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| Montironi, Maria Elisa. "The Simpsons’ Shakespeare: Hamlet Today: Possible Meanings and Consequences of a Parodic Appropriaton." Between 2. 4 2012. Accessed 16Jun. 2017. <http://ojs.unica.it/ind ... etween/article/view/690>. |
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| Müller, Anja. "Shakespeare Comic Books: Visualizing the Bard for a Young Audience." Adapting Canonical Texts in Children’s Literature. Ed. Anja Müller. New York: Bloomsbury Academic, 2013. 95–112. |
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| Myklebost, Svenn-Arve. "Shakespeare Manga: Early- or Post-modern?." ImageTexT 6. 3 2013. Accessed 23Apr. 2013. <http://www.english.ufl. ... rchives/v6_3/myklebost/>. |
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| Neill, F. Vance. "Interface Rhetoric in Shakespearean Comics: A Study of the Effect of Interface on the Construction of Shakespeare’s Play." ImageTexT 6. 3 2013. Accessed 23Apr. 2013. <http://www.english.ufl. ... xt/archives/v6_3/neill/>. |
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| Perret, Marion D. "Not Just Condensation: How Comic Books Interpret Shakespeare." College Literature 31. (2004): 72–93. |
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| Perret, Marion D. "“And Suit the Action to the Word”: How a Comics Panel Can Speak Shakespeare." The Language of Comics. Word and Image. Eds. Robin Varnum and Christina T. Gibbons. Studies in Popular Culture. Jackson: Univ. Press of Mississippi, 2001. 123–44. |
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| Rokison, Abigail. Shakespeare for Young People: Productions, Versions and Adaptations. London, New York: Continuum, 2012. |
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| Round, Julia. "Subverting Shakespeare? The Sandman #19: “A Midsummer Night’s Dream”." Sub/versions. Cultural Status, Genre and Critique. Eds. Pauline MacPherson, et al. Newcastle upon Tyne: Cambridge Scholars Publ. 2008. 18–33. |
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| Sanders, Joe. "Of Storytellers and Stories in Gaiman and Vess’s “A Midsummer Night’s Dream”." The Sandman Papers. An Exploration of the Sandman Mythology. Ed. Joe Sanders. Seattle: Fantagraphics, 2006. 25–39. |
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