| Manfredi, Mirella, Neil Cohn, and Marta Kutas. "When a hit sounds like a kiss: An electrophysiological exploration of semantic processing in visual narrative." Brain and Language 169. (2017): 28–38. |
 
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| Itō, Kimio. "When a “male” reads shōjo manga." Comics Worlds and the World of Comics. Towards Scholarship on a Global Scale. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2010. 169–75. |
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| Bauer, Thomas. "When an energy drink exalts a table tennis hero: Brand placement and subvertising in the manga ping-pong dash!! by honda shingo." Loisir et Société / Society and Leisure 41. (2018): 233–49. |
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| Barbour, Chad A. "When Captain America Was an Indian: Heroic masculinity, national identity, and appropriation." Journal of Popular Culture 48. (2015): 269–84. |
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| Hoffman, Matthew A. and Sara Kolmes. "When Clark Met Diana: Friendship and romance in comics." Wonder Woman and Philosophy. The Amazonian Mystique. Ed. Jacob M. Held. Hoboken: Wiley, 2017. 81–90. |
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| Bitz, Michael. When Commas Meet Kryptonite: Classroom lessons from the comic book project. Language and Literacy. New York: Teachers College Pr. 2010. |
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| Healey, Karen. "When Fangirls Perform: The gendered fan identity in superhero comics fandom." The Contemporary Comic Book Superhero. Ed. Angela Ndalianis. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2009. 144–63. |
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| Rae, Neil and Jonathan Gray. "When Gen-X Met the X-Men: Retextualizing comic book film reception." Film and Comic Books. Eds. Ian Gordon, Mark Jancovich and Matthew P. McAllister. Jackson: Univ. Press of Mississippi, 2007. 86–100. |
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| Fanasca, Marta. "When girls draw the sword: dansō, cross-dressing and gender subversion in japanese shōjo manga." Queer Studies in Media & Popular Culture 6. (2021): 3–18. |
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| Dik, Bryan Jay. "When I Grow up I Want to be a Superhero." The Psychology of Superheroes. An Unauthorized Exploration. Eds. Robin S. Rosenberg and Jennifer Canzoneri. Psychology of Popular Culture. Dallas: Benbella Books, 2008. 91–103. |
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| Dallacqua, Ashley Kaye. "“When I write, I picture it in my head”: Graphic narratives as inspiration for multimodal compositions." Language Arts 95. (2018): 273–86. |
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| Sereni, Eleonora. "“When I‘m Bad, I’m Better”: From early villainesses to contemporary antiheroines in superhero comics." helden. heroes. héros. 8. 1 2020. Accessed 4 Aug. 2020. <https://freidok.uni-freiburg.de/data/166585>. |
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| Gibbard, Nathan. "When Is a Priest Not a Priest? Religious visual literacy in an era of identity politics." Journal of Religion and Popular Culture 29. (2017): 163–76. |
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| Friedmann, Jonathan L. "When Jimmy Blew the Shofar: Midrash and musical invective in superman’s pal jimmy olsen." Journal of Religion and Popular Culture 28. (2016): 43–53. |
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| Darius, Julian. When Manga Came to America: Super-hero revisionism in mai, the psychic girl. Edwardsville: Sequart Research & Literacy Organization, 2014. |
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| Helfand, Michael Todd. "When Mickey Mouse Is as Strong as Superman: The convergence of intellectual property laws to protect fictional literary and pictorial characters." Stanford Law Review 44. (1992): 623–74. |
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| Koops, Robert. "When Moses Meets Dilbert: Similarity and difference in print, audio, and comic-strip versions of the bible." Similarity and Difference in Translation. Eds. Stefano Arduini and Robert Hodgson. Rimini: Guaraldi, 2004. 169–99. |
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| Sommers, Joseph Michael. "When “One Bad Day” Becomes One Dark Knight: Love, madness, and obsession in the adaptation of the killing joke into christopher nolan’s the dark knight." Sexual Ideology in the Works of Alan Moore. Critical Essays on the Graphic Novels. Eds. Todd E. Comer and Joseph Michael Sommers. Jefferson, London: McFarland, 2012. 40–51. |
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| Pedri, Nancy. "When Photographs Aren’t Quite Enough: Reflections on photography and cartooning in le photographe." ImageTexT 6. 1 2011. Accessed 7 May. 2012. <http://www.english.ufl. ... xt/archives/v6_1/pedri/>. |
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| Aquatias, Sylvain. "When Popular Cultures Are Not So Popular: The case of comics in france." CALL 2. 1 2017. Accessed 28 Nov. 2021. <https://arrow.tudublin.ie/priamls/vol2/iss1/5/>. |
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| Albiero, Olivia. "When Public Figures Become Comics: Reinhard kleist’s graphic biographies." Diegesis 8. 1 2019. Accessed 14 Jun. 2019. <https://www.diegesis.un ... egesis/article/view/340>. |
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| Sandifer, Philip. "When Real Things Happen to Imaginary Tigers." ImageTexT 3. 3 2007. Accessed 9 Dec. 2009. <http://www.english.ufl. ... archives/v3_3/sandifer/>. |
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| Pizzino, Christopher. "When Realism Met Romance: The negative zone of marvel’s silver age." The Cambridge History of the Graphic Novel. Eds. Jan Baetens, Hugo Frey and Stephen E. Tabachnick. The Cambridge Companions to Philosophy, Religion and Culture. Cambridge [etc.]: Cambridge Univ. Press, 2018. 107–23. |
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| Thoss, Jeff. When Storyworlds Collide: Metalepsis in popular fiction, film and comics. Studies in Intermediality. Leiden: Brill, 2015. |
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| Dalmaso, Renata. "When Superheroes Awaken: The revisionist trope in neil gaiman’s marvel 1602." Feminism in the Worlds of Neil Gaiman. Essays on the Comics, Poetry and Prose. Eds. Tara Prescott and Aaron Drucker. Jefferson, London: McFarland, 2012. 116–30. |
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| Phillips, Nickie D. and Staci Strobl. "When (super)heroes kill: Vigilantism and deathworthiness in justice league, red team, and the christopher dorner killing spree." Graphic Justice. Intersections of Comics and Law. Ed. Thomas Giddens. London, New York: Routledge, 2015. 109–29. |
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| Gordon, Joel. "When Superman smote Zeus: Analysing violent deicide in popular culture." Classical Receptions Journal 9. 2 2017. Accessed 4 Mar. 2020. <https://doi.org/10.1093/crj/clw008>. |
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| Benton, Bond and Daniela Peterka-Benton. "When the Abyss Looks Back: Treatments of human trafficking in superhero comic books." The Popular Culture Studies Journal 1. 1 & 2 2013. Accessed 8 Oct. 2014. <http://mpcaaca.org/wp-c ... he-Abyss-Looks-Bac1.pdf>. |
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| Benton, Bond and Daniela Peterka-Benton. "When the Abyss Looks Back: Treatments of human trafficking in superhero comic books." Popular Culture Studies Journal 1. (2013): 18–35. |
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| Riches, Adam. When the Comics Went to War: Comic book war heroes. Edinburgh: Mainstream Publ. 2009. |
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| Romero-Jódar, Andrés. "“When the Life Giver Dies, All Around Is Laid Waste”: Structural trauma and the splitting of time in signal to noise, a graphic novel." Journal of Popular Culture 45. (2012): 1000–19. |
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| Napier, Susan J. "When the Machines Stop: Fantasy, reality, and terminal identity in neon genesis evangelion and serial experiments lain." Science Fiction Studies 29. (2002): 418–35. |
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| Napier, Susan J. "When the Machines Stop: Fantasy, reality, and terminal identity in neon genesis evangelion and serial experiments: lain." Robot Ghosts and Wired Dreams. Japanese Science Fiction from Origins to Anime. Eds. Christopher Bolton, Istvan Csicsery-Rony Jr. and Takayuki Tatsumi. Minneapolis: Univ. of Minnesota Press, 2007. 101–22. |
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| Liu, Kuilan. "When the Monkey King Travels across the Pacific and Back: Reading gene luen yang’s american born chinese in china." Drawing New Color Lines. Transnational Asian American Graphic Narratives. Ed. Monica Chiu. Hong Kong: Hong Kong Univ. Press, 2015. 109–24. |
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| Aman, Robert. "When the Phantom became an anticolonialist: Socialist ideology, swedish exceptionalism, and the embodiment of foreign policy." Journal of Graphic Novels and Comics (2018): 1–18. |
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| Helvie, Forrest C. "When the Present Makes Contact with the Past: Comic adaptations and translations of medieval and early modern sources." Works & Days 32. (2014–15): 265–75. |
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| Sommers, Joseph Michael. "When the Zombies Came for Our Children: Exploring posthumanism in robert kirkman’s the walking dead." The Comics Grid 6. 2 2016. Accessed 14 Feb. 2016. <http://www.comicsgrid.com/articles/10.16995/cg.40/>. |
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| Cormier, Jon. "When Things Fall Apart in Hell’s Kitchen: Postcolonialism in bendis’s daredevil." The Devil is in the Details. Examining Matt Murdock and Daredevil. Ed. Ryan K. Lindsay. Edwardsville: Sequart Research & Literacy Organization, 2013. 197–207. |
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| McGlothlin, Erin. "“When time stands still”: Traumatic immediacy and narrative organization in art spiegelman's maus and in the shadow of no towers." The Jewish Graphic Novel. Critical Approaches. Eds. Samantha Baskind and Ranen Omar-Sherman. New Brunswick: Rutgers Univ. Press, 2008. 94–110. |
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| Ayres, Jackson. "When Were Superheroes Grim and Gritty?." Los Angeles Review of Books 2016. Accessed 24 Feb. 2016. <https://lareviewofbooks ... heroes-grim-and-gritty/>. |
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| Darowski, Joseph J. "When You know You’re Just a Comic Book Character: Deadpool." X-Men and Philosophy. Astonishing Insight and Uncanny Argument in the Mutant X-Verse. Eds. Rebecca Housel and J. Jeremy Wisnewski. Blackwell Philosophy and Pop Culture. Hoboken: Wiley, 2009. 107–21. |
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| Kersulov, Michael L., Mary Beth Hines, and Rebecca Rupert. "When Young Writers Draw Their Voices: Creating hybrid comic memoirs with shermann alexie’s the absolutely true diary of a part-time indian." Graphic Novels for Children and Young Adults. A Collection of Critical Essays. Eds. Michelle Ann Abate and Gwen Athene Tarbox. Children’s Literature Association Series. Jackson: Univ. Press of Mississippi, 2017. 171–90. |
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| Engelmann, Jonas. "»When’s he going to play Hava Nagila?«: Die israelische comicszene." Testcard (2010): 196–205. |
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| Fujimoto, Yukari. "Where Is My Place in the World? Early shōjo manga portrayals of lesbianism." Mechademia 9. (2014): 25–42. |
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| Ursini, Francesco-Alessio. "Where Is the Future? An analysis of places and location processes in comics." Visions of the Future in Comics. International Perspectives. Eds. Francesco-Alessio Ursini, Adnan Mahmutovic and Frank Bramlett. Jefferson: McFarland, 2017. 66–84. |
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| Gravett, Paul. "“Where is the use of a book without pictures or conversations?”: Coming to terms with the graphic novel in europe." Third Text 21. (2007): 617–27. |
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| Weingart, Brigitte. "Where is your rupture? Zum transfer zwischen text- und bildtheorie." Die Adresse des Mediums. Eds. Stefan Andriopoulos, Gabriele Schabacher and Eckhard Schumacher. Mediologie. Köln: DuMont, 2001. 136–57. |
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| Fawaz, Ramzi. "“Where No X-Man Has Gone Before!”: Mutant superheroes and the cultural politics of popular fantasy in postwar america." American Literature 83. (2011): 355–88. |
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| Nishimura, Keiko. "Where program and fantasy meet: Female fans conversing with character bots in japan." Transformative Works and Cultures 12 2013. Accessed 2 May. 2013. <http://journal.transfor ... wc/article/view/457/389>. |
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| Kowalewski, Hubert. "“Where the Joke Comes From”: Comical potential of comics in the works of tadeusz baranowski." International Journal of Comic Art 13. (2011): 286–312. |
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| Packard, Stephan. "Wherefore Psychosemiotics?." TRANS – Revue de littérature générale et comparée 6 2008. Accessed 24 Mar. 2010. <http://trans.revues.org/278>. |
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| Bruno, Franklin. "Where’s Nancy? Twenty four i wonder’s." The Believer (2008). |
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| Darowski, Joseph J. "Whether we fear we do too much—or not enough: jla/avengers and the cross-universe causes of conflict." The Ages of the Justice League. Essays on America’s Greatest Superheroes in Changing Times. Ed. Joseph J. Darowski. London: McFarland, 2017. 162–71. |
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| Ursini, Francesco-Alessio, Adnan Mahmutovic, and Frank Bramlett. "Which Side are You On? The worlds of grant morrison." ImageTexT 8. 2 2015. Accessed 2 Nov. 2015. <http://www.english.ufl. ... v8_2/introduction.shtml>. |
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| Gray van Heerden, Chantelle. "White God: Rethinking human and nonhuman subjectivities through underdog-superhero narratives and ahuman theory." Superheroes and Critical Animal Studies. The Heroic Beasts of Total Liberation. Eds. Sean Parson and J. L. Schatz. Lanham [etc.]: Lexington, 2018. 95–112. |
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| Turner, Jacob S. and Lisa G. Perks. "White Men Holding on for Dear Life and Taking It: a content analysis of the gender and race of the victims and killers in the walking dead." Sex Roles 81. (2019): 655–69. |
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| Kasen, Jill H. "Whither the Self-Made Man? Comic culture and the crisis of legitimation in the united states." Social Problems 28. (1980): 131–48. |
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| Marmo, Jennifer. "Who Am I? A discovery of self through comics with buffy, the vampire slayer." Comic Connections. Reflecting on Women in Popular Culture. Ed. Sandra Eckard. Comic Connections. Lanham [etc.]: Rowman & Littlefield, 2018. 55–72. |
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| D’Agostino, Anthony Michael. "“Who are you?”: Representation, identification, and self-definition in black panther." Safundi 20. (2019): 1–4. |
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| Gibson, Mel. "Who does she think she is? Female comic-book characters, second-wave feminism, and feminist film theory." Superheroes and Identities. Eds. Mel Gibson, David Huxley and Joan Ormrod. London, New York: Routledge, 2014. 135–46. |
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| McWilliams, Ora C. S. "Who is afraid of a black Spider(-Man)?." Transformative Works and Cultures 13 2013. Accessed 19 Jun. 2013. <http://journal.transfor ... wc/article/view/455/355>. |
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| Lee, Peter. "Who is Diana Prince? The amazon army nurse of world war ii." Comics as History, Comics as Literature. Roles of the Comic Book in Scholarship, Society, and Entertainment. Ed. Annessa Ann Babic. Madison [etc.]: Fairleigh Dickinson Univ. Press, 2014. 79–92. |
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| Helgason, Jón Karl. "‘Who is this upstart Hitler?’ Norse gods and american comics during the second world war." From Iceland to the Americas. Vinland and historical imagination. Eds. Tim William Machan and Jón Karl Helgason. Manchester Medieval Literature and Culture. Manchester, New York: Manchester Univ. Press, 2020. 198–214. |
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| Moll, Nicholas. "Who isn’t that masked man: The absence of re-authoring in the lone ranger." Australasian Journal of Popular Culture 3. (2014): 207–16. |
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| Molinaro, John. "Who Owns Captain America? Contested authorship, work-for-hire, and termination rights under the copyright act of 1976." Georgia State University Law Review 21. (2004): 565–92. |
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| Sunaoshi, Yukako. "Who reads comics? manga readership among first-generation asian immigrants in new zealand." Popular culture, globalization and Japan. Eds. Matthew Allen and Rumi Sakamoto. Routledge Studies in Asia's Transformations. London, New York: Routledge, 2006. 94–112. |
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| Robinson, Edward J. and David Manning White. "Who Reads the Funnies – And Why?." The Funnies. An American Idiom. Eds. David Manning White and Robert H. Abel. New York: Free Press of Glencoe, 1963. 179–89. |
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| McLain, Karline. "Who Shot the Mahatma? Representing gandhian politics in indian comic books." South Asia Research 27. (2007): 57–77. |
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| Ray, Alice. "Who translates the Watchmen? (re)traduire les héros marginaux d’alan moore." TranscUlturAl 8. 2 2016. Accessed 23 Nov. 2016. <https://ejournals.libra ... p/TC/article/view/27479>. |
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| Cohn, Neil. Who Understands Comics? Questioning the universality of visual language comprehension. New York: Bloomsbury Academic, 2021. |
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| Friedmann, Jonathan L. "Who Was Naamah? insights from robert crumb’s the book of genesis illustrated." Journal of Religion and Popular Culture 31. (2019): 167–76. |
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| Großhans, Sven. "Who watches the Watchm... – Verschwörungstheoretische Symbolhaftigkeit im Comic." Konspiration. Soziologie des Verschwörungsdenkens. Eds. Andreas Anton, Michael Schetsche and Michael K. Walter. Wiesbaden: Springer VS, 2014. 221–38. |
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| Hughes, Jamie A. "“Who Watches the Watchmen?”: Ideology and “real world” superheroes." Journal of Popular Culture 39. (2006): 546–57. |
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| Howard, Leigh Anne. "Who’s messing with Jane? Graphic novels and the jane austen fan." Journal of Fandom Studies 3. (2015): 241–58. |
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| Thon, Jan-Noël. "Who’s Telling the Tale? Authors and narrators in graphic narrative." From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative. Eds. Daniel Stein and Jan-Noël Thon. Narratologia. Berlin u. Boston: de Gruyter, 2013. 67–100. |
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| Kagelmann, H. Jürgen. Who’s who im Comic. München: dtv, 1997. |
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| Bails, Jerry and Hames Ware. Accessed 7 Jan. 2011. Who’s Who of American Comic Books 1928–1999. [Online]. Available: http://www.bailsprojects.com/. |
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| Prince, Michael J. "‘Whose side are you on?’: Negotiations between individual liberty and collective responsibility in millar and mcniven’s marvel civil war." Journal of Graphic Novels and Comics 6. (2015): 182–92. |
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| Packard, Stephan. "“Whose Side Are You On?”: The allegorization of 9/11 in marvel’s civil war." Portraying 9/11. Essays on Representations in Comics, Literature, Film and Theatre. Eds. Véronique Bragard, Christophe Dony and Warren Rosenberg. Jefferson, London: McFarland, 2011. 44–57. |
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| Packard, Stephan. "»Whose Side Are You On?«: Zur allegorisierung von 9/11 in marvels civil war-comics." 9/11 als kulturelle Zäsur. Repräsentationen des 11. September 2001 in kulturellen Diskursen, Literatur und visuellen Medien. Eds. Sandra Poppe, Thorsten Schüller and Sascha Seiler. Bielefeld: Transcript, 2009. 317–36. |
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| Wood, Daniel Davis. "Whose Side Is the Law On? Living with legalistic absurdity in marvel’s civil war." Marvel Comics’ Civil War and the Age of Terror. Critical Essays on the Comic Saga. Ed. Kevin Michael Scott. Jefferson: McFarland, 2015. 26–35. |
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| Marston, William Moulton. "Why 100,000,000 Americans Read the Comics." The American Scholar 13. (1943–44): 1–10. |
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| Durand, Kevin K. "Why Adam West Matters: Camp and classical virtue." Riddle Me This, Batman! Essays on the Universe of the Dark Knight. Eds. Kevin K. Durand and Mary K. Leigh. Jefferson, London: McFarland, 2011. 41–53. |
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| Simonetti, Paolo. "Why Are Comics No Longer Comic? Graphic narratives in contemporary america." Democracy and Difference. The US in Multidisciplinary and Comparative Perspectives. Eds. Giovanna Covi and Lisa Marchi. Labirinti. Trento: Università degli Studi di Trento, 2012. 289–99. |
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| Groensteen, Thierry. "Why Are Comics Still in Search of Cultural Legitimization." A Comics Studies Reader. Eds. Jeet Heer and Kent Worcester. Jackson: Univ. Press of Mississippi, 2009. 3–11. |
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| Groensteen, Thierry. "Why are Comics Still in Search of Cultural Legitimization?." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 29–41. |
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| McLelland, Mark J. "Why Are Japanese Girls’ Comics full of Boys Bonking?." Intensities: The Journal of Cult Media 1 2001. Accessed 18 Aug. 2009. <http://intensities.org/Essays/McLelland.pdf>. |
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| McLelland, Mark J. "Why are Japanese Girls’ Comics full of Boys Bonking?." Refractory 10 2006/2007. Accessed 14 Nov. 2014. <http://refractory.unime ... onking1-mark-mclelland/>. |
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| Brenzel, Jeff. "Why Are Superheroes Good? Comics and the ring of gyges." Superheroes and Philosophy. Truth, Justice, and the Socratic Way. Eds. Tom Morris and Matt Morris. Popular Culture and Philosophy. Chicago: Open Court, 2005. 147–60. |
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| Foresman, Galen. "Why Batman Is Better than Superman." Batman and Philosophy. The Dark Knight of the Soul. Eds. Mark D. White and Robert Arp. The Blackwell Philosophy and Pop Culture Series. Hoboken: Wiley, 2008. 227–38. |
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| Jensen, Helle Strandgaard. "Why Batman was Bad: A scandinavian debate about children’s consumption of comics and literature in the 1950s." Barn 3. (2010): 47–70. |
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