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| Ahmed, Maaheen. "Historicizing in Graphic Novels: The welcome subjective g(l)aze." Graphic History. Essays on Graphic Novels And/As History. Ed. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ, 2012. 184–202. |
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| Ahrens, Jörn. Überzeichnete Spektakel: Inszenierungen von gewalt im comic. Baden-Baden: Nomos, 2019. |
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| Alary, Viviane and Michel Matly, eds. Narrativa gráfica de la Guerra Civil: Perspectivas globales y particulares. Grafikalismos. Léon: EOLAS, 2020. |
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| Alsina, Jean. "La narración en El Artefacto perverso: Algunas calas en un objeto inagotable." Historietas, Comics y Tebeos españoles. Ed. Viviane Alary. Collection Hespérides. Toulouse: Presses Univ. du Mirail, 2002. 210–28. |
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| Amana, Harry. "The Art of Propaganda: Charles alstons world war ii editorial cartoons for the office of war information and the black press." American Journalism 21.(2004): 79–111. |
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| Anderson, Mark. "Oshii Mamoru’s Patlabor 2: Terror, theatricality, and exceptions that prove the rule." Mechademia 4.(2009): 75–109. |
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| Angenot, Marc. "Basil Zaharoff et la guerre du Chaco: La tintinisation de la géopolitique des années 1930." Études littéraires 46.(2010): 47–63. |
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| Arden, Stuart. "The Good Soldier Schweik and His American Cartoon Counterparts." Journal of Popular Culture 9.(1975): 26–30. |
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| Arrouye, Jean. "La guerre, ruine de l’homme dans l’œuvre de Jacques Tardi." Textimage 9 2017. Accessed 14 March. 2020. <https://www.revue-texti ... revoir_14/arrouye1.html>. |
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| Bachmann, Christian A. "»V for Victory!« – »V for Vegetable!« Über superman, donald duck und andere gärtner des zweiten weltkrieges." Gärten. Eds. Kurt Röttgers and Monika Schmitz-Emans. Essen: Blaue Eule, 2011. 143–55. |
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| Baetens, Jan and Hugo Frey. "Graphic Novels and the First World War." Teaching Representations of the First World War. Eds. Debra Rae Cohen and Douglas Higbee. New York: The Modern Language Assoc. of America, 2017. 277–83. |
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| Bainbridge, Jason. "“The Call to do Justice”: Superheroes, sovereigns and the state during wartime." International Journal for the Semiotics of Law – Revue internationale de Sémiotique juridique 28.(2015): 745–63. |
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| Bainbridge, Jason. "“The Call to do Justice” Superheroes, sovereigns and the state during wartime." International Journal for the Semiotics of Law – Revue internationale de Sémiotique juridique 28.(2015): 745–63. |
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| Ball, Blake Scott. "“Snoopy is the hero in Vietnam”: Ambivalence, empathy, and peanuts’ vietnam war." The Sixties 9.(2016): 54–78. |
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| Balzer, Jens and Ole Frahm. "Tragik, Schock, Ratlosigkeit Zeitgeschichte im comic." Geschichte und Gesellschaft 37.(2011): 47–71. |
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| Bamberger, W. C. "Social Justice and Silver Age Superheroes." The Ages of the Justice League. Essays on America’s Greatest Superheroes in Changing Times. Ed. Joseph J. Darowski. London: McFarland, 2017. 50–57. |
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| Barker, Martin and Roger Sabin. "‘Doonesbury does Iraq’: Garry trudeau and the politics of an anti-war strip." Journal of Graphic Novels and Comics 3.(2012): 127–42. |
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| Bartley, Aryn. "The Hateful Self: Substitution and the ethics of representing war." Modern Fiction Studies 54.(2008): 50–71. |
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| Baumann, Roland. "Remember ! La bande dessinée belge francophone et la guerre de 1940–1945." Textyles (2010): 171–85. |
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| Berndt, Caroline M. "Popular Culture as Political Protest: Writing the reality of sexual slavery." Journal of Popular Culture 31.(1997): 177–87. |
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| Berndt, Jaqueline. "Historical Adventures of a Posthistorical Medium: Japan's wartime past as represented in manga." Contested Views of a Common Past. Revisions of History in Contemporary East Asia. Ed. Steffi Richter. Globalgeschichte. Frankfurt am Main: Campus, 2008. 287–320. |
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| Bianchi, Roberto. "War and Comics (Italy)." 1914–1918-online. International Encyclopedia of the First World War 2015. Accessed 16 December. 2015. <http://encyclopedia.191 ... le/war_and_comics_italy>. |
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| Blackmore, Tim. "Doug Murray’s The ’Nam, a comic battle for Vietnam at home and abroad." LIT. Literature Interpretation Theory 5.(1994): 213–25. |
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| Bliss, Jennifer Anderson. "Redrawing History: Visual postmemory in tardi’s 120, rue de la gare." Mosaic 49.(2016): 73–92. |
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| Bloemink, Barbara. "Is it ok to laugh yet?." Comic Release. Negotiating Identity for a New Generation. New York: D.A.P, 2002. 94–109. |
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| Bocklage, Katja and Nina Otto. "»Fusillés pour lʼexemple«: Zur darstellung des ersten weltkriegs im werk von jacques tardi." Krieg und Literatur / War and Literature 24.(2018): 25–44. |
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| Borcherding, Vivien, Caroline Mertins, and Alexander Riemer. "Abweichung von der Norm: Harvey kurtzmans frontline combat (1951–1954)." Krieg und Literatur / War and Literature 24.(2018): 7–24. |
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| Borchling, Viktoria, Lena Dust, and Christina Geers. "Kriegszeiten. Eine grafische Reportage über Soldaten, Politiker und Opfer in Afghanistan." Krieg und Literatur / War and Literature 24.(2018): 77–92. |
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| Botshon, Lisa and Melinda Plastas. "Homeland In/Security: A discussion and workshop on teaching marjane satrapi’s persepolis." Feminist Teacher 20.(2009): 1–14. |
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| Brandt, Susanne. "»Der Krieg sind wir« – eine vielschichtige Debatte um den Ersten Weltkrieg in Notre Mère la Guerre." Comparativ 24.(2014): 59–79. |
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| Branland, Marine. "La guerre lancinante dans l’œuvre de Jacques Tardi." Sociétés & Représentations (2010): 65–78. |
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| Brunner, Edward. "Death and the Maiden: Milton caniff’s pre-war anti-elegiac war elegy." International Journal of Comic Art 8.(2006): 174–96. |
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| Brunner, Edward. "Red Funnies: The new york daily worker’s “popular front” comics, 1936–1945." American Periodicals 17.(2007): 184–207. |
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| Calargé, Carla and Alexandra Gueydan-Turek. "La guerre du Liban à/et l’écran des souvenirs dans Le Jeu des hirondelles et Je me souviens. Beyrouth de Zeina AbiRached." French Cultural Studies 25.(2014): 202–20. |
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| Casey, Jay. "The Dynamics of Quiet Heroism and Invisible Death In American Soldier Cartoons of the World Wars." International Journal of Comic Art 9.(2007): 281–95. |
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| Casey, Jay. "‘What’s So Funny?’ The finding and use of soldier cartoons from the world wars as historical evidence." Drawing the Line. Using Cartoons as Historical Evidence. Eds. Richard Scully and Marian Quartly. Clayton: Monash Univ. ePress, 2009. |
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| Caswell, Lucy Shelton. "Drawing Swords: War in american editorial cartoons." American Journalism 21.(2004): 13–45. |
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| Cathcart, Adam. "Cruel Resurrection: Chinese Comics and the Korean War." International Journal of Comic Art 6.(2004): 37–55. |
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| Cathcart, Adam. "Atrocities, Insults, and »Jeep Girls«: Depictions of the U.S. Military in China, 1945–1949." International Journal of Comic Art 10.(2008): 140–54. |
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| Chapman, Jane. "Representation of female war-time bravery in Australia’s Wanda the War Girl." Australasian Journal of Popular Culture 1.(2011): 153–63. |
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| Chapman, Jane and Daniel Ellin. "Multi-panel comic narratives in Australian First World War trench publications as citizen journalism." Australian Journal of Communication 39.(2012): 1–22. |
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| Chapman, Jane, Daniel Ellin, and Adam Sherif. Comics, the Holocaust and Hiroshima. The Holocaust and its Contexts. New York [etc.]: Palgrave Macmillan, 2015. |
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| Chapman, Jane, et al.. Comics and the World Wars: A cultural record. Palgrave Studies in the History of the Media. New York [etc.]: Palgrave Macmillan, 2015. |
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| Chapman, Jane. "Representation of female wartime bravery in Australia’s Wanda the War Girl and Jane at War from the UK." Fashion & War in Popular Culture. Ed. Denise N. Rall. Bristol, Chicago: Intellect Books, 2014. 21–34. |
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| Cirella-Urrutia, Anne. "Heroes and Heroines of the Great War: The aesthetics of horror in bandes dessinées." Heroisches Elend. Der Erste Weltkrieg im intellektuellen, literarischen und bildnerischen Gedächtnis der europäischen Kulturen. Eds. Gislinde Seybert and Thomas Stauder. Stuttgart: Hirzel, 2012. 1553–73. |
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| Clarkson, Alexander. "Virtual Heroes: Boys, masculinity and historical memory in war comics 1945–1995." Thymos 2.(2008): 175–85. |
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| Clayton, Aaron. "Bloody Hell: Realism in american war comics." International Journal of Comic Art 12.(2010): 370–87. |
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| Cocca, Carolyn. Wonder Woman and Captain Marvel: Militarism and feminism in comics and film. Routledge Focus on Gender, Sexuality, and Comics. London, New York: Routledge, 2021. |
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| Conroy, Mike. War Comics: A graphic history. Lewes: Ilex, 2009. |
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| Dagilis, Andrew. "Uncle Sugar vs Uncle Charlie: An interview with the ’nam’s creator, doug murray." The Comics Journal (1990): 62–84. |
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| De Dobbeleer, Michel and Anouk Dubois. "Der Chronotopos des Kriegsrates als Merkmal in Comics: Vom narratologischen geschehen zur geschichte in attilio micheluzzis sibérie." Erzählen im Comic. Beiträge zur Comicforschung. Eds. Otto Brunken and Felix Giesa. Bochum: Ch.A. Bachmann, 2013. 113–27. |
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| Dickason, Renée. "Histoire/histoire(s) ou la construction fictionnelle de la Seconde Guerre mondiale dans les bandes dessinnées britanniques." Lignes de front. Bande dessinée et totalitarisme. Eds. Viviane Alary and Benoît Mitaine. L’Équinoxe. Chêne-Bourg: Georg, 2011. 47–64. |
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| Dolle-Weinkauff, Bernd. "Danach, das Ende und der Anfang Aktuelle comic-schlaglichter auf die zeit der ns-herrschaft und des ii. weltkrieges." Bücher haben ihre Geschichte. Kinder- und Jugendliteratur, Literatur und Nationalsozialismus, Deutschdidaktik. Eds. Petra Joosting and Jan Wirrer. Hildesheim, New York: Olms, 1996. 161–76. |
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| Donassy-Derek, Patricia. "Deogratias und Shooting Dogs – Zwei europäische Perspektiven auf den Genozid während des Bürgerkriegs in Ruanda 1994." Kriegsdiskurse in Literatur und Medien nach 1989. Ed. Carsten Gansel. Deutschsprachige Gegenwartsliteratur und Medien. Göttingen: V&R unipress, 2011. 203–30. |
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| Douglas, Allen and Fedwa Malti-Douglas. "Tardi and Daeninckx: Comic strips, detective novels, and world war i." International Journal of Comic Art 5.(2003): 134–46. |
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| Dushane, Allison. "We3 and the Violence of Sentimentality." Superheroes and Critical Animal Studies. The Heroic Beasts of Total Liberation. Eds. Sean Parson and J. L. Schatz. Lanham [etc.]: Lexington, 2018. 83–94. |
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| Eaglestone, Robert. "Madness or Modernity? The holocaust in two anglo-american comics." Rethinking History 6.(2002): 319–30. |
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| Earle, Harriet E. H. "Comics and the Chronotope: Time-space relationships in traumatic sequential art." HARTS and Minds 1.2 2013. Accessed 11 June. 2014. <http://media.wix.com/ug ... aa4390bb478863d24d6.pdf>. |
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| Earle, Harriet E. H. "Traumatic Analepsis and Ligne Claire in GB Tran’s Vietnamerica." The Comics Grid 4.9 2014. Accessed 9 October. 2014. <http://doi.org/10.5334/cg.at>. |
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| Earle, Harriet E. H. "The Whites of their Eyes: Implied violence and double frames in blazing combat and the ‘nam." Comics Forum 2015. Accessed 15 May. 2015. <http://comicsforum.org/ ... e-nam-by-harriet-earle/>. |
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| Earle, Harriet E. H. Comics, Trauma, and the New Art of War. Jackson: Univ. Press of Mississippi, 2017. |
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| Earle, Harriet E. H. "A new face for an old fight: Reimagining vietnam in vietnamese-american graphic memoirs." Studies in Comics 9.(2018): 87–105. |
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| Earle, Harriet E. H. "Traumatic absurdity, palimpsest, and play a slaughterhouse-five case study." Journal of Graphic Novels and Comics (2021). |
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| Engelns, Markus. "Der Dritte Weltkrieg als Reifeprüfung: Struktur und funktion von weltkriegsszenarien in aktuellen superheldencomics." Medienobservationen 2009. Accessed 1 September. 2010. <http://www.medienobserv ... f/engelns_weltkrieg.pdf>. |
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| Estelmann, Frank. "Du weißt nichts, Jacques Tardi Phantasmagorien des ersten weltkriegs im französischen gegenwartscomic." Geschichte im Comic. Befunde – Theorien – Erzählweisen. Ed. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018. 275–92. |
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| Ferstl, Paul. "Kein Raum für Zeit: Moment und ewigkeit des krieges in jacques tardis c’était la guerre des tranchées." Wahrheitsmaschinen. Der Einfluss technischer Innovationen auf die Darstellung und das Bild des Krieges in den Medien und Künsten. Eds. Claudia Glunz and Thomas F. Schneider. Schriften des Erich-Maria-Remarque-Archivs. Göttingen: Universitätsverl. Osnabrück, 2010. 233–40. |
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| Foster, Michael Dylan. "Haunted Travelogue: Hometowns, ghost towns, and memories of war." Mechademia 4.(2009): 164–81. |
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| Frahm, Ole. "Zwischen den Linien: Zur kriegsdarstellung in comics von george herriman, harvey kurtzman und jacques tardi." Krieg in den Medien. Ed. Heinz Peter Preußer. Amsterdamer Beiträge zur neueren Germanistik. Amsterdam [etc.]: Rodopi, 2005. 265–79. |
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| Fresnault-Deruelle, Pierre. "Male Call ou la guerre dentelles." Lignes de front. Bande dessinée et totalitarisme. Eds. Viviane Alary and Benoît Mitaine. L’Équinoxe. Chêne-Bourg: Georg, 2011. 19–26. |
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| Freund, Michael. "Funny Papers, Unfunny Wars A comparison of three armed conflicts as depicted in “doonesbury”." International Journal of Comic Art 14.(2012): 17–34. |
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| Freund, Michael. "Von distanzierter Sozialsatire zur realistischen Berichterstattung – der Vietnam- und der Irakkrieg in Trudeaus Doonesbury-Strip." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 261–73. |
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| Friedenthal, Andrew J. "The Punishment of War: Marvel comics’ the punisher and the evolving memory of vietnam." Journal of Comics and Culture 1.(2016): 123–50. |
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| Fuchs, Wolfgang J. "Wo sind all die Krieger hin?." Comic Jahrbuch (1986): 44–50. |
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| Gabai, Anna. "Zwischen Ich und Wir: Erinnerungen an den libanesischen bürgerkrieg im comic." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 167–78. |
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| Gabriel, Fernando and Pagnoni Berns. "War, Foreign Policy and the Media The rucka years." The Ages of Wonder Woman. Essays on the Amazon Princess in Changing Times.. Ed. Joseph J. Darowski. Jefferson: McFarland, 2013. 194–204. |
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| Galán Fajardo, Elena and José Carlos Rueda Laffond. "Those wars are also my war: An approach to practices of postmemory in the contemporary spanish comic." Catalan Journal of Communication & Cultural Studies 8.(2016): 63–77. |
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| Giesa, Felix. "Erzählungen von Konflikt und Trauma in amerikanischen Comics nach 9/11." An allen Fronten. Kriege und politische Konflikte in Kinder- und Jugendmedien. Eds. Ingrid Tomkowiak, et al.. Vol. 3. Beiträge zur Kinder- und Jugendmedienforschung. Zürich: Chronos, 2013. 127–54. |
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| Glaude, Benoît. "Contextualising the Offenstadt Brothers’ Wartime Comics and their Reception from Barrack-Room Comedy to ‘Amazing’ Propaganda." European Comic Art 8.(2015): 9–33. |
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| Gohrbandt, Detlev. "»Worte gehen ja immer daneben«: Der erste weltkrieg in einer bild-text-erzählung: the patriot’s progress von henry williamson und william kermode." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 119–38. |
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| Goodnow, Trischa and James J. Kimble, eds. The 10 Cent War: Comic books, propaganda, and world war ii. Jackson: Univ. Press of Mississippi, 2016. |
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| Gordon, Ian. "The moral world of Superman and the American war in Vietnam." Journal of Graphic Novels and Comics 6.(2015): 172–81. |
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