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| Backe, Hans-Joachim. "Narrative Feedback: Computer games, comics, and the james bond franchise." The Cultures of James Bond. Eds. Joachim Frenk and Christian Krug. Trier: Wissenschaftlicher Verlag Trier, 2011. 221–33. |
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| Cotter, Robert Michael. A History of the Doc Savage Adventures in Pulps, Paperbacks, Comics, Fanzines, Radio and Film. Jefferson, London: McFarland, 2009. |
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| Crucifix, Benoît and Gert Meesters. "The Medium Is the Message: Olivier schrauwen’s arsène schrauwen beyond expectations of autobiography, colonial history and the graphic novel." European Comic Art 9.(2016): 24–62. |
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| Danja, Monique. "Tarzan et Superman, ennemis des gosses." Droit et Liberté (1948): 10. |
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| DeForest, Tim. Storytelling in the Pulps, Comics, and Radio How technology changed popular fiction in america. Jefferson, London: McFarland, 2004. |
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| Deluchey, Guy. Ich, Tarzan Wie er wurde, was er ist. München: Knesebeck, 2011. |
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| Eisner, Will. "Das Interview des Jahres: »Wir sitzen nicht auf der Titanic …«: Will eisner im gespräch mit milton caniff." Comic Jahrbuch (1987): 124–40. |
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| Enzyklopädie Deutscher Piccolo-Bilderhefte: Bd. 1: die anfangs-jahre 1953 & 1954. Bergisch Gladbach: ComicSelection/C. Kuhlewind, 2015. |
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| Eveleth, Kyle. "Striking Camp: Empowerment and re-presentation in lumberjanes." Good Grief! Children and Comics. Eds. Michelle Abate and Joe Sutliff Sanders. Columbus: Ohio State University Libraries, 2016. 69–90. |
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| Faeti, Antonio. " L’Aventurier de l’aurore." Tintin, Hergé et la «Belgité». Ed. Anna Soncini Fratta. BelŒil. Bologna: CLUEB, 1994. 15–24. |
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| Filc, Dani. "Tintin and Corto Maltese: The european adventurer meets the colonial other." European Comic Art 13.(2020): 95–121. |
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| Spirou. L’aventure humoristique / Spirous lustige Abenteuer. 2012. |
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| Frenzel, Martin. "Tarzans Rückkehr in den Neunzigern: Über dschungelträume, archetypen und das geschäft mit dem mythos." Comic Almanach (1993): 152–57. |
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| Frigerio, Vittorio. "Avatars d’un héros composé: bruno brazil et le commando caïman." Belphégor 6.1 2006. Accessed 14 February. 2013. <http://dalspace.library.dal.ca/handle/10222/53218>. |
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| Goulart, Ron. The Adventurous Decade: Comic strips in the thirties. Neshannock: Hermes, 2005. |
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| Groth, Gary. "Burne Hogarth: The semiotics of comics." Classic Comics Illustrators. Frank Frazetta, Russ Heath, Burne Hogarth, Russ Manning, Mark Schultz. The Comics Journal Library. Seattle: Fantagraphics, 2005. 1–51. |
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| Grünewald, Dietrich. "Corto Maltese – Märchen vom Abenteuer: Eine hommage an hugo pratt." Comic Jahrbuch (1988): 62–87. |
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| Guerrera, Manfredo. Hugo Pratt e il romanzo disegnato: La ballata di corto maltese attraverso il fumetto, il cinema e la letteratura. Scienze dell’antichità, filologico-letterarie e storico-artistiche. Roma: Aracne, 2007. |
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| Hansen, Bert. "True-Adventure Comic Books and American Popular Culture in the 1940s: An annotated research bibliography of the medical heroes." International Journal of Comic Art 6.(2004): 117–47. |
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| Hansen, Bert. "Medical History’s Graphic Power in American True-Adventure Comic Books of the 1940s." Handbook of Popular Culture and Biomedicine. Knowledge in the Life Sciences as Cultural Artefact. Eds. Arno Görgen, German Alfonso Nunez and Heiner Fangerau. Cham: Springer, 2019. 179–94. |
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| Hausmanninger, Thomas. "Sigurd gegen die Nazis: Beobachtungen zur vergangenheitsbewältigung bei hansrudi wäscher." Comics zwischen Zeitgeschehen und Politik. Eds. Thomas Hausmanninger and H. Jürgen Kagelmann. Comic Cultur. München, Wien: Profil, 1994. 47–69. |
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| Hegerfors, Sture. "Äventyrsseriens svåra kris." Boken om serier. Eds. Elisabet Haglund, et al.. Johanneshov: Hammarström & Åberg, 1986. 138–42. |
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| Heinzelmann, Herbert. "Corto im ›anderen Zustand‹: Aspekte der moderne und postmoderne in hugo pratts südseeballade und im maltese-zyklus." Comics, Mangas, Graphic Novels. Eds. Heinz Ludwig Arnold and Andreas C. Knigge. Text + Kritik Sonderband. München: edition text + kritik, 2009. 109–24. |
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| Hinds Jr., Harold E. "Chanoc: Adventure and slapstick on mexico's southeast coast." Journal of Popular Culture 14.(1980): 424–36. |
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| von Holzen, Aleta-Amirée. "Der maskierte Held im Spannungsfeld von Maskerade und Identität." Perspektiven der Kinder- und Jugendmedienforschung. Ed. Ingrid Tomkowiak. Beiträge zur Kinder- und Jugendmedienforschung. Zürich: Chronos, 2011. 205–25. |
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| Horak, Carl. A Steve Canyon Companion. Mountain Home: Manuscript Pr, 1996. |
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| Horak, Carl. A Terry and the Pirates Companion. Manitou Springs: Spec Productions, 2000. |
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| Horton, Ian. "Colonialist Heroes and Monstrous Others: Stereotype and narrative form in british adventure comic books." Representing Multiculturalism in Comics and Graphic Novels. Eds. Carolene Ayaka and Ian Hague. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2014. 130–45. |
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| de la Iglesia, Martin. "Early manga translations in the West: Underground cult or mainstream failure?." Comics Forum 2014. Accessed 21 November. 2013. <http://comicsforum.org/ ... y-martin-de-la-iglesia/>. |
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| Jobs, Richard Ivan. Riding the New Wave: Youth and the rejuvenation of france after the second world war. Palo Alto: Stanford Univ. Press, 2007. |
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| Jobs, Richard Ivan. "Tarzan under Attack: Youth, comics, and cultural reconstruction in postwar france." Global Perspectives on Tarzan. From King of the Jungle to International Icon. Eds. Annette Wannamaker and Michelle Abate. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2012. 73–106. |
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| Jordan, Joachim. "Abenteuercomics in Christian Krachts Imperium." Georg-Forster-Studien 20.(2015): 307–22. |
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| Jordan, Joachim. "Abenteuercomics in Christian Krachts Imperium." Traditionen, Herausforderungen und Perspektiven in der germanistischen Lehre und Forschung. Eds. Emilia Dentschewa, et al.. Sofia: Universitätsverl. »St. Kliment Ochridski«, 2015. 354–67. |
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| Kane, Brian M. Hal Foster: Prince of illustrators. father of the adventure strip. New Jersey: Vanguard, 2001. |
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| Kaur, Raminder and Saif Eqbal. Adventure Comics and Youth Cultures in India. London, New York: Routledge, 2019. |
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| King, Terry. "Coming to Terms with Tightrope Tim: Three decades of heroes and villains in the australian comic strip." Comics in Australia and New Zealand. The Collections, the Collectors, the Creators. Eds. Toby Burrows and Grant Stone. Binghamton: Haworth, 1994. 41–56. |
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| Klein, Christian and Christian Endres. "Abenteuer- und Kriminalcomics." Comics und Graphic Novels. Eine Einführung. Eds. Julia Abel and Christian Klein. Stuttgart: Metzler, 2015. 194–211. |
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| Knigge, Andreas C. "Der unrasierte Held: Andy Morgan." Comic Jahrbuch (1988): 50–62. |
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| Knigge, Andreas C. Allmächtiger! Hansrudi wäscher – pionier der deutschen comics. Hamburg: Comics etc., 2011. |
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| Lara, Antonio. "El guerrero del antifaz, repaso del cuaderno nº 26: “El crimen de Harúm” (1946)." Historietas, Comics y Tebeos españoles. Ed. Viviane Alary. Collection Hespérides. Toulouse: Presses Univ. du Mirail, 2002. 164–73. |
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| Lefèvre, Pascal. "Narration in the Flemish Dual Publication System: The crossover genre of the humoristic adventure." From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative. Eds. Daniel Stein and Jan-Noël Thon. Narratologia. Berlin u. Boston: de Gruyter, 2013. 255–69. |
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| Leroy, Fabrice. "European Literary and Genre Fiction: The (à suivre) magazine and the “adventure” and “science fiction” traditions (pratt, tardi, moebius)." The Cambridge History of the Graphic Novel. Eds. Jan Baetens, Hugo Frey and Stephen E. Tabachnick. The Cambridge Companions to Philosophy, Religion and Culture. Cambridge [etc.]: Cambridge Univ. Press, 2018. 251–68. |
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| Lettkemann, Gerd. "Paul Peroffs Spezialreporter." Deutsche Comicforschung 6.(2010): 61–64. |
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| Ludwig, Heinz. "Zur Handlungsstruktur von Comics und Märchen." Fabula 19.(1978): 262–86. |
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| Madrid, Mike. Divas, Dames & Daredevils Lost heroines of golden age comics. Ashland: Exterminating Angel Pr, 2013. |
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| Last edited by: joachim 6/26/14, 1:55 PM |
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| Malmström, Bertil. "Ungdom: Seriehjälten prins valiants tidiga äventyr 1937–1938." Magisteruppsats Göteborgs Universitet, 2013. |
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| Manea, Dragoş. "Western nightmares: manifest destiny and the representation of genocide in weird fiction." Studies in Comics 8.(2018): 157–70. |
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| Marchese, Giovanni. Leggere Hugo Pratt: L'autore di corto maltese tra fumetto e letteratura. Lapilli. Latina: Tunué, 2006. |
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| Mennicken, Helmut. "Tarzans Knigge: Der heldenmythos vom affenkönig und seine verwertbarkeit." Comic Jahrbuch (1988): 17–25. |
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| Mikkonen, Kai. "Remediation and the Sense of Time in Graphic Narratives." The Rise and Reason of Comics and Graphic Literature. Critical Essays on the Form. Eds. Joyce Goggin and Dan A. Hassler-Forest. Jefferson, London: McFarland, 2010. 74–86. |
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| Added by: joachim 10/2/12, 7:15 AM |
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| Miller, Ann. "Les héritiers d’Hergé: The figure of the aventurier in a post-colonial context." Shifting Frontiers of France and Francophonie. Eds. Yvette Rocheron and Christopher Rolfe. Bern [etc.]: Peter Lang, 2004. 307–24. |
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| Mintz, Lawrence E. "Fantasy, Formula, Realism, and Propaganda in Milton Caniff’s Comic Strips." Journal of Popular Culture 12.(1979): 653–80. |
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| Mousset, Kilian and Jean-Nicolas Renaud. "Rahan: A hero at the service of physical and moral education." Loisir et Société / Society and Leisure 41.(2018): 181–91. |
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| Neumann, Hans-Joachim. Abenteuer & Action in Literatur, Film und Comic. Ullstein-Sachbuch Populäre Kultur. Frankfurt am Main, Berlin: Ullstein, 1987. |
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| Nouailhat, René. Jacobs, la marque du fantastique Mythologie, politique et religion dans la bande dessinée blake et mortimer. Saint-Egrève: Mosquito, 2004. |
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| Nouailhat, René. Olrik ou le secret du mystère Jacobs. Saint-Egrève: Mosquito, 2014. |
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| Pendleton, Thomas A. "Tarzan of the Papers." Journal of Popular Culture 12.(1979): 691–701. |
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| Pierre, Michel. Corto Maltese: Aus dem leben eines abenteurers. Hamburg: Carlsen, 1992. |
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| Potsch, Elisabeth and Robert F. Williams. "Image Schemas and Conceptual Metaphor in Action Comics." Linguistics and the Study of Comics. Ed. Frank Bramlett. New York [etc.]: Palgrave Macmillan, 2012. 13–36. |
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| Remonato, Giovanni. "Corto Maltese tra fumetto e letteratura disegnata." Belphégor 13.1 2015. Accessed 16 May. 2016. <https://belphegor.revues.org/620>. |
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| Saba, Arn. "Russ Manning: The conscientious craftsman." Classic Comics Illustrators. Frank Frazetta, Russ Heath, Burne Hogarth, Russ Manning, Mark Schultz. The Comics Journal Library. Seattle: Fantagraphics, 2005. 64–77. |
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| Sabin, Roger. "The comics connection: Low culture meets even lower culture." Action TV. Tough Guys, Smooth Operators and Foxy Chicks. Eds. Bill Osgerby and Anna Gough-Yates. London, New York: Routledge, 2001. 205–20. |
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| Sackmann, Eckart. "Der Papagei – zwei deutsche Jungens auf großer Fahrt." Deutsche Comicforschung 3.(2007): 32–44. |
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| Sackmann, Eckart. "Ritter Sigurd: Das streifenheft als gattung, muster und mythos." Deutsche Comicforschung 6.(2010): 101–19. |
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| Sackmann, Eckart. "Addenda [zu: Der Papagei – zwei deutsche Jungens auf großer Fahrt]." Deutsche Comicforschung 7.(2011): 140–41. |
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| Sackmann, Eckart. "Addenda [zu: Ritter Sigurd. Das Streifenheft als Gattung, Muster und Mythos]." Deutsche Comicforschung 7.(2011): 142. |
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| Savramis, Demosthenes. "Der moderne Mensch zwischen Tarzan und Superman." Communications. The European Journal of Communication Research 9.(1983): 227–39. |
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| Sievers, Melissa A. "Brains, Brawn and Breasts How women are depicted in today’s action/adventure comic books." Master’s paper Master of Science. University of North Carolina, 2003. |
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| Smolderen, Thierry. "La métalepse-attraction dans l’œuvre feuilletonesque de Milton Caniff." L’engendrement des images en bande dessinée. Ed. Henri Garric. Iconotextes. Tours: Presses Univ. François-Rabelais, 2013. 55–80. |
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| Stark, Jessica. "My Most Secret Boredom: (dis)affective narrative in julie doucet’s “a day in julie doucet’s life” and hergé’s “adventures with tintin: the broken ear”." The Comics of Julie Doucet and Gabrielle Bell. A Place inside Yourself. Eds. Tahneer Oksman and Seamus O’Malley. Critical Approaches to Comics Artists. Jackson: Univ. Press of Mississippi, 2019. 23–44. |
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| Last edited by: Okwuchi Mba 4/6/19, 5:53 PM |
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| Streb, Markus. "Early Representations of Concentration Camps in Golden Age Comic Books: Graphic narratives, american society, and the holocaust." Scandinavian Journal of Comic Art 3.1 2016. Accessed 9 August. 2017. <http://sjoca.com/wp-con ... /SJoCA-3-1-03-Streb.pdf>. |
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| de Syon, Guillaume. "Don’t Read those ’Toons! French comics, government censorship, and perceptions of american military aviation." Contemporary French Civilization 28.(2004): 273–91. |
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| Tucker, Michael. "The Dragon Lady’s Well Favoured Children: The transition from corporatist to individualist in comic strips of 1930s." Belphégor 4.1 2004. Accessed 6 April. 2010. <http://etc.dal.ca/belph ... 01_Tucker_ragon_fr.html>. |
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| Vilson, Björn. Boken om Bovil. Magister Lämpels Bibliotek. Stockholm: Carlsen, 1992. |
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| Violle, Nicolas. "Une présence italienne en Afrique: Hugo pratt et le mythe des origines." Mythe et bande dessinée. Eds. Danielle Corrado and Viviane Alary. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2006. 217–32. |
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| Welke, Manfred. Die Sprache der Comics. Jugend- und Pädagogische Probleme. 4th ed. Frankfurt am Main: dipa, 1974. |
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| Young Jr., William H. "The Serious Funnies: Adventure comics during the depression, 1929–1938." Journal of Popular Culture 3.(1969): 404–27. |
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| Young Jr., William H. "The Serious Funnies. Adventure Comics During the Depression, 1929–1938." Things in the Driver's Seat. Readings in Popular Culture. Ed. Harry Russell Huebel. Rand McNally History of American Thought and Culture Series. Chicago: Rand McNally, 1972. |
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