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Ahrens, Jörn. Überzeichnete Spektakel: Inszenierungen von gewalt im comic. Baden-Baden: Nomos, 2019.   
Last edited by: joachim 5/24/20, 12:56 PM
Ahrens, Jörn. "Übersetzungsprobleme: Narrativer und ästhetischer import in robert rodriguez’ verfilmung von frank millers sin city." Comic. Intermedialität und Legitimität eines popkulturellen Mediums. Ed. Thomas Becker. Bochum: Ch.A. Bachmann, 2011. 77–90.   
Added by: joachim 4/8/11, 12:52 AM
Anderson, Ho Che. "80-’89: Comics’ greatest decade." ImageTexT 9. 2 2017. Accessed 9 Feb. 2018. <http://www.english.ufl. ... archives/v9_2/anderson/>.   
Last edited by: joachim 5/14/18, 2:39 PM
Anderson, Emily R. "Sin City, Style, and the Status of Noir." Critical Approaches to the Films of Robert Rodriguez. Ed. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2015. 81–102.   
Added by: joachim 2/28/16, 2:21 AM
Andrew, Lucy. "‘I’m Gonna Be the Best Friend You Could Ever Hope For—And the Worst Enemy You Could Ever Imagine’ Frank miller’s all star batman & robin, the boy wonder and the problem of the boy sidekick in the twenty-first-century superhero narrative." The Detective’s Companion in Crime Fiction. A Study in Sidekicks. Eds. Lucy Andrew and Samuel Saunders. Crime Files. New York [etc.]: Palgrave Macmillan, 2021. 215–35.   
Last edited by: joachim 2/20/22, 4:14 PM
Arnott, Luke. "BLAM! The Literal Architecture of Sin City." International Journal of Comic Art 10. (2008): 380–401.   
Last edited by: joachim 11/18/09, 9:13 AM
Barbieri, Daniele. "Zeit und Rhythmus in der Bilderzählung." Ästhetik des Comic. Eds. Michael Hein, Michael Hüners and Torsten Michaelsen. Berlin: Erich Schmidt, 2002. 125–42.   
Last edited by: joachim 3/3/20, 4:19 PM
Bartosch, Sebastian and Andreas Stuhlmann. "Reconsidering adaptation as translation: The comic in between." Studies in Comics 4. (2013): 59–74.   
Added by: joachim 8/4/13, 11:02 AM
Bein, Steve. "Frank Miller’s Batman as Philosophy: “the world only makes sense when you force it to”." 2019. Accessed 11 Jan. 2024. <>.   
Last edited by: joachim 1/11/24, 3:34 PM
Blackmore, Tim. "The Dark Knight of Democracy: Tocqueville and miller cast some light on the subject." Journal of American Culture 14. (1991): 37–56.   
Last edited by: joachim 2/6/10, 6:33 PM
Blackmore, Tim. "Blind Daring: Vision and revision of sophocles’s oedipus tyrranus [sic] in frank miller’s daredevil: born again." Journal of Popular Culture 27. (1993): 135–62.   
Last edited by: joachim 6/8/20, 8:29 PM
Blackmore, Tim. "300 AND TWO: Frank miller and daniel ford interpret herodotus’s thermopylae myth." International Journal of Comic Art 6. (2004): 325–49.   
Last edited by: joachim 7/5/12, 11:29 AM
Bould, Mark. Film Noir: From berlin to sin city. Short Cuts. London: Wallflower, 2005.   
Last edited by: joachim 3/27/16, 3:38 PM
von Brincken, Jörg. "Ganz schön gewaltige Bilder: Zack snyder’s film 300." Medienobservationen 2009. Accessed 20 Feb. 2014. <http://www.medienobserv ... no_pdf/brincken_300.pdf>.   
Added by: joachim 2/20/14, 4:12 PM
Brooker, Will. "The Best Batman Story: The Dark Knight Returns." Beautiful Things in Popular Culture. Ed. Alan McKee. Hoboken: Wiley, 2006. 33–48.   
Last edited by: joachim 12/20/09, 2:51 AM
Brownstein, Charles. "The Walk Through the Rain: Excerpt from eisner/miller." The Best American Comics Criticism. Ed. Ben Schwartz. Options for Teaching. Seattle: Fantagraphics, 2010. 86–92.   
Last edited by: joachim 9/14/10, 7:55 PM
Bundrick, Christopher. "The Dark Knight Errant: Power and authority in frank miller’s batman: the dark knight returns." Riddle Me This, Batman! Essays on the Universe of the Dark Knight. Eds. Kevin K. Durand and Mary K. Leigh. Jefferson, London: McFarland, 2011. 24–40.   
Added by: joachim 4/14/16, 9:54 PM
Buso, Michael. A dark, uncertain fate: Homophobia, graphic novels, and queer identity. UMI Dissertation Publishing, 2011.   
Last edited by: joachim 5/25/12, 12:34 PM
Candel, Daniel. "The rhythms of narrative tension and its cultural satisfaction: Frank miller’s 300." English Text Construction 11. (2018): 169–98.   
Last edited by: joachim 2/7/22, 5:00 PM
Candel, Daniel. "Covert Progression in Comics: A reading of frank miller’s 300." Poetics Today 41. (2020): 705–29.   
Added by: joachim 1/31/22, 10:41 AM
Carballo Dopico, Xulio. "El universo negro de Frank Miller." Historia, memoria y sociedad en el Género Negro. Literatura, cine, televisión y cómic. Eds. Javier Sánchez Zapatero and Álex Martín Escribá. Santiago de Compostela: Andavira, 2013. 479–85.   
Last edited by: joachim 1/22/14, 11:19 AM
Cates, Isaac. "On the Literary Use of Superheroes; or, Batman and Superman Fistfight in Heaven." American Literature 83. (2011): 831–57.   
Added by: joachim 4/3/15, 1:53 PM
Chemers, Michael M. "‘With Your Shield, or On It’: Disability representation in 300." Disability Studies Quarterly 27. 3 2007. Accessed 4 Dec. 2020. <>.   
Added by: joachim 12/4/20, 12:53 PM
Collins, Jim. "Batman: Film, fortælling: Det hyperbevidste." MedieKultur 30 1999. Accessed 20 Jan. 2010. <http://ojs.statsbibliot ... /article/view/1147/1052>.   
Last edited by: joachim 5/8/13, 10:54 AM
Connors, Sean P. "Designing Meaning: A multimodal perspective on comics reading." Teaching Comics Through Multiple Lenses. Critical Perspectives. Ed. Crag Hill. London, New York: Routledge, 2017. 13–29.   
Added by: joachim 3/11/19, 5:37 PM
Connors, Sean P. "Designing Meaning: A multimodal perspective on comics reading." Teaching Comics Through Multiple Lenses. Critical Perspectives. Ed. Crag Hill. London, New York: Routledge, 2017. 13–29.   
Last edited by: joachim 6/9/22, 11:16 AM
Constandinides, Costas. From Film Adaptation to Post-Celluloid Adaptation: Rethinking the transition of popular narratives and characters across old and new media. London, New York: Continuum, 2010.   
Last edited by: joachim 2/14/11, 6:20 PM
Cortiel, Jeanne and Laura Oehme. "The Dark Knight’s Dystopian Vision: Batman, risk, and american national identity." European Journal of American Studies 10. 2 2015. Accessed 15 Aug. 2015. <>.   
Last edited by: joachim 9/3/15, 5:16 PM
Croci, Daniele. "Holy Terror, Batman!: Frank miller’s dark knight and the superhero as hardboiled terrorist." Altre Modernità 15 2016. Accessed 1 Apr. 2019. <https://riviste.unimi.i ... nline/article/view/7183>.   
Last edited by: joachim 4/1/19, 7:30 PM
Dibiasi, Alexander. Wolverine wird Abgeordneter: Zum politischen potential von comicverfilmungen. Filmwissenschaft. Berlin [etc.]: LIT, 2012.   
Added by: joachim 8/3/14, 4:49 PM
DiLullo, Tara. 300: The art of the film. Ludwigsburg: Cross Cult, 2007.   
Added by: joachim 9/21/11, 10:25 PM
Dokou, Christina. "Seen City: Frank miller’s reimaging as a cinematic “new real”." Comics as History, Comics as Literature. Roles of the Comic Book in Scholarship, Society, and Entertainment. Ed. Annessa Ann Babic. Madison [etc.]: Fairleigh Dickinson Univ. Press, 2014. 171–94.   
Last edited by: joachim 2/8/18, 5:08 PM
Dolle-Weinkauff, Bernd. "Crime Fiction im Comic der 90er Jahre: Frank millers sin city." Unterhaltungsliteratur der achtziger und neunziger Jahre. Eds. Dieter Petzold and Eberhard Späth. Erlanger Forschungen, Reihe A. Erlangen: Universitätsbund, 1998. 103–18.   
Last edited by: joachim 8/21/10, 3:50 PM
Dubose, Mike S. "Holding Out for a Hero: Reaganism, comic book vigilantes, and captain america." Journal of Popular Culture 40. (2007): 915–35.   
Last edited by: joachim 7/31/10, 11:10 AM
Eighan, Erin E. "Sin City, Hybrid Media, and a Cognitive Narratology of Multimodality." Critical Approaches to the Films of Robert Rodriguez. Ed. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2015. 103–18.   
Added by: joachim 2/28/16, 2:27 AM
Eisner, Will and Frank Miller. Eisner/Miller. Eds. Diana Schutz and Charles Brownstein. Milwaukie: Dark Horse, 2005.   
Added by: joachim 10/4/09, 10:54 PM
Elston, M. Melissa. "Xerxes in Drag: Post-9/11 marginalization and (mis)identification in 300." disClosure 18 2009. Accessed 3 Dec. 2014. <>.   
Last edited by: joachim 6/20/20, 2:31 PM
Feickert, Sabrina. "»Then We Will Fight in the Shade«: Sparta, comedy and coming to terms with the fearsome otherness." Humour and Laughter in History. Transcultural Perspectives. Eds. Elisabeth Cheauré and Regine Nohejl. Bielefeld: Transcript, 2014. 119–36.   
Added by: joachim 12/10/14, 12:20 PM
de Figueiredo, Camila Augusta Pires. "Hollywood goes Graphic: The intermedial transposition of graphic novels to films." Thesis Mestre em Estudos Literários. Universidade Federal de Minas Gerais, 2010.   
Last edited by: joachim 9/17/14, 9:55 PM
Finigan, Theo. "“To the Stables, Robin”: Regenerating the frontier in frank miller's batman: the dark knight returns." ImageTexT 5. 1 2010. Accessed 1 Feb. 2010. <http://www.english.ufl. ... /archives/v5_1/finigan/>.   
Last edited by: joachim 2/6/10, 6:03 PM
Finn, Richard. "Being “good” in Sin City: Morality, the individual and public authority." Crimeculture Summer 2010. Accessed 12 Jan. 2013. <>.   
Added by: joachim 2/26/16, 6:47 PM
Fitzsimmons, Phil. "A Rebirth of Myth and Monster: An old sign in a new framework." Myth & Symbol 4. (2007): 49–56.   
Added by: joachim 1/6/10, 7:00 PM
Francis, Fred. "‘Footnotes to Miller and Moore’: Monomyth and transnationality in the 1986 superhero comics." Comparative American Studies 14. (2016): 289–301.   
Last edited by: joachim 8/2/20, 6:25 PM
Friedrich, Hans-Edwin. "Frank Miller’s Sin City: Transformationsprozesse zwischen graphic novel und film." Übersetzung und Film. Das Kino als Translationsmedium. Eds. Ulrich Meurer and Maria Oikonomou. Bielefeld: Transcript, 2012. 87–106.   
Added by: joachim 3/20/12, 11:35 AM
Gebauer, Carla. "Frank Millers 300 – Modern rezensierte Helden der Antike." helden. heroes. héros. 2 2014. Accessed 21 Nov. 2014.   
Added by: joachim 11/21/14, 10:47 AM
Glass, Leanne. "300 and Fellini-Satyricon: Film theory in the tertiary classroom." Dialogue 1. 1 2014. Accessed 13 May. 2018. <http://journaldialogue. ... the-tertiary-classroom/>.   
Added by: joachim 5/13/18, 4:13 PM
Greenblatt, Jordana. "I for Integrity: (inter)subjectivities and sidekicks in alan moore's v for vendetta and frank miller’s batman: the dark knight returns." ImageTexT 4. 3 2009. Accessed 9 Dec. 2009. <http://www.english.ufl. ... chives/v4_3/greenblatt/>.   
Added by: Deleted user 12/9/09, 2:03 PM
Halsall, Alison. "“What Is the Use of a Book … Without Pictures or Conversations?” Incorporating the graphic novel into the university curriculum." Teaching Graphic Novels in the English Classroom. Pedagogical Possibilities of Multimodal Literacy Engagement. Ed. Alissa Burger. New York [etc.]: Palgrave Macmillan, 2018. 87–101.   
Last edited by: joachim 6/18/22, 4:45 PM
Harnett, John. "Framing the Subconscious: Envisioning the polysemic narrative of the graphic novel as a reference point for psychoanalytical and semiotic discourse." Framescapes. Graphic Narrative Intertexts. Eds. Mikhail Peppas and Sanabelle Ebrahim. Oxford: Inter-Disciplinary Pr. 2016. 73–83.   
Added by: joachim 1/20/18, 5:39 PM
Harris-Fain, Darren. "Revisionist Superhero Graphic Novels: Teaching alan moore's watchmen and frank miller's dark knight books." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 147–54.   
Added by: joachim 10/3/10, 11:21 PM
Hassler-Forest, Dan A. "The 300 Controversy: A case study in the politics of adaptation." The Rise and Reason of Comics and Graphic Literature. Critical Essays on the Form. Eds. Joyce Goggin and Dan A. Hassler-Forest. Jefferson, London: McFarland, 2010. 119–27.   
Added by: joachim 11/29/10, 2:17 AM
Hogan, Patrick Colm. "Painterly Cinema: Three minutes of sin city." Critical Approaches to the Films of Robert Rodriguez. Ed. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2015. 63–80.   
Added by: joachim 2/28/16, 1:29 AM
Howard, Jason J. "Dark Nights and the Call of Conscience." Batman and Philosophy. The Dark Knight of the Soul. Eds. Mark D. White and Robert Arp. The Blackwell Philosophy and Pop Culture Series. Hoboken: Wiley, 2008. 198–211.   
Last edited by: joachim 5/26/13, 7:41 PM
Iadonisi, Richard. "“A Man Has Risen”: Hard bodies, reaganism, and the dark knight returns." International Journal of Comic Art 14. (2012): 543–53.   
Last edited by: joachim 1/8/13, 4:34 PM
Iadonisi, Richard. "‘A Man Has Risen’: Hard bodies, reaganism, and the dark knight returns." Graphic History. Essays on Graphic Novels And/As History. Ed. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ. 2012. 72–88.   
Last edited by: joachim 10/31/14, 3:48 PM
Jeffries, Dru H. "Comics at 300 Frames per Second: Zack snyder’s 300 and the figural translation of comics to film." Quarterly Review of Film and Video 31. (2014): 266–81.   
Added by: joachim 11/26/16, 6:22 PM
Johnson, Jeffrey K. "Frank Miller’s Batman." The Graphic Novel. Ed. Gary Hoppenstand. Critical Insights. Englewood Cliffs: Salem Pr. 2014. 82–93.   
Added by: joachim 2/23/17, 6:50 PM
Kirtz, Jaime Lee. "Computers, Comics and Cult Status: A forensics of digital graphic novels." Digital Humanities Quarterly 8. 3 2014. Accessed 30 Mar. 2015. <http://www.digitalhuman ... /8/3/000185/000185.html>.   
Added by: joachim 3/30/15, 10:17 PM
Klähr, Alexander. "Die Leuchttürme und die Frauen: Gedanken zum frauenbild im comic am beispiel alan moores und frank millers – knapp 25 jahre nach watchmen und the dark knight returns." Prinzip Synthese: Der Comic. Eds. Mathis Bicker, Ute Friederich and Joachim Trinkwitz. Edition Kritische Ausgabe. Bonn: Weidle, 2011. 48–52.   
Added by: joachim 10/19/11, 1:32 AM
Klock, Geoff. "Frank Miller’s New Batman and the Grotesque." Batman Unauthorized. Vigilantes, Jokers, and Heroes in Gotham City. Eds. Dennis O’Neil and Leah Wilson. Smart Pop. Dallas: Benbella Books, 2008. 35–46.   
Last edited by: joachim 5/15/12, 9:10 PM
Kofler, Wolfgang. "300 und eine Nacht: Perser und Griechen als Opfer von Erzählkonventionen bei Herodot und Frank Miller?." Herodot und das Persische Weltreich. Ed. Robert Rollinger. Wiesbaden: Harrassowitz, 2011. 159–75.   
Added by: joachim 1/21/20, 1:36 PM
Kofoed, D. T. "Breaking the Frame: Political acts of body in the televised dark knight." ImageTexT 5. 1 2010. Accessed 6 Feb. 2010. <https://imagetextjourna ... -televised-dark-knight/>.   
Last edited by: joachim 5/26/13, 7:42 PM
Kofoed, D. T. "Figuration of the Superheroic Revolutionary: The dark knight of negation." Riddle Me This, Batman! Essays on the Universe of the Dark Knight. Eds. Kevin K. Durand and Mary K. Leigh. Jefferson, London: McFarland, 2011. 156–65.   
Added by: joachim 4/15/16, 10:03 AM
Kogler, Monika. Schwarzweiß in Kombination mit Farbelementen als Gestaltungsmittel im Film: Eine historische analyse aufgrund der basis von am beispiel von frank millers »sin city«. Saarbrücken: VDM, 2008.   
Added by: joachim 8/8/10, 12:07 PM
Kowalik, Jessica. "Miller Misunderstood: Rethinking the politics of “the dark knight”." International Journal of Comic Art 12. (2010): 388–400.   
Last edited by: joachim 2/1/22, 3:30 PM
Kremer, Nick. "This Is Not Your Forefather’s Thor: Using comics to make mythology meaningful." SANE journal 1. 1 2010. Accessed 5 Jan. 2011. <>.   
Last edited by: joachim 4/17/21, 3:28 PM
Lafortune, Lauriane. "Justiciers masqués et médias de masse." Pop en stock 2012. Accessed 16 May. 2016. < ... ques-et-medias-de-masse>.   
Added by: joachim 5/16/16, 3:41 PM
Lainé, Jean-Marc. Frank Miller: Urbaine tragédie. La bibliothèque des miroirs-BD. Lyon: Les moutons électriques, 2011.   
Last edited by: joachim 3/4/16, 7:27 PM
Lindop, Samantha Jane. "Postmillennial Cinema and the Avenging Fatale in Sin City, Hard Candy and Descent." Scope 26 2013. Accessed 27 Mar. 2016. <http://www.nottingham.a ... 14/february/lindop1.pdf>.   
Added by: joachim 3/27/16, 3:19 PM
Lucas, Justin. "Beneath the Cape and Cowl: Batman and the revitalization of comic book films." Thesis Bachelor of Science. Ohio University, 2009.   
Last edited by: joachim 6/24/11, 6:19 PM
Ludwig, Logan. Moving Panels: Translating comics to film. Edwardsville: Sequart Research & Literacy Organization, 2015.   
Added by: joachim 4/16/15, 10:16 PM
Mann, Nicola. "From SuperOther to SuperMother: The journey toward liberty." The Woman Fantastic in Contemporary American Media Culture. Eds. Elyce Rae Helford, et al. Jackson: Univ. Press of Mississippi, 2016. 101–18.   
Added by: joachim 4/14/21, 4:30 PM
Maynard, Amy Louise. "Bourdieu vs. Batman: Examining the cultural capital of the dark knight via graphic novels." Framescapes. Graphic Narrative Intertexts. Eds. Mikhail Peppas and Sanabelle Ebrahim. Oxford: Inter-Disciplinary Pr. 2016. 51–61.   
Last edited by: joachim 1/18/18, 11:56 PM
Mehring, Frank. "Holy Terror!: Islamophobia and intermediality in frank miller’s graphic novel." European Journal of American Studies 15. 3 2020. Accessed 25 Feb. 2022. <>.   
Last edited by: joachim 2/25/22, 11:35 AM
Mehring, Frank. "Hard-Boiled Silhouettes: Transnational remediation and the art of omission in frank miller’s sin city." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 211–24.   
Last edited by: joachim 4/13/13, 7:56 PM
Morris, Matt. "Batman and Friends: Aristotle and the dark knight’s inner circle." Superheroes and Philosophy. Truth, Justice, and the Socratic Way. Eds. Tom Morris and Matt Morris. Popular Culture and Philosophy. Chicago: Open Court, 2005. 102–17.   
Last edited by: joachim 1/30/12, 3:06 PM
Mulas, Alessandra. "All’ombra di Marlowe: Aspetti titanici nel daredevil di frank miller." Fictions 9. (2010): 99–120.   
Last edited by: joachim 5/31/17, 9:59 AM
Müller, Tobias A. Superhelden-Cape und Krückstock? Die darstellung des alterns im comic »the dark knight returns«. Hamburg: Diplomica, 2013.   
Added by: joachim 7/22/13, 11:48 PM
Murphy, Graham J. "Gotham (K)Nights: Utopianism, american mythology, and frank miller’s bat(-topia)." ImageTexT 4. 2 2008. Accessed 11 Nov. 2009. <http://www.english.ufl. ... t/archives/v4_2/murphy/>.   
Added by: joachim 11/11/09, 1:30 PM
Nayar, Pramod K. "Popular Culture and the Ecological Gothic: Frank miller’s batman: the dark knight returns." Nebula 6. 1 2009. Accessed 29 May. 2012. <>.   
Last edited by: joachim 1/13/19, 11:52 AM
Nayar, Pramod K. "Gothic Masculinity, Filiation and Affiliation: Frank miller’s batman." Families 7/8. (2010): 69–85.   
Last edited by: joachim 3/22/17, 11:29 AM
Nayar, Pramod K. "The Biotechnological Uncanny: Frank miller’s ronin." Hungarian Journal of English and American Studies 19. (2013): 135–46.   
Added by: joachim 3/22/17, 6:24 PM
Nehrlich, Thomas and Joanna Nowotny. "“We’re not fighting for the people anymore … We’re just fighting”: Us-american superhero comics between criticisms of community and critical communities." SPELL 35 2017. Accessed 10 Aug. 2020. <>.   
Last edited by: joachim 8/10/20, 11:27 AM
Pagello, Federico. "True to The Spirit? Film, comics, and the problem of adaptation." Ol3Media 4. 10 2011. Accessed 27 Dec. 2013. < ... Media%2010%20Comics.pdf>.   
Added by: joachim 12/27/13, 12:49 PM
Pawlak, Anna. "Leonidas zwischen Heldentod und medialer Auferstehung: Zur (de-)konstruktion eines antiken heroen in film und comic der gegenwart." kritische berichte 39. (2011): 34–50.   
Added by: joachim 11/4/11, 12:36 AM
Pawlak, Anna. "Leonidas als gezeichneter Held: Ästhetik der selbst- und fremdgewalt in frank millers ›300‹." Die Dechiffrierung von Helden. Aspekte einer Semiotik des Heroischen vom Mittelalter bis zur Gegenwart. Ed. Florian Nieser. Bielefeld: Transcript, 2020. 191–208.   
Last edited by: joachim 2/28/20, 12:10 PM
Pérez, Juan Carlos. "Frank Miller and Lynn Varley’s The Dark Knight Strikes Again: DK2 or How to Make the Revolution within the Palace." On the Edge of the Panel. Essays on Comics Criticism. Eds. Julio Cañero and Esther Claudio. Newcastle upon Tyne: Cambridge Scholars Publ. 2015. 274–90.   
Last edited by: joachim 1/22/19, 2:51 PM
Pizzino, Christopher. "Art That Goes BOOM: Genre and aesthetics in frank miller’s sin city." English Language Notes 46. (2008): 115–28.   
Last edited by: joachim 2/28/16, 12:47 AM
Pizzino, Christopher. Arresting Development: Comics at the boundaries of literature. World Comics and Graphic Nonfiction. Austin: Univ. of Texas Press, 2016.   
Last edited by: joachim 9/4/16, 2:26 PM
Preußer, Heinz-Peter. "Mythos als Meta- und Konnotationsnarrativ: Antikenrezeption und popkultur im kino seit dem jahr 2000." Transmediale Texturen. Lektüren zum Film und angrenzenden Künsten. Schriftenreihe zur Textualität des Films. Marburg: Schüren, 2013. 388–413.   
Last edited by: joachim 10/23/21, 7:28 PM
Priskic, Janine. "Das Kulturphänomen Held und seine intermediale Transformation." Bachelorarbeit BA. Universität Bonn, 2012.   
Added by: joachim 7/23/12, 4:13 PM
Ramirez, Alexander. "The Mess and the Work: Diffusion, delimitations, and the undying labor of the batman." Journal of American Culture 43. (2020): 324–37.   
Last edited by: joachim 2/18/21, 1:11 PM
Rauscher, Andreas. "Von Gotham nach Sin City: (anti-)heldenkonzepte in graphic novel-verfilmungen." Comic. Film. Helden. Heldenkonzepte und medienwissenschaftliche Analysen. Ed. Barbara Kainz. Wien: Löcker, 2009. 35–51.   
Last edited by: joachim 4/4/10, 11:57 PM
Reynolds, Richard. Super Heroes. A Modern Mythology. Studies in Popular Culture. 2nd ed. Jackson: Univ. Press of Mississippi, 1994.   
Last edited by: joachim 7/6/14, 10:36 AM
Reynolds, William M. "Neo-Post-Urban-Noir Graphic Novels and Critical Literacy: The hard connection." Teaching towards Democracy with Postmodern and Popular Culture Texts. Eds. Patricia Paugh, Tricia Kress and Robert Lake. Imagination and Praxis: Criticality and Creativity in Education and Educational Research. Rotterdam: Sense, 2014. 21–35.   
Last edited by: joachim 8/2/22, 1:25 AM
Roberson, Chris, ed. Frank Miller’s Sin City: The making of the movie. Austin: Troublemaker, 2005.   
Last edited by: joachim 5/12/14, 5:00 PM
Sağlam, Berkem Gürenci. "Comic Books on Screen: Frank miller’s and robert rodriguez’s sin city." The Theme of Cultural Adaptation in American History, Literature and Film. Cases When the Discourse Changed. Eds. Laurence Raw, Tanfer Emin Tunç and Gülriz Büken. Lewiston: Edwin Mellen, 2009. 63–72.   
Last edited by: joachim 3/20/13, 6:31 PM
Salisbury, Mark. Artists on Comics Art. London: Titan Books, 2002.   
Added by: Deleted user 2/11/10, 12:19 AM
Scheinert, Sebastian. "Frank Miller's »Sin City«: Filmsprache und ästhetik." Magisterarbeit M.A. TU Dresden, 2006.   
Added by: joachim 8/21/10, 2:43 PM
Schmidt, Oliver. Hybride Räume: Filmwelten im hollywood-kino der jahrtausendwende. Schriftenreihe zur Textualität des Films. Marburg: Schüren, 2012.   
Added by: joachim 9/10/14, 7:46 AM
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