| Anderson, Reynaldo. "Critical Afrofuturism: A Case Study in Visual Rhetoric, Sequential Art, and Post-Apocalyptic Black Identity." The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Eds. Frances Gateward and John Jennings. New Brunswick: Rutgers Univ. Press, 2015. 171–92. |
 
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| Carrington, André. "Drawn into Dialogue: Comic Book Culture and the Scene of Controversy in Milestone Media’s Icon." The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Eds. Frances Gateward and John Jennings. New Brunswick: Rutgers Univ. Press, 2015. 153–70. |
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| Davis, Blair. "Bare Chests, Silver Tiaras and Removable Afros: The Visual Design of Black Comic Book Superheroes." The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Eds. Frances Gateward and John Jennings. New Brunswick: Rutgers Univ. Press, 2015. 193–212. |
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| Duffy, Damian and John Jennings, eds. Out of Sequence: Underrepresented Voices in American Comics. Seattle: Univ. of Washington Press, 2009. |
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| Added by: joachim Last edited by: joachim 1/24/18, 1:20 PM |
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| Fisher, Craig. "Provocation Through Polyphony: Kyle Baker’s Nat Turner." The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Eds. Frances Gateward and John Jennings. New Brunswick: Rutgers Univ. Press, 2015. 255–73. |
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| Francis, Conseula. "American Truths: Blackness and the American Superhero." The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Eds. Frances Gateward and John Jennings. New Brunswick: Rutgers Univ. Press, 2015. 137–52. |
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| Added by: Okwuchi Mba Last edited by: joachim 5/15/19, 2:03 PM |
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| Gateward, Frances and John Jennings, eds. The Blacker the Ink: Constructions of Black Identity in Comics and Sequential Art. New Brunswick: Rutgers Univ. Press, 2015. |
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| Added by: joachim 8/4/15, 9:59 AM |
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| Goldstein, Nancy. "Fashion in the Funny Papers: Cartoonist Jackie Ormes’s American Look." The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Eds. Frances Gateward and John Jennings. New Brunswick: Rutgers Univ. Press, 2015. 95–116. |
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| McWilliams, Sally. "Sex in Yop City: Ivorian Femininity and Masculinity in Abouet and Oubrerie’s Aya." The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Eds. Frances Gateward and John Jennings. New Brunswick: Rutgers Univ. Press, 2015. 45–62. |
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| Added by: Okwuchi Mba Last edited by: joachim 5/15/19, 2:05 PM |
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| Means Coleman, Robin R. and William Lafi Youman. "Graphic Remix: The Lateral Appropriation of Black Nationalism in Aaron McGruder’s The Boondocks." The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Eds. Frances Gateward and John Jennings. New Brunswick: Rutgers Univ. Press, 2015. 117–34. |
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| Added by: Okwuchi Mba Last edited by: joachim 5/15/19, 2:06 PM |
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| Nishikawa, Kinohi. "Daddy Cool: Donald Goines’s Visual Novel." The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Eds. Frances Gateward and John Jennings. New Brunswick: Rutgers Univ. Press, 2015. 215–34. |
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| Added by: Okwuchi Mba Last edited by: joachim 5/15/19, 2:07 PM |
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| Walter, Patrick F. "A Postcolony in Pieces: Black Faces, White Masks and Queer Potentials in Unknown Soldier." The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Eds. Frances Gateward and John Jennings. New Brunswick: Rutgers Univ. Press, 2015. 63–92. |
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| Added by: Okwuchi Mba Last edited by: joachim 5/15/19, 2:14 PM |
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| Wanzo, Rebecca. "It’s a Hero? Black Comics and Satirizing Subjection." The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Eds. Frances Gateward and John Jennings. New Brunswick: Rutgers Univ. Press, 2015. 314–32. |
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| Added by: Okwuchi Mba Last edited by: joachim 5/15/19, 12:46 PM |
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| Whitted, Qiana. "The Blues Tragicomic: Constructing the Black Folk Subject in Stagger Lee." The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Eds. Frances Gateward and John Jennings. New Brunswick: Rutgers Univ. Press, 2015. 235–54. |
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| Added by: joachim Last edited by: joachim 5/15/19, 2:17 PM |
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| Yezbick, Daniel F. "No Sweat! EC Comics, Cold War Censorship, and the Troublesome Colors of “Judgment Day!”." The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Eds. Frances Gateward and John Jennings. New Brunswick: Rutgers Univ. Press, 2015. 19–44. |
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| Added by: Okwuchi Mba Last edited by: joachim 5/15/19, 2:18 PM |
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| Young, Hershini Bhana. "Performance Geography: Making Space in Jeremy Love’s Bayou, Volume 1." The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Eds. Frances Gateward and John Jennings. New Brunswick: Rutgers Univ. Press, 2015. 274–91. |
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| Added by: Okwuchi Mba Last edited by: joachim 5/15/19, 1:24 PM |
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| Ziegler, James J. "A Secret History of Miscegenation: Jimmy Corrigan and the Columbian Exposition of 1893." The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Eds. Frances Gateward and John Jennings. New Brunswick: Rutgers Univ. Press, 2015. 292–313. |
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