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Adams, Jeff. "Troubled Places: Domestic Space in Graphic Novels." Our House: The Representation of Domestic Space in Modern Culture. Eds. Gerry Smyth and Jo Croft. Nature, Culture and Literature. Amsterdam [etc.]: Rodopi, 2006. 161–74. |
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Adler, Silvia. "Silent and semi-silent arguments in the graphic novel." Pragmatics 23. (2013): 389–402. |
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Ahmed, Maaheen. "Historicizing in Graphic Novels: The Welcome Subjective G(l)aze." Graphic History. Essays on Graphic Novels And/As History. Ed. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ. 2012. 184–202. |
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Barker, Martin. "The Reception of Joe Sacco’s Palestine." Participations 9. 2 2012. Accessed 8Dec. 2012. <http://www.participatio ... ssue%202/6%20Barker.pdf>. |
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Cherian, Ajith. "The Value of Comics Journalism in Our Post Truth World." Gnosis Special Issue (2019): 201–13. |
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Fall, Juliet J. "Put Your Body on the Line: Autobiographical Comics, Empathy and Plurivocality." Comic Book Geographies. Ed. Jason Dittmer. Media Geography at Mainz. Stuttgart: Franz Steiner, 2014. 91–108. |
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Fischer, Nina. "Graphic Novels Explore an (Un-)Holy Land." Quest 6 2013. Accessed 11Jul. 2016. <http://www.quest-cdecjournal.it/focus.php?id=344>. |
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Hahn, Hans-Joachim. "»Reality beats out surrealism every time!«: Realitätseffekte reconsidered: Comics als Reflexionen von Wirklichkeit." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 75–88. |
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Hillenbach, Anne-Kathrin. "Authentisierungsstrategien in historischen Comics." Wissen durch Bilder. Sachcomics als Medien von Bildung und Information. Eds. Urs Hangartner, Felix Keller and Dorothea Oechslin. Kultur- und Medientheorie. Bielefeld: Transcript, 2013. 131–48. |
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Hodapp, James. "The postcolonial Joe Sacco." Journal of Graphic Novels and Comics 6. (2015): 319–30. |
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Layoun, Mary N. "The Trans-, the Multi-, the Pluri-, and the Global: A Few Thoughts on Comparative and Relational Literacy." Passages 1. (1999): 173–213. |
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Nayar, Pramod K. "The Visual Turn: Affect, Autobiography, History, and the Graphic Narrative." The ICFAI University Press Journal of American Literature 2. (2009): 58–72. |
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Rhett, Maryanne. "Orientalism and Graphic Novels: A Modern Reexamination of Popular Culture." Graphic History. Essays on Graphic Novels And/As History. Ed. Richard Iadonisi. Newcastle upon Tyne: Cambridge Scholars Publ. 2012. 203–22. |
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Romero-Jódar, Andrés. The Trauma Graphic Novel. London, New York: Routledge, 2017. |
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Russell, Vanessa. "The Mild-Mannered Reporter: How Clark Kent Surpassed Superman." The Contemporary Comic Book Superhero. Ed. Angela Ndalianis. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2009. 216–32. |
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Scanlon, Molly. "Comics, Journalism, and War Discourse." Public Knowledge Journal 3. 1 2011. Accessed 3Feb. 2013. <http://pkjournal.org/?page_id=1443>. |
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Scherr, Rebecca. "Shaking Hands with Other People’s Pain: Joe Sacco’s Palestine." Mosaic 46. (2013): 19–36. |
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Valenti, Peter C. "“The Children Internalize the Meaning of the Occupation”: Growing Up under Israeli Occupation and a Culture of Resistance in Joe Sacco’s Palestine." Cultures of War in Graphic Novels. Violence, Trauma, and Memory. Eds. Tatiana Prorokova and Nimrod Tal. New Brunswick: Rutgers Univ. Press, 2018. 138–62. |
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Walker, Tristram. "Graphic Wounds: The Comics Journalism of Joe Sacco." Journeys 11. (2010): 69–88. |
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Walker, Tristram. "Graphic Wounds: The Comics Journalism of Joe Sacco." Writing the Dark Side of Travel. Ed. Jonathan Skinner. Oxford, New York: Berghahn Books, 2012. 63–82. |
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Woo, Benjamin. "Reconsidering Comics Journalism: Information and Experience in Joe Sacco’s Palestine." The Rise and Reason of Comics and Graphic Literature. Critical Essays on the Form. Eds. Joyce Goggin and Dan A. Hassler-Forest. Jefferson, London: McFarland, 2010. 166–77. |
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