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| Becattini, Alberto. "Baker of Cheesecake: An appreciation of matt baker, good girl artist surpreme." Matt Baker. The Art of Glamour. Eds. Jim Amash and Eric Nolen-Weathington. Raleigh: TwoMorrows, 2012. 36–65. |
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| Becattini, Alberto, et al. I Disney Italiani. L’arte delle Nuvole. 2 vols. Roma: NPE, 2012. |
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| Becattini, Alberto and Jim Vadeboncoeur Jr. "The Matt Baker Checklist: An annotated index of matt baker’s professional work." Matt Baker. The Art of Glamour. Eds. Jim Amash and Eric Nolen-Weathington. Raleigh: TwoMorrows, 2012. 68–95. |
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| Becegato, Vinicius Idalgo. "Colosso às Avessas: A influência de “the colossus of ylourgne” em “almost colossus”, de hellboy." Anais do Seminário Nacional de Literatura, História e Memória 12.(2015). |
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| Bechdel, Alison. The Indelible Alison Bechdel: Confessions, comix and miscellaneous dykes to watch out for. Ithaca: Firebrand Books, 1998. |
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| Bechdel, Alison. "Transcript of Alison Bechdel’s talk at the Institut Charles V – Université Paris VII in January 2007." GRAAT on-line 1 2007. Accessed 29 Jul. 2009. <http://www.graat.fr/bechdel004aaaa.pdf>. |
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| Beck, Rose Marie. "Comic in Swahili or Swahili Comic?." Afrikanistische Arbeitspapiere 60.(1999): 67–101. |
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| Beck, Rose Marie. "Popular media for HIV/AIDS prevention? Comparing two comics: kingo and the sara communication initiative." Journal of Modern African Studies 44.(2006): 513–41. |
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| Becker, Stephen. Comic Art in America. New York: Simon and Schuster, 1959. |
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| Becker, Thomas, ed. Comic: Intermedialität und legitimität eines popkulturellen mediums. Bochum: Ch.A. Bachmann, 2011. |
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| Becker, Thomas. Die Lust am Unseriösen: Zur politischen unschärfe ästhetischer erfahrung. Fundus. Hamburg: Philo Fine Arts, 2011. |
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| Becker, Thomas. "Wer hat Angst vor der Neunten Kunst? Kurze archäologie eines legitimierungsdiskurses." Triëdere (2012): 5–13. |
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| Becker, Thomas. "Enki Bilal’s Woman Trap: Reflections on authorship under the shifting boundaries between order and terror in the cities." Comics and the City. Urban Space in Print, Picture and Sequence. Eds. Jörn Ahrens and Arno Meteling. London, New York: Continuum, 2010. 265–78. |
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| Becker, Thomas. "Comiclibido der Nouvelle Vague und die Folgen: Zur ästhetik der oszillierenden übertreibung im autorenfilm (godard) und autorencomic (moebius)." Comic. Intermedialität und Legitimität eines popkulturellen Mediums. Ed. Thomas Becker. Bochum: Ch.A. Bachmann, 2011. 63–76. |
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| Becker, Thomas. "Einführung: Legitimität des comics zwischen interkulturellen und intermedialen transfers." Comic. Intermedialität und Legitimität eines popkulturellen Mediums. Ed. Thomas Becker. Kultur- und Medientheorie. Bochum: Ch.A. Bachmann, 2011. 7–19. |
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| Becker, Thomas. "Fieldwork in aesthetics: On comics’ social legitimacy." Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2010. 110–22. |
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| Becker, Thomas. "Cool premedialisation as symbolic capital of innovation: On intercultural intermediality between comics, literature, film, manga, and anime." Intercultural Crossovers, Transcultural Flows. Manga/Comics. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2011. 107–17. |
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| Becker, Michael and Gerald Berse, eds. HIT Comics: Der ultimative führer durch das bsv-chaos. HIT Chronik. Selbstverl, 2010. |
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| Becker, Thomas. "Graphic Novel – eine ›illegitime‹ Medienkombination?." Der neue Wettstreit der Künste. Legitimation und Dominanz im Zeichen der Intermedialität. Eds. Uta Degner and Norbert Christian Wolf. Bielefeld: Transcript, 2010. 167–86. |
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| Becker, Thomas. "Genealogie der autobiografischen Graphic Novel: Zur feldsoziologischen analyse intermedialer strategien gegen ästhetische normalisierungen." Comics. Zur Theorie und Geschichte eines populärkulturellen Mediums. Eds. Stephan Ditschke, Katerina Kroucheva and Daniel Stein. Bielefeld: Transcript, 2009. 239–64. |
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| Becker, Thomas. "Comic – eine illegitime Kunst? Sozioanalyse der lust an einem hybriden medium." Struktur und Geschichte der Comics. Beiträge zur Comicforschung. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2010. 309–26. |
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| Becker, Thomas. "Vom Bubblegum zum Holocaust: Art spiegelmans maus." Mediale Erregungen? Autonomie und Aufmerksamkeit im Literatur- und Kulturbetrieb der Gegenwart. Eds. Markus Joch, et al. Tübingen: Niemeyer, 2009. 309–30. |
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| Becker, Andreas. "Lady Snowblood (Shurayukihime) und Lone Wolf and Cub (Kozure Ôkami): Ein vergleich zwischen weiblicher und männlicher rache im manga und in der filmadaption." Mörderinnen. Künstlerische und mediale Inszenierungen weiblicher Verbrechen. Eds. Hyunseon Lee and Isabel Maurer Queipo. Bielefeld: Transcript, 2013. 197–218. |
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| Becker, Romain. "How a German Publisher Appropriates Comics It Did Not Originally Publish." Comics and Agency. Eds. Vanessa Ossa, Jan-Noël Thon and Lukas R. A. Wilde. Comics Studies. Berlin u. Boston: de Gruyter, 2022. 59–80. |
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| Beckett, Chris. "Reading Watchmen." 2015. Accessed 12 Jun. 2018. <http://www.readingwatchmen.com>. |
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| Beckett, Jennifer. "Acting with Limited Oversight: S.h.i.e.l.d. and the role of intelligence and intervention in the marvel cinematic universe." Assembling the Marvel Cinematic Universe. Essays on the Social, Cultural and Geopolitical Domains. Eds. Julian C. Chambliss, William Svitavsky and Daniel Fandino. Jefferson: McFarland, 2018. 203–18. |
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| Beckman, Frida. "Good Girl Art – facing images of women in David Mack’s Kabuki." Journal of Graphic Novels and Comics 2.(2011): 39–54. |
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| Beckman, Karen and Liliane Weissberg, eds. On Writing with Photography. Minneapolis: Univ. of Minnesota Press, 2013. |
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| Bedenbecker, Karina. "Im Schatten keiner Türme: Art spiegelmans künstlerisch-literarische auseinandersetzung mit dem terroranschlag 9/11." Krieg und Literatur / War and Literature 25.(2019): 7–46. |
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| Beers Fägersten, Kristy. Language Play in Contemporary Swedish Comic Strips. Language Play and Creativity. Berlin, Boston: De Gruyter Mouton, 2020. |
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| Beers Fägersten, Kristy. "The Use of English in the Swedish-Language Comic Strip Rocky." Linguistics and the Study of Comics. Ed. Frank Bramlett. New York [etc.]: Palgrave Macmillan, 2012. 239–63. |
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| Beez, Jigal and Stefanie Kolbusa. "Kibiriti Ngoma: Gender relations in swahili comics and taarab-music." Stichproben 3.(2003): 49–71. |
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| Beez, Jigal. "How Asterix Learnt Swahili: The tanzanian appropriation of a french cartoon." Crossing borders. Interdisciplinary approaches to Africa. Ed. Anne Schröder. Vol. 23. Berlin [etc.]: LIT, 2004. 99–116. |
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| Béghain, Véronique and Isabelle Licari-Guillaume, eds. Les traducteurs de bande dessinée. Translators of Comics. Translations. Bordeaux: Presses Univ. de Bordeaux, 2019. |
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| Begley, Joshua. "Ceci N’est Pas Une Femme: The negation of the male gaze in gail simone’s red sonja and alex de campi’s grindhouse: doors open at midnight." Works & Days 32.(2014): 181–205. |
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| Behlman, Lee. "The Escapist: Fantasy, folklore, and the pleasures of the comic book in recent jewish american holocaust fiction." Shofar 22.(2004): 56–71. |
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| Behr, Maiko. "Undefining Gender in Shimizu Reiko’s Kaguyahime." U.S.-Japan Women's Journal (2003): 8–29. |
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| Behringer, Marco. Der Holocaust in Sprechblasen: Erinnerung im comic. Marburg: Tectum, 2009. |
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| Behringer, Marco. Green and Clean? Alternative energiequellen in science fiction und utopie. Marburg: Tectum, 2017. |
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| Behringer, Marco. "Geschichte des Antisemitismus im Comic: Didaktische kriterien zur prüfung der tauglichkeit von comics für den schuleinsatz." Rechtsextremismus, Rassismus und Antisemitismus in Comics. Ed. Ralf Palandt. Berlin: Archiv der Jugendkulturen, 2011. 325–36. |
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| Behrisch Elce, Erika. "“In Sum, Evil Has Prevailed” The moral morass of science and exploration in jacques tardi’s the arctic marauder." Steaming into a Victorian Future. A Steampunk Anthology. Eds. Julie Anne Taddeo and Cynthia J. Miller. Lanham: Scarecrow, 2013. 105–23. |
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| Beikirch, David. "Unendliche Landschaft der Träume." Kartografie der Träume. Die Kunst des Marc-Antoine Mathieu. Eds. David Beikirch and Matthias Wagner K. Berlin: Ch.A. Bachmann, 2017. 15–20. |
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| Beikirch, David and Matthias Wagner K, eds. Kartografie der Träume: Die kunst des marc-antoine mathieu. Berlin: Ch.A. Bachmann, 2017. |
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| Beil, Benjamin and Hanns Christian Schmidt. "The World of The Walking Dead – Transmediality and Transmedial Intermediality." Acta Universitatis Sapientiae, Film and Media Studies 10.(2016): 73–88. |
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| Beineke, Colin. "“Her Guardiner”: Alan moore’s swamp thing as the green man." ImageTexT 5.4 2011. Accessed 7 Aug. 2011. <http://www.english.ufl. ... /archives/v5_4/beineke/>. |
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| Beineke, Colin. "Towards a Theory of Comic Book Adaptation." Thesis Master of Arts. University of Nebraska-Lincoln, 2011. |
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| Belk, Russell. "Material Values in the Comics: A content analysis of comic books featuring themes of wealth." Journal of Consumer Research 14.(1987): 26–42. |
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| Bell, Elizabeth S. "The Incredible Hulk as Modern Grail Quest." Studies in Popular Culture 5.(1982): 56–60. |
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| Bell, John, ed. Canuck Comics: A guide to comic books published in canada. Montreal: Matrix, 1986. |
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| Bell, John. Guardians of the North: The national superhero in canadian comic-book art. Ottawa: National Archives of Canada, 1992. |
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| Bell, John. Invaders from the North: How canada conquered the comic book universe. Toronto: Dundurn Press, 2006. |
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| Bell, Mark. "The Salvation of Comics: Digital prophets and iconoclasts." Review of Communication 6.(2006): 131–40. |
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| Bell, Blake. Strange and Stranger: The world of steve ditko. Seattle: Fantagraphics, 2008. |
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| Bell, Blake. Fire & Water Bill everett, the sub-mariner and the birth of marvel comics. Seattle: Fantagraphics, 2010. |
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| Bell, John. "Introduction: Yes, There Are Canadian Comic Books." Canuck Comics. A Guide to Comic Books Published in Canada. Ed. John Bell. Montreal: Matrix, 1986. 13–18. |
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| Bell, Blake. "Comic Books Kinky Hooks: Five faces of steve ditko." Dripping with Fear. The Steve Ditko Archives Volume 5. Ed. Blake Bell. Seattle: Fantagraphics, 2015. 7–17. |
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| Bell, Anthea. "Translating Astérix." Translation. Here and There. Now and Then. Eds. Jane Taylor, Edith McMorran and Guy Leclercq. Exeter: Elm Bank, 1996. 125–38. |
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| Bell, Blake and Michael J. Vassallo. The Secret History of Marvel Comics: Jack kirby and the moonlighting artists at martin goodman’s empire. Seattle: Fantagraphics, 2013. |
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| Bellefroid, Thierry. François Schuiten: L’horloger du rêve. Tournai: Casterman, 2013. |
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| Added by: joachim 2/16/12, 9:07 AM |
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| Belloï, Livio and Fabrice Leroy. Pierre La Police: Une esthétique de la malfaçon. Paris: Serious Publ, 2019. |
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| Last edited by: joachim 1/12/22, 7:09 PM |
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| Bellwald, Waltraut. Globi, ein Freund fürs Leben Die erfolgsgeschichte einer reklamefigur. Zürich: Orell Füssli, 2003. |
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| Added by: joachim 9/26/09, 2:01 PM |
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