| Aarons, Victoria. Holocaust Graphic Narratives: Generation, trauma, and memory. New Brunswick: Rutgers Univ. Press, 2020. |
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| Ahmed, Maaheen. "Historicizing in Graphic Novels: The welcome subjective g(l)aze." Graphic History. Essays on Graphic Novels And/As History. Ed. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ, 2012. 184–202. |
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| Ahrens, Jörn. "Neun Thesen zur Möglichkeit einer Rekonfiguration von Geschichte im Comic." Geschichte im Comic. Befunde – Theorien – Erzählweisen. Ed. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018. 45–56. |
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| Alexander, Dorian, Michael Goodrum, and Philip Smith, eds. Drawing the Past: Comics and the historical imagination in the united states. Vol. 1. Jackson: Univ. Press of Mississippi, 2022. |
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| Last edited by: joachim 11/8/21, 2:37 PM |
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| Alexander, Dorian, Michael Goodrum, and Philip Smith, eds. Drawing the Past: Comics and the historical imagination in the world. Vol. 2. Jackson: Univ. Press of Mississippi, 2022. |
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| Ali, Barish. "The Violence of Criticism: The mutilation and exhibition of history in from hell." Journal of Popular Culture 38.(2005): 605–31. |
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| Alsina, Jean. "La narración en El Artefacto perverso: Algunas calas en un objeto inagotable." Historietas, Comics y Tebeos españoles. Ed. Viviane Alary. Collection Hespérides. Toulouse: Presses Univ. du Mirail, 2002. 210–28. |
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| Alsina, Jean. "Lope de Aguirre, trilogie du scénariste Felipe Hernández Cava Promotion du lecteur et exténuation du mythe." Mythe et bande dessinée. Eds. Danielle Corrado and Viviane Alary. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2006. 453–69. |
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| Aman, Robert. "Swedish Colonialism, Exotic Africans and Romantic Anti-Capitalism Notes on the comic series johan vilde." Third Text 30.(2016): 60–75. |
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| Amihay, Ofra. "Passing under separation: Comics representations of the holocaust and the berlin wall." Journal of Graphic Novels and Comics 4.(2013): 278–96. |
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| Artinger, Kai. "Graphic Novels und Fotografie: Das geschichts- und frauenbild in zwei deutschen graphic novels." Virtuelles Magazin 2000 64 2012. Accessed 4 June. 2012. <http://www.vm2000.net/64/Artinger.pdf>. |
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| Baetens, Jan. "History Against the Grain? On the relationship between visual aesthetics and historical interpretation in the contemporary spanish graphic novel." Rethinking History 6.(2002): 345–56. |
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| Baetens, Jan. "Comics and characterization: The case of fritz haber (david vandermeulen)." Journal of Graphic Novels and Comics 4.(2013): 84–91. |
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| Ballis, Anja. "Die Überlebenden und ihre Kinder: Die graphic novel »ich war das kind von holocaust-überlebenden« als unterrichtslektüre (klassenstufen 9–10)." Deutschunterricht 65.(2012): 9–10. |
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| Balzer, Jens and Ole Frahm. "Tragik, Schock, Ratlosigkeit Zeitgeschichte im comic." Geschichte und Gesellschaft 37.(2011): 47–71. |
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| Bancaud, Florence. "Le Roman graphique: Une nouvelle écriture du traumatisme ?." Studia Universitatis Babeş-Bolyai – Philologia 62.(2017): 73–84. |
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| Barrera-Vidal, Albert. "Le Moyen Âge dans la bande dessinée." Bilderwelten – Textwelten – Comicwelten. Romanistische Begegnungen mit der Neunten Kunst. Eds. Frank Leinen and Guido Rings. München: Meidenbauer, 2007. 25–43. |
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| Basile, Emanuele. "Maus: Questioni di narrabilità storica." Fictions 9.(2010): 81–98. |
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| Baskind, Samantha. "Picturing “The Holiest Thing”: Joe kubert’s children of the warsaw ghetto." Visualizing Jewish Narrative. Jewish Comics and Graphic Novels. Ed. Derek Parker Royal. New York: Bloomsbury Academic, 2016. 171–84. |
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| Baumann, Uwe. "»Populäre Inszenierung des Grauens«: Attila und die hunnen-einfälle im modernen geschichts-comic." Die Völkerwanderung. Mythos – Forschung – Vermittlung. Eds. Peter Geiss and Konrad Vössing. Wissenschaft und Lehrerbildung. Bonn: Bonn Univ. Press, 2021. 183–229. |
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| Beadling, Laura L. "Twin Turns: Art spiegelman’s in the shadow of no towers and history." Graphic History. Essays on Graphic Novels And/As History. Ed. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ, 2012. 37–54. |
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| Begag, Azouz. "Mai 1945 à Sétif: Genèse d’une bande dessinée." Contemporary French and Francophone Studies 17.(2013): 99–116. |
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| Behringer, Marco. Der Holocaust in Sprechblasen: Erinnerung im comic. Marburg: Tectum, 2009. |
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| Berndt, Caroline M. "Popular Culture as Political Protest: Writing the reality of sexual slavery." Journal of Popular Culture 31.(1997): 177–87. |
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| Berndt, Jaqueline. "The Time of Comics. Reading a Post/historical Art Form from the Perspective of Manga." Aesthetics 11.(2004): 13–19. |
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| Berndt, Jaqueline. "'Comfort Women' Comics, Multifaceted Revisiting the 2014 manhwa exhibit in angoulême from the perspective of manga studies." Orientaliska Studier (2016): 143–69. |
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| Berndt, Jaqueline. "‘Adult’ Manga: Maruo suehiro's historically ambiguous comics." Reading Manga. Local and Global Perceptions of Japanese Comics. Eds. Jaqueline Berndt and Steffi Richter. Mitteldeutsche Studien zu Ostasien. Leipzig: Leipziger Universitätsverlag, 2006. 107–25. |
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| Berndt, Jaqueline. "Eine zeitlos schöne Nation: Das neue geschichtslehrbuch als bildergeschichte." Vergangenheit im Gesellschaftskonflikt. Ein Historikerstreit in Japan. Ed. Steffi Richter. 2003. 191–217. |
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| Berndt, Jaqueline. "Historical Adventures of a Posthistorical Medium: Japan's wartime past as represented in manga." Contested Views of a Common Past. Revisions of History in Contemporary East Asia. Ed. Steffi Richter. Globalgeschichte. Frankfurt am Main: Campus, 2008. 287–320. |
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| Berthel, Teresa. "Geschichtsbewusstsein wecken: Ein besonderer zugang zum thema nationalsozialismus anhand der graphic novel die suche." Praxis Deutsch (2012): 28–34. |
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| Birkmeyer, Jens. "Bildersuche nach dem Krieg: Eignet sich der holocaust-comic die suche für den deutschunterricht?." kjl&m 62.(2010): 56–63. |
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| Blancher, Marc. "On affame bien les rats! Oder: ein ästhetischer bericht über die unterdrückung in den 70er jahren." Comics & Politik. Comics & Politics. Ed. Stephan Packard. Bochum: Ch.A. Bachmann, 2014. 327–43. |
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| Blank, Juliane. "»Aber wir dürfen uns vor dem Bösen nicht verstecken«: Die vergegenwärtigung historischer mordfälle in der »serienmörder-trilogie« von peer meter." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 101–17. |
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| Bock, Dennis. "»Gezeichnete Fluchtromantik? Auf keinen Fall« – Die Geschichte des Fluchtversuchs ›Tunnel 57‹ im Comic zwischen bildungspolitischer Wissensvermittlung und Abenteuererzählung." Trauma-Erfahrungen und Störungen des ›Selbst‹. Mediale und literarische Konfigurationen lebensweltlicher Krisen. Ed. Carsten Gansel. Untersuchungen zur deutschen Literaturgeschichte. Berlin u. Boston: de Gruyter, 2020. 421–48. |
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| Börnchen, Stefan. "Marcel Beyer im Gespräch mit der Comiczeichnerin Ulli Lust: Roman in sprechblasen." Marcel Beyer. Eds. Torsten Hahn and Christof Hamann. transLIT. Köln: Buchhandl. Klaus Bittner, 2016. 49–80. |
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| Boykin, Jessica. "Filling in the Gutters: Graphic biographies disrupting dominant narratives of the civil rights movement." Journal of Multimodal Rhetorics 3.1 2019. Accessed 29 May. 2019. <http://journalofmultimo ... cs.com/3-1-issue-boykin>. |
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| Bridges, Elizabeth. "Bridging the Gap: A literacy-oriented approach to teaching the graphic novel der erste frühling." Die Unterrichtspraxis/Teaching German 42.(2009): 152–61. |
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| Bridges, Elizabeth. "Schiller Reading Comics: The aesthetics of nostalgia and the wende-narrative in contemporary graphic novels." Colloquia Germanica 48.(2015): 343–56. |
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| Britten, Bob. "Picturing Terror: Visual and verbal rhetoric in the 9/11 report graphic adaptation." International Journal of Comic Art 12.(2010): 355–69. |
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| Brizzi, Giovanni and Sergio Tisselli. "Ein Streifzug durch einen historischen Comic: Die abenteuer von ducarius dem gallier." Caesar, Attila & Co. Comics und die Antike. Ed. Filippo Carlà. Darmstadt: Philipp von Zabern, 2014. 22–31. |
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| Brock, Jennifer. "‘One Should Never Forget’ : The tangling of history and memory in persepolis." Graphic History. Essays on Graphic Novels And/As History. Ed. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ, 2012. 223–41. |
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| Brodersen, Kai, ed. Asterix und seine Zeit: Die große welt des kleinen galliers. Beck’sche Reihe. 3rd ed. München: C.H. Beck, 2008. |
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| Brodersen, Kai. "Die kleine Welt des großen Galliers." Asterix und seine Zeit. Die große Welt des kleinen Galliers. Ed. Kai Brodersen. 3rd ed. Beck’sche Reihe. München: C.H. Beck, 2008. 12–18. |
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| Brown, Joshua. "Every Picture Tells a Story, Don’t It?." Radical History Review 46–47.(1990): 425–35. |
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| Bruttmann, Tal. "The Holocaust through Comic Books." Re-examining the Holocaust through Literature. Eds. Aukje Kluge and Benn E. Williams. Newcastle upon Tyne: Cambridge Scholars Publ, 2009. 173–200. |
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| Budick, Emily Miller. "Forced Confessions: The case of art spiegelman’s maus." Prooftexts 21.(2001): 379–98. |
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| Bukh, Alexander. "Reception of the revisionist historical manga in Japan: A case study of university students." Inter-Asia Cultural Studies 13.(2012): 623–38. |
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| Candel, Daniel. "The rhythms of narrative tension and its cultural satisfaction: Frank miller’s 300." English Text Construction 11.(2018): 169–98. |
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| Carlà, Filippo. "Messalina und die anderen »Girls« – römische Erotik im italienischen Comic." Caesar, Attila & Co. Comics und die Antike. Ed. Filippo Carlà. Darmstadt: Philipp von Zabern, 2014. 62–75. |
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| Castello, Maria G. "Kaiser Julian: Apostasie und Comics." Caesar, Attila & Co. Comics und die Antike. Ed. Filippo Carlà. Darmstadt: Philipp von Zabern, 2014. 94–104. |
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| Catalá-Carrasco, Jorge L., Paulo Drinot, and James Scorer, eds. Comics and Memory in Latin America. Illuminations. Pittsburgh: Univ. of Pittsburgh Press, 2017. |
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| Catalá-Carrasco, Jorge L., Paulo Drinot, and James Scorer. "Introduction: Comics and memory in latin america." Comics and Memory in Latin America. Eds. Jorge L. Catalá-Carrasco, Paulo Drinot and James Scorer. Illuminations. Pittsburgh: Univ. of Pittsburgh Press, 2017. 3–32. |
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| Cerri, Chiara. "Comics zu aktuellen zeitgeschichtlichen Sujets: Eine visuell-sprachliche herausforderung für den landeskundlichen daf-unterricht." Visuelle Medien im DaF-Unterricht. Materialien Deutsch als Fremdsprache. Göttingen: Universitätsverl. Göttingen, 2014. 119–52. |
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| Chandra, Nandini. The Classic Popular: Amar chitra katha, 1967–2007. New Delhi: Yoda Press, 2008. |
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| Chaney, Michael A. "Drawing on History in Recent African American Graphic Novels." Melus 32.(2007): 175–200. |
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| Chaney, Michael A. "Slave Memory Without Words in Kyle Baker’s Nat Turner." Callaloo 36.(2013): 279–97. |
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| Chaney, Michael A. "Misreading with the President: Re-reading the covers of john lewis’s march." International Journal of Comic Art 20.(2018): 25–42. |
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| Chaney, Michael A. "Not Just a Theme: Transnationalism and form in visual narratives of us slavery." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 15–31. |
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| Chapman, Jane, Daniel Ellin, and Adam Sherif. Comics, the Holocaust and Hiroshima. The Holocaust and its Contexts. New York [etc.]: Palgrave Macmillan, 2015. |
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| Chapman, Jane, et al.. Comics and the World Wars: A cultural record. Palgrave Studies in the History of the Media. New York [etc.]: Palgrave Macmillan, 2015. |
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| Chappelow, Christian. "Hitler und die Moral der Geschichte: Über mizuki shigeru und seinen manga gekiga hittorâ." Geschichte im Comic. Befunde – Theorien – Erzählweisen. Ed. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018. 293–306. |
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| Cheng Chua, Karl Ian Uy. "Representing the war in manga." Controversial History Education in Asian Contexts. Eds. Mark Baildon, et al.. London, New York: Routledge, 2014. 123–39. |
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| Chisholm, James S., Ashley L. Shelton, and Caroline C. Sheffield. "Mediating Emotive Empathy With Informational Text: Three students’ think-aloud protocols of gettysburg: the graphic novel." Journal of Adolescent & Adult Literacy (2017). |
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| Chopelin, Paul and Tristan Martine, eds. Le Siècle des Lumières en bande dessinée: De poudre et de dentelles. Esprit BD. Paris: Karthala, 2014. |
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| Chute, Hillary. "“The Shadow of a Past Time”: History and graphic representation in maus." Twentieth Century Literature 52.(2006): 199–230. |
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| Chute, Hillary. Disaster Drawn: Visual witness, comics, and documentary form. Cambridge: Harvard Univ. Press, 2016. |
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| Clark, J. Spencer. "“Your Credibility Could Be Shot”: Preservice teachers’ thinking about nonfiction graphic novels, curriculum decision making, and professional acceptance." The Social Studies 104.(2013): 38–45. |
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| Colin, Mariella. "La guerre civile espagnole vue dans les bandes dessinées de l’Italie fasciste." Lignes de front. Bande dessinée et totalitarisme. Eds. Viviane Alary and Benoît Mitaine. L’Équinoxe. Chêne-Bourg: Georg, 2011. 27–46. |
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| Colin, Nicole. "Triviale Einsichten? Die darstellung brisanter deutsch-französischer themen in der graphic novel." Populärkultur und deutsch-französische Mittler/Culture de masse et médiateurs franco-allemands. Akteure, Medien, Ausdrucksformen/Acteurs, médias, articulations. Eds. Dietmar Hüser and Ulrich Pfeil. Bielefeld: Transcript, 2015. 53–72. |
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| Coudouy, Josiane. Le phénomène Astérix. Toulouse: Inst. de Recherches sur la Bande Dessinée, 1972. |
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| Cromer, Michael and Penney Clark. "Getting Graphic with the Past: Graphic novels and the teaching of history." Theory & Research in Social Education 35.(2007): 574–91. |
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| Cutrara, Samantha. "Drawn out of History: The representation of women in chester brown’s louis riel: a comic strip biography." Graphic History. Essays on Graphic Novels And/As History. Ed. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ, 2012. 121–43. |
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| Cutter, Martha J. and Cathy J. Schlund-Vials, eds. Redrawing the Historical Past: History, memory, and multiethnic graphic novels. Athens: Univ. of Georgia Press, 2018. |
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| Danesin, Maxime. "Beyond Time & Culture The revitalisation of old norse literature and history in yukimura makoto’s vinland saga." Mutual Images 2 2017. Accessed 12 February. 2018. <https://www.mutualimage ... /mi/article/view/Vol2-7>. |
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| Daugherty, Gregory X. "“The Greatest Story Ever Drawn!” Cleopatra in American Comics." International Journal of Comic Art 11.(2009): 208–30. |
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| Davies, Dominic and Candida Rifkind, eds. Documenting Trauma in Comics: Traumatic pasts, embodied histories, and graphic reportage. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2020. |
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| Davis-McElligatt, Joanna C. "Walk Together, Children The function of interplay of comics, history, and memory in martin luther king and the montgomery story and john lewis’s march: book one." Graphic Novels for Children and Young Adults. A Collection of Critical Essays. Eds. Michelle Ann Abate and Gwen Athene Tarbox. Children’s Literature Association Series. Jackson: Univ. Press of Mississippi, 2017. 298–311. |
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| Davis-McElligatt, Joanna. "Confronting the Intersections of Race, Immigration, and Representation in Chris Ware’s Comics." The Comics of Chris Ware. Drawing is a Way of Thinking. Eds. David M. Ball and Martha B. Kuhlman. Jackson: Univ. Press of Mississippi, 2010. 135–45. |
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| Davo, Yves. "September 11, 2001 Witnessing history, demythifying the story in american widow." Comic Books and American Cultural History. An Anthology. Ed. Matthew Pustz. London, New York: Continuum, 2012. 237–49. |
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| Demers, Hugo. "La biographie historique en bande dessinée : une histoire alternative: Une étude de cas sur louis riel." Maîtrise ès arts Mémoire. Université de Saint-Boniface, 2012. |
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| Dey, Arunima. "Women in the Partition of India: Graphic narratives." Visual Past 3.1 2016. Accessed 16 August. 2016. <http://www.visualpast.d ... ive/pdf/vp2016_0109.pdf>. |
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| Dhariwal, Kultej. "How Do Comics Tell History?." Journal of Comics and Culture 1.(2016): 49–76. |
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| Dickason, Renée. "Entre mémoire et histoire: La fabrique d’un imaginaire de la grande guerre en bande dessinée. le cas de jacques tardi." Lignes de front. Bande dessinée et totalitarisme. Eds. Viviane Alary and Benoît Mitaine. Chêne-Bourg: Georg, 2011. 185–203. |
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| Dickason, Renée. "Histoire/histoire(s) ou la construction fictionnelle de la Seconde Guerre mondiale dans les bandes dessinnées britanniques." Lignes de front. Bande dessinée et totalitarisme. Eds. Viviane Alary and Benoît Mitaine. L’Équinoxe. Chêne-Bourg: Georg, 2011. 47–64. |
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| Dittmar, Jakob F. "Comics and History: Myth-making in nazi references." International Journal of Comic Art 15.(2013): 270–86. |
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| Dittmar, Jakob F. "Comic und Geschichtsbewusstsein: Mythisierung im gegensatz zur historisierung." Rechtsextremismus, Rassismus und Antisemitismus in Comics. Ed. Ralf Palandt. Berlin: Archiv der Jugendkulturen, 2011. 419–27. |
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| Dohm, Annekatrin. Historisches Lernen an Comics, untersucht an Art Spiegelmans Maus. Oldenburger Vor-Drucke. Oldenburg: ZpB, 1999. |
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| Dolle-Weinkauff, Bernd. "Das »Dritte Reich« im Comic: Geschichtsbilder und darstellungsästhetische strategien einer rekonstruierten gattung." Jahrbuch für Antisemitismusforschung 2.(1993): 298–332. |
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| Dolle-Weinkauff, Bernd. "Was ist ein »Geschichtscomic«? Über historisches erzählen in comic, manga und graphic novel." Comparativ 24.(2014): 29–46. |
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| Dolle-Weinkauff, Bernd, ed. Geschichte im Comic: Befunde – theorien – erzählweisen. Berlin: Ch.A. Bachmann, 2018. |
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| Dolle-Weinkauff, Bernd. "What Are »Historical Comics«? On historical storytelling in comics, manga and graphic novels." Geschichte im Comic. Befunde – Theorien – Erzählweisen. Ed. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018. 11–28. |
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| Dolle-Weinkauff, Bernd. "Geschichte zwischen Grandiosität und Gag: Historisches erzählen in bildgeschichte und comic." GeschichtsBilder. Historische Jugendbücher aus vier Jahrhunderten. Eds. Carola Pohlmann and Rüdiger Steinlein. Wiesbaden: Reichert, 2000. 301–16. |
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| Donnelly, Kevin. "“Well, Anyway” The marvelous and the mundane in jimmy corrigan, the smartest kid on earth." Graphic History. Essays on Graphic Novels And/As History. Ed. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ, 2012. 89–108. |
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| Earle, Harriet E. H. "“The Sky Is Darkened by Gods”: Spirituality, strength, and violence in gene luen yang’s boxers and saints." Cultures of War in Graphic Novels. Violence, Trauma, and Memory. Eds. Tatiana Prorokova and Nimrod Tal. New Brunswick: Rutgers Univ. Press, 2018. 75–90. |
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