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Displaying 1 - 100 of 102 (Bibliography: WIKINDX Master Bibliography)
Keyword:  Authorship
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Ahmed, Maaheen: "Moebius, Gir, Giraud, Gérard. Self-Visualizations." In: International Journal of Comic Art 11.2 (2009), S. 421–431.  
Last edited by: joachim 2010-10-07 16:28
Alegría Sabogal, Diego Cristóbal: "Autorenfunktion, Comic-Kontinuität und Transmedia Storytelling. Intertextuelle Bedeutungsketten bei Neil Gaiman." In: Ketten. Hrsg. v. Petra Gehring. Essen: Blaue Eule, 2017, S. 111–128.  
Last edited by: joachim 2021-10-14 13:35
Ayres, Jackson: "The Integrity of the Work. Alan Moore, Modernism, and the Corporate Author." In: Journal of Modern Literature 39.2 (2016), S. 144–166.  
Added by: joachim 2017-02-25 01:04
Bachmann, Michael: Der abwesende Zeuge. Autorisierungsstrategien in Darstellungen der Shoah. (Mainzer Forschungen zu Drama und Theater, 42.) Tübingen: Francke, 2010. (301 S.)  
Added by: joachim 2013-07-15 12:04
Baetens, Jan: "Of Graphic Novels and Minor Cultures. The Fréon Collective." In: Yale French Studies 114 (2008), S. 95–115.  
Last edited by: joachim 2012-05-27 07:18
---: Le réseau Peeters. (Faux titre, 100.) Amsterdam [etc.]: Rodopi, 1995. (153 S.)  
Last edited by: joachim 2019-05-15 15:39
Balzer, Jens und Jens R. Nielsen: "»Der Autorencomic ist ein mißlungenes Experiment«. Christian Gorny." In: Comic Almanach (1993), S. 43–48.  
Added by: joachim 2016-08-29 14:25
Beaty, Bart: Comics Versus Art. Toronto, Buffalo, London: Univ. of Toronto Press, 2012. (274 S.)  
Last edited by: joachim 2016-02-03 10:57
Becker, Thomas: "Comiclibido der Nouvelle Vague und die Folgen. Zur Ästhetik der oszillierenden Übertreibung im Autorenfilm (Godard) und Autorencomic (Moebius)." In: Comic. Intermedialität und Legitimität eines popkulturellen Mediums. Hrsg. v. Thomas Becker. Bochum: Ch.A. Bachmann, 2011, S. 63–76.  
Added by: joachim 2011-04-08 00:10
---: "Enki Bilal’s Woman Trap. Reflections on Authorship under the Shifting Boundaries between Order and Terror in the Cities." In: Comics and the City. Urban Space in Print, Picture and Sequence. Hrsg. v. Jörn Ahrens und Arno Meteling. London, New York: Continuum, 2010, S. 265–278.  
Added by: joachim 2010-03-25 01:16
Brandl, Katharina und Anne Elizabeth Moore: "Bound to fail. Living and working conditions in the comics industry." In: Closure 5 (2019), S. 5–30, .  
Added by: joachim 2019-01-07 19:20
Bredehoft, Thomas A. "Style, Voice, and Authorship in Harvey Pekar’s (Auto)(Bio)Graphical Comics." In: College Literature 38.3 (2011), S. 97–110.  
Last edited by: joachim 2012-08-08 18:36
Brown, Sarah Annes: "“Shaping Fantasies”. Responses to Shakespeare’s Magic in Popular Culture." In: Shakespeare 5.2 (2009), S. 162–176.  
Added by: joachim 2013-08-23 14:41
Cadle, Lanette: "The Shadow or the Self. The Construction of Neil Gaiman on Social Media." In: The Artistry of Neil Gaiman. Finding Light in the Shadows. Hrsg. v. Joseph Michael Sommers und Kyle Eveleth. (Critical Approaches to Comics Artists.) Jackson: Univ. Press of Mississippi, 2019, S. 149–168.  
Last edited by: joachim 2020-07-07 11:15
Carpenter, Greg: The British Invasion. Alan Moore, Neil Gaiman, Grant Morrison and the Invention of the Modern Comic Book Writer. Edwardsville: Sequart Research & Literacy Organization, 2016. (479 S.)  
Last edited by: joachim 2018-10-19 03:00
Carpenter, Stanford W. "Truth Be Told. Authorship and the Creation of the Black Captain America." In: Comics as Philosophy. Hrsg. v. Jeff McLaughlin. Jackson: Univ. Press of Mississippi, 2005, S. 46–62.  
Last edited by: joachim 2010-09-08 23:12
Cassidy, Paul Henry: An Approach to the Profession of Comic Strip Cartooning Based upon an Analytical Survey of Current Trends and Personal Experiences. Thesis (M.S.), University of Wisconsin 1942 (156 S.).  
Last edited by: joachim 2017-09-12 11:09
Cederlund, Scott: "On Mignola’s Chosen Artists." In: The Mignolaverse. Hellboy and the Comics Art of Mike Mignola. Hrsg. v. S. G. Hammond. Edwardsville: Sequart Research & Literacy Organization, 2019, S. 16–30.  
Last edited by: joachim 2021-05-01 16:27
Collver, Jordan und Emma Weitkamp: "Alter egos. An exploration of the perspectives and identities of science comic creators." In: Journal of Science Communication 17.1 (2018), S. 1–22, .  
Last edited by: joachim 2018-01-25 13:25
Dennis, Mark: "Manga as Historical Medium. Depictions of Prince Shotoku’s Authorship of the Sangyō-gisho in Japanese Comic Books." In: Forum for World Literature Studies 3.1 (2011), S. 25–39.  
Last edited by: joachim 2022-01-22 10:39
Dubreuil, Laurent und Renaud Pasquier: "Du voyou au critique. Parler de la Bande dessinée." In: Labyrinthe 25.3 (2006), S. 11–59.  
Last edited by: joachim 2014-11-14 16:57
Dunst, Alexander und Rita Hartel: "The Quantitative Analysis of Comics. Towards a Visual Stylometry of Graphic Narrative." In: Empirical Comics Research. Digital Multimodal and Cognitive Methods. Hrsg. v. Alexander Dunst, Jochen Laubrock und Janina Wildfeuer. (Routledge Advances in Comics Studies.) London, New York: Routledge, 2018, S. 43–61.  
Last edited by: joachim 2021-07-22 12:44
Eggert, Barbara Margarethe und Johanna Öttl: "Graphic Novel. Zur Popularisierung eines neuen Begriffs. Ein Wissenschaftslogbuch." In: p/art/icipate 8 (2017).  
Last edited by: joachim 2022-02-23 17:03
Etter, Lukas: Distinctive Styles and Authorship in Alternative Comics. (Anglia, 70.) Berlin u. Boston: de Gruyter, 2020. (220 S.)  
Added by: joachim 2021-11-16 16:39
Falardeau, Mira: A History of Women Cartoonists. Oakville: Mosaic, 2018. (298 S.)  
Last edited by: joachim 2020-09-04 12:15
Fink, Moritz: "Of Maus and Gen. Author Avatars in Nonfiction Comics." In: International Journal of Comic Art 20.1 (2018), S. 267–296.  
Added by: joachim 2018-09-12 10:39
Frahm, Ole: "Art Spiegelman, der inhaftierte Künstler. Ein Versuch über die Grenzen souveräner Performanz." In: Übung, ein Stück Papier zu halten. Festschrift für Kathrin Hoffmann-Curtius zum 60. Geburtstag. Hrsg. v. Maike Christadler und Hilla Frübis. Marburg: Jonas Verl. 1997, S. 28–36.  
Last edited by: joachim 2010-10-07 16:09
Friedlander, Keith: "The editor, the author function, and the social function. A methodological survey." In: Journal of Graphic Novels and Comics 9.2 (2018), S. 157–172.  
Last edited by: joachim 2020-11-12 19:18
Friedrich, Annegret: "Zum Künstlermythos bei Charlotte Salomon." In: Übung, ein Stück Papier zu halten. Festschrift für Kathrin Hoffmann-Curtius zum 60. Geburtstag. Hrsg. v. Maike Christadler und Hilla Frübis. Marburg: Jonas Verl. 1997, S. 37–46.  
Added by: joachim 2009-08-08 17:29
Fuchs, Wolfgang J. "Comics als Schlüssel zum Autor. Biographische und autobiographische Elemente der Comics." In: Comic Jahrbuch (1991), S. 32–39.  
Added by: joachim 2016-08-23 10:03
Gabilliet, Jean-Paul: "Vertigo: the first few months (1992–1994)—according to The Comics Journal and Wizard." In: Leaves 11 (2021), S. 50–62, .  
Added by: joachim 2021-01-16 12:19
Gandolfo, Amadeo: "Relaunching in the age of the author. The Dreaming and Doom Patrol." In: Leaves 11 (2021), S. 23–49, .  
Added by: joachim 2021-01-15 00:03
Gheno, Marine: "« Être auteure, ce n’est pas encore être ». La visibilité féminine à travers les BD de Judith Forest." In: Alternative Francophone 1.6 (2013), S. 65–79, .  
Last edited by: joachim 2018-01-01 13:27
Giet, Sylvette: "Auteurs/producteurs, légitimité/illégitimité. Deux dialectiques à l’œuvre dans la création fictionelle de Nous Deux." In: Production(s) du populaire. Hrsg. v. Jacques Migozzi und Philippe Le Guern. (Médiatextes.) Limoges: Presses Univ. de Limoges, 2004, S. 133–150.  
Added by: joachim 2014-07-25 14:09
Glaubitz, Nicola: "Coyote in the land of culture industry. Robert Crumb and popular cultural memory." In: Moment to Monument. The Making and Unmaking of Cultural Significance. Hrsg. v. Ladina Bezzola Lambert und Andrea Ochsner. Bielefeld: Transcript, 2009, S. 197–208.  
Last edited by: joachim 2016-09-12 22:33
Glaude, Benoît: "L’auctorialité dans Marzi, une bande dessinée autobiographique en collaboration." In: Authorship 6.2 (2017), S. 1–21, .  
Last edited by: joachim 2017-12-29 18:07
Gordon, Ian: "Comics, Creators, and Copyright. On the Ownership of Serial Narratives by Multiple Authors." In: A Companion to Media Authorship. Hrsg. v. Jonathan Gray und Derek Johnson. Chichester: Wiley-Blackwell, 2013, S. 221–236.  
Last edited by: joachim 2014-03-12 08:08
---: "Siegel and Shuster as Brand Name." In: The Superhero Symbol. Media, Culture, and Politics. Hrsg. v. Liam Burke, Ian Gordon und Angela Ndalianis. New Brunswick: Rutgers Univ. Press, 2019, S. 105–117.  
Added by: joachim 2022-01-21 19:58
Grampp, Sven: "»Folge dem auteur!«. Serielle und transmediale Autorenschaft am Beispiel von Joss Whedon." In: Amerikanische Fernsehserien der Gegenwart. Perspektiven der American Studies und der Media Studies. Hrsg. v. Christoph Ernst und Heike Paul. Bielefeld: Transcript, 2015, S. 305–341.  
Added by: joachim 2015-09-23 10:32
Gray, Brenna Clarke und Peter Wilkins: "The Case of the Missing Author. Toward an Anatomy of Collaboration in Comics." In: Cultures of Comics Work. Hrsg. v. Casey E. Brienza und Paddy Johnston. (Palgrave Studies in Comics and Graphic Novels.) New York [etc.]: Palgrave Macmillan, 2016, S. 115–130.  
Added by: joachim 2018-06-07 11:01
Green, Stephanie: "Fantasy, gender and power in Jessica Jones." In: Continuum 33.2 (2019), S. 173–184.  
Last edited by: joachim 2021-04-18 16:31
Hammonds, Kyle A. und Garrett Hammonds: "The Flash and His Fantastic Fear of Ferocious Fans." In: The Phoenix Papers 3.1 (2017), S. 33–45, .  
Added by: joachim 2021-07-21 11:17
Hernández, María Lorenzo: "A Film of One’s Own. The Animated Self-Portraits of Young Contemporary Female Animators." In: Animation 5 (2010), S. 73–90.  
Added by: joachim 2010-08-11 13:09
Hills, Matthew: "Whatever Happened to the Time Lord? Mythology and Fandom in Neil Gaiman’s Contributions to Unfolding Texts." In: The Mythological Dimensions of Neil Gaiman. Hrsg. v. Anthony S. Burdge, Jessica Burke und Kristine Larsen. Crawfordville: Kitsune, 2012, S. 64–80.  
Last edited by: joachim 2021-10-27 15:36
de la Iglesia, Martin: "Authorship, Collaboration, and Art Geography." In: CLCWeb: Comparative Literature and Culture 12.3 (2010).  
Last edited by: joachim 2015-10-11 12:01
---: "Geographical Classification in Comics." In: International Journal of Comic Art 9.2 (2007), S. 330–339.  
Last edited by: Martin de la Iglesia 2010-02-12 16:16
Inge, M. Thomas: "Collaboration and Concepts of Authorship." In: PMLA 116.3 (2001), S. 623–630.  
Last edited by: joachim 2021-05-03 23:10
Johnston, Paddy: "From Random House to Rehab. Julia Wertz, The Small Press, Auteurism and Alternative Comics." In: Comics Forum (16. Sept. 2014).  
Last edited by: joachim 2022-01-29 19:13
Kashtan, Aaron: Writing Yourself into the World. Fantasies of Handwriting and Computer Graphics. Diss. (PhD), University of Florida, Graduate School 2011 (468 S.).  
Added by: joachim 2018-02-12 02:37
Khanduri, Ritu G. "Comicology. Comic books as culture in India." In: Journal of Graphic Novels and Comics 1 (2010), S. 171–191.  
Last edited by: joachim 2020-11-12 19:20
Kirtz, Jaime Lee: "Computers, Comics and Cult Status. A Forensics of Digital Graphic Novels." In: Digital Humanities Quarterly 8.3 (2014).  
Added by: joachim 2015-03-30 22:17
Knight, Rhonda: "Author/Character. Persepolis as a Gateway to Reading Metafictional Novels." In: Class, Please Open Your Comics. Essays on Teaching with Graphic Narratives. Hrsg. v. Matthew L. Miller. Jefferson: McFarland, 2015, S. 181–194.  
Last edited by: joachim 2021-03-15 00:27
Kociemba, David und Mary Ellen Iatropoulos: "Separate Canons or One Canon? Canonicity, Medium, and Authorship in the Whedonverse Comics." In: The Comics of Joss Whedon. Critical Essays. Hrsg. v. Valerie Estelle Frankel. Jefferson: McFarland, 2015, S. 31–47.  
Added by: joachim 2020-11-25 12:43
Kunka, Andrew J. "Cranky Bosses, Rebellious Characters, and Suicidal Artists. Scribbly, Inkie, and Pre-Underground Autobiographical Comics." In: Comics Studies Here and Now. Hrsg. v. Frederick Luis Aldama. (Routledge Advances in Comics Studies, 5.) London: Routledge, 2018, S. 44–56.  
Last edited by: joachim 2019-03-15 18:49
Labarre, Nicolas: "Adapter Macbeth, du comic book au roman graphique." In: Revue de recherche en civilisation américaine 5 (2015).  
Added by: joachim 2017-02-20 15:47
Latxague, Claire: "L’image dans le récit. La Cage ou la mise en abyme iconique." In: Textimage 4 (2012).  
Last edited by: joachim 2014-07-25 10:50
Lau, Peter: "Glück gehabt." In: brand eins 8 (2006), S. 76–81.  
Added by: joachim 2014-05-15 09:23
Lefèvre, Pascal und Morgan Di Salvia: "A Creative Culture Where It Is Hard to Make a Living. The Socio-Economic Situation of Comics Authors and Illustrators in Belgium." In: European Comic Art 4.1 (2011), S. 59–80.  
Added by: joachim 2012-07-05 08:17
Licari-Guillaume, Isabelle: "“What is it with these Brits?”. British culture and the “British Invasion” narrative seen through letter columns." In: Comicalités (1. Apr. 2021).  
Added by: joachim 2021-05-28 11:10
---: "Ambiguous Authorities. Vertigo and the Auteur Figure." In: Authorship 6.2 (2017), S. 1–16, .  
Last edited by: joachim 2017-12-29 18:16
Mag Uidhir, Christy: "Comics and Collective Authorship." In: The Art of Comics. A Philosophical Approach. Hrsg. v. Aaron Meskin und Roy T. Cook. Chichester: Wiley-Blackwell, 2012, S. 47–67.  
Added by: joachim 2012-11-12 23:30
Mao, Catherine: "L’artiste de bande dessinée et son miroir. L’autoportrait détourné." In: Comicalités (28. Sept. 2013).  
Added by: joachim 2013-10-03 23:42
Martinelli, Hélène: "Représenter l’auteur dans le livre auto-illustré au début du XXe siècle. Jean Bruller, Josef Váchal, Bruno Schulz et Alfred Kubin." In: Comicalités (28. Sept. 2013).  
Last edited by: joachim 2013-10-04 10:00
Moe, Anders: Japanese Comics. The Reasons for their Popularity and Place in the Popular Culture.(Hovedoppgave), Universitetet i Oslo 2004 (120 S.).  
Added by: joachim 2010-12-23 18:04
Molinaro, John: "Who Owns Captain America? Contested Authorship, Work-For-Hire, And Termination Rights Under the Copyright Act of 1976." In: Georgia State University Law Review 21.2 (2004), S. 565–592.  
Last edited by: joachim 2019-04-04 19:21
Murray, Christopher: "Alan Moore. The Making of a Graphic Novelist." In: The Cambridge History of the Graphic Novel. Hrsg. v. Jan Baetens, Hugo Frey und Stephen E. Tabachnick. Cambridge [etc.]: Cambridge Univ. Press, 2018, S. 219–234.  
Last edited by: joachim 2018-12-10 19:17
Murray, Padmini Ray: "Behind the Panel. Examining Invisible Labour in the Comics Publishing Industry." In: Publishing Research Quarterly (2013).  
Added by: joachim 2013-11-16 00:55
Nobleman, Marc Tyler: Bill the Boy Wonder. The Secret Co-Creator of Batman. Watertown: Charlesbridge, 2012. (48 S.)  
Last edited by: joachim 2012-08-13 10:47
Noppe, Nele: "Dōjinshi research as a site of opportunity for Manga Studies." In: Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale. Hrsg. v. Jaqueline Berndt. (Global Manga Studies, 1.) Kyoto: International Manga Research Center, Kyoto Seika University, 2010, S. 123–142.  
Added by: joachim 2011-01-25 02:34
Nordling, Lee: Your Career in the Comics. Kansas City: Andrews McMeel, 1995. (278 S.)  
Last edited by: joachim 2015-07-21 10:00
Packard, Stephan: "Copyright und Superhelden. Über die Prägung populärer Mythologie durch textuelle Kontrolle." In: Justitiabilität und Rechtmäßigkeit. Verrechtlichungsprozesse von Literatur und Film in der Moderne. Hrsg. v. Claude D. Conter. (Amsterdamer Beiträge zur neueren Germanistik, 73.) Amsterdam [etc.]: Rodopi, 2010, S. 109–126.  
Last edited by: joachim 2020-06-23 15:46
Parezanović, Tijana: "Dream a Little Dream of Will. Shakespeare as a Character in Neil Gaiman’s The Sandman." In: Philologist / Филолог 5 (2012), S. 67–77, .  
Last edited by: joachim 2021-10-10 17:51
Peeters, Benoît: "Between Writing and Image. A Scriptwriter’s Way of Working." In: European Comic Art 3 (2010), S. 105–116.  
Last edited by: joachim 2019-05-15 16:01
---: "Le scénariste et l’engendrement des images." In: L’engendrement des images en bande dessinée. Hrsg. v. Henri Garric. (Iconotextes.) Tours: Presses Univ. François-Rabelais, 2013, S. 191–192.  
Last edited by: joachim 2019-05-15 15:57
Pfahl, Courtney A. "“after the / Unauthor”. Fragmented Author Functions in Tom Phillips’s A Humument." In: Studies in the Novel 47.3 (2015), S. 399–419.  
Added by: joachim 2016-04-25 09:04
Punday, Daniel: "Kavalier & Clay, the Comic-Book Novel, and Authorship in a Corporate World." In: Critique. Studies in Contemporary Fiction 49 (2008), S. 291–302.  
Last edited by: joachim 2011-10-02 12:06
Punter, David: "Postmodernism, Criticism and the Graphic Novel." In: Authorship in Context. From the Theoretical to the Material. Hrsg. v. Kyriaki Hadjiafxendi und Polina Mackay. New York [etc.]: Palgrave Macmillan, 2007, S. 131–144.  
Last edited by: joachim 2018-04-20 12:00
Pylyser, Charlotte und Steven Surdiacourt: "De gestileerde auteur. Stijl, auteurschap en grafische literatuur." In: Cahier voor de literatuurwetenschap 5 (2013), S. 17–28.  
Last edited by: joachim 2017-10-01 09:56
Rauscher, Andreas: "Auteuristische Strategien der Adaption und Appropriation in Superhelden-Comicverfilmungen." In: Daumenkino (28. Sept. 2014).  
Added by: joachim 2014-10-04 17:08
Reinerth, Maike Sarah: "Entirely (Self-)Made Up! Animierte Imaginationsdarstellungen in Realspielfilmen." In: Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Hrsg. v. Hans-Joachim Backe et al. Berlin u. Boston: de Gruyter, 2018, S. 231–256.  
Last edited by: joachim 2022-06-09 14:39
Reyns-Chikuma, Chris: "Les Ignorants, récit d’une initiation croisée, d’Etienne Davodeau (2011). Parallèle et solidarité des cultures alternatives du vin et de la bande dessinée." In: Contemporary French Civilization 43.2 (2018), S. 275–304.  
Last edited by: joachim 2020-06-21 15:42
Rime, Jean: "Hergé est un personnage. Quelques figures de la médiation et de l’autoreprésentation dans Les aventures de Tintin." In: Études littéraires 46.2 (2010), S. 27–46.  
Added by: joachim 2013-06-09 17:28
Rioux, Philippe: "Performing Alan Moore. Mise et remises en scène de soi." In: Pop en stock (24. Juni 2014).  
Added by: joachim 2015-11-29 12:49
Round, Julia: "From Comic to Graphic and from Book to Novel. Sandman’s Invisible Authors and the Quest for Literariness." In: The Novel as Network. Forms, Ideas, Commodities. Hrsg. v. Tim Lanzendörfer und Corinna Norrick-Rühl. (New Directions in Book History.) New York [etc.]: Palgrave Macmillan, 2020, S. 137–162.  
Last edited by: joachim 2021-10-20 12:36
Sacks, Jason: "Earth’s Mightiest (Dysfunctional) Family. The Evolution of The Avengers Under Jim Shooter." In: The Ages of the Avengers. Essays on the Earth’s Mightiest Heroes in Changing Times. Hrsg. v. Joseph J. Darowski. Jefferson: McFarland, 2014, S. 31–44.  
Last edited by: joachim 2021-04-06 10:29
Saika, Tadahiro: "How creators depict creating manga. Mangaka manga as authenticating discourse." In: Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale. Hrsg. v. Jaqueline Berndt. (Global Manga Studies, 1.) Kyoto: International Manga Research Center, Kyoto Seika University, 2010, S. 99–109.  
Added by: joachim 2017-06-14 12:54
Salter, Anastasia und Mel Stanfill: A Portrait of the Auteur as Fanboy. The Construction of Authorship in Transmedia Franchises. Jackson: Univ. Press of Mississippi, 2020.  
Last edited by: joachim 2020-11-17 11:12
Schlam, Helena Frenkil: "Contemporary Scribes. Jewish American Cartoonists." In: Shofar 20.1 (2001), S. 94–112.  
Last edited by: joachim 2019-08-30 14:31
Schlichting, Laura: Authorship in Comics Journalism. Konstanz: UVK, 2021. (391 S.)  
Last edited by: joachim 2021-08-10 11:08
Scott, Keith: "No Guru, No Method, No Teacher. “Grant Morrison” and Grant Morrison™." In: ImageTexT 8.2 (2015).  
Added by: joachim 2017-08-10 10:01
Scott, Ronnie und Elizabeth MacFarlane: "Peculiar integrations. Adaptations, experimentations and authorships in The Long Weekend in Alice Springs." In: TEXT 22.2 (2018).  
Last edited by: joachim 2019-07-23 11:34
Smith, Matthew J. "Auteur Criticism. The Re-Visionary Works of Alan Moore." In: Critical Approaches to Comics and Graphic Novels. Theories and Methods. Hrsg. v. Matthew J. Smith und Randy Duncan. London, New York: Routledge, 2012, S. 178–188.  
Last edited by: joachim 2014-03-11 17:09
Smith, Clay: "Get Gaiman? PolyMorpheus Perversity in Works by and about Neil Gaiman." In: ImageTexT 4.1 (2008).  
Last edited by: joachim 2013-06-05 18:17
Stein, Daniel: Authorizing Superhero Comics. On the Evolution of a Popular Serial Genre. (Studies in Comics and Cartoons.) Columbus: Ohio State Univ. Press, 2021. (315 S.)  
Last edited by: joachim 2021-12-05 11:33
---: "Popular Seriality, Authorship, Superhero Comics. On the Evolution of a Transnational Genre Economy." In: Media Economies. Perspectives on American Cultural Practices. Hrsg. v. Marcel Hartwig, Evelyne Keitel und Gunter Süß. Trier: Wissenschaftlicher Verlag Trier, 2014, S. 133–157.  
Last edited by: joachim 2017-03-12 12:07
---: "Superhero Comics and the Authorizing Functions of the Comic Book Paratext." In: From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative. Hrsg. v. Daniel Stein und Jan-Noël Thon. (Narratologia, 37.) Berlin u. Boston: de Gruyter, 2013, S. 155–189.  
Last edited by: joachim 2013-10-14 01:39
---: "Was ist ein Comic-Autor? Autorinszenierung in autobiografischen Comics und Selbstporträts." In: Comics. Zur Theorie und Geschichte eines populärkulturellen Mediums. Hrsg. v. Stephan Ditschke, Katerina Kroucheva und Daniel Stein. Bielefeld: Transcript, 2009, S. 201–237.  
Last edited by: joachim 2021-11-16 18:51
Thon, Jan-Noël: "Who’s Telling the Tale? Authors and Narrators in Graphic Narrative." In: From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative. Hrsg. v. Daniel Stein und Jan-Noël Thon. (Narratologia, 37.) Berlin u. Boston: de Gruyter, 2013, S. 67–100.  
Last edited by: joachim 2013-10-14 01:15
Trabado Cabado, José Manuel (Hrsg.): Género y conciencia autoral en el cómic español (1970–2018). (Grafikalismos, 5.) Léon: EOLAS, 2019. (439 S.)  
Last edited by: joachim 2021-01-28 10:46
Wagner, Philipp: Grafische Literatur und Metanarrativität am Beispiel des Comic-Künstlers Jason. Bachelorarbeit (BA), Universität Greifswald, Institut für fremdsprachliche Philologien, Nordische Abt. 2011 (41 S.).  
Last edited by: joachim 2019-09-07 18:13
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