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| Ahmed, Maaheen. Monstrous Imaginaries: The Legacy of Romanticism in Comics. Jackson: University Pr. of Mississippi, 2019. |
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| Backe, Hans-Joachim. "Transformation und Aneignung: Literarische Prätexte in Moores und Gibbons’ Watchmen." Comic und Literatur. Konstellationen. Ed. Monika Schmitz-Emans. linguae & litterae. Berlin u. Boston: de Gruyter, 2012. 187–202. |
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| Brogan, Jacob. "Masked Fathers: Jimmy Corrigan and the Superheroic Legacy." The Comics of Chris Ware. Drawing is a Way of Thinking. Eds. David M. Ball and Martha B. Kuhlman. Jackson: Univ. Press of Mississippi, 2010. 14–27. |
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| Bueno, Bernardo. "Geek Metafiction: Nerds, Footnotes, and Intertextuality." Age of the Geek. Depictions of Nerds and Geeks in Popular Media. Ed. Katherine Lane. New York [etc.]: Palgrave Macmillan, 2018. 91–111. |
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| Calonne, David Stephen. R. Crumb: Literature, Autobiography, and the Quest for Self. Jackson: Univ. Press of Mississippi, 2021. |
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| Carter, James Bucky, ed. Building Literacy Connections with Graphic Novels: Page by Page, Panel by Panel. Urbana: National Council of Teachers of English, 2007. |
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| Christopher, Brandon. "Paratextual Shakespearings: Comics’ Shakespearean Frame." Shakespeare / Not Shakespeare. Eds. Christy Desmet, Natalie Loper and Jim Casey. Reproducing Shakespeare. New York [etc.]: Palgrave Macmillan, 2017. 149–67. |
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| Christopher, Brandon. "“I will not / be haunted / by myself!”: Originality, Derivation, and the Hauntology of the Superhero Comic." Seriality and Texts for Young People. The Compulsion to Repeat. Eds. Mavis Reimer, et al. Critical Approaches to Children’s Literature. New York [etc.]: Palgrave Macmillan, 2014. 166–87. |
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| D’Arcy, Jeanette. "Troubling Boundaries and Negotiating Dominant Culture: Fun Home as a Transmedial Text." The Comics Grid 9 2019. Accessed 21Feb. 2020. <https://www.comicsgrid. ... ticles/10.16995/cg.146/>. |
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| Danesin, Maxime. "Beyond Time & Culture: The Revitalisation of Old Norse Literature and History in Yukimura Makoto’s Vinland Saga." Mutual Images 2 2017. Accessed 12Feb. 2018. <https://www.mutualimage ... /mi/article/view/Vol2-7>. |
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| Dapena, Xavier Morón. "El Caso Rorschach: Raymond Chandler y Alan Moore." Historia, memoria y sociedad en el Género Negro. Literatura, cine, televisión y cómic. Eds. Javier Sánchez Zapatero and Álex Martín Escribá. Santiago de Compostela: Andavira, 2013. 461–68. |
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| Darilek, Marion. "Gezeichnete Tiere: Transfers und Transformationen von Erzählmustern und Wissensbeständen aus Tierepos und Fabel in Benjamin Renners Fuchs-Comic Le Grand Méchant Renard." Literaturwissenschaftliches Jahrbuch 59. (2018): 257–88. |
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| Eckstein, Kristin. "Der Vampir und seine Funktion im Manga für Jugendliche." Der Vampir in den Kinder- und Jugendmedien. Eds. Jana Mikota and Sabine Planka. Berlin: Weidler, 2012. 273–88. |
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| Ellis, Jonathan. "The art of anime: Freeze-frames and moving pictures in Miyazaki Hayao’s Kiki’s Delivery Service." Journal of Japanese and Korean Cinema 2. (2010): 21–34. |
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| Engelmann, Jonas. "Verborgene Traditionen: Der Golem im Comic." Rechtsextremismus, Rassismus und Antisemitismus in Comics. Ed. Ralf Palandt. Berlin: Archiv der Jugendkulturen, 2011. 316–24. |
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| Etter, Lukas and Gabriele Rippl. "“Don’t laugh – this ain’t the funny pages” Comics und bildende Kunst (Alain Séchas, Raymond Pettibon)." Interpiktorialität. Theorie und Geschichte der Bild-Bild-Bezüge. Ed. Guido Isekenmeier. Bielefeld: Transcript, 2013. 261–80. |
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| Fehrle, Johannes and Philipp Fidler. "‘What’s happened to the American Dream?’: Transnationalism and Intertexts in Alan Moore and Dave Gibbons’s Watchmen." International Journal of Comic Art 13. (2013): 495–527. |
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| Ferrari, Fulvio. "Da Sigfrido a Capitan Harlock: Mito e leggenda germanici nei fumetti e nei cartoon." Eroi di carta e celluloide. Il Medioevo germanico nelle forme espressive moderne. Eds. Maria Grazia Saibene and Marusca Francini. Viareggio: Mauro Baroni, 2004. 55–91. |
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| Fisher, Craig. "Providence: Lovecraft, Sexual Violence, and the Body of the Other." The Comics Journal 2016. Accessed 1Feb. 2021. <http://www.tcj.com/prov ... -the-body-of-the-other/>. |
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| Flynn, Kate. "“Don’t Laugh Daddy, We’re in Love”: Mockery, Fulfillment, and Subversion of Popular Romance Conventions in The Ballad of Halo Jones." Sexual Ideology in the Works of Alan Moore. Critical Essays on the Graphic Novels. Eds. Todd E. Comer and Joseph Michael Sommers. Jefferson, London: McFarland, 2012. 52–64. |
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| Fotis, Matthew. "Call It (Friendo): Flipism and Folklore in No Country for Old Men and The Dark Knight." Riddle Me This, Batman! Essays on the Universe of the Dark Knight. Eds. Kevin K. Durand and Mary K. Leigh. Jefferson, London: McFarland, 2011. 201–16. |
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