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| Chaney, Michael A. Reading Lessons in Seeing: Mirrors, masks, and mazes in the autobiographical graphic novel. Jackson: Univ. Press of Mississippi, 2016. |
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| Chaney, Michael A. "Will Eisner and the Making of A Contract With God." The Cambridge History of the Graphic Novel. Eds. Jan Baetens, Hugo Frey and Stephen E. Tabachnick. The Cambridge Companions to Philosophy, Religion and Culture. Cambridge [etc.]: Cambridge Univ. Press, 2018. 191–202. |
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| Gabilliet, Jean-Paul. "History and Uses of the Term “Graphic Novel”." History, Theme, and Technique. Eds. Bart Beaty and Stephen Weiner. Critical Survey of Graphic Novels. Englewood Cliffs: Salem Pr, 2012. 102–04. |
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| Grennan, Simon. "The Influence of Manga on the Graphic Novel." The Cambridge History of the Graphic Novel. Eds. Jan Baetens, Hugo Frey and Stephen E. Tabachnick. The Cambridge Companions to Philosophy, Religion and Culture. Cambridge [etc.]: Cambridge Univ. Press, 2018. 320–36. |
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| Grünewald, Dietrich. "Die Kraft der narrativen Bilder." Bild ist Text ist Bild. Narration und Ästhetik in der Graphic Novel. Eds. Susanne Hochreiter and Ursula Klingenböck. Bielefeld: Transcript, 2014. 17–51. |
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| Halsall, Alison. "“What Is the Use of a Book … Without Pictures or Conversations?” Incorporating the graphic novel into the university curriculum." Teaching Graphic Novels in the English Classroom. Pedagogical Possibilities of Multimodal Literacy Engagement. Ed. Alissa Burger. New York [etc.]: Palgrave Macmillan, 2018. 87–101. |
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| Kukkonen, Karin. "Genre Fiction in the Graphic Novel: The case of science fiction." The Cambridge History of the Graphic Novel. Eds. Jan Baetens, Hugo Frey and Stephen E. Tabachnick. The Cambridge Companions to Philosophy, Religion and Culture. Cambridge [etc.]: Cambridge Univ. Press, 2018. 476–91. |
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| Meyer, Christina. "Un/Taming the Beast, or Graphic Novels (Re)Considered." From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative. Eds. Daniel Stein and Jan-Noël Thon. Narratologia. Berlin u. Boston: de Gruyter, 2013. 271–99. |
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| Moula, Evangelia and Louiza Christodoulidou. "Graphic Novels as Self-Conscious Contemplative Metatexts: Redefining comics and participating in theoretical discourse." Journal of Literature and Art Studies 8.(2018): 181–89. |
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| Nishikawa, Kinohi. "Daddy Cool: Donald goines’s visual novel." The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Eds. Frances Gateward and John Jennings. New Brunswick: Rutgers Univ. Press, 2015. 215–34. |
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| Pagliaro, Michael. "Is a Picture Worth a Thousand Words? Determining the criteria for graphic novels with literary merit." English Journal 103.(2014): 31–45. |
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| Patrick, Kevin. "In search of the great Australian (graphic) novel." Australasian Journal of Popular Culture 1.(2011): 51–66. |
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| Perry, Lauren E. "Teaching the History and Theory of American Comics: 20th-century graphic novels as a complex literary genre." Teaching Graphic Novels in the English Classroom. Pedagogical Possibilities of Multimodal Literacy Engagement. Ed. Alissa Burger. New York [etc.]: Palgrave Macmillan, 2018. 69–85. |
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| Postema, Barbara. "Long-Length Wordless Books: Frans masereel, milt gross, lynd ward, and beyond." The Cambridge History of the Graphic Novel. Eds. Jan Baetens, Hugo Frey and Stephen E. Tabachnick. The Cambridge Companions to Philosophy, Religion and Culture. Cambridge [etc.]: Cambridge Univ. Press, 2018. 59–74. |
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