platz. "Multiple living, one world? On the chronotope in Alan Moore and Gene Ha’s Top 10." Studies in Comics 2.(2011): 135–45.  
Last edited by: joachim 3/3/23, 5:22 PM
Craft, Jason Todd. "Fiction Networks: The Emergence of Proprietary, Persistent, Large-Scale Popular Fictions." Dissertation Ph.D. Univ. of Texas, 2004.  
Last edited by: joachim 7/3/10, 1:39 AM
Dawe, Ian. "The Moore film adaptations and the erotic-grotesque." Studies in Comics 2.(2011): 177–93.  
Last edited by: joachim 12/3/12, 7:56 PM
Dawe, Ian. "American Splendor and the universal grotesque." Studies in Comics 4.(2013): 43–58.  
Last edited by: joachim 8/4/13, 10:54 AM
De Dobbeleer, Michel and Anouk Dubois. "Der Chronotopos des Kriegsrates als Merkmal in Comics: Vom narratologischen Geschehen zur Geschichte in Attilio Micheluzzis Sibérie." Erzählen im Comic. Beiträge zur Comicforschung. Eds. Otto Brunken and Felix Giesa. Bochum: Ch.A. Bachmann, 2013. 113–27.  
Last edited by: joachim 1/7/22, 5:14 PM
Di Nobile, Antonella. "Il folle, l’androgino e l’ibrido elementi grotteschi e carnevaleschi ne L’Incal di Jodorowsky e Moebius." Between 6.12 2016. Accessed 16 Jun. 2017. < ... tween/article/view/2184>.  
Added by: joachim 6/16/17, 9:50 AM
Diak, Nicholas. "Cullzathro Fhtagn! Magnifying the Carnivalesque in Lovecraft through the Comic Book Series Vinegar Teeth." Academia Letters 948 2021. Accessed 5 Nov. 2023. <https://www.academia.ed ... ok_Series_Vinegar_Teeth>.  
Added by: joachim 11/5/23, 5:17 PM
Earle, Harriet E. H. "Comics and the Chronotope: Time-Space Relationships in Traumatic Sequential Art." HARTS and Minds 1.2 2013. Accessed 11 Jun. 2014. < ... aa4390bb478863d24d6.pdf>.  
Last edited by: joachim 4/17/16, 9:48 AM
Eizykman, Boris. "Keep on … Crumbin’." MEI (2007): 149–70.  
Added by: joachim 9/10/14, 11:58 AM
Green, Melody. "Ravens, Librarians, and Beautiful Ladies Bakhtinian Dialogueism in the Gothic Mythology of Neil Gaiman and George MacDonald." The Mythological Dimensions of Neil Gaiman. Eds. Anthony S. Burdge, Jessica Burke and Kristine Larsen. Crawfordville: Kitsune, 2012. 49–63.  
Last edited by: joachim 10/27/21, 3:14 PM
Hudson, Rick. "The Derelict Fairground: A Bakhtinian Analysis of the Graphic Novel Medium." The CEA Critic 72.(2010).  
Added by: joachim 10/7/14, 11:10 AM
Jachia, Paolo. "Dylan Dog: una lettura semiotica da Michail Bachtin a Umberto Eco." Eroi di carta e celluloide. Il Medioevo germanico nelle forme espressive moderne. Eds. Maria Grazia Saibene and Marusca Francini. Viareggio: Mauro Baroni, 2004. 93–127.  
Added by: joachim 5/7/10, 12:54 AM
Johnston, Rosemary Ross. "Graphic trinities: Languages, literature, and words-in-pictures in Shaun Tan’s The Arrival." Visual Communication 11.(2012): 421–41.  
Added by: joachim 9/9/13, 11:28 AM
Koch, Christina Maria. "Comic-Grotesque Metamorphoses: Boundaries between Illness and Health in Ken Dahl’s Monsters." Comics an der Grenze. Sub/Versionen von Form und Inhalt. Eds. Matthias Harbeck, Linda-Rabea Heyden and Marie Schröer. Berlin: Ch.A. Bachmann, 2017. 149–64.  
Last edited by: joachim 5/11/18, 4:20 PM
Koh, Wilon. "“Put Not Your Trust in Princes”: Fables and the Problematisation of Everyday Life." Nebula 6.2 2009. Accessed 29 May. 2012. <>.  
Added by: joachim 5/29/12, 1:36 PM
Køhlert, Frederik Byrn. "Female grotesques: Carnivalesque subversion in the comics of Julie Doucet." Journal of Graphic Novels and Comics 3.(2012): 19–38.  
Last edited by: joachim 5/7/15, 4:09 PM
Kukkonen, Karin. Neue Perspektiven auf die Superhelden: Polyphonie in Alan Moores »Watchmen«. Marburg: Tectum, 2008.  
Last edited by: joachim 7/16/11, 10:06 AM
Lindberg, Ylva. "The Power of Laughter to Change the World: Swedish Female Cartoonists Raise their Voices." Scandinavian Journal of Comic Art 2.2 2016. Accessed 28 Jun. 2016. < ... oCA-2-2-02-Lindberg.pdf>.  
Added by: joachim 6/28/16, 11:01 PM
Mahmutovic, Adnan. "Chronotope in Moore and Gibbons’s Watchmen." Studies in the Novel 50.(2018): 255–76.  
Added by: joachim 3/2/21, 8:19 AM
Meinrenken, Jens. "Batmans Clinch mit dem Joker: Karneval und Groteske im Zeitalter des Digitalen." Comics und Computerspiele im Deutschunterricht. Fachwissenschaftliche und fachdidaktische Aspekte. Eds. Roland Jost and Axel Krommer. Baltmannsweiler: Schneider-Verl. Hohengehren, 2011. 2–24.  
Added by: joachim 10/23/11, 6:10 PM
Mendes de Souza, Marcelo. "Comic-chronotope in Julio’s Day: Gilbert Hernandez’s explorations of the form-shaping ideologies of the medium." Journal of Graphic Novels and Comics 8.(2017): 359–75.  
Last edited by: joachim 1/7/22, 5:23 PM
Meneses, Juan. "A Bakhtinian Approach to Two Graphic Novels: The Individual in Art Spiegelman's Maus and Chester Brown's Louis Riel." International Journal of Comic Art 10.(2008): 598–606.  
Last edited by: joachim 12/20/18, 2:14 AM
Mettler, Catarina. "The Carnavalesque in Tim Burton’s »Batman« and »Batman Returns«." Werkstücke 2.(2012): 109–33.  
Last edited by: joachim 4/6/13, 11:46 AM
Montresor, Jaye Berman. "Comic Strip-Tease: A Revealing Look at Women Cartoon Artists." Look Who's Laughing. Gender and Comedy. Ed. Gail Finney. Studies in Humor and Gender. Langhorne [etc.]: Gordon and Breach, 1994. 335–47.  
Last edited by: joachim 5/17/13, 11:20 AM
Moore, Michael. "The Economics of Cultural Legitimacy in Hip Hop’s Counterpublic Space." gnovis 8.1 2007. Accessed 3 Jun. 2011. <http://gnovisjournal.or ... Cultural-Legitimacy.pdf>.  
Added by: joachim 6/3/11, 3:22 AM
Paccosi, Valentino. "From Lovecraft to Hellboy: The Carnivalesque Face of the Lovecraftian." Fantastika Journal 1.2 2017. Accessed 23 Mar. 2021. <https://fantastikajourn ... -1-Issue-2-Dec-2017.pdf>.  
Last edited by: joachim 3/23/21, 6:01 PM
Packard, Stephan. "Closing the Open Signification: Forms of Transmedial Storyworlds and Chronotopoi in Comics." Storyworlds 7.(2015): 55–74.  
Added by: joachim 4/24/17, 12:12 PM
Packard, Stephan. "Historical Time in Panel Spaces: Chronotopic Appropriations in Comics." Geschichte im Comic. Befunde – Theorien – Erzählweisen. Ed. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018. 57–74.  
Last edited by: joachim 1/7/22, 5:23 PM
Pellegrin, Annick. "Politics as a Carnival in Hergé’s Tintin et les Picaros." European Comic Art 3.(2010): 169–88.  
Added by: joachim 7/5/12, 8:56 AM
Romero-Jódar, Andrés. "The quest for a place in culture: The verbal-iconical production and the evolution of comic-books towards graphic novels." Estudios Ingleses de la Universidad Complutense 14.(2006): 93–110.  
Last edited by: joachim 6/27/13, 4:16 PM
Romero-Jódar, Andrés. "Greek Romance, Alternative History and Political Trauma in Alan Moore and Dave Gibbons’ Watchmen." Trauma and Romance in Contemporary British Literature. Eds. Jean-Michel Ganteau and Susana Onega. Routledge Studies in Contemporary Literature. London, New York: Routledge, 2013. 181–99.  
Last edited by: joachim 6/27/13, 4:36 PM
Sommers, Joseph Michael. "Crooked Appalachia: The Laughter of the Melungeon Witches in Mike Mignola’s Hellboy: The Crooked Man." Comics and the U.S. South. Eds. Brannon Costello and Qiana J. Whitted. Jackson: Univ. Press of Mississippi, 2012. 214–41.  
Last edited by: joachim 4/15/19, 10:16 AM
Vice, Sue. "»It's about time«: The Chronotope of the Holocaust in Art Spiegelman's Maus." The Graphic Novel. Ed. Jan Baetens. Symbolae Facultatis Litterarum Lovaniensis. Series D: Litteraria. Leuven: Leuven Univ. Press, 2001. 47–60.  
Last edited by: joachim 1/7/22, 5:24 PM
Vogler, Thomas A. "Tank Girl, Anodder Oddyssey Joyce Lives (and Dies) in Popular Culture." Other Voices: The (e)Journal of Cultural Criticism 1.2 1998. Accessed 14 Aug. 2009. <http://www.othervoices. ... .2/tvogler/tankgirl.php>.  
Last edited by: joachim 7/13/11, 9:59 PM
Vogler, Thomas A. "Tank Girl, Anodder Oddyssey Joyce lebt (und stirbt) in der Populärkultur." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 61–88.  
Last edited by: joachim 3/26/20, 1:15 AM
Vogler, Thomas A. "James Joyce Meets Tank Girl." Cultural Studies of James Joyce. Ed. Brandon R. Kershner. European Joyce Studies. 2003. 189–212.  
Last edited by: joachim 3/26/20, 1:13 AM
Williams, Jeff. "Culture, Theory, and Graphic Fiction." Dissertation Ph.D. Texas Tech University, 1999.  
Last edited by: joachim 2/5/12, 3:41 PM
Winter, Frank and Rainer Winter. "Karnevalisierung der Pornographie: Parodistische Aspekte des pornographischen Zeichentrickfilms." Comics Anno (1991): 159–68.  
Last edited by: joachim 8/4/10, 10:09 AM
Zolkover, Adam. "Corporealizing Fairy Tales: The Body, the Bawdy, and the Carnivalesque in the Comic Book Fables." Marvels & Tales 22.(2008): 38–51.  
Last edited by: joachim 5/27/11, 9:34 AM
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