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| Ahrens, Jörn. "The Father’s Art of Crime: Igort’s 5 is the perfect number." International Journal of Comic Art 12.(2010): 192–208. |
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| Ahrens, Jörn. "Hoffnungslos leben: Gipis comic die welt der söhne als meditation über (negative) humanität." Was wird aus der Hoffnung? Interdisziplinäre Denkanstöße für neue Formen des Miteinanders. Eds. Michaela Fink, Jonas Metzger and Anne Zulauf. Forum Psychosozial. Baden-Baden: Nomos, 2019. 339–54. |
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| Aletta, Alessio. "From the dark wood to the asphalt jungle: Adaptation and appropriation in detective dante." Between 10.20 2020. Accessed 2 January. 2021. <https://ojs.unica.it/in ... tween/article/view/4220>. |
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| Alfatti Appetiti, Roberto. I fumetti che hanno fatto l’Italia: Breve storia dei comics nel bel paese. Saggistica. Cesena: Giubilei Regnani, 2014. |
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| Antonutti, Isabelle. "Fumetto et fascisme: La naissance de la bande dessinée italienne." Comicalités 2013. Accessed 18 December. 2015. <http://comicalites.revues.org/1306>. |
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| Arnaudo, Marco. "Stilistica del primo « Dylan Dog »: Tratti e significato." Contemporanea 12 2014. Accessed 17 September. 2018. <https://www.libraweb.ne ... 01402301&rivista=23>. |
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| Arnaudo, Marco. "Nella selva delle storie: Origini e sviluppi di Zagor." Simultanea 2.1 2021. Accessed 21 August. 2021. <http://italianpopcultur ... ni-e-sviluppi-di-zagor/>. |
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| Buchele, Kai-Thorsten. "Comic & Computerspiel am Beispiel der Comicfigur Corto Maltese." Comics. Interdisziplinäre Perspektiven aus Theorie und Praxis auf ein Stiefkind der Medienpädagogik. Eds. Christine Dallmann, et al.. München: kopaed, 2018. 241–46. |
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| Caneppele, Paolo and Günter Krenn. Film ist Comics: Wahlverwandtschaften zweier medien. die projektionen des filmstars louise brooks in den comics von john striebel bis guido crepax. Filmarchiv Austria, 1999. |
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| Carlà, Filippo. "Messalina und die anderen »Girls« – römische Erotik im italienischen Comic." Caesar, Attila & Co. Comics und die Antike. Ed. Filippo Carlà. Darmstadt: Philipp von Zabern, 2014. 62–75. |
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| Castaldi, Simone. Drawn and Dangerous: Italian comics of the 1970s and 1980s. Jackson: Univ. Press of Mississippi, 2010. |
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| Castaldi, Simone. "‘The Inexhaustible Surface of Things’: Stefano tamburini’s comic book work." European Comic Art 13.(2020): 70–94. |
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| Crépin, Thierry. "L’adaptation des bandes dessinées américaines et italiennes en France dans les années 1930 et 1940." Comicalités 2013. Accessed 18 February. 2013. <http://comicalites.revues.org/1366>. |
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| Cuccolini, Giulio C. "Anti-Semitic Italian Comics from 1938 to the Present." Rechtsextremismus, Rassismus und Antisemitismus in Comics. Ed. Ralf Palandt. Berlin: Archiv der Jugendkulturen, 2011. 84–99. |
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| D’Arcangelo, Adele and Federico Zanettin. "Dylan Dog Goes to the USA: A north-american translation of an italian comic book series." Across Languages and Cultures 5.(2004): 187–210. |
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| D’Arcangelo, Adele. "‘Slime Hero from the Swamp’: The italian editions of alan moore’s horror saga the swamp thing." Comics in Translation. Ed. Federico Zanettin. Manchester: St. Jerome, 2008. 133–52. |
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| Dallavalle, Sara. "Alcuni dati sull'andamento dell'editoria fumettistica in Italia tra graphic novel e fumetto seriale." Simultanea 1.2 2020. Accessed 30 October. 2020. <http://italianpopcultur ... ovel-e-fumetto-seriale/>. |
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| Darras, Bernard. "Corto Maltese, l’espace recomposé par la conscience et la mémoire." MEI (2007): 135–47. |
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| De Dobbeleer, Michel and Anouk Dubois. "Der Chronotopos des Kriegsrates als Merkmal in Comics: Vom narratologischen geschehen zur geschichte in attilio micheluzzis sibérie." Erzählen im Comic. Beiträge zur Comicforschung. Eds. Otto Brunken and Felix Giesa. Bochum: Ch.A. Bachmann, 2013. 113–27. |
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| De Falco, Raffaele. Tex: Fiumi di china italiana in deserti americani. la storia, il costume, il mito di un heroe del fumetto. L’arte delle Nuvole. Roma: NPE, 2013. |
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| Di Giovanni, Elena. "The Winx Club as a Challenge to Globalization: Translating from italy to the rest of the world." Comics in Translation. Ed. Federico Zanettin. Manchester: St. Jerome, 2008. 220–36. |
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| Dutel, Jérôme. "Le corps double ou doublé: De quelques reprises de strange case of dr. jekyll & mr. hyde." Les Langages du corps dans la bande dessinée. Eds. Isabelle Guillaume, et al.. Mouvements des Savoirs. Paris: L’Harmattan, 2015. |
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| Favaro, Roberto. "Comics zum Hören: Geräusche, stimmen und musik bei dylan dog." Zwischen Dekadenz und Comic. Stimmen, Klänge und Musik in der italienischen Literatur des 20. Jahrhunderts. Essays I. Romanice. Berlin: Weidler, 2001. 119–25. |
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| Favaro, Roberto. "L’ascolto del fumetto: Rumori, voci e musiche in dylan dog." Fra decadenza e fumetto. Voci, rumori & musica nella letteratura italiana del ’900. Saggi I. Berlin: Weidler, 2001. |
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| Fugelso, Karl. "A Mickey Mouse Inferno: Medievalist legacies and the marketing of the middle ages." The Year’s Work in Medievalism 33 2018. Accessed 7 June. 2020. <https://drive.google.co ... 4fA52CB9A2LteRmgU380B8q>. |
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| Gadducci, Fabio, Leonardo Gori, and Sergio Lama. Eccetto Topolino: Lo scontro culturale tra fascismo e fumetti. L’arte delle Nuvole. Roma: NPE, 2011. |
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| Gadducci, Fabio and Mirko Tavosanis. "La scrittura non standard nei fumetti italiani." Die Sprache(n) der Comics. Ed. Daniela Pietrini. München: Meidenbauer, 2012. 113–26. |
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| Galli Mastrodonato, Paola. "L’imaginaire du Nouveau Monde dans la bande dessinée italienne: Le cas de blek macigno." De l’écrit à l’écran. Littératures populaires : mutations génériques, mutations médiatiques. Ed. Jacques Migozzi. Limoges: Presses Univ. de Limoges, 2000. 663–79. |
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| Giori, Mauro. "A story of love and blood: The strange connection between ludwig ii, luchino visconti and italian pornographic comic books." Porn Studies 2.(2015): 4–18. |
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| González Delgado, Ramiro. "Orfeo y Eurídice en el cómic." Cuadernos de Filología Clásica. Estudios Latinos 30.(2010): 193–216. |
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| Jachia, Paolo. "Dylan Dog: una lettura semiotica da Michail Bachtin a Umberto Eco." Eroi di carta e celluloide. Il Medioevo germanico nelle forme espressive moderne. Eds. Maria Grazia Saibene and Marusca Francini. Viareggio: Mauro Baroni, 2004. 93–127. |
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| Leroy, Fabrice. "European Literary and Genre Fiction: The (à suivre) magazine and the “adventure” and “science fiction” traditions (pratt, tardi, moebius)." The Cambridge History of the Graphic Novel. Eds. Jan Baetens, Hugo Frey and Stephen E. Tabachnick. The Cambridge Companions to Philosophy, Religion and Culture. Cambridge [etc.]: Cambridge Univ. Press, 2018. 251–68. |
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| Maag, Sabrina and Luca Viglialoro, eds. Grafisches Erzählen als Kunstforschung: Figuren der episteme in der italienischen graphic novel. Kultur und Technik. Berlin [etc.]: LIT, 2020. |
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