| Berndt, Jaqueline. "Japanische Massenkultur im Wandel: Ästhetisch-kulturelle prozesse im gegenwärtigen japan am beispiel massenliterarischer bestseller und manga." Dissertation Dr. phil. Humboldt-Universität zu Berlin, 1990. |
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| Added by: joachim 10/17/10, 12:21 PM |
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| Berndt, Jaqueline. "Japanische Bilderwelten: Popularität des manga und visualitätskultur." Comics Anno (1995): 228–40. |
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| Last edited by: joachim 7/29/13, 3:34 PM |
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| Berndt, Jaqueline. Phänomen Manga: Comic-kultur in japan. Japan-Edition. Berlin: edition q, 1995. |
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| Last edited by: joachim 10/17/10, 12:06 PM |
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| Berndt, Jaqueline. El fenómeno manga. Ediciones Martínez Roca, 1996. |
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| Last edited by: joachim 4/20/13, 6:22 PM |
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| Berndt, Caroline M. "Popular Culture as Political Protest: Writing the reality of sexual slavery." Journal of Popular Culture 31.(1997): 177–87. |
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| Added by: joachim 5/29/12, 5:53 PM |
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| Berndt, Jaqueline. "»Verkunstung« des Comics. Wo japanische Kunstwissenschaft und Mangastudien sich bislang begegnen." Thesis. Wissenschaftliche Zeitschrift der Bauhaus-Universität Weimar (1998): 52–73. |
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| Last edited by: joachim 7/30/09, 2:57 PM |
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| Berndt, Jaqueline. "The Time of Comics. Reading a Post/historical Art Form from the Perspective of Manga." Aesthetics 11.(2004): 13–19. |
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| Last edited by: joachim 7/30/09, 3:05 PM |
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| Berndt, Jaqueline. "Beweglich, flächig, glatt »japan« und »manga« in den arbeiten des künstlers murakami takashi." Facetten der japanischen Populär- und Medienkultur 1.(2005): 5–36. |
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| Last edited by: joachim 11/10/11, 3:34 PM |
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| Berndt, Jaqueline. "Comics an der Uni: Japanisch-deutsche erfahrungen mit japanologie und kunstwissenschaft. erfahrungsbericht zur daad-gastdozentur, universität leipzig/japanologie, ss 2005." 2005. Accessed 4 Aug. 2011. <http://www.uni-leipzig. ... daad_bericht_berndt.pdf>. |
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| Last edited by: joachim 8/4/11, 7:29 PM |
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| Berndt, Jaqueline. "Etikett »Manga«: Comics als alltagsreferenz und exotikum bei gegenwärtigen japanischen künstlern." Ostasiatische Zeitschrift (2006): 19–28. |
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| Last edited by: joachim 5/14/10, 10:43 PM |
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| Berndt, Jaqueline. "Subculture und Otaku – Manga und Anime in Japan als Nischenkulturen." Veröffentlichungen des Japanisch-Deutschen Zentrums Berlin. Reihe 1. Deutsch 54.(2006): 28–41. |
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| Added by: joachim 8/11/15, 10:05 AM |
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| Berndt, Jaqueline. "Traditions of Contemporary Manga (1). Relating Comics to Premodern Art." SIGNs. Studies in Graphic Narratives 1.(2008): 33–47. |
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| Last edited by: joachim 11/13/09, 12:27 AM |
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| Berndt, Jaqueline. "Shōjo global: Japanische mädchenmanga zwischen kitsch und kritik." kjl&m 61.(2009): 32–38. |
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| Last edited by: joachim 11/19/10, 1:34 AM |
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| Berndt, Jaqueline, ed. Comics Worlds and the World of Comics: Towards scholarship on a global scale. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2010. |
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| Added by: joachim 6/14/17, 12:49 PM |
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| Berndt, Frauke. "Über die ästhetische Erziehung des Menschen oder: Von Schiller zu Magneto." Figurationen (2011): 81–99. |
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| Last edited by: joachim 1/17/20, 1:25 PM |
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| Berndt, Jaqueline. "Facing the Nuclear Issue in a “Mangaesque” Way: The barefoot gen anime." Cinergie 2 2012. Accessed 20 Apr. 2013. <http://www.cinergie.it/?p=1840>. |
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| Last edited by: joachim 4/20/13, 7:34 PM |
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| Berndt, Jaqueline, ed. Intercultural Crossovers, Transcultural Flows Manga/comics. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2012. |
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| Last edited by: joachim 5/30/12, 10:05 PM |
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| Berndt, Jaqueline, ed. Manhwa, Manga, Manhua East asian comics studies. Leipziger Ostasien-Studien. Leipzig: Leipziger Universitätsverlag, 2012. |
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| Added by: joachim 12/21/12, 5:38 PM |
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| Berndt, Jaqueline. "Manga ist nicht gleich Manga: Plädoyer für eine differenzierung." Aus Politik und Zeitgeschichte 64.(2014): 49–54. |
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| Last edited by: joachim 8/21/14, 2:54 PM |
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| Berndt, Jaqueline. "Studying Comics From Southeast Asia." Kyoto Review of Southeast Asia 16 2014. Accessed 6 Jan. 2016. <http://kyotoreview.org/ ... cs-from-southeast-asia/>. |
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| Added by: joachim 1/7/16, 10:16 AM |
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| Berndt, Jaqueline. Manga: Medium, Kunst und Material Manga: medium, art and material. Leipzig: Leipziger Universitätsverlag, 2015. |
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| Last edited by: joachim 8/11/15, 1:07 PM |
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| Berndt, Jaqueline. "'Comfort Women' Comics, Multifaceted Revisiting the 2014 manhwa exhibit in angoulême from the perspective of manga studies." Orientaliska Studier (2016): 143–69. |
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| Added by: joachim 6/23/20, 2:11 AM |
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| Berndt, Jaqueline. "Reflections: Writing comics into art history in contemporary japan." Konsthistorisk tidskrift/Journal of Art History 86.(2017): 67–74. |
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| Last edited by: joachim 3/12/18, 7:10 PM |
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| Berndt, Jaqueline. "Anime in Academia: Representative object, media form, and japanese studies." Arts 7.4 2018. Accessed 30 Aug. 2020. <https://www.mdpi.com/2076-0752/7/4/56>. |
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| Last edited by: joachim 8/30/20, 12:44 PM |
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| Berndt, Jaqueline. "Manga als Kunst: Zur sprache des comic in der bildenden kunst der 90er jahre." Referate des 10. Deutschsprachigen Japanologentages vom 9. bis 12. Oktober 1996 in München. Eds. Ulrich Apel, Josef Holzapfel and Peter Pörtner. München: Japan-Zentrum der Ludwig-Maximilians-Universität, 1997. 336–41. |
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| Added by: joachim 4/1/19, 1:18 PM |
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| Berndt, Jaqueline. "Hand in Hand: Kouno fumiyos mangaserie kono sekai no katasumi ni (in this corner of the world) im vergleich zur anime-adaptation durch katabuchi sunao." Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung. Eds. Hans-Joachim Backe, et al. Berlin u. Boston: de Gruyter, 2018. 53–84. |
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| Last edited by: joachim 11/11/18, 12:06 PM |
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| Berndt, Jaqueline. "Introduction: Attempts at cross-cultural comics studies." Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2010. 5–16. |
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| Added by: joachim 1/25/11, 12:32 AM |
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| Berndt, Jaqueline. "Manga x Museum in Contemporary Japan." Manhwa, Manga, Manhua. East Asian Comics Studies. Ed. Jaqueline Berndt. Leipziger Ostasien-Studien. Leipzig: Leipziger Universitätsverlag, 2012. 141–50. |
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| Added by: joachim 12/21/12, 6:39 PM |
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| Berndt, Jaqueline. "The Intercultural Challenge of the “Mangaesque”: Reorienting manga studies after 3/11." Manga’s Cultural Crossroads. Eds. Jaqueline Berndt and Bettina Kümmerling-Meibauer. Routledge Advances in Art and Visual Studies. London, New York: Routledge, 2013. 65–84. |
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| Added by: joachim 2/14/14, 9:20 AM |
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| Berndt, Jaqueline. "‘Adult’ Manga: Maruo suehiro's historically ambiguous comics." Reading Manga. Local and Global Perceptions of Japanese Comics. Eds. Jaqueline Berndt and Steffi Richter. Mitteldeutsche Studien zu Ostasien. Leipzig: Leipziger Universitätsverlag, 2006. 107–25. |
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| Last edited by: joachim 5/14/10, 8:12 PM |
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| Berndt, Jaqueline. "Skim as Girl: Reading a japanese north american graphic novel through manga lenses." Drawing New Color Lines. Transnational Asian American Graphic Narratives. Ed. Monica Chiu. Global Connections. Hong Kong: Hong Kong Univ. Press, 2015. 257–78. |
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| Last edited by: joachim 8/29/18, 1:03 PM |
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| Berndt, Jaqueline. "Manga für Erwachsene. Maruo Suehiros vampyristische Nostalgie." Szenarien des Comic. Helden und Historien im Medium der Schriftbildlichkeit. Eds. Stefanie Diekmann and Matthias Schneider. Berlin: SuKuLTuR, 2005. 128–42. |
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| Last edited by: joachim 7/30/09, 3:07 PM |
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| Berndt, Jaqueline. "‘Real’ Manga: Diversity, hybridity, relationalities." Shinjigen. Manga hyōgen no genzai. Manga Realities. Exploring the Art of Japanese Comics Today. Eds. Yasuko Furuichi and Mito Geijutsukan. Tōkyō: Kokusai Kōryū Kikin, 2010. 203–09. |
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| Last edited by: joachim 8/29/13, 4:54 PM |
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| Berndt, Jaqueline. "Un/sichtbare Nacktheit. Zur kulturellen und ästhetischen Spezifik japanischer Comics." Nacktheit. Ästhetische Inszenierungen im Kulturvergleich. Ed. Kerstin Gernig. Literatur – Kultur – Geschlecht. Kleine Reihe. Köln, Weimar, Wien: Böhlau, 2002. 327–48. |
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| Last edited by: joachim 7/30/09, 3:00 PM |
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| Berndt, Jaqueline. "Von Japan aus gesehen: Comics und Ästhetik." Ästhetik. Aufgabe(n) einer Wissenschaftsdisziplin. Eds. Karin Hirdina and Renate Reschke. Freiburg im Breisgau: Rombach, 2004. 135–44. |
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| Last edited by: joachim 7/30/09, 3:03 PM |
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| Berndt, Jaqueline. "Manga and ‘Manga’: Contemporary japanese comics and their dis/similarities with hokusai manga." Civilisation of Evolution, Civilisation of Revolution. Metamorphoses in Japan 1900–2000. Eds. Arkadiusz Jabłoński, Stanisław Meyer and Morita Kōji. Kraków: Muzeum Sztuki i Techniki Japońskiej Manggha, 2009. 210–22. |
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| Last edited by: joachim 2/20/11, 11:27 PM |
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| Berndt, Jaqueline and Bettina Kümmerling-Meibauer, eds. Manga’s Cultural Crossroads. Routledge Advances in Art and Visual Studies. London, New York: Routledge, 2013. |
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| Last edited by: joachim 6/25/20, 11:57 AM |
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| Berndt, Jaqueline. "Considering Manga Discourse: Location, ambiguity, historicity." Japanese Visual Culture. Explorations in the World of Manga and Anime. Ed. Mark W. MacWilliams. Armonk: M. E. Sharpe, 2008. 351–69. |
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| Last edited by: joachim 12/15/10, 2:25 AM |
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| Berndt, Jaqueline. "Permeability and Othering: The relevance of “art” in contemporary japanese manga discourse." Critical Perspectives on Twentieth Century Japanese Thought. Ed. Livia Monnet. Montreal: Montreal Univ. Press, 2001. 349–75. |
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| Last edited by: joachim 5/14/10, 10:47 PM |
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| Berndt, Jaqueline. "Mangamania: Dis/continuities, perspective changes and diversity." Ga-netchū! The Manga Anime Syndrome. Eds. Hans-Peter Reichmann and Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008. 12–23. |
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| Added by: joachim 2/15/11, 11:41 AM |
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| Berndt, Jaqueline. "Mangamania: Dis/kontinuitäten, perspektivenwechsel, vielfalt." Ga-netchū! Das Manga Anime Syndrom. Eds. Hans-Peter Reichmann and Stephan von der Schulenburg. Frankfurt am Main: Deutsches Filmmuseum/Deutsches Filminstitut, 2008. 12–23. |
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| Last edited by: joachim 2/15/11, 11:14 AM |
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| Berndt, Jaqueline. "Eine zeitlos schöne Nation: Das neue geschichtslehrbuch als bildergeschichte." Vergangenheit im Gesellschaftskonflikt. Ein Historikerstreit in Japan. Ed. Steffi Richter. 2003. 191–217. |
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| Last edited by: joachim 5/14/10, 10:49 PM |
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| Berndt, Jaqueline and Steffi Richter, eds. Reading Manga. Local and Global Perceptions of Japanese Comics. Mitteldeutsche Studien zu Ostasien. Leipzig: Leipziger Universitätsverlag, 2006. |
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| Last edited by: joachim 8/21/09, 2:50 AM |
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| Berndt, Jaqueline. "Historical Adventures of a Posthistorical Medium: Japan's wartime past as represented in manga." Contested Views of a Common Past. Revisions of History in Contemporary East Asia. Ed. Steffi Richter. Globalgeschichte. Frankfurt am Main: Campus, 2008. 287–320. |
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| Last edited by: joachim 10/24/10, 3:02 AM |
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| Berndt, Jaqueline. "Bilderwelten: Popularität des manga und visualitätskultur." Ästhetik und Ästhetisierung in Japan. Ed. Werner Schaumann. München: iudicium, 1993. 41–53. |
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| Added by: joachim 4/1/19, 1:05 PM |
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| Berndt, Jaqueline. "Ghostly: ‘asian graphic narratives,’ nonnonba, and manga." From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative. Eds. Daniel Stein and Jan-Noël Thon. Narratologia. Berlin u. Boston: de Gruyter, 2013. 363–84. |
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| Last edited by: joachim 10/14/13, 1:54 AM |
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| Berndt, Jaqueline. "A Manifold ‘Flat Battlefield’: The critical potential of manga as seen through okazaki kyoko’s works." LIFE, English Supplement to Exhibition Catatalogue. Ed. Mizuki Takahashi. Contemporary Art Center, Art Tower Mito, 2006. 23–26. |
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| Last edited by: joachim 8/11/15, 10:17 AM |
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| Berning, Nora. Towards a Critical Ethical Narratology: Analyzing value construction in literary non-fiction across media. Handbücher und Studien zur Medienkulturwissenschaft. Trier: Wissenschaftlicher Verlag Trier, 2013. |
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| Last edited by: joachim 11/6/13, 8:27 PM |
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| Berninger, Mark. "Workshop II: Comics in School." Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives. Eds. Mark Berninger, Jochen Ecke and Gideon Haberkorn. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2010. 245–52. |
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| Berninger, Mark. "Workshop III: Teaching Comics and Literary Studies—Neil Gaiman and Charles Vess’ “A Midsummer Night’s Dream”." Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives. Eds. Mark Berninger, Jochen Ecke and Gideon Haberkorn. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2010. 253–64. |
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| Berninger, Mark. "“Scott Pilgrim Gets It Together”: The cultural crossovers of bryan lee o’malley." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 243–56. |
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| Berninger, Mark, Jochen Ecke, and Gideon Haberkorn, eds. Comics as a Nexus of Cultures: Essays on the interplay of media, disciplines and international perspectives. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2010. |
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| Berns, Jörg Jochen. Film vor dem Film: Bewegende und bewegliche bilder als mittel der imaginationssteuerung in mittelalter und früher neuzeit. Marburg: Jonas Verl, 2000. |
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| Berns, Jörg Jochen. "Horribilicinefax: Von geburt und gebaren des daumenkino-flipp-flick-muto-blow- & gaukelbuchs." Die Jagd auf die Nymphe Echo. Zur Technisierung der Wahrnehmung in der Frühen Neuzeit. Presse und Geschichte – Neue Beiträge. Bremen: edition lumière, 2011. 417–26. |
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| Bernstein, Frank. "Beim Iuppiter, was für ein Circus! Asterix bei den römischen spielen." Asterix und seine Zeit. Die große Welt des kleinen Galliers. Ed. Kai Brodersen. München: C.H. Beck, 2001. 143–58. |
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| Beronä, David A. "Picture Stories: Eric drooker and the tradition of woodcut novels." Inks 2.(1995): 2–11. |
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| Beronä, David A. "Breaking Taboos: Sexuality in the work of will eisner and the early wordless novels." International Journal of Comic Art 1.(1999): 90–103. |
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| Beronä, David A. "Pumping Iron: Male stereotypes in delisle’s albert et les autres." International Journal of Comic Art 6.(2004): 299–315. |
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| Beronä, David A. "A Renegade of Expression: David wojnarowicz’s autofiction in comics." Image [&] Narrative 9.2 2008. Accessed 27 Oct. 2012. <http://www.imageandnarr ... utofiction2/berona.html>. |
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| Beronä, David A. Wordless Books: The original graphic novels. New York: Abrams, 2008. |
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| Beronä, David A. "Woodcut Novels: Cutting a path to the graphic novel." Comics Forum 2013. Accessed 9 Sep. 2013. <http://comicsforum.org/ ... ovel-by-david-a-berona/>. |
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| Beronä, David A. "Wordless Comics: The imaginative appeal of peter kuper’s the system." Critical Approaches to Comics and Graphic Novels. Theories and Methods. Eds. Matthew J. Smith and Randy Duncan. London, New York: Routledge, 2012. 17–26. |
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| Beronä, David A. "Pictures Speak in Comics without Words: Pictorial principles in the works of milt gross, hendrik dorgathen, eric drooker, and peter kuper." The Language of Comics. Word and Image. Eds. Robin Varnum and Christina T. Gibbons. Studies in Popular Culture. Jackson: Univ. Press of Mississippi, 2001. 19–39. |
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| Berra, John. "Deep, Deep, Down The social satire of mario bava’s danger: diabolik." Film International 10.(2012): 44–51. |
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| Berres, Werner P. Accessed 20 Aug. 2019. Fachmagazin-Index – Das ICOM-Magazin: Mit verweisen zur gesamten deutschsprachigen periodischen comic-fachpresse 1989–1995. [Online]. Available: http://www.comic-i.com/Index/Index.html |
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| Berres, Werner P. Comic-Fachpressen-Index 1989–1995. Zebra Sonderband. Köln: Georg K. Berres, 1999. |
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| Berres, Werner P. Comic-Fachpressen-Index 1999. Zebra Sonderband. Köln: Georg K. Berres, 2000. |
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| Berres, Werner P. Comic-Fachpressen-Index 1996–1999: Register deutschsprachige [sic] comic-fach-periodica. Zebra Sonderband. Köln: Georg K. Berres, 2001. |
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| Berres, Werner P. Comic-Fachpressen-Index 2000: Inhaltsverzeichnis und register deutschsprachiger comic-fachperiodika. Zebra Sonderband. Köln: Georg K. Berres, 2002. |
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| Berres, Werner P. Annotierter Index historischer Personen und Comics in Michael Chabon's Die unglaublichen Abenteuer von Kavalier und Clay. Zebra Sonderband. 2nd ed. Köln: Georg K. Berres, 2008. |
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| Berres, Werner P. and René Waran. Comixene-Index. Zebra Sonderband. Köln: Georg K. Berres, 1987. |
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| Berry, Ellen E. "Becoming-Girl/Becoming-Fly/Becoming-Imperceptible: Gothic posthumanism in lynda barry’s cruddy: an illustrated novel." A Companion to American Gothic. Ed. Charles L. Crow. Blackwell Companions to Literature and Culture. Chichester: Wiley-Blackwell, 2014. 405–17. |
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| Berse, Gerald. Accessed 19 Feb. 2013. The Unofficial Handbook of Marvel Comics Creators German Edition. [Online]. Available: http://www.marvelguide.de/ |
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| Berse, Gerald, ed. HIT Comics und Williams: Der ultimative führer durch die dt. marvel horror storys. HIT Chronik. Selbstverl, 2011. |
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| Berse, Gerald, ed. Williams, Bastei, Condor und Co. Der ultimative führer durch die dt. marvel horror storys. HIT Chronik. Selbstverl, 2011. |
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| Berthel, Teresa. "Geschichtsbewusstsein wecken: Ein besonderer zugang zum thema nationalsozialismus anhand der graphic novel die suche." Praxis Deutsch (2012): 28–34. |
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| Bertho-Lavenir, Catherine. "Pourquoi ces menhirs ? Les métamorphoses du mythe celtique." Ethnologie française 28.(1998): 303–11. |
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| Berthomé, Jean-Pierre. "Réalisateurs: Leur passé de dessinateurs." Cinéma et bande dessinée. Ed. Gilles Ciment. CinémAction. Condé-sur-Noireau: Corlet, 1990. |
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| Berthou, Benoît. "La bande dessinée franco-belge: Quelle industrie culturelle ?." Textyles (2010): 43–57. |
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| Berthou, Benoît, ed. La bande dessinée: Quelle lecture, quelle culture ?. Paris: Éd. de la Bibliothèque publique d’information, 2015. |
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| Berthou, Benoît and Jacques Dürrenmatt, eds. Style(s) de (la) bande dessinée. Perspectives comparatistes. Paris: Classiques Garnier, 2019. |
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| Berthou, Benoît and Jean-Philippe Martin. "La lecture de bande dessinées : quelle étude?." La bande dessinée: quelle lecture, quelle culture?. Ed. Benoît Berthou. Études et Recherches. Éd. de la Bibliothèque publique d’information, 2015. 1–35. |
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| Berthou, Benoît. "Médiation, figuration, traduction Trois conceptions de l’adaptation d’œuvres littéraires en bande dessinée." Bande dessinée et adaptation. Littérature, cinéma, TV. Eds. Benoît Mitaine, David Roche and Isabelle Schmitt-Pitiot. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2015. 61–80. |
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| Bertin, Jean-Marie. "Thoughts and Views on Raymond Peynet, French Artist and Universal Poet." International Journal of Comic Art 3.(2001): 109–19. |
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| Bertin, Jean-Marie. "Press Cartoons in France: A short history." International Journal of Comic Art 11.(2009): 231–71. |
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| Bertossa, Luca. "Motive für die Lektüre des Comics »Dylan Dog« und Persönlichkeit: Eine untersuchung zur multifunktionalität des verhaltens." Dissertation Dr. phil. Universität Zürich, 2001. |
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| Besand, Anja. "Was wir von Zombies lernen können: Politische grundfragen in the walking dead." Von Game of Thrones bis House of Cards. Politische Perspektiven in Fernsehserien. Ed. Anja Besand. Bielefeld: Transcript, 2018. 27–49. |
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| Besel, Jennifer M. The Captivating, Creative, Unusual History of Comic Books. Unusual Histories. Bloomington: Capstone, 2011. |
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| Besozzi, Michael T. "“To Blaze Forever in a Blazing World”: Queer reconstruction and cultural memory in the works of alan moore." Thesis Master of Arts. Georgia State University, 2011. |
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