| (Singh), Varsha Jha and Mini Chandran. "Reading a retelling: mahabharata in the graphic novel form." Journal of Graphic Novels and Comics (2017): 1–18. |
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| Abbott, Stacey. "It (Re-)Started with a Girl: The creative interplay between tv and comics in angel: after the fall." The Literary Angel. Essays on Influences and Traditions Reflected in the Joss Whedon Series. Eds. AmiJo Comeford and Tamy Burnett. Jefferson, London: McFarland, 2010. 221–32. |
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| Acu, Adrian. "Time to Work for a Living: The marvel cinematic universe and the organized superhero." Journal of Popular Film and Television 44.(2016): 195–205. |
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| Adamson, Jennifer L. "Genji in Graphic Form: the tale of genji in manga, and the bond between japan’s past and present in popular art." Thesis Master of Arts. University of Cincinnati, 2008. |
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| Addis, Victoria. "The musicalization of graphic narratives and P. Craig Russell’s graphic novel operas, The Magic Flute and Salomé." Studies in Comics 8.(2017): 7–28. |
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| Agüera Santiago, Laura. "Superhero Representation in Netflix Produced Serial Fiction: The case of daredevil, jessica jones, luke cage, iron fist and the punisher." In a Stranger Field. Studies of Art, Audiovisuals and New Technologies in Fantasy, SciFi and Horror Genres. Eds. Mario-Paul Martínez Fabre and Fran Mateu. Elche: Fantaelx, 2019. 177–201. |
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| Ahern, Sean. "“Oh check it out! I learned the bass line from Final Fantasy II” Scott pilgrim vs. geek culture." Ol3Media 4.10 2011. Accessed 27 December. 2013. <http://host.uniroma3.it ... Media%2010%20Comics.pdf>. |
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| Ahmed, Maaheen and Martin Lund. "Apocalypse Why? The neutralisation of the antichrist in three comics adaptations." Scan. Journal of media arts culture 9.1 2012. Accessed 3 May. 2013. <http://scan.net.au/scn/ ... ed-and-Martin-Lund.html>. |
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| Added by: joachim 5/4/13, 10:36 AM |
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| Ahrens, Jörn. Überzeichnete Spektakel: Inszenierungen von gewalt im comic. Baden-Baden: Nomos, 2019. |
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| Ahrens, Jörn. "Übersetzungsprobleme: Narrativer und ästhetischer import in robert rodriguez’ verfilmung von frank millers sin city." Comic. Intermedialität und Legitimität eines popkulturellen Mediums. Ed. Thomas Becker. Bochum: Ch.A. Bachmann, 2011. 77–90. |
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| Ahrens, Jörn. "A History of Violence: David cronenberg, die graphic novel und die repräsentation der gewalt." Comic. Film. Helden. Heldenkonzepte und medienwissenschaftliche Analysen. Ed. Barbara Kainz. Wien: Löcker, 2009. 125–37. |
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| Aiyesimoju, Ayodeji Boluwatife. "Black Panther as Afro-complementary Cinematic Intervention: Lessons for africa south of the sahara african movie industries." Africology 11.9 2018. Accessed 10 June. 2022. <http://www.jpanafrican. ... -special-20-Ayodeji.pdf>. |
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| Alaoui, Fatima Zahrae Chrifi and Shadee Abdi. "Wakanda for everyone: An invitation to an african muslim perspective of black panther." Review of Communication 20.(2020): 229–35. |
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| Albano, Antonella. "Autoreverse: Fumetto↔Film↔Telefilm." Ol3Media 4.10 2011. Accessed 27 December. 2013. <http://host.uniroma3.it ... Media%2010%20Comics.pdf>. |
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| Albertsen, Anita Nell Bech. "Palimpsest characters in transfictional storytelling: On migrating penny dreadful characters from television to comic books." Continuum 33.(2019): 242–57. |
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| Albes, Claudia. "Groteske und Karikatur in Thomas Bernhards Erzählung Alte Meister und Nicolas Mahlers gleichnamiger Graphic Novel." Literatur und Malerei. Eds. Joanna Godlewicz-Adamiec, et al.. Literatura – Konteksty. 2018. 251–67. |
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| Albrecht, Christian. "Die Kunst des Unsichtbaren: Darstellung von emotionen in comicadaptionen von die leiden des jungen werther." Praxis Deutsch (2012): 46–54. |
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| Aldous, Steve. The World of Shaft: A complete guide to the novels, comic strip, films and television series. Jefferson, London: McFarland, 2015. |
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| Added by: joachim 3/5/16, 1:45 PM |
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| Alegría Sabogal, Diego Cristóbal. "Voices Staged and Shaded: Comic collaborations between p. craig russell and neil gaiman." Cuadernos Literarios 9.(2015). |
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| Aletta, Alessio. "From the dark wood to the asphalt jungle: Adaptation and appropriation in detective dante." Between 10.20 2020. Accessed 2 January. 2021. <https://ojs.unica.it/in ... tween/article/view/4220>. |
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| Alexander, Torin Dru. "Africana Religion, Black Panther, and the Marvel Cinematic Universe (MCU)." Africology 11.9 2018. Accessed 9 June. 2022. <http://www.jpanafrican. ... pecial-12-Alexander.pdf>. |
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| Allen, Marlene D. "If You Can See It, You Can Be It black panther’s black woman magic." Africology 11.9 2018. Accessed 5 September. 2019. <http://www.jpanafrican. ... 1.9-special-3-Allen.pdf>. |
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| Allie, Scott. Buffy the Vampire Slayer Panel to Panel: the art of the comics, the first seven seasons. Milwaukie: Dark Horse, 2007. |
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| Added by: joachim 12/24/13, 10:50 AM |
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| Allison, Anne. "A Challenge to Hollywood? Japanese character goods hit the us." Japanese Studies 20.(2000): 67–88. |
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| Added by: joachim 11/23/11, 5:24 PM |
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| Alonso Jerez, Marta. "New Gender Identities in the Twenty-First Century: Blending victorian and steampunk cultures." Victorianomania. Reimagining, Refashioning, and Rewriting Victorian Literature and Culture. Eds. Simonetta Falchi, Greta Perletti and Maria Isabel Romero Ruiz. Critica letteraria e linguistica. Milano: FrancoAngeli, 2015. 59–72. |
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| Alspaugh, Leann Davis. "Treading Upon the Shroud: Martin rowson’s graphic novel version of tristram shandy." The Shandean 20.(2009): 131–46. |
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| Last edited by: joachim 1/20/13, 2:58 PM |
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| Ambühl, Annemarie. "Die Coma Berenices im Comic." thersites 1 2015. Accessed 20 May. 2019. <http://www.thersites.un ... .php/thr/article/view/6>. |
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| Anders, Lisann, ed. The Force of The Umbrella Academy: Essays on voices and violence in the comics and netflix series. Jefferson: McFarland, 2021. |
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| Last edited by: joachim 3/8/22, 8:15 PM |
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| Anders, Lou. "Two of a Kind." Batman Unauthorized. Vigilantes, Jokers, and Heroes in Gotham City. Eds. Dennis O’Neil and Leah Wilson. Smart Pop. Dallas: Benbella Books, 2008. 17–33. |
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| Andersen, Gregers and Esben Bjerggaard Nielsen. "Biopolitics in the Anthropocene: On the invention of future biopolitics in snowpiercer, elysium, and interstellar." Journal of Popular Culture 51.(2018): 615–34. |
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| Anderson, Emily R. "Sin City, Style, and the Status of Noir." Critical Approaches to the Films of Robert Rodriguez. Ed. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2015. 81–102. |
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| Added by: joachim 2/28/16, 2:21 AM |
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| Anderson, John C. and Bradly Katz. "Read Only Memory. Maus and Its Marginalia on CD-Rom." Considering Maus. Approaches to Art Spiegelman’s “Survivor's tale” of the Holocaust. Ed. Deborah R. Geis. Tuscaloosa: Univ. of Alabama Press, 2003. 159–74. |
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| Angel, Christina C. "The Hermeneutics of Spider-Man: What is peter parker doing in elizabethan england?." Web-Spinning Heroics. Critical Essays on the History and Meaning of Spider-Man. Eds. Robert Moses Peaslee and Robert G. Weiner. Jefferson, London: McFarland, 2012. 74–80. |
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| Added by: joachim 9/25/12, 1:08 PM |
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| Antola, Laura. "Transnational Adaptation of a Marvel comic book event: The case of x-men: ‘fatal attractions’ in finland." Journal of Graphic Novels and Comics (2021): 1–14. |
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| Asante, Godfried A. and Gloria Nziba Pindi. "(Re)imagining African futures: Wakanda and the politics of transnational blackness." Review of Communication 20.(2020): 220–28. |
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| Asimakoulas, Dimitris. "Synchrony issues in comics: Language transfer and gender-specific characterisation in english translations of greek aristophanic comics." Journal of Graphic Novels and Comics (2017): 1–23. |
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| Last edited by: joachim 9/3/19, 7:38 PM |
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| Asimakoulas, Dimitris. Rewriting Humour in Comic Books: cultural transfer and translation of aristophanic adaptations. Palgrave Studies in Translating and Interpreting. New York [etc.]: Palgrave Macmillan, 2019. |
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| Atkinson, Paul. "Movements within Movements: Following the line in animation and comic books." Animation 4.(2009): 265–81. |
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| Last edited by: joachim 4/5/23, 1:11 PM |
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| Atkinson, Paul. "The graphic novel as metafiction." Studies in Comics 1.(2010): 107–25. |
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| Last edited by: joachim 3/14/16, 3:29 AM |
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| Aust, Robin-M. »Es ist ja auch eine Methode, alles zur Karikatur zu machen« Nicolas mahlers literatur-comics alte meister und alice in sussex nach thomas bernhard und h.c. artmann. Germanistische Literaturwissenschaft. Würzburg: Ergon, 2016. |
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| Added by: joachim 12/12/17, 2:17 PM |
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| Aust, Robin M. "Transformationstechniken und intermediale Zitate in Karasiks und Mazzucchellis Paul Austers Stadt aus Glas." Graphisches Erzählen. Neue Perspektiven auf Literaturcomics. Eds. Florian Trabert, Mara Stuhlfauth-Trabert and Johannes Waßmer. Bielefeld: Transcript, 2015. 285–300. |
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| Last edited by: Okwuchi Mba 3/26/19, 8:06 PM |
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| Ayres, Jackson. "“A very, very bad mood” The turn to horror in alan moore’s late comics." Journal of Graphic Novels and Comics (2021). |
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| Bachmann, Rebecca. "All of Your Choices Matter: Charakterbildungsrelevante entscheidungen in videospielen am beispiel von telltales the walking dead." Vom Binge Watching zum Binge Thinking. Untersuchungen im Wechselspiel zwischen Wissenschaften und Popkultur. Eds. Martin Böhnert and Paul Reszke. Bielefeld: Transcript, 2019. |
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| Bachmann, Christian A. " In der Bastardzone Hybridität als schnittstelle von kinder- und jugendmedienforschung und comicforschung am beispiel der serien big little books und weltliteratur für junge leser." Schnittstellen der Kinder- und Jugendmedienforschung. Aktuelle Positionen und Perspektiven. Eds. Ute Dettmar, Caroline Roeder and Ingrid Tomkowiak. Stuttgart: Metzler, 2019. |
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| Last edited by: joachim 12/29/21, 12:50 PM |
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| Bachmann, Christian A. "Der Comic als Labor semiotischer Interpiktorialitätsforschung Paul karasiks und david mazzucchellis city of glass." Interpiktorialität. Theorie und Geschichte der Bild-Bild-Bezüge. Ed. Guido Isekenmeier. Bielefeld: Transcript, 2013. 299–318. |
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| Backe, Hans-Joachim. "Narrative Feedback: Computer games, comics, and the james bond franchise." The Cultures of James Bond. Eds. Joachim Frenk and Christian Krug. Trier: Wissenschaftlicher Verlag Trier, 2011. 221–33. |
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| Bacon-Smith, Camille and Tyrone Yarborough. "Batman: The Ethnography." The Many Lives of the Batman. Critical Approaches to a Superhero and his Media. Eds. Roberta E. Pearson and William Uricchio. London, New York: Routledge, 1991. 90–116. |
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| Baer, Reto. "Literatur in Sprechblasen: Immer wieder entstehen auch in der schweiz comics nach literarischen vorlagen." Librarium 36.(1996): 178–207. |
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| Baetens, Jan. "M comme main: Une lecture du château de kafka adapté par olivier deprez." Image [&] Narrative 4.2 2004. Accessed 27 July. 2009. <http://www.imageandnarr ... 8/janbaetens_deprez.htm>. |
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| Baetens, Jan. "Olivier Deprez's Storytelling in Le Château de Kafka." The California Printmaker (2006): 8–15. |
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| Last edited by: joachim 7/29/09, 2:32 PM |
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| Baetens, Jan. "Of Graphic Novels and Minor Cultures: The fréon collective." Yale French Studies 114.(2008): 95–115. |
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| Last edited by: joachim 5/27/12, 7:18 AM |
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| Baetens, Jan. "Littérature et bande dessinée: Enjeux et limites." Cahiers de Narratologie 16 2009. Accessed 1 June. 2013. <http://narratologie.revues.org/974>. |
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| Baetens, Jan. "Remediation in the Era of Hybridization: The example of the film photonovel." Leaves 7 2019. Accessed 15 January. 2021. <https://climas.u-bordea ... -photonovel-jan-baetens>. |
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| Baetens, Jan. "Alfred Hitchcock’s Rear Window as “Cineromanzo”." Comics Studies Here and Now. Ed. Frederick Luis Aldama. Routledge Advances in Comics Studies. London: Routledge, 2018. 90–101. |
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| Baetens, Jan. "Nederlandse literatuur en strips (met enkele uitstapjes naar de film)." Internationale neerlandistiek: een vak in beweging. Eds. Jane Fenoulhet and Jan Renkema. Lage Landen Studies. Gent: Academia, 2010. 255–68. |
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| Last edited by: joachim 6/26/14, 9:43 AM |
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| Baetens, Jan. "« Bandes dessinées écrites »: La question des rapports texte/image en bande dessinée à la lumière du château d’olivier deprez (olivier deprez, le château de kafka)." Déconstruire l’image. Ed. Christophe Genin. Esthétique. Paris: Publications de la Sorbonne, 2011. 37–50. |
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| Last edited by: joachim 10/28/20, 12:01 AM |
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| Baetens, Jan. "Adapting and displaying multiple temporalities: What became of trollope’s john caldigate and maupassant’s boule de suif in simon grennan’s dispossession and dino battaglia’s contes et nouvelles de guerre?." Transforming Anthony Trollope. Dispossession, Victorianism and Nineteenth-Century Word and Image. Eds. Simon Grennan and Laurence Grove. Studies in European Comics and Graphic Novels. Leuven: Leuven Univ. Press, 2015. 15–32. |
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| Last edited by: Okwuchi Mba 1/10/20, 5:10 PM |
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| Baetens, Jan. "L’adaptation, une stratégie d’écrivain ?." Bande dessinée et adaptation. Littérature, cinéma, TV. Eds. Benoît Mitaine, David Roche and Isabelle Schmitt-Pitiot. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2015. 41–60. |
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| Last edited by: joachim 8/28/16, 2:02 PM |
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| Baetens, Jan. "A Cultural Approach to Nonnarrative Graphic Novels: A case study from flanders." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 281–87. |
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| Added by: joachim 10/24/10, 3:17 AM |
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| Bahl, Erin Kathleen. "“Sung Reading”: An operatic approach to p. craig russell’s graphic novel the ring of the nibelung." 期刊介绍 / Signs and Media (2016): 131–58. |
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| Bainbridge, Jason. "Beyond the Law: What is so “super” about superheroes and supervillains?." International Journal for the Semiotics of Law – Revue internationale de Sémiotique juridique 30.(2017): 367–88. |
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| Bainbridge, Jason. "“You were the world’s first superhero”: Marvel studio’s superheroes, law and the pursuit of justice." Assembling the Marvel Cinematic Universe. Essays on the Social, Cultural and Geopolitical Domains. Eds. Julian C. Chambliss, William Svitavsky and Daniel Fandino. Jefferson: McFarland, 2018. 150–67. |
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| Baker, Kaysee and Arthur A. Raney. "Equally Super? Gender-role stereotyping of superheroes in children’s animated programs." Mass Communication and Society 10.(2007): 25–41. |
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| Ball, David M. "World Literature." The Cambridge History of the Graphic Novel. Eds. Jan Baetens, Hugo Frey and Stephen E. Tabachnick. The Cambridge Companions to Philosophy, Religion and Culture. Cambridge [etc.]: Cambridge Univ. Press, 2018. 591–608. |
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| Ballhausen, Thomas. "Die Liebe am Ende (der Zeiten): Adaptive strategien und begehrenskonzepte in a boy and his dog." Reddition 26.(2009): 23–27. |
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| Ballhausen, Thomas. "Die zwei Spuren der Zauberflöte: Von liebeskinds märchen zu russells comicadaption." Mozart im Kino. Ed. Günter Krenn. Edition Film + Text. Wien: Filmarchiv Austria, 2006. 102–17. |
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| Ballis, Anja. "Dem Fremden begegnen: »die verwandlung« als graphic novel." Deutschunterricht 66.(2013): 20–25. |
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| Added by: joachim 9/6/13, 8:25 PM |
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| Banerjee, Abanti. "Convergences of the Global and the Local: Graphic narrative and patua art in sita’s ramayana." Gnosis Special Issue (2019): 92–112. |
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| Barker, Martin and Kate Brooks. Knowing Audiences: Judge dredd, its friends, fans, and foes. Luton: Univ. of Luton Press, 1998. |
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| Added by: joachim 9/3/16, 11:23 AM |
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| Barker, Cory, Chris Ryan, and Myc Wiatrowski, eds. Mapping Smallville: Critical essays on the series and its characters. Jefferson, London: McFarland, 2014. |
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| Added by: joachim 9/7/15, 10:39 AM |
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| Barman, Daisy. "Comics beyond Fun and Thrill: A critical reflection on gender dynamics and public imagination in select popular comics-based movies." Gnosis Special Issue (2019): 81–91. |
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| Baron, Lawrence. "X-Men as J-Men: The jewish subtext of a comic book movie." Shofar 22.(2003): 44–52. |
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| Bartlett, Myke. "A Mirror to Changing Times: x-men and x2." Screen Education (2010): 111–15. |
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| Bartlett, Myke. "The Adventures of Tintin: Drawn into motion." Screen Education (2012): 8–17. |
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| Added by: joachim 1/9/14, 3:48 PM |
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| Bartosch, Sebastian. "Genre und Comic." Filmwissenschaftliche Genreanalyse. Eine Einführung. Eds. Markus Kuhn, Irina Scheidgen and Nicola Valeska Weber. De Gruyter Studium. Berlin: de Gruyter, 2013. 381–408. |
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| Last edited by: joachim 4/14/16, 12:29 PM |
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| Bartosch, Sebastian and Andreas Stuhlmann. "Reconsidering adaptation as translation: The comic in between." Studies in Comics 4.(2013): 59–74. |
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| Added by: joachim 8/4/13, 11:02 AM |
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| Bateman, John A. and Francisco O. D. Veloso. "The semiotic resources of comics in movie adaptation: Ang lee’s hulk (2003) as a case study." Studies in Comics 4.(2013): 135–58. |
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| Added by: joachim 8/4/13, 11:41 AM |
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| Bates, Brian. "Graphic and Digital Keats: “la belle dame sans merci” in poetry comics." Reconstruction 16.1 2016. Accessed 1 June. 2016. <http://reconstruction.e ... /Issues/161/Bates.shtml>. |
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| Added by: joachim 6/1/16, 3:47 PM |
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| Battafarano, Italo Michele. "Grimmelshausens ›Courage‹ als Graphic Novel in italienischer Sprache." Simpliciana 30.(2008): 181–90. |
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| Battis, Jes. "The Kryptonite Closet: Silence and queer." The Smallville Chronicles. Critical Essays on the Television Series. Ed. Lincoln Geraghty. Lanham [etc.]: Rowman & Littlefield, 2011. 45–64. |
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| Added by: joachim 3/28/17, 11:00 AM |
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| Bauer, Matthias. "(Don’t) Say Yes to Another Excess: Ang lees transformation der hulk-legende." Ang Lee. Ed. Matthias Bauer-Funke. Film-Konzepte. München: edition text + kritik, 2007. 81–96. |
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| Added by: joachim 10/2/11, 1:19 PM |
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| Bauer, Gero. "Hope and Kinship in AMC’s »The Walking Dead«." Ethik in Serie. Eds. Cordula Brand and Simon Meisch. 2nd ed. Materialien zur Ethik in den Wissenschaften. Tübingen: Tübingen Library Publ, 2018. 121–32. |
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| Last edited by: joachim 8/11/19, 11:55 AM |
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| Bavlnka, Timothy. "Superheroes and Shamanism: Magic and participation in the comics of grant morrison." Thesis Master of Arts. Bowling Green State Univ. Popular Culture, 2011. |
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| Last edited by: joachim 6/21/11, 11:23 PM |
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| Bavlnka, Timothy. "The Joke’s On Him: Shamanism, literary magic, and the textualization of grant morrison, heath ledger, and the joker." Intensities: The Journal of Cult Media 5 2013. Accessed 2 July. 2016. <https://intensitiescult ... e-joker-tim-bavlnka.pdf>. |
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| Added by: joachim 7/2/16, 12:56 PM |
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| Beard, Jim, ed. Gotham City 14 Miles: 14 essays on why the 1960s batman tv series matters. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. |
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| Added by: joachim 11/12/10, 3:31 PM |
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| Beard, Becky. "Aunt Harriet’s Film Decency League." Gotham City 14 Miles. 14 Essays on Why the 1960s Batman TV Series Matters. Ed. Jim Beard. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 84–96. |
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| Added by: joachim 11/14/10, 11:15 AM |
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| Beard, Jim. "“Giant Lighted Lucite Map of Gotham City”: An introduction." Gotham City 14 Miles. 14 Essays on Why the 1960s Batman TV Series Matters. Ed. Jim Beard. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 1–5. |
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| Added by: joachim 11/14/10, 10:53 AM |
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| Beard, Jim. "Such a Character: A dissection of two sub-species of chiroptera homo sapiens." Gotham City 14 Miles. 14 Essays on Why the 1960s Batman TV Series Matters. Ed. Jim Beard. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 56–75. |
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| Added by: joachim 11/14/10, 11:11 AM |
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| Beaty, Bart. "Featuring Stories by the World’s Greatest Authors: Classics illustrated and the “middlebrow problem” in the postwar era." International Journal of Comic Art 1.(1999): 122–39. |
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| Beaty, Bart. David Cronenberg’s A History of Violence. Toronto, Buffalo, London: Univ. of Toronto Press, 2008. |
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| Beaty, Bart. "Superhero fan service: Audience strategies in the contemporary interlinked hollywood blockbuster." The Information Society 32.(2016): 318–25. |
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| Last edited by: joachim 9/7/16, 4:36 PM |
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