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| Brammsen, Laura. "Wissensformat Comic – Darstellungen des Menstruationszyklus in Werken von Julie Doucet, Lisa Frühbeis und Liv Strömquist." Kieler Blätter zur Volkskunde 53. (2021): 49–79. |
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| Brienza, Casey E. "‘Manga Is Not Pizza’: The Performance of Ethno-racial Authenticity and the Politics of American Anime and Manga Fandom in Svetlana Chmakova’s Dramacon." Global Manga. “Japanese” Comics without Japan? Ed. Casey E. Brienza. 2nd ed. London, New York: Routledge, 2016. 95–113. |
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| Brodie, Ian. Old Trout Funnies: The Comic Origins of the Cape Breton Liberation Army. Cape Breton Univ. Press, 2015. |
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| Bulić, Jelena. "The Travelling Cartoonist: Representing the Self and the World in Guy Delisle’s Graphic Travel Narratives." Narodna umjetnost 49. (2012): 61–80. |
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| Busi Rizzi, Giorgio. "Portrait of the Artist as a Nostalgic: Seth’s It’s a Good Life if You Don’t Weaken." Comics Memory. Archives and Styles. Eds. Maaheen Ahmed and Benoît Crucifix. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2018. 15–36. |
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| Callison, Camille and Candida Rifkind. "Introduction: “Indigenous Comics And Graphic Novels: An Annotated Bibliography”." Jeunesse 11. 1 2019. Accessed 16Aug. 2019. <http://jeunessejournal. ... p/yptc/article/view/495>. |
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| Cardell, Kylie. "Drawn to Life: The Diary as Method and Politics in the Comics Art of Gabrielle Bell and Julie Doucet." The Comics of Julie Doucet and Gabrielle Bell. A Place inside Yourself. Eds. Tahneer Oksman and Seamus O’Malley. Critical Approaches to Comics Artists. Jackson: Univ. Press of Mississippi, 2019. 122–42. |
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| Chambliss, Julian C., William Svitavsky, and Thomas Donaldson, eds. Ages of Heroes, Eras of Men: Superheroes and the American Experience. Newcastle upon Tyne: Cambridge Scholars Publ. 2013. |
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| Chaney, Michael A. "Drawing on History in Recent African American Graphic Novels." Melus 32. (2007): 175–200. |
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| Chase, Alisia. "You Must Look at the Personal Clutter: Diaristic Indulgence, Female Adolescence, and Feminist Autobiography." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 207–40. |
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| Chiu, Monica. "Graphic Self-Consciousness, Travel Narratives, and the Asian American Studies Classroom: Delisle’s Burma Chronicles and Guibert, Lefèvre, and Lemercier’s The Photographer." Asian American Literature 5 2014. Accessed 14Jan. 2021. <https://scholarworks.sjsu.edu/aaldp/vol5/iss1/5>. |
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| Coody, Elizabeth Rae. "The Ending of Mark as a Page-Turn Reveal." Comics and Sacred Texts. Reimagining Religion and Graphic Narratives. Eds. Assaf Gamzou and Ken Koltun-Fromm. Jackson: Univ. Press of Mississippi, 2018. 98–112. |
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| Covey, Suzanne. "Beyond the Balloon: Sound Effects and Background Text in Lynn Johnston’s For Better or For Worse." ImageTexT 2. 2 2006. Accessed 9Dec. 2009. <https://imagetextjourna ... or-better-or-for-worse/>. |
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| Cutrara, Samantha. "Drawn out of History: The Representation of Women in Chester Brown’s Louis Riel: A Comic Strip Biography." Graphic History. Essays on Graphic Novels And/As History. Ed. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ. 2012. 121–43. |
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| Deman, J. Andrew. "“Oh Well”: My New York Diary, Autographics, and the Depiction of Female Sexuality in Comics." Canadian Graphic. Picturing Life Narratives. Eds. Candida Rifkind and Linda Warley. Waterloo: Wilfrid Laurier Univ. Press, 2016. 75–98. |
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| Domsch, Sebastian. "From Hyper-Male Aardvarks to the Female Void: Gender Politics in Cerebus." Politics in Fantasy Media. Essays on Ideology and Gender in Fiction, Film, Television and Games. Eds. Gerold Sedlmayr and Nicole Waller. Jefferson: McFarland, 2014. 72–84. |
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| Dudek, Debra. "“Good Relationships Mean Good Lives”: Warrior-Survivor Identity/ies in David Alexander Robertson’s 7 Generations." Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée 43. (2016): 39–50. |
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| Dunley, Kathleen. "Conversations with Seth, Attention Revisited." The Comics Grid 2011. Accessed 21Jan. 2013. <http://www.comicsgrid.c ... th-attention-revisited/>. |
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| Dunley, Kathleen. "Seth’s Suspension of Perception in Palookaville #19." The Comics Grid. Journal of Comics Scholarship. Year One. Ed. Ernesto F. Priego Ramirez. London: The Comics Grid Digital First Editions, 2012. 82–85. |
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| Dunley, Kathleen. "Personal, Vernacular, Canadian: Seth’s Great Northern Brotherhood of Canadian Cartoonists as Life Writing." Canadian Graphic. Picturing Life Narratives. Eds. Candida Rifkind and Linda Warley. Waterloo: Wilfrid Laurier Univ. Press, 2016. 129–52. |
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| Fitch, Alex. "One Soul, From Hell and Here: The Graphic Novel Page as Time Machine." Visions of the Future in Comics. International Perspectives. Eds. Francesco-Alessio Ursini, Adnan Mahmutovic and Frank Bramlett. Jefferson: McFarland, 2017. 30–48. |
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