| Abate, Marco. "Writing Mathematics in Comics." Mathematics and Culture IV. Ed. Michele Emmer. New York: Springer, 2007. 19–29. |
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| Abbott, Stacey. "It (Re-)Started with a Girl: The creative interplay between tv and comics in angel: after the fall." The Literary Angel. Essays on Influences and Traditions Reflected in the Joss Whedon Series. Eds. AmiJo Comeford and Tamy Burnett. Jefferson, London: McFarland, 2010. 221–32. |
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| Ahmed, Maaheen. "State Protection and Identification in Hellboy: Of reformed devils and other others in the pentagon." European Journal of American Studies 10.2 2015. Accessed 12 October. 2015. <https://ejas.revues.org/10938>. |
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| Ahmed, Maaheen. Monstrous Imaginaries: The legacy of romanticism in comics. Jackson: University Pr. of Mississippi, 2019. |
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| Allie, Scott. Buffy the Vampire Slayer Panel to Panel: the art of the comics, the first seven seasons. Milwaukie: Dark Horse, 2007. |
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| Altnether, Joseph G. "Reimagination of Hell in Mike Mignola’s Hellboy in Hell." Sequential Art. Interdisciplinary Approaches to the Graphic Novel. Eds. Kathrin Muschalik and Florian Fiddrich. Oxford: Inter-Disciplinary Pr, 2016. 23–34. |
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| Anguita Cantero, Ricardo. "El reflejo del vampiro en la viñeta: 75 años de presencias vampíricas en el cómic americano (1935–2010)." Vampiros a Contraluz. Constantes y Modalizaciones del Vampiro en el Arte y la Cultura. Eds. Margarita Carretero González, et al.. Granada: Comares, 2012. 265–82. |
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| Arnaudo, Marco. "Stilistica del primo « Dylan Dog »: Tratti e significato." Contemporanea 12 2014. Accessed 17 September. 2018. <https://www.libraweb.ne ... 01402301&rivista=23>. |
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| Arndt, Richard J. Horror Comics in Black and White: A history and catalog, 1964–2004. Jefferson, London: McFarland, 2013. |
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| Auraix-Jonchière, Pascale. "Lilith dans Nosferatu de Druillet (2001)." Mythe et bande dessinée. Eds. Danielle Corrado and Viviane Alary. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2006. 259–69. |
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| Austin, Sara. Monstrous Youth: Transgressing the boundaries of childhood in the united states. Columbus: Ohio State Univ. Press, 2022. |
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| Ayres, Jackson. "“A very, very bad mood” The turn to horror in alan moore’s late comics." Journal of Graphic Novels and Comics (2021). |
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| Bachmann, Rebecca. "All of Your Choices Matter: Charakterbildungsrelevante entscheidungen in videospielen am beispiel von telltales the walking dead." Vom Binge Watching zum Binge Thinking. Untersuchungen im Wechselspiel zwischen Wissenschaften und Popkultur. Eds. Martin Böhnert and Paul Reszke. Bielefeld: Transcript, 2019. |
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| Barker, Martin. A Haunt of Fears: The strange history of the british horror comics campaign. Studies in Popular Culture. Jackson: Pluto, 1992. |
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| Barker, Martin. "Getting a Conviction: Or, how the british horror comics campaign only just succeeded." Pulp Demons. International Dimensions of the Postwar Anti-Comics Campaign. Ed. John A. Lent. Madison [etc.]: Fairleigh Dickinson Univ. Press, 1999. 69–92. |
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| Barnet, Tully and Ben Kooyman. "The Cure Has Killed Us All: Dramatizing medical ethics through zombie and period fiction tropes in the new deadwardians." The Walking Med. Zombies and The Medical Image. Eds. Lorenzo Servitje and Sherryl Vint. Graphic Medicine. University Park: Penn State Univ. Press, 2016. |
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| Barton, Kristin M. "Roamers versus biters: A rhetorical examination of the differences between woodbury and the prison group in the walking dead comics." Journal of Graphic Novels and Comics 6.(2015): 260–68. |
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| Bauer, Gero. "Hope and Kinship in AMC’s »The Walking Dead«." Ethik in Serie. Eds. Cordula Brand and Simon Meisch. 2nd ed. Materialien zur Ethik in den Wissenschaften. Tübingen: Tübingen Library Publ, 2018. 121–32. |
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| Beddows, Emma. "Buffy the Transmedia Hero." Colloquy 24 2012. Accessed 28 December. 2012. <http://artsonline.monas ... wenty-four_/beddows.pdf>. |
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| Beez, Jigal. "Katuni Za Miujuza: Fantastic comics from east africa." International Journal of Comic Art 6.(2004): 77–95. |
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| Begley, Joshua. "Ceci N’est Pas Une Femme: The negation of the male gaze in gail simone’s red sonja and alex de campi’s grindhouse: doors open at midnight." Works & Days 32.(2014): 181–205. |
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| Beil, Benjamin and Hanns Christian Schmidt. "The World of The Walking Dead – Transmediality and Transmedial Intermediality." Acta Universitatis Sapientiae, Film and Media Studies 10.(2016): 73–88. |
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| Bennett, Brooke. "Tough women of the apocalypse: Gender performativity in amc’s the walking dead." Horror Studies 10.(2019): 87–104. |
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| Benton, Mike. Horror Comics: The illustrated history. The Taylor History of Comics. Dallas: Taylor Publ, 1991. |
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| Berse, Gerald, ed. HIT Comics und Williams: Der ultimative führer durch die dt. marvel horror storys. HIT Chronik. Selbstverl, 2011. |
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| Berse, Gerald, ed. Williams, Bastei, Condor und Co. Der ultimative führer durch die dt. marvel horror storys. HIT Chronik. Selbstverl, 2011. |
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| Bertossa, Luca. "Motive für die Lektüre des Comics »Dylan Dog« und Persönlichkeit: Eine untersuchung zur multifunktionalität des verhaltens." Dissertation Dr. phil. Universität Zürich, 2001. |
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| Besand, Anja. "Was wir von Zombies lernen können: Politische grundfragen in the walking dead." Von Game of Thrones bis House of Cards. Politische Perspektiven in Fernsehserien. Ed. Anja Besand. Bielefeld: Transcript, 2018. 27–49. |
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| Bishop, Kyle W. How Zombies Conquered Popular Culture: The multifarious walking dead in the 21st century. Jefferson, London: McFarland, 2015. |
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| Bishop, Kyle W. "Battling Monsters and Becoming Monstrous: Human devolution in the walking dead." Monster Culture in the 21st Century. A Reader. Eds. Marina Levina and Diem-My T. Bui. New York: Bloomsbury, 2013. 73–85. |
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| Blouin, Michael J. "Robert Kirkman and Tony Moore’s The Walking Dead." The Graphic Novel. Ed. Gary Hoppenstand. Critical Insights. Englewood Cliffs: Salem Pr, 2014. 183–94. |
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| Böhnert, Martin and Paul Reszke. "Nicht-triviale Trivialitäten: Popkulturelle sekundärwelten als gedankenexperimente und ihr erkenntnistheoretischer nutzen." Vom Binge Watching zum Binge Thinking. Untersuchungen im Wechselspiel zwischen Wissenschaften und Popkultur. Eds. Martin Böhnert and Paul Reszke. Bielefeld: Transcript, 2019. 11–50. |
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| Bonilla Cerezo, Rafael and Javier Gutiérrez Parera. "El diablo dijo … “¡acción!” hellboy en el laberinto del toro." Caracteres 3.2 2014. Accessed 24 April. 2021. <http://revistacaractere ... boy-laberinto-del-toro/>. |
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| Booth, Paul. "Playing Dead: Transmedia pathos and plot in the walking dead board games." Intensities: The Journal of Cult Media 7 2014. Accessed 1 July. 2016. <https://intensitiescult ... aying-dead-pp-21-35.pdf>. |
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| Bormann, Daniel Candel. "Moving Possible World Theory from Logic to Value." Poetics Today 34.(2013): 177–231. |
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| Braun, Alexander. Horror im Comic. Berlin: Avant, 2022. |
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| Brown, Thomas J. "Deconstructing the Laughing Magician: Constantine, hellblazer, & their role in the comic book industry." Leaves 11 2021. Accessed 16 January. 2021. <https://climas.u-bordea ... industry-thomas-j-brown>. |
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| Brown, Rebecca A. "Engendering Friendship: Exploring jewish and vampiric boyhood in joann sfar’s little vampire." Graphic Novels for Children and Young Adults. A Collection of Critical Essays. Eds. Michelle Ann Abate and Gwen Athene Tarbox. Children’s Literature Association Series. Jackson: Univ. Press of Mississippi, 2017. 233–46. |
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| Brück, Axel, ed. Sex & Horror in den Comics. Hamburg: Kunsthaus, 1971. |
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| Bukatman, Scott. Hellboy’s World: Comics and monsters on the margins. Berkeley: Univ. of California Press, 2016. |
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| Bukatman, Scott. "Frankenstein and the Peculiar Power of the Comics." Global Frankenstein. Eds. Carol Margaret Davison and Marie Mulvey-Roberts. Studies in Global Science Fiction. 185–207. |
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| Bünte, Christopher. "Auf der anderen Seite des Maschendrahtzauns: Zombies und menschen: konträre gruppen in der comic-serie the walking dead (2003–)." Dawn of an Evil Millennium. Horror/Kultur im neuen Jahrtausend. Ed. Jörg van Bebber. Darmstadt: Büchner, 2011. 146–53. |
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| Call, Lewis. "“Find What Warmth You Can”: Queer sexualities in buffy season eight through ten comic books." Slayage 15.2 2017. Accessed 3 February. 2019. <http://www.whedonstudie ... call_-_slayage_15.2.pdf>. |
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| Call, Lewis. "Slaying the Heteronormative: Representations of alternative sexuality in buffy season eight comics." Sexual Rhetoric in the Works of Joss Whedon. New Essays. Ed. Erin B. Waggoner. Jefferson, London: McFarland, 2010. 106–16. |
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| Callahan, David. "Rotting, Blistered, Staggering Bodies and the Last of Ethnicity." Body and Text. Cultural Transformations in New Media Environments. Eds. David Callahan and Anthony Barker. Second Language Learning and Teaching – Issues in Literature and Culture. Cham: Springer, 2019. 33–47. |
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| Canavan, Gerry. "“We Are the Walking Dead”: Race, time, and survival in zombie narrative." Extrapolation 51.(2010): 431–53. |
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| Carver, Stephen James. Weird Tales from the Vault of Fear: The ec horror comics controversy & its legacy. Watching the Media – Censorship, Limits, and Control in Creative Practice: 15 April, 2011. |
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| Cederlund, Scott. "On Mignola’s Chosen Artists." The Mignolaverse. Hellboy and the Comics Art of Mike Mignola. Ed. S. G. Hammond. Edwardsville: Sequart Research & Literacy Organization, 2019. 16–30. |
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| Çetiner-Öktem, Züleyha. "Gothic Transformations: Revisiting the house on the borderland." Nostalgia or Perversion? Gothic Rewriting from the Eighteenth Century until the Present Day. Ed. Isabella van Elferen. Newcastle upon Tyne: Cambridge Scholars Publ, 2007. 73–85. |
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| Chiat, Kevin. "Giant Dawn and Mutant Superheroes: Joss whedon in comics." Joss Whedon. The Complete Companion. Ed. Mary Alice Money. London: Titan Books, 2012. 341–52. |
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| Christopher, Brandon. "“I will not / be haunted / by myself!” Originality, derivation, and the hauntology of the superhero comic." Seriality and Texts for Young People. The Compulsion to Repeat. Eds. Mavis Reimer, et al.. Critical Approaches to Children’s Literature. New York [etc.]: Palgrave Macmillan, 2014. 166–87. |
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| Cirella-Urrutia, Anne. "Heroes and Heroines of the Great War: The aesthetics of horror in bandes dessinées." Heroisches Elend. Der Erste Weltkrieg im intellektuellen, literarischen und bildnerischen Gedächtnis der europäischen Kulturen. Eds. Gislinde Seybert and Thomas Stauder. Stuttgart: Hirzel, 2012. 1553–73. |
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| Clemons, Leigh. "Genre and the Impact on Storytelling in Season Eight." Buffy Meets the Academy. Essays on the Episodes and Scripts as Text. Ed. Kevin K. Durand. Jefferson, London: McFarland, 2009. 25–31. |
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| Cooke, Jon B. "Hellboy on Earth: The magic of mike mignola." Comic Book Artist (2002): 10–34. |
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| Cooke, Jon B. and George Khoury, eds. Swampmen: The muck-monsters and their makers. Comic Book Creator. Raleigh: TwoMorrows, 2014. |
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| Correa, Edilaine. "Violence Representation in Horror Comic Books." International Journal of Comic Art 18.(2016): 403–16. |
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| Cortés Hernández, Santiago. "De Roberto el Diablo a Hellboy dinámica narrativa de un héroe de la edad media al cómic." Revista de Literaturas Populares 8.(2008): 376–409. |
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| Cortiel, Jeanne. "Travels with Carl: Apocalyptic zombiescape, masculinity, and seriality in robert kirkman’s the walking dead." The Journey of Life in American Life and Literature. Ed. Peter Freese. Heidelberg: Winter, 2015. 187–204. |
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| Cotter, Robert Michael. The Great Monster Magazines: A critical study of the black and white publications of the 1950s, 1960s and 1970s. Jefferson, London: McFarland, 2008. |
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| D’Arcangelo, Adele and Federico Zanettin. "Dylan Dog Goes to the USA: A north-american translation of an italian comic book series." Across Languages and Cultures 5.(2004): 187–210. |
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| Darowski, John and Fernando Gabriel Pagnoni Berns, eds. Critical Approaches to Horror Comic Books red ink in the gutter. Routledge Advances in Comics Studies. London, New York: Routledge, 2023. |
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| Dean, Michael. "A Path Through Time: A close reading of jim steranko’s “at the stroke of midnight”." International Journal of Comic Art 14.(2012): 23–57. |
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| Dennis, Geoffrey and Avi S. Dennis. "Vampires and Witches and Commandos, Oy Vey Comic book appropriations of lilith." Shofar 32.(2014): 72–101. |
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| Dernovšek, Davorin. "Portrayal of Good and Evil in the Hellboy Graphic Novels." Diplomska Delo. Univerza v Ljubljani, 2009. |
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| DeRoss, Jennifer. "Not Gay Enough So You’d Notice: Poaching fuffy." Slayage 16.2 2018. Accessed 3 February. 2019. <http://www.whedonstudie ... ross_-_slayage_16.2.pdf>. |
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| Di Bernardo, Emma. "“Can The Buffy Comics Be Feminist?” Transmedia adaptation and representation." Watcher Junior 8.1 2015. Accessed 4 July. 2016. <http://www.whedonstudie ... o_watcherjunior_8.1.pdf>. |
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| Diamond, Aidan Dubhain. "‘I pledge you!’ Disability, monstrosity and sacrifice in wytches." Studies in Comics 8.(2018): 171–86. |
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| Domínguez Leiva, Antonio. "L’invasion néo-zombie: Entre l’abjection, le grotesque et le pathos (2002–2009)." Frontières 23.(2010): 19–25. |
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| Domínguez Leiva, Antonio. "Apocalypse Zombie: L’invasion des morts-vivants dans le roman graphique contemporain." Frontières 25.(2013): 93–108. |
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| Donahue, James J. "Skinner Sweet, American Vampire." European Journal of American Studies 10.2 2015. Accessed 12 October. 2015. <https://ejas.revues.org/11019>. |
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| Doolittle, Benjamin R. "Are We the Walking Dead? Burnout as zombie apocalypse." Annals of Family Medicine 14.(2016): 578–80. |
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| Duane, Anna Mae. "Dead and Disabled: The crawling monsters of the walking dead." Zombie Theory. A Reader. Ed. Sarah Juliet Lauro. Minneapolis: Univ. of Minnesota Press, 2017. 237–45. |
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| Dubil, Janwillem. "There is no Love in the Heart of the City: Stadtflucht als paradigma des kontemporären zombie-narrativs." Gutes Leben auf dem Land? Imaginationen und Projektionen vom 18. Jahrhundert bis zur Gegenwart. Eds. Werner Nell and Marc Weiland. Bielefeld: Transcript, 2021. 445–62. |
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| Duda, Heather L. The Monster Hunter in Modern Popular Culture. Jefferson, London: McFarland, 2008. |
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| Ecke, Jochen. "‘Is that you, our Jack?’ An anatomy of alan moore’s doubling strategies." Alan Moore and the Gothic Tradition. Ed. Matthew J. A. Green. Manchester, New York: Manchester Univ. Press, 2013. 65–83. |
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| Eckstein, Kristin. "Der Vampir und seine Funktion im Manga für Jugendliche." Der Vampir in den Kinder- und Jugendmedien. Eds. Jana Mikota and Sabine Planka. Berlin: Weidler, 2012. 273–88. |
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| Favaro, Roberto. "Comics zum Hören: Geräusche, stimmen und musik bei dylan dog." Zwischen Dekadenz und Comic. Stimmen, Klänge und Musik in der italienischen Literatur des 20. Jahrhunderts. Essays I. Romanice. Berlin: Weidler, 2001. 119–25. |
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| Favaro, Roberto. "L’ascolto del fumetto: Rumori, voci e musiche in dylan dog." Fra decadenza e fumetto. Voci, rumori & musica nella letteratura italiana del ’900. Saggi I. Berlin: Weidler, 2001. |
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| Fazio, Michele. "Past Lives: Memory and the meaning of work in the walking dead." Working-Class Comic Book Heroes. Class Conflict and Populist Politics in Comics. Ed. Marc DiPaolo. Jackson: Univ. Press of Mississippi, 2018. 49–80. |
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| Field, Tom. Secrets in the Shadows: The art & life of gene colan. Raleigh: TwoMorrows, 2005. |
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| Frahm, Ole. "Too Much Is Too Much: The never innocent laughter of the comics." Image [&] Narrative 4.1 2003. Accessed 15 April. 2014. <http://www.imageandnarr ... aphicnovel/olefrahm.htm>. |
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| Frankel, Valerie Estelle. Buffy and the Heroine’s Journey: Vampire slayer as feminine chosen one. Jefferson: McFarland, 2012. |
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| Frankel, Valerie Estelle, ed. The Comics of Joss Whedon: Critical essays. Jefferson, London: McFarland, 2015. |
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| Frisch, Marc-Oliver. "Armer Yorick! Y: the last man/the walking dead." Comicgate Magazin (2012): 16–25. |
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| Fujimoto, Nicole. "Yôkai und das Spiel mit Fiktion in der edozeitlichen Bildheftliteratur." Nachrichten der Gesellschaft für Natur- und Völkerkunde Ostasiens 78.(2008): 93–104. |
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| Gabriel, Nicole, Bogna Kazur, and Kai Matuszkiewicz. "Reconsidering Transmedia(l) Worlds." Convergence Culture Reconsidered. Media – Participation – Environments. Eds. Claudia Georgi and Brigitte Johanna Glaser. Göttinger Schriften zur Englischen Philologie. Göttingen: Universitätsverl. Göttingen, 2015. 163–94. |
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| Gal, Ana G. "The Social Modes of Heroization and Vilification in Stoker’s Dracula, a Graphic Novel by Roy Thomas and Dick Giordano." International Journal of Comic Art 12.(2010): 200–14. |
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| García Pacheco, Juan A. and Francisco J. López Rodríguez. "La representación icónica y narrativa de la mujer en el cómic japonés masculino: El shounen manga y el horror manga." Cuestiones de género: de la igualdad y la diferencia 7 2012. Accessed 24 June. 2019. <http://revpubli.unileon ... genero/article/view/906>. |
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| Garland, Tammy S., Nickie Phillips, and Scott Vollum. "Gender Politics and The Walking Dead: Gendered violence and the reestablishment of patriarchy." Feminist Criminology 13.(2018): 59–86. |
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| Garrett, Greg. Entertaining Judgment the afterlife in popular imagination. New York: Oxford Univ. Press, 2015. |
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| Gavaler, Chris and Nathaniel Goldberg. "Alan Moore, Donald Davidson, and the Mind of Swampmen." Journal of Popular Culture 50.(2017): 239–58. |
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| Geissman, Grant and Fred Von Bernewitz. Tales of Terror! The ec companion. Seattle: Fantagraphics, 2000. |
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| Gencarella, Stephen Olbrys. "Thunder without rain: Fascist masculinity in amc’s the walking dead." Horror Studies 7.(2016): 125–46. |
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| Last edited by: joachim 12/16/21, 11:32 AM |
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| Giesa, Felix. "Deutschland einig Zombieland: Entwicklungslinien vom frühen zombiefilm über den aktuellen zombie-hype in comics bis hin zur deutschen zombiecomic-serie die toten (2010–)." Dawn of an Evil Millennium. Horror/Kultur im neuen Jahrtausend. Ed. Jörg van Bebber. Darmstadt: Büchner, 2011. 636–43. |
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| Goodrum, Michael and Philip Smith. Printing Terror: American horror comics as cold war commentary and critique. Manchester, New York: Manchester Univ. Press, 2021. |
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| Last edited by: joachim 11/11/21, 12:33 AM |
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| Grace, Dominick. "Aardvarkian gothic." Journal of Graphic Novels and Comics 8.(2017): 560–71. |
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| Added by: joachim 4/18/23, 3:58 PM |
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| Grampp, Sven. "»Folge dem auteur!« Serielle und transmediale autorenschaft am beispiel von joss whedon." Amerikanische Fernsehserien der Gegenwart. Perspektiven der American Studies und der Media Studies. Eds. Christoph Ernst and Heike Paul. Bielefeld: Transcript, 2015. 305–41. |
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| Added by: joachim 9/23/15, 10:32 AM |
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| Gray, Maggie. "A Gothic politics: Alan moore’s swamp thing and radical ecology." Alan Moore and the Gothic Tradition. Ed. Matthew J. A. Green. Manchester, New York: Manchester Univ. Press, 2013. 42–62. |
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| Added by: joachim 6/22/14, 11:37 AM |
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| Green, Matthew J. A. "‘An altered view regarding the relationship between dreams and reality’: Magic, politics and the comics medium in alan moore and jacen burrow’s providence." Studies in Comics 8.(2018): 135–56. |
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| Last edited by: joachim 6/25/18, 10:38 AM |
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