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| Ahrens, Jörn. "Engel aus Eisen: Ted McKeevers Mini-Comicserie Metropol als Apokalypse der modernen Gesellschaft." Aktualität des Apokalyptischen. Zwischen Kulturkritik und Kulturversprechen. Eds. Olaf Briese, Richard Faber and Madleen Podewski. Würzburg: Königshausen & Neumann, 2015. 201–22. |
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| Bauer, Gero. "Hope and Kinship in AMC’s »The Walking Dead«." Ethik in Serie. Eds. Cordula Brand and Simon Meisch. 2nd ed. Materialien zur Ethik in den Wissenschaften. Tübingen: Tübingen Library Publ. 2018. 121–32. |
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| Broderick, Mick. "Anime’s Apocalypse: Neon Genesis Evangelion as Millennarian Mecha." Intersections 7 2002. Accessed 18Apr. 2011. <http://intersections.an ... 7/broderick_review.html>. |
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| Broderick, Mick. "Superflat Eschatology: Renewal and Religion in anime." Animation Studies 2009. Accessed 29Aug. 2011. <http://journal.animatio ... -superflat-eschatology/>. |
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| Calargé, Carla and Alexandra Gueydan-Turek. "De la fabrique du réel (apocalyptique) dans la bande dessinée Beyrouth Bye Bye … de Barrack Rima." International Journal of Francophone Studies 20. (2017): 57–72. |
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| Clanton, Jr, Dan W., ed. The End Will Be Graphic: Apocalyptic in Comic Books and Graphic Novels. Bible in the Modern World. Sheffield: Sheffield Phoenix, 2012. |
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| Cortsen, Rikke Platz. "Full page insight: The apocalyptic moment in comics written by Alan Moore." Journal of Graphic Novels and Comics 5. (2014): 397–410. |
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| Decomain, Michel. "Das Kind, das Tokio auslöschte: Akira, atomare Zerstörung und die Apokalypse als Akt der Reinigung." Comicgate Magazin (2012): 39–48. |
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| Domínguez Leiva, Antonio. "Apocalypse Zombie: L’invasion des morts-vivants dans le roman graphique contemporain." Frontières 25. (2013): 93–108. |
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| Frohlich, Dennis Owen. "Evil Must Be Punished: Apocalyptic Religion in the Television Series Death Note." Journal of Media and Religion 11. (2012): 141–55. |
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| Garrett, Greg. "“Now the Whole World Stands on the Brink”: Apocalypse and Eschatological Hope in Contemporary Superhero Comics." The End Will Be Graphic. Apocalyptic in Comic Books and Graphic Novels. Ed. Dan W. Clanton Jr. Bible in the Modern World. Sheffield: Sheffield Phoenix, 2012. 100–10. |
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| Gómez, Felipe. "Will it be possible? Apocalypse and Resistance in Latin American Graphic Novels." Paradoxa 32. (2021): 201–24. |
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| Green, Matthew J. A. "‘She Brings Apocalypse’: Sex, Imagination and Redemptive Transgression in William Blake and the Graphic Novels of Alan Moore." Literature Compass 8. 10 2011. Accessed 14Jun. 2019. <https://onlinelibrary.w ... .1741-4113.2011.00839.x>. |
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| Jones, Clint. Apocalyptic Ecology in the Graphic Novel: Life and the Environment After Societal Collapse. Jefferson: McFarland, 2020. |
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| Joyce, Stephen. Transmedia Storytelling and the Apocalypse. New York [etc.]: Palgrave Macmillan, 2018. |
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| Kraemer, Christine Hoff. "The Creative Apocalypse: Post-WWII Narratives of Death, Rebirth, and Transformation." Thesis B.A. Univ. of Texas, 2000. |
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| Krüger, Peter. Dürers »Apokalypse«: Zur poetischen Struktur einer Bilderzählung der Renaissance. Gratia. Wiesbaden: Harassowitz, 1996. |
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| Lewis, Jeffrey. "The Dual Nature of Apocalypse in Watchmen." The Graphic Novel. Ed. Jan Baetens. Symbolae Facultatis Litterarum Lovaniensis. Series D: Litteraria. Leuven: Leuven Univ. Press, 2001. 139–43. |
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| Malone, Paul M. "My Own Private Apocalypse: Shinji Ikari as Schreberian Paranoid Superhero in Hideaki Anno’s Neon Genesis Evangelion." Super/Heroes. From Hercules to Superman. Eds. Wendy Haslem, Angela Ndalianis and Chris Mackie. Washington: New Academia Publishing, 2007. 111–26. |
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| McCarthy, Mark. "The Emergence of the Lost Apocalypse from 28 Days Later to Snowpiercer." The Last Midnight. Essays on Apocalyptic Narratives in Millennial Media. Eds. Leisa A. Clark, Amanda Firestone and Mary F. Pharr. Critical Explorations in Science Fiction and Fantasy. Jefferson: McFarland, 2016. 69–78. |
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| Meteling, Arno. "John Constantine, occult detective, und die profane Apokalypse: Der Apokalypsediskurs der Jahrtausendwende im story arc Staring at the Wall (2003–2004) der Comic-Serie Hellblazer." Dawn of an Evil Millennium. Horror/Kultur im neuen Jahrtausend. Ed. Jörg van Bebber. Darmstadt: Büchner, 2011. 154–60. |
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| Narcisi, Lara. "The Apocalypse Is Here, Again: Moral Ambiguities and Human Failings in Watchmen." A Critical Approach to the Apocalypse. Eds. Alexandra Simon-López and Heidi Yeandle. Oxford: Inter-Disciplinary Pr. 2013. 141–50. |
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| Olson, Melissa. "The Hero and the Apocalypse in Watchmen and Buffy the Vampire Slayer: Season 8." International Journal of Comic Art 13. (2011): 417–31. |
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| Paik, Peter Y. From Utopia to Apocalypse: Science Fiction and the Politics of Catastrophe. Minneapolis: Univ. of Minnesota Press, 2010. |
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| Ricker, Aaron. "Fearful symmetry: Revelation, Hellboy, and pop apocalyptic violence." Religion and Violence in Western Traditions. Selected Studies. Eds. André Gagné, Jennifer Guyver and Gerbern S. Oegema. London, New York: Routledge, 2021. 74–87. |
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| Robertson, Paul Lester. "Indians of the Apocalypse: Native Appropriation and Representation in 1980s Dystopic Films and Comic Books." Journal of Popular Culture 51. (2018): 68–90. |
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| Rosen, Elizabeth K. Apocalyptic Transformation: Apocalypse and the Postmodern Imagination. Lanham [etc.]: Lexington, 2008. |
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| Round, Julia. "“The Apocalypse of Adolescence”: Use of the Bildungsroman and Superheroic Tropes in Mark Millar & Peter Gross’s Chosen." Graven Images. Religion in Comic Books & Graphic Novels. Eds. A. David Lewis and Christine Hoff Kraemer. London, New York: Continuum, 2010. |
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| Rozelle, Lee. Zombiescapes and Phantom Zones: Ecocriticism and the Liminal from Invisible Man to The Walking Dead. Tuscaloosa: Univ. of Alabama Press, 2016. |
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| Santoro, Anthony. "Law and Society, Violence and Sacrifice in The Walking Dead: Robert Kirkman’s Meditation on Just Violence." Comics – Bilder, Stories und Sequenzen in religiösen Deutungskulturen. Eds. Jörn Ahrens, Frank Thomas Brinkmann and Nathanael Riemer. Wiesbaden: Springer VS, 2015. 327–51. |
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| Schneider, Christian W. "‘Nothing ever ends’: Facing the apocalypse in Watchmen." Alan Moore and the Gothic Tradition. Ed. Matthew J. A. Green. Manchester, New York: Manchester Univ. Press, 2013. 84–102. |
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| Sheikh, Faiz. "The Zombie Apocalypse: A Fictional State of Nature?." Comics as History, Comics as Literature. Roles of the Comic Book in Scholarship, Society, and Entertainment. Ed. Annessa Ann Babic. Madison [etc.]: Fairleigh Dickinson Univ. Press, 2014. 195–208. |
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| Spiegelman, Art. "Ephemera vs. the Apocalypse." Indy Magazine Autumn 2004. Accessed 12Jan. 2013. <http://web.archive.org/ ... man_ephemera/index.html>. |
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| Sugg, Katherine. "The Walking Dead: Late Liberalism and Masculine Subjection in Apocalypse Fictions." Journal of American Studies 49. (2015): 793–811. |
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| Tobler, Konrad. "Vae vae vae: Wehe wehe wehe. Zur Bastokalypse von M.S. Bastian und Isabelle L.." Bastokalypse. Ed. Nadine Olonetzky. Zürich: Scheidegger & Spiess, 2010. |
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| Tobler, Konrad. "Vae vae vae: Hélas hélas hélas. La Bastokalypse de M.S. Bastian et Isabelle L.." Trans. Sylvia Bresson. Bastokalypse. Ed. Nadine Olonetzky. Zürich: Scheidegger & Spiess, 2010. |
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| Tobler, Konrad. "Vae vae vae: Woe Woe Woe. On Bastokalypse by M.S. Bastian and Isabelle L.." Trans. Lisa Rosenblatt and Bronwen Saunders. Bastokalypse. Ed. Nadine Olonetzky. Zürich: Scheidegger & Spiess, 2010. |
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| Völlinger, Andreas. "Apokalypse in niedlich: Interview mit Olivia Vieweg." Comicgate Magazin (2012): 6–11. |
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| Wederhake, Björn. "Superheldendämmerung." Comicgate Magazin (2012): 98–105. |
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| Winter, Franz. "Godzilla ist immer: Apokalypsen in der japanischen Manga- und Anime-Tradition." Weltentwürfe im Comic/film. Mensch, Gesellschaft, Religion. Eds. Theresia Heimerl and Christian Wessely. Religion, Film und Medien. Marburg: Schüren, 2018. 193–213. |
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| Wüllner, Daniel. "Gelebte Apokalypse: Endzeiten in den britischen Comicmagazinen der 1980er Jahre." Comicgate Magazin (2012): 57–60. |
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