Abirached, Zeina. "Artist’s Statement." European Comic Art 8.(2015): 69–86. |
|
Last edited by: joachim 26/03/2021, 16:36 |
|
Ahmed, Maaheen. "Instrumentalising Media Memories: The Second World War According to Achtung Zelig!." European Comic Art 12.(2019): 1–20. |
|
Last edited by: joachim 30/03/2020, 10:42 |
|
Ahrens, Jörn. "Imagine Reality: Negotiating Comics along David B.’s Epileptic." European Comic Art 7.(2014): 64–89. |
|
Last edited by: joachim 04/04/2016, 11:55 |
|
Alary, Viviane. "The Spanish Tebeo." European Comic Art 2.(2009): 253–76. |
|
Added by: joachim 30/09/2010, 01:22 |
|
Baetens, Jan. "North and South in Belgian Comics." European Comic Art 1.(2008): 111–26. |
|
Last edited by: joachim 30/09/2010, 00:30 |
|
Baloup, Clément. "Artist’s Statement." European Comic Art 8.(2015): 52–68. |
|
Added by: joachim 11/08/2016, 15:49 |
|
Baroni, Raphaël. "(Un)natural Temporalities in Comics." European Comic Art 9.(2016): 5–23. |
|
Added by: joachim 10/08/2016, 08:55 |
|
Beaty, Bart. "‘C'est pas du tout ce que tu penses’: Improvisational Narrative Strategies in Ruppert and Mulot's La Maison close." European Comic Art 3.(2010): 81–103. |
|
Added by: joachim 30/09/2010, 01:53 |
|
Beaty, Bart. "A Clear Line to Marcinelle: The Importance of Line in Émile Bravo’s Spirou à Bruxelles." European Comic Art 4.(2011): 199–211. |
|
Added by: joachim 04/07/2012, 23:24 |
|
Beaulieu, Jimmy. "Automythology." European Comic Art 5.(2012): 25–56. |
|
Added by: joachim 09/11/2012, 19:58 |
|
Blank, Juliane. "‘… But Is It Literature?’: Graphic Adaptation in Germany in the Context of High and Popular Culture." European Comic Art 10.(2017): 74–93. |
|
Last edited by: joachim 01/04/2020, 14:49 |
|
Blin-Rolland, Armelle. "Narrative Techniques in Tardi’s Le Der des ders and Voyage au bout de la nuit." European Comic Art 3.(2010): 23–36. |
|
Last edited by: joachim 26/02/2016, 19:03 |
|
Blin-Rolland, Armelle. "Fidelity versus Appropriation in Comics Adaptation: Jacques Carelman’s and Clément Oubrerie’s Zazie dans le métro." European Comic Art 6.(2013): 88–109. |
|
Last edited by: joachim 18/07/2013, 23:03 |
|
Boillat, Alain. "Perspectives on Cinema and Comics: Adapting Feature Films into French-Language Comics Serials during the Post-war Years." European Comic Art 10.(2017): 9–23. |
|
Last edited by: joachim 14/05/2017, 13:41 |
|
Bragard, Véronique. "Conrad’s Two Visions: Intermedial Transgenericity in Anyango and Mairowitz’s Graphic Adaptation of Heart of Darkness." European Comic Art 6.(2013): 45–65. |
|
Last edited by: joachim 18/07/2013, 22:19 |
|
Bumatay, Michelle. "Humor as a Way to Re-Image and Re-Imagine Gabon and France in La vie de Pahé and Dipoula." European Comic Art 5.(2012): 45–66. |
|
Added by: joachim 01/01/2018, 12:39 |
|
Calargé, Carla. "Monsters and Spectacles: A Lesson to Learn and Remember." European Comic Art 5.(2012): 23–44. |
|
Added by: joachim 09/01/2013, 19:21 |
|
Castaldi, Simone. "‘The Inexhaustible Surface of Things’: Stefano Tamburini’s Comic Book Work." European Comic Art 13.(2020): 70–94. |
|
Added by: joachim 06/06/2020, 17:26 |
|
Chavanne, Renaud. "The Composition of Comics." European Comic Art 8.(2015): 111–44. |
|
Added by: joachim 30/01/2016, 18:46 |
|
Chavanne, Renaud. "The Bunker and the Desert: On the Motif of the Cube-panel in Inside Moebius." European Comic Art 13.(2020): 6–36. |
|
Added by: joachim 27/10/2020, 20:52 |
|
Conard, Sébastien and Tom Lambeens. "Duration in Comics." European Comic Art 5.(2012): 92–113. |
|
Added by: joachim 09/01/2013, 19:41 |
|
Cone, Annabelle. "Strange Encounters during Wartime: Bécassine chez les Turcs." European Comic Art 4.(2011): 181–97. |
|
Last edited by: joachim 04/07/2012, 23:02 |
|
Cooke, Rod. "Corroding the Canon in Tintin and the Naturalist Novel." European Comic Art 3.(2010): 145–67. |
|
Added by: joachim 05/07/2012, 08:50 |
|
Crucifix, Benoît. "Rethinking the ‘Memorable Panel’ from Pierre Sterckx to Olivier Josso Hamel." European Comic Art 10.(2017): 24–47. |
|
Added by: joachim 11/12/2017, 14:29 |
|
Crucifix, Benoît and Gert Meesters. "The Medium Is the Message: Olivier Schrauwen’s Arsène Schrauwen beyond Expectations of Autobiography, Colonial History and the Graphic Novel." European Comic Art 9.(2016): 24–62. |
|
Added by: joachim 10/08/2016, 09:06 |
|
Delisle, Philippe. "Flemish Comics versus Communist Atheism: Renaat Demoen’s Au pays de la grande angoisse (1950–1951)." European Comic Art 10.(2017). |
|
Added by: joachim 11/12/2017, 14:40 |
|
Delisle, Philippe. "Flemish Comics versus Communist Atheism: Renaat Demoen’s Au pays de la grande angoisse (1950–1951)." European Comic Art 10.(2017): 66–83. |
|
Last edited by: joachim 06/03/2018, 14:37 |
|
Filc, Dani. "Tintin and Corto Maltese: The European Adventurer Meets the Colonial Other." European Comic Art 13.(2020): 95–121. |
|
Added by: joachim 06/06/2020, 17:38 |
|
Flinn, Margaret C. "High Comics Art: The Louvre and the Bande Dessinée." European Comic Art 6.(2013): 69–94. |
|
Added by: joachim 13/02/2014, 08:32 |
|
Fresnault-Deruelle, Pierre. "The Moulinsart Crypt." European Comic Art 3.(2010): 119–44. |
|
Added by: joachim 05/07/2012, 08:44 |
|
Fresnault-Deruelle, Pierre. "Figurations and Prefigurations in Hergé’s Work, or from Les 7 Boules de cristal to Le Temple du Soleil and Back Again." European Comic Art 4.(2011): 139–45. |
|
Added by: joachim 04/07/2012, 22:21 |
|
Fresnault-Deruelle, Pierre. "A Visit from Philippulus." European Comic Art 10.(2017): 48–65. |
|
Last edited by: joachim 11/12/2017, 14:36 |
|
Gavaler, Chris. "Refining the Comics Form." European Comic Art 10.(2017): 1–23. |
|
Added by: joachim 11/12/2017, 14:24 |
|
Giaufret, Anna. "‘Corsican Speak’ in Two French Bandes dessinées, or How to Manipulate Communication Rules: A Pragmatic Analysis." European Comic Art 4.(2011): 29–38. |
|
Added by: joachim 05/07/2012, 00:19 |
|
Glaude, Benoît. "Contextualising the Offenstadt Brothers’ Wartime Comics and their Reception from Barrack-Room Comedy to ‘Amazing’ Propaganda." European Comic Art 8.(2015): 9–33. |
|
Added by: joachim 10/08/2016, 14:52 |
|
Gott, Michael. "Reframing European Diasporas in Contemporary France: ‘Second Generation’ Subjectivity and the Road ‘Home’ in Portugal (2011) and La Commedia des ratés (2011)." European Comic Art 6.(2013): 95–125. |
|
Added by: joachim 13/02/2014, 08:40 |
|
Gravett, Paul. "De Luca and Hamlet: Thinking outside the box." European Comic Art 1.(2008): 21–36. |
|
Last edited by: joachim 18/07/2023, 06:17 |
|
Grennan, Simon. "Drawing Dispossession: A New Graphic Adaptation of Anthony Trollope’s John Caldigate." European Comic Art 7.(2014): 4–30. |
|
Added by: joachim 09/01/2015, 10:48 |
|
Groensteen, Thierry. "A Few Words about The System of Comics and More …." European Comic Art 1.(2008): 87–93. |
|
Last edited by: joachim 30/09/2010, 00:31 |
|
Groensteen, Thierry. "The Monstrator, the Recitant, and the Shadow of the Narrator." European Comic Art 3.(2010): 1–21. |
|
Last edited by: joachim 22/04/2021, 12:32 |
|
Groensteen, Thierry. "The Art of Braiding: A Clarification." European Comic Art 9.(2016): 88–98. |
|
Added by: joachim 10/08/2016, 11:47 |
|
Gueydan-Turek, Alexandra. "Cute Girls, Tough Boys: Performing Gender in Algerian Manga." European Comic Art 7.(2014): 85–111. |
|
Last edited by: joachim 13/06/2014, 22:45 |
|
Hausmann, Matthias. "A French Comic Version of an Argentinian Fantastic Narrative: Jean Pierre Mourey’s L’Invention de Morel." European Comic Art 6.(2013): 66–87. |
|
Added by: joachim 18/07/2013, 18:49 |
|
Howell, Jennifer. "Vietnamese Foodways and Viet Kieu Postmemory in Clément Baloup’s Graphic Narratives." European Comic Art 8.(2015): 25–51. |
|
Added by: joachim 11/08/2016, 15:46 |
|
Isabelinho, Domingos. "Héctor Germán Oesterheld: Ethics and Aesthetics of a Humanist." European Comic Art 7.(2014): 31–55. |
|
Added by: joachim 13/06/2014, 21:45 |
|
Kauranen, Ralf. "Visions of Queer Places: Migration and Utopia in Finnish Queer Comics." European Comic Art 15.(2022): 26–45. |
|
Added by: joachim 23/05/2022, 15:04 |
|
Kocak, Kenan. "Interview with Guy Delisle." European Comic Art 7.(2014): 90–114. |
|
Last edited by: joachim 04/04/2016, 12:12 |
|
Krauthaker, Marion and Roy Connolly. "Gazing at Medusa: Adaptation as Phallocentric Appropriation in Blue Is the Warmest Color." European Comic Art 10.(2017): 24–40. |
|
Last edited by: joachim 14/05/2017, 13:50 |
|
Kuhlman, Martha B. "The Silence of the Page: Une trop bruyante solitude: The Graphic Novel Adaptation of Too Loud a Solitude by Bohumil Hrabal." European Comic Art 1.(2008): 157–74. |
|
Last edited by: joachim 30/09/2010, 00:46 |
|
Kuhlman, Martha B. "Haunting the Borderlands: Graphic Novel Representations of the German Expulsion." European Comic Art 6.(2013): 110–28. |
|
Added by: joachim 18/07/2013, 18:26 |
|
Kunzle, David. "The Gourary Töpffer Manuscript of Monsieur Jabot: A Question of Authenticity. With the Dating and Distribution of Rodolphe Töpffer's First Published Picture Story, and the World's First Modern Comic Strip." European Comic Art 2.(2009): 173–203. |
|
Added by: joachim 30/09/2010, 01:10 |
|
Lagerwall, Sonia. "Drawing the Written Woman: Philippe Druillet’s Adaptation of Gustave Flaubert’s Salammbô." European Comic Art 7.(2014): 31–63. |
|
Added by: joachim 04/04/2016, 12:03 |
|
Lefèvre, Pascal. "The Conquest of Space: Evolution of Panel Arrangements and Page Layouts in Early Comics Published in Belgium (1880–1929)." European Comic Art 2.(2009): 227–52. |
|
Last edited by: joachim 27/01/2015, 13:36 |
|
Lefèvre, Pascal and Morgan Di Salvia. "A Creative Culture Where It Is Hard to Make a Living: The Socio-Economic Situation of Comics Authors and Illustrators in Belgium." European Comic Art 4.(2011): 59–80. |
|
Added by: joachim 05/07/2012, 08:17 |
|
Leishman, David. "Drawing National Boundaries in Barr’s Ba-Bru Comic Strip Advertising." European Comic Art 12.(2019): 65–87. |
|
Last edited by: joachim 27/11/2019, 15:42 |
|
Leroy, Fabrice. "‘Is there any boudin on the moon?’: Depicting Cajun ethnicity in Bec Doux et ses amis." European Comic Art 1.(2008): 127–44. |
|
Last edited by: joachim 30/09/2010, 00:41 |
|
Leroy, Fabrice. "Joann Sfar Conjures Marc Chagall: The Politics of Visual Representation in The Rabbi’s Cat." European Comic Art 4.(2011): 39–57. |
|
Added by: joachim 05/07/2012, 07:57 |
|
Leroy, Fabrice. "Painting the Painter: Meta-Representation and Magic Realism in Joann Sfar’s Chagall en Russie." European Comic Art 5.(2012): 8–22. |
|
Added by: joachim 05/08/2017, 11:00 |
|
Link, Alex. "Psychogeography’s Legacy in From Hell and Watchmen." European Comic Art 9.(2016): 79–99. |
|
Last edited by: joachim 11/08/2018, 11:39 |
|
MacInnes, Iain A. "“For He Bestirred Himself to Protect the Land from the Moors” Depicting the Medieval Reconquista in Modern Spanish Graphic Novels." European Comic Art 11.(2018): 48–65. |
|
Last edited by: joachim 29/01/2022, 16:42 |
|
MacLeod, Catriona. "Sex and Death in Quebec: Female AutobioBD and Julie Doucet’s Changements d’adresses." European Comic Art 5.(2012): 57–70. |
|
Added by: joachim 09/11/2012, 20:05 |
|
Magnussen, Anne. "The New Spanish Memory Comics: The Example of Cuerda de presas." European Comic Art 7.(2014): 56–84. |
|
Added by: joachim 13/06/2014, 22:36 |
|
Manouach, Ilan. "Outlining Conceptual Practices in Comics:." European Comic Art 14.(2021): 102–29. |
|
Last edited by: joachim 09/12/2021, 20:36 |
|
Marshall, Bill. "European Comic Art and Quebec." European Comic Art 5.(2012): 4–8. |
|
Last edited by: joachim 09/11/2012, 20:24 |
|
Martinez, Nicolas. "Reframing the Western Genre in Bande dessinée, from Hollywood to Ledger Art: An Intermedial Perspective." European Comic Art 14.(2021): 74–101. |
|
Last edited by: joachim 09/05/2022, 16:11 |
|
McKinney, Mark. "The Frontier and the Affrontier: French-Language Algerian Comics and Cartoons Confront the Nation." European Comic Art 1.(2008): 175–200. |
|
Last edited by: joachim 30/09/2010, 00:47 |
|
McKinney, Mark. "Interview with Baru: Part 1." European Comic Art 4.(2011): 213–37. |
|
Added by: joachim 04/07/2012, 23:51 |
|
McKinney, Mark. "Interview with Farid Boudjellal." European Comic Art 4.(2011): 1–28. |
|
Added by: joachim 05/07/2012, 00:05 |
|
McKinney, Mark. "Interview with Baru: Part 2." European Comic Art 5.(2012): 67–91. |
|
Added by: joachim 09/01/2013, 19:32 |
|
McPhail, Sean A. "Fall-Out and the German People: The Political Climate in Pausewang’s Novel Die Wolke (1987) and Anike Hage’s Manga Adaptation (2013)." European Comic Art 12.(2019): 41–64. |
|
Last edited by: joachim 26/11/2021, 17:34 |
|
Méon, Jean-Matthieu. "A War Like Any Other … Or Nobler? The Great War in the EC Comics." European Comic Art 8.(2015): 61–82. |
|
Last edited by: joachim 30/01/2016, 18:55 |
|
Miller, Ann. "Interview with Joost Swarte." European Comic Art 3.(2010): 209–15. |
|
Added by: joachim 05/07/2012, 09:06 |
|
Miller, Ann. "Comic Art and Commitment: An Interview with Morvandiau." European Comic Art 4.(2011): 105–23. |
|
Added by: joachim 05/07/2012, 08:39 |
|
Miller, Ann. "Over Under Sideways Down: An Interview with Karrie Fransman." European Comic Art 8.(2016): 15–24. |
|
Added by: joachim 10/08/2016, 22:25 |
|
Miller, Ann and Kaveri Gopalakrishnan. "An Interview with Kaveri Gopalakrishnan." European Comic Art 9.(2016): 99–112. |
|
Added by: joachim 10/08/2016, 11:55 |
|
Moores, John. "A Rousseauian Reading of Gillray’s National Conveniences." European Comic Art 6.(2013): 129–55. |
|
Added by: joachim 18/07/2013, 23:16 |
|
Morgan, Harry. "Graphic Shorthand: From Caricature to Narratology in Twentieth-Century Bande Dessinée and Comics." European Comic Art 2.(2009): 21–40. |
|
Last edited by: joachim 30/09/2010, 00:53 |
|
Morgan, David. "The Crown and the Crowd: Sublimations of Monarchy in Georgian Satirical Prints." European Comic Art 9.(2016): 63–87. |
|
Last edited by: joachim 27/11/2019, 15:47 |
|
Morgan, David. "Looking Awry at Georgian Caricature: Lacan and the Satirists." European Comic Art 12.(2019): 88–110. |
|
Added by: joachim 27/11/2019, 15:46 |
|
Nevins, Mark David. "‘From the Land where the Word Balloons Throw Shadows’: An Interview with Anke Feuchtenberger." European Comic Art 2.(2009): 65–82. |
|
Last edited by: joachim 30/09/2010, 00:56 |
|
Peeters, Benoît. "Between Writing and Image: A Scriptwriter’s Way of Working." European Comic Art 3.(2010): 105–16. |
|
Last edited by: joachim 15/05/2019, 16:01 |
|
Pellegrin, Annick. "Politics as a Carnival in Hergé’s Tintin et les Picaros." European Comic Art 3.(2010): 169–88. |
|
Added by: joachim 05/07/2012, 08:56 |
|
Picone, Michael D. "Comic Art in Museums and Museums in Comic Art." European Comic Art 6.(2013): 40–68. |
|
Added by: joachim 13/02/2014, 01:16 |
|
Plantu. "‘I Must Not Draw …’." European Comic Art 2.(2009): 1–20. |
|
Last edited by: joachim 30/09/2010, 00:50 |
|
Renonciat, Annie. "Arthème Fayard's Magazines and the Promotion of Picture Stories ‘à la française’." European Comic Art 1.(2008): 145–56. |
|
Last edited by: joachim 30/09/2010, 00:43 |
|
Ribbens, Kees. "The First World War in Bande dessinée Scholarship." European Comic Art 4.(2011): 239–44. |
|
Added by: joachim 04/07/2012, 23:34 |
|
Rickman, Lance. "Bande Dessinée and the Cinematograph: Visual Narrative in 1895." European Comic Art 1.(2008): 1–20. |
|
Last edited by: joachim 11/10/2013, 02:16 |
|
Robinette, Nicholas. "Ally Sloper, Escape Magazine and the Situation of English Comics." European Comic Art 10.(2017): 84–102. |
|
Last edited by: joachim 22/04/2021, 12:23 |
|
Rolfe, Christopher. "Round and About the Bande Dessinée Québécoise: From its Early Days to Chiendent." European Comic Art 5.(2012): 9–24. |
|
Added by: joachim 09/11/2012, 19:53 |
|
Rossiter, Caroline. "Early French Caricature (1795–1830) and English Influence." European Comic Art 2.(2009): 41–64. |
|
Last edited by: joachim 30/09/2010, 00:54 |
|
Sabin, Roger. "Ally Sloper on Stage." European Comic Art 2.(2009): 205–25. |
|
Added by: joachim 30/09/2010, 01:14 |
|
Sacerdoti, Yaakova. "A Transtextual Hermeneutic Journey: Horst Rosenthal’s Mickey au camp de Gurs (1942)." European Comic Art 12.(2019): 21–40. |
|
Added by: joachim 27/11/2019, 15:15 |
|
Samson, Jacques. "Adventures of the Proper Name in Tintin in Tibet." European Comic Art 5.(2012): 71–107. |
|
Added by: joachim 14/02/2018, 12:18 |
|
Schehr, Lawrence R. "Fire Escapes to Nowhere: Colin and Cilluffo's World Trade Angels." European Comic Art 3.(2010): 65–80. |
|
Added by: joachim 30/09/2010, 01:47 |
|
Schneider, Greice. "Comics and Everyday Life: From Ennui to Contemplation." European Comic Art 3.(2010): 37–63. |
|
Last edited by: joachim 16/11/2020, 13:20 |
|
Scholz, Michael F. "The First World War and the German Revolution of 1918–1919 in East German Comics." European Comic Art 8.(2015): 34–60. |
|
Added by: joachim 30/01/2016, 18:43 |
|
Screech, Matthew. "Autobiographical Innovations: Edmond Baudoin’s Éloge de la poussière." European Comic Art 1.(2008): 57–85. |
|
Last edited by: joachim 30/09/2010, 00:37 |
|
Screech, Matthew. "A Tale of Three Candides: Sfar, Meyran and Delcourt Recount Voltaire." European Comic Art 6.(2013): 14–44. |
|
Added by: joachim 18/07/2013, 21:55 |
|
Screech, Matthew. "Gauguin and Van Gogh Meet the Ninth Art: Postmodernism and Myths about Great Artists." European Comic Art 13.(2020): 21–44. |
|
Last edited by: joachim 01/10/2023, 08:31 |
|
Scully, Richard. "The Cartoon Emperor: The Impact of Louis Napoleon Bonaparte on European Comic Art, 1848–1870." European Comic Art 4.(2011): 147–80. |
|
Added by: joachim 04/07/2012, 22:38 |
|