| Ahmed, Maaheen. Monstrous Imaginaries: The Legacy of Romanticism in Comics. Jackson: University Pr. of Mississippi, 2019. |
 
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| Alaniz, José. "Speaking the “Truth” of Sex: Moore & Gebbie’s Lost Girls." International Journal of Comic Art 8. (2006): 307–18. |
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| Alaniz, José. "“Rutting in Free-Fall”: Moore and Bissette/Zulli’s Act of Faith." International Journal of Comic Art 10. (2008): 407–19. |
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| Added by: Deleted user Last edited by: joachim 8/22/18, 5:54 PM |
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| Alaniz, José. "‘Will You Listen to That!’: (Dis)Ability in Moore/Willingham’s ‘In Blackest Night’." Comics Forum 2012. Accessed 13Apr. 2013. <http://comicsforum.org/ ... t-night-by-jose-alaniz/>. |
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| Alaniz, José. "Into Her Dead Body: Moore & Campbell’s From Hell." Alan Moore. Portrait of an Extraordinary Gentleman. Eds. smoky man and Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003. 145–49. |
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| Alaniz, José. "Rutting in Free Fall: Moore & Bissette/Zulli’s Act of Faith." Alan Moore. Portrait of an Extraordinary Gentleman. Eds. smoky man and Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003. 129–34. |
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| Added by: joachim Last edited by: joachim 8/22/18, 5:53 PM |
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| Alaniz, José. "Speaking the ‘Truth’ of Sex: Moore & Gebbie’s Lost Girls." Alan Moore. Portrait of an Extraordinary Gentleman. Eds. smoky man and Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003. 273–76. |
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| Ali, Barish. "The Violence of Criticism: The Mutilation and Exhibition of History in From Hell." Journal of Popular Culture 38. (2005): 605–31. |
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| Alonso Jerez, Marta. "New Gender Identities in the Twenty-First Century: Blending Victorian and Steampunk Cultures." Victorianomania. Reimagining, Refashioning, and Rewriting Victorian Literature and Culture. Eds. Simonetta Falchi, Greta Perletti and Maria Isabel Romero Ruiz. Critica letteraria e linguistica. Milano: FrancoAngeli, 2015. 59–72. |
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| Anderson, Kane. "V for Occupy: Transmedial Theatricality, V for Vendetta, and the Occupy Movement." International Journal of Comic Art 14. (2012): 143–68. |
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| Arp, Robert. "Hooded Justice and Captain Metropolis: The Ambiguously Gay Duo." Watchmen and Philosophy. A Rorschach Test. Ed. Mark D. White. The Blackwell Philosophy and Pop Culture Series. Hoboken: Wiley, 2009. 185–96. |
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| Atkinson, Paul. "The Time of Heroes: Narrative, Progress, and Eternity in Miracleman." The Contemporary Comic Book Superhero. Ed. Angela Ndalianis. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2009. 44–63. |
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| Atkinson, Doug and R. J. White. "The Annotated Watchmen: Your Complete Guide to the Classic Series." 1995. Accessed 12Jun. 2018. <http://www.capnwacky.com/rj/watchmen/>. |
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| Ayres, Jackson. "The Integrity of the Work: Alan Moore, Modernism, and the Corporate Author." Journal of Modern Literature 39. (2016): 144–66. |
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| Added by: joachim 2/25/17, 1:04 AM |
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| Ayres, Jackson. "“A very, very bad mood” The turn to horror in Alan Moore’s late comics." Journal of Graphic Novels and Comics (2021). |
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| Ayres, Jackson. Alan Moore: A Critical Guide. Bloomsbury Comics Studies. New York: Bloomsbury Academic, 2021. |
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| Added by: joachim Last edited by: joachim 5/10/21, 2:17 AM |
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| Babilas, Dorota. "Her Majesty’s Own Murderer? Queen Victoria and Jack the Ripper in Popular Fiction." Crime Scenes. Modern Crime Fiction in an International Context. Eds. Urszula Elias and Agnieszka Sienkiewicz-Charlish. Gdańsk Transatlantic Studies in British and North American Culture. Frankfurt am Main [etc.]: Peter Lang, 2014. 213–28. |
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| Added by: joachim 9/27/20, 11:22 AM |
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| Bachmann, Holger. "Die Funktion idiomatischer Wendungen in populärer Literatur am Beispiel Comicbook. Mit einer Beispielinterpretation von Alan Moores »The Killing Joke«." Sprachwissenschaft 21. (1996): 337–66. |
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| Backe, Hans-Joachim. Under the Hood: Die Verweisstruktur der Watchmen. yellow. Schriften zur Comicforschung. Bochum: Ch.A. Bachmann, 2010. |
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| Added by: joachim Last edited by: joachim 3/19/13, 11:14 PM |
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| Backe, Hans-Joachim. "Von der Superhelden-Fiktion zur Meta-Helden-Fiktion: Watchmen und die Dekonstruktion des Heldentums." kritische berichte 39. (2011): 5–19. |
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| Backe, Hans-Joachim. "The League of Extraordinary Gentlemen as (Cultural) History." Geschichte im Comic. Befunde – Theorien – Erzählweisen. Ed. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018. 189–208. |
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| Added by: Okwuchi Mba Last edited by: joachim 8/25/18, 2:03 PM |
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| Backe, Hans-Joachim. "Alan Moores League of Extraordinary Gentlemen: Comics als/über/durch Literaturgeschichte." Literaturgeschichte und Bildmedien. Eds. Achim Hölter and Monika Schmitz-Emans. Hermeia. Heidelberg: Synchron, 2015. 293–310. |
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| Added by: joachim 5/22/16, 2:09 PM |
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| Backe, Hans-Joachim. "Transformation und Aneignung: Literarische Prätexte in Moores und Gibbons’ Watchmen." Comic und Literatur. Konstellationen. Ed. Monika Schmitz-Emans. linguae & litterae. Berlin u. Boston: de Gruyter, 2012. 187–202. |
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| Added by: joachim Last edited by: joachim 6/8/20, 12:38 PM |
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| Baker, Bill. Alan Moore Spells It out: On Comics, Creativity, Magic and Much, Much More. Airwave Publ. 2005. |
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| Added by: joachim Last edited by: joachim 8/26/22, 8:19 PM |
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| Baker, Bill. Alan Moore’s Exit Interview. Airwave Publ. 2007. |
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| Added by: joachim Last edited by: joachim 8/26/22, 8:19 PM |
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| Baker, Bill. Alan Moore On His Work and Career: A Conversation with Bill Baker. Talking with Graphic Novelists. New York: Rosen, 2008. |
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| Added by: joachim Last edited by: joachim 8/26/22, 8:17 PM |
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| Ballesteros, Antonio. "L’assassin multiple comme mythe moderne: From Hell d’Alan Moore et Eddie Campbell." Mythe et bande dessinée. Eds. Danielle Corrado and Viviane Alary. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2006. 323–34. |
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| Banhold, Lars. "»Yet Always Must it Love Sweet Music More«: Zur Funktion von Musik in V for Vendetta." Bildlaute & laute Bilder. Zur ›Audiovisualität‹ von Bilderzählungen. Ed. Christian A. Bachmann. Bochum: Ch.A. Bachmann, 2014. 129–47. |
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| Added by: joachim 6/19/14, 10:05 PM |
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| Barnes, David. "Time in the Gutter: Temporal Structures in Watchmen." KronoScope 9. (2009): 51–60. |
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| Added by: joachim Last edited by: joachim 2/23/17, 11:55 AM |
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| Barnholden, Neale. From Gum Wrappers to Richie Rich: The Materiality of Cheap Comics. Jackson: Univ. Press of Mississippi, 2024. |
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| Baroni, Raphaël. "Le récit dans l’image: Séquence, intrigue et configuration." Image [&] Narrative 12. 1 2011. Accessed 6Sep. 2011. <http://www.imageandnarr ... rticle/viewFile/136/107>. |
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| Baurin, Camille. "Alan Moore: Métalepse et réflexivité." L’engendrement des images en bande dessinée. Ed. Henri Garric. Iconotextes. Tours: Presses Univ. François-Rabelais, 2013. 81–96. |
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| Beckett, Chris. "Reading Watchmen." 2015. Accessed 12Jun. 2018. <http://www.readingwatchmen.com>. |
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| Added by: joachim 6/12/18, 3:45 PM |
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| Beer, Andreas. "Just(ice) Smiling? Masks and Masking in the Occupy-Wall Street Protests." European Journal of American Studies 13. 4 2018. Accessed 25Feb. 2022. <https://journals.openedition.org/ejas/13982>. |
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| Added by: joachim 2/25/22, 11:18 AM |
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| Beineke, Colin. "“Her Guardiner”: Alan Moore’s Swamp Thing as the Green Man." ImageTexT 5. 4 2011. Accessed 7Aug. 2011. <http://www.english.ufl. ... /archives/v5_4/beineke/>. |
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| Added by: joachim Last edited by: joachim 3/13/13, 9:23 PM |
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| Bensam, Richard, ed. Minutes to Midnight: Twelve Essays on Watchmen. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. |
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| Added by: joachim 11/12/10, 4:03 PM |
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| Bensam, Richard. "Obsolete Models a Specialty: An Introduction." Minutes to Midnight. Twelve Essays on Watchmen. Ed. Richard Bensam. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 1–7. |
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| Added by: joachim 11/13/10, 11:46 PM |
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| Berlatsky, Eric. "Lone Woolf and Cubs: Alan Moore, Postmodern Fiction, and Third-Wave Feminist Utopianism." The Gay Utopia 2007. Accessed 27Feb. 2014. <http://gayutopia.blogsp ... woolf-and-cubsalan.html>. |
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| Added by: joachim 2/27/14, 4:45 PM |
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| Berlatsky, Eric, ed. Alan Moore: Conversations. Conversations with Comic Artists. Jackson: Univ. Press of Mississippi, 2011. |
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| Added by: joachim Last edited by: joachim 4/24/13, 1:55 AM |
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| Berlatsky, Eric. "Time and Free Will: Bergson, Modernism, Superheroes, and Watchmen." Understanding Bergson, Understanding Modernism. Eds. Paul Ardoin, S. E. Gontarski and Laci Mattison. London, New York: Continuum, 2013. 256–80. |
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| Added by: joachim Last edited by: joachim 1/7/14, 12:47 PM |
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| Bernard, Mark and James Bucky Carter. "Alan Moore and the Graphic Novel: Confronting the Fourth Dimension." ImageTexT 1. 2 2005. Accessed 6Jul. 2012. <http://www.english.ufl. ... t/archives/v1_2/carter/>. |
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| Added by: joachim Last edited by: joachim 7/6/12, 12:55 PM |
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| Besozzi, Michael T. "“To Blaze Forever in a Blazing World”: Queer Reconstruction and Cultural Memory in the Works of Alan Moore." Thesis Master of Arts. Georgia State University, 2011. |
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| Added by: joachim 11/19/12, 8:19 PM |
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| Bétan, Julien, ed. Alan Moore: Tisser l’invisible. La bibliothèque des miroirs-BD. Lyon: Les moutons électriques, 2010. |
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| Added by: joachim Last edited by: joachim 10/9/14, 10:19 AM |
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| Bissette, Stephen R. "Mr. Moore and Me." Alan Moore. Portrait of an Extraordinary Gentleman. Eds. smoky man and Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003. 217–32. |
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| Added by: joachim 8/15/09, 12:41 AM |
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| Blake, Brandy Ball. "Watchmen: The Graphic Novel as Trauma Fiction." ImageTexT 5. 1 2010. Accessed 1Feb. 2010. <http://www.english.ufl. ... xt/archives/v5_1/blake/>. |
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| Added by: Deleted user Last edited by: Deleted user 2/1/10, 2:06 PM |
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| Blake, Charlie. "Pirate multiplicities: Aion, chronos and magical inscription in the graphic novels of Alan Moore." Studies in Comics 2. (2011): 121–34. |
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| Added by: joachim Last edited by: joachim 12/3/12, 7:47 PM |
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| Boge, Chris. "Visualizing Histories and Stories: Revisionary Graphic Novels of the 1980s and 1990s." Medienimpulse 51. 3 2013. Accessed 21Jun. 2016. <http://www.medienimpulse.at/articles/view/571>. |
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| Boillat, Alain. "Douze minutes avant minuit: L’effet « graphic novel » du chapitrage dans Watchmen." Cahiers de Narratologie 34 2018. Accessed 3Jul. 2020. <https://journals.openedition.org/narratologie/8757>. |
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| Bongers, Helene L. "Killing the Colorist? Künstlerische Arbeitsteilung im Produktionsprozess von Batman: The Killing Joke." Closure 9 2023. Accessed 5Mar. 2025. <https://www.closure.uni-kiel.de/closure9/bongers>. |
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| Added by: Leonie Katharina Göbel Last edited by: Leonie Katharina Göbel 2/21/25, 3:43 PM |
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| Borsellino, Mary. "How the Ghost of You Clings: Watchmen and Music." Minutes to Midnight. Twelve Essays on Watchmen. Ed. Richard Bensam. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 24–37. |
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| Added by: joachim 11/13/10, 11:55 PM |
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| Bradshaw, Michael. "‘The sleep of reason’: Swamp Thing and the intertextual reader." Alan Moore and the Gothic Tradition. Ed. Matthew J. A. Green. Manchester, New York: Manchester Univ. Press, 2013. 121–39. |
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| Added by: joachim 6/22/14, 11:49 AM |
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| Brake, Matthew. "The Joker as Philosopher: Killing Jokes." The Palgrave Handbook of Popular Culture as Philosophy 2023. Accessed 11Jan. 2024. <https://doi.org/10.1007/978-3-319-97134-6_92-1>. |
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| Added by: joachim Last edited by: joachim 1/11/24, 4:46 PM |
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| Brigley-Thompson, Zoë. "Theorizing Sexual Domination in From Hell and Lost Girls: Jack the Ripper versus Wonderlands of Desire." Sexual Ideology in the Works of Alan Moore. Critical Essays on the Graphic Novels. Eds. Todd E. Comer and Joseph Michael Sommers. Jefferson, London: McFarland, 2012. 76–87. |
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| Added by: joachim 4/23/12, 9:32 PM |
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| Broderick, James F. "From Hell." Now a Terrifying Motion Picture! Twenty-Five Classic Works of Horror Adapted from Book to Film. Jefferson, London: McFarland, 2012. 78–85. |
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| Added by: joachim 9/1/14, 1:03 PM |
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| Brogan, Jacob. "Stop/Watch: Repressing History, Adapting Watchmen." The Politics of Adaptation. Media Convergence and Ideology. Eds. Dan A. Hassler-Forest and Pascal Nicklas. New York [etc.]: Palgrave Macmillan, 2015. 214–26. |
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| Added by: joachim 2/10/19, 10:47 AM |
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| Brown, Kieron Michael. "Musical Sequences in Comics." The Comics Grid 3. 9 2013. Accessed 26Jun. 2014. <http://www.comicsgrid.com/article/view/cg.aj>. |
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| Added by: joachim Last edited by: joachim 6/20/16, 7:37 PM |
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| de Bruin-Molé, Megen. Gothic Remixed: Monster Mashups and Frankenfictions in 21st-Century Culture. New York: Bloomsbury Academic, 2020. |
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| Added by: joachim Last edited by: joachim 2/2/20, 5:50 PM |
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| Bryan, Peter Cullen. "Purple healing rays and paralysis: Intersections of disability and gender theory in comics." Journal of Fandom Studies 7. (2019): 21–34. |
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| Added by: joachim 4/12/22, 10:48 AM |
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| Buso, Michael. A dark, uncertain fate: Homophobia, graphic novels, and queer identity. UMI Dissertation Publishing, 2011. |
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| Added by: joachim Last edited by: joachim 5/25/12, 12:34 PM |
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| Butler, Isaac. "V For Vile." The Hooded Utilitarian 2012. Accessed 9Jul. 2018. <http://www.hoodedutilit ... com/2012/09/v-for-vile/>. |
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| Added by: joachim 7/9/18, 11:57 AM |
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| Callahan, Timothy. "Somebody Has to Save the World: Captain Metropolis and Role-Playing Watchmen." Minutes to Midnight. Twelve Essays on Watchmen. Ed. Richard Bensam. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 132–46. |
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| Added by: joachim 11/14/10, 2:53 AM |
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| Campbell, Eddie. "Comics on the Main Street of Culture." ImageTexT 1. 2 2005. Accessed 6Jul. 2012. <http://www.english.ufl. ... archives/v1_2/campbell/>. |
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| Campbell, Eddie. From Hell Companion: Eddie Campbell presenta guiones, bocetos, notas y otras misceláneas de Alan Moore, así como originales, aportaciones, anécdotas y reflexiones académicas de su propia cosecha. Trazado. Barcelona: bPlaneta DeAgostini, 2013. |
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| Added by: joachim 10/9/14, 9:43 AM |
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| Camus, Cyril. "Forêts symboliques de la bande dessinée fantastique américaine contemporaine." Otrante (2010). |
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| Added by: joachim 10/12/21, 1:02 PM |
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| Camus, Cyril. "Neil Gaiman: A portrait of the artist as a disciple of Alan Moore." Studies in Comics 2. (2011): 147–57. |
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| Added by: joachim Last edited by: joachim 12/3/12, 7:52 PM |
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| Camus, Cyril. "Calibans for the 1990s and 2000s: Shakespeare and Fantasy in the Age of “Professional Fan Fiction” and Integrative Fiction." Caliban (2014): 109–24. |
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| Added by: joachim 10/11/21, 8:15 PM |
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| Candelaria, Matthew. "Green Love, Red Sex: The Conflation of the Flora and the Flesh in Swamp Thing." Sexual Ideology in the Works of Alan Moore. Critical Essays on the Graphic Novels. Eds. Todd E. Comer and Joseph Michael Sommers. Jefferson, London: McFarland, 2012. 28–39. |
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| Added by: joachim Last edited by: joachim 4/5/12, 9:55 AM |
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| Carlson, A. Cheree. "Burke in the Gutter: Dramatistic Criticism of Comics." ImageTexT 9. 3 2018. Accessed 27Feb. 2018. <http://www.english.ufl. ... /archives/v9_3/carlson/>. |
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| Added by: joachim 2/27/18, 11:55 PM |
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| Carney, Sean. "The Tides of History: Alan Moore’s Historiographic Vision." ImageTexT 2. 2 2006. Accessed 5Oct. 2009. <http://www.english.ufl. ... t/archives/v2_2/carney/>. |
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| Added by: joachim Last edited by: joachim 1/16/15, 10:47 PM |
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| Carpenter, Greg. The British Invasion: Alan Moore, Neil Gaiman, Grant Morrison and the Invention of the Modern Comic Book Writer. Edwardsville: Sequart Research & Literacy Organization, 2016. |
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| Added by: joachim Last edited by: joachim 10/19/18, 3:00 AM |
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| Carretero González, Margarita. "Sympathy for the Devil: The Hero is a Terrorist in V for Vendetta." Promoting and Producing Evil. Ed. Nancy Billias. At the Interface, Probing the Boundaries. Amsterdam [etc.]: Rodopi, 2010. 207–18. |
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| Added by: joachim Last edited by: joachim 4/6/14, 1:53 PM |
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| Carter, James Bucky. "Teaching Watchmen in the Wake of 9/11." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 99–108. |
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| Added by: joachim 9/18/10, 11:35 AM |
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| Casey, Jim. "Alan Moore (1953–)." Fifty Key Figures in Science Fiction. Eds. Mark Bould, et al. Routledge Key Guides. London, New York: Routledge, 2010. 166–71. |
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| Added by: joachim 6/22/14, 12:47 PM |
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| Cates, Isaac. "On the Literary Use of Superheroes; or, Batman and Superman Fistfight in Heaven." American Literature 83. (2011): 831–57. |
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| Added by: joachim 4/3/15, 1:53 PM |
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| Chelebourg, Christian. Les Écofictions: Mythologies de la fin du monde. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2012. |
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| Added by: joachim Last edited by: joachim 11/10/18, 6:11 PM |
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| Christensen, William, ed. Alan Moore’s The Courtyard: A Companion. Rantoul: Avatar, 2003. |
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| Added by: joachim Last edited by: joachim 1/16/21, 11:15 PM |
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| Christopher, Brandon. "“I will not / be haunted / by myself!”: Originality, Derivation, and the Hauntology of the Superhero Comic." Seriality and Texts for Young People. The Compulsion to Repeat. Eds. Mavis Reimer, et al. Critical Approaches to Children’s Literature. New York [etc.]: Palgrave Macmillan, 2014. 166–87. |
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| Added by: joachim 9/16/20, 8:30 PM |
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| Cloyd, Aaron A. "Voices from the Margins: The Place of Wilderness in Watchmen." International Journal of Comic Art 16. (2014): 223–43. |
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| Added by: joachim 8/7/17, 5:36 PM |
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| Collins, Jim. "Batman: Film, fortælling: Det hyperbevidste." MedieKultur 30 1999. Accessed 20Jan. 2010. <http://ojs.statsbibliot ... /article/view/1147/1052>. |
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| Collins, Meredith. "ImageSexT: History, Pornography and Lost Girls." ImageTexT 3. 3 2007. Accessed 19Nov. 2012. <https://imagetextjourna ... ography-and-lost-girls/>. |
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| Added by: joachim Last edited by: joachim 1/19/25, 9:27 AM |
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| Comer, Todd E. "Body Politics: Unearthing an Embodied Ethics in V for Vendetta." Sexual Ideology in the Works of Alan Moore. Critical Essays on the Graphic Novels. Eds. Todd E. Comer and Joseph Michael Sommers. Jefferson, London: McFarland, 2012. 100–10. |
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| Added by: joachim 4/23/12, 9:43 PM |
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| Comer, Todd E. and Joseph Michael Sommers, eds. Sexual Ideology in the Works of Alan Moore: Critical Essays on the Graphic Novels. Jefferson, London: McFarland, 2012. |
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| Added by: joachim Last edited by: joachim 8/29/16, 11:31 PM |
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| Condis, Megan Amber. "The Saga of the Swamp Thing: Feminism and Race on the Comic Book Stand." ImageTexT 5. 4 2011. Accessed 12Mar. 2013. <http://www.english.ufl. ... t/archives/v5_4/condis/>. |
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| Added by: joachim 3/12/13, 1:35 AM |
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| Cook, Roy T. and Aaron Meskin. "Comics, Prints, and Multiplicity." Journal of Aesthetics and Art Criticism 73. (2015): 57–67. |
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| Added by: joachim Last edited by: joachim 2/21/15, 1:06 AM |
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| Cooke, Jon B. and George Khoury. "Alan Moore and the Magic of Comics." Comic Book Artist (2003): 8–45. |
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| Added by: joachim 6/22/14, 1:41 PM |
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| Coppin, Lisa. "Looking Inside Out: The vision as particular gaze in From Hell (Alan Moore & Eddie Campbell)." Image [&] Narrative 3. 1 2003. Accessed 27Jul. 2009. <http://www.imageandnarr ... /uncanny/lisacoppin.htm>. |
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| Added by: joachim Last edited by: joachim 10/9/14, 9:23 AM |
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| Cormier, Jon. "Nothing Ever Ends: Structural Symmetries in Watchmen." Minutes to Midnight. Twelve Essays on Watchmen. Ed. Richard Bensam. Sequart Journal. Edwardsville: Sequart Research & Literacy Organization, 2010. 85–96. |
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| Added by: joachim 11/14/10, 2:26 AM |
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| Cortsen, Rikke Platz. "Multiple living, one world? On the chronotope in Alan Moore and Gene Ha’s Top 10." Studies in Comics 2. (2011): 135–45. |
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| Added by: joachim Last edited by: joachim 3/3/23, 5:22 PM |
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| Cortsen, Rikke Platz. "Full page insight: The apocalyptic moment in comics written by Alan Moore." Journal of Graphic Novels and Comics 5. (2014): 397–410. |
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| Added by: joachim Last edited by: joachim 7/30/15, 5:24 PM |
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| Cortsen, Rikke Platz. "Thirty-Two Floors of Disruption: Time and Space in Alan Moore’s “How Things Work Out”." Crossing Boundaries in Graphic Narrative. Essays on Forms, Series and Genres. Eds. Jake Jakaitis and James F. Wurtz. Jefferson, London: McFarland, 2012. 93–106. |
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| Added by: joachim 12/25/14, 2:58 PM |
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| Craft, Jason Todd. "Fiction Networks: The Emergence of Proprietary, Persistent, Large-Scale Popular Fictions." Dissertation Ph.D. Univ. of Texas, 2004. |
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| Added by: joachim Last edited by: joachim 7/3/10, 1:39 AM |
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| Cremins, Brian. "Quotations from the Future: Harvey Kurtzman’s “Superduperman,” Nostalgia, and Alan Moore’s Miracleman." Studies in American Humor (2014): 169–89. |
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| Darius, Julian. And the Universe so Big: Understanding Batman: The Killing Joke. Edwardsville: Sequart Research & Literacy Organization, 2012. |
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| Darius, Julian. This Lightning, This Madness: Understanding Alan Moore’s Miracleman, Book One. Edwardsville: Sequart Research & Literacy Organization, 2014. |
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