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| Kidman, Shawna Feldmar. Comic Books Incorporated: How the business of comics became the business of hollywood. Berkeley: Univ. of California Press, 2019. |
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| Kwa, Shiamin. Perfect Copies: Reproduction and the contemporary comic. New Brunswick: Rutgers Univ. Press, 2023. |
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| Ladd, Fred. Astro Boy and Anime Come to the Americas: An insider’s view of the birth of a pop culture phenomenon. Jefferson, London: McFarland, 2009. |
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| Lefèvre, Pascal. "An Empirical Study of the Publication Format and Beginnings in the Belgian Francophone Weeklies, Spirou and Tintin, in the 1950s." Closure 4 2017. Accessed 8 December. 2017. <http://www.closure.uni-kiel.de/closure4/lefevre>. |
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| Lefèvre, Pascal. "Gatekeeping in Comics Publishing: A practical guide to gatekeeping research." Cultures of Comics Work. Eds. Casey E. Brienza and Paddy Johnston. Palgrave Studies in Comics and Graphic Novels. New York [etc.]: Palgrave Macmillan, 2016. 205–18. |
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| Reitsamer, Rosa and Elke Zobl. "Queer-feministische Comics: Produktive interventionen im kontext der do-it-yourself-kultur." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 365–81. |
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