| Stuhlmann, Andreas and Ole Frahm, eds. Die Königin Vontjanze: Kleiner atlas zum werk von anke feuchtenberger. Hamburg: Textem, 2023. |
 
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| Pustka, Elissa, ed. La bande dessinée: Perspectives linguistiques et didactiques. Romanistische Fremdsprachenforschung und Unterrichtsentwicklung. Tübingen: Narr, 2022. |
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| Grutschus, Anke. "« Ça nous fait trop goleri »: La mise en scène de la langue des jeunes dans la bande dessinée et son utilisation en tant que ressource didactique." La bande dessinée. Perspectives linguistiques et didactiques. Ed. Elissa Pustka. Romanistische Fremdsprachenforschung und Unterrichtsentwicklung. Tübingen: Narr, 2022. 267–95. |
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| Beers Fägersten, Kristy. Language Play in Contemporary Swedish Comic Strips. Language Play and Creativity. Berlin, Boston: De Gruyter Mouton, 2020. |
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| Santesso, Esra Mirze. Muslim Comics and Warscape Witnessing. Studies in Comics and Cartoons. Columbus: Ohio State Univ. Press, 2023. |
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| Ball, Blake Scott. Charlie Brown’s America: The popular politics of peanuts. New York: Oxford Univ. Press, 2021. |
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| Michael, Olga. Human Rights in Graphic Life Narrative: Reading and witnessing violations of the ‘other’ in anglophone works. New Directions in Life Narrative. New York: Bloomsbury Academic, 2023. |
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| Poll, Ryan. Aquaman and the War against Oceans: Comics activism and allegory in the anthropocene. Encapsulations. Lincoln: Univ. of Nebraska Press, 2022. |
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| Karnicky, Jeff. The New Nancy: Flexible and relatable daily comics in the twenty-first century. Encapsulations. Lincoln: Univ. of Nebraska Press, 2023. |
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| Lerg, Charlotte A. "Konstruktion und Offenheit – Comic-Geschichtsschreibung in Kanada." Praktiken der Geschichtsschreibung. Vergleichende Perspektiven auf Forschungs- und Vermittlungsprozesse. Eds. Jürgen Büschenfeld, Marina Böddeker and Rebecca Moltmann. Bielefeld: Transcript, 2023. 89–116. |
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| McGarry, Cormac, et al., eds. Superheroes Beyond. Jackson: Univ. Press of Mississippi, 2024. |
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| Lent, John A. and Xu Ying. Comics Art in China. Jackson: Univ. Press of Mississippi, 2017. |
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| Kawashima, Terry. "Seeing Faces, Making Races: Challenging visual tropes of racial difference." Meridians 3. (2002): 161–90. |
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| Levay, Matthew. "Repetition, Recapitulation, Routine: dick tracy and the temporality of daily newspaper comics." Journal of Modern Periodical Studies 9. (2018): 101–22. |
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| Gaspers, Nicolas, Torsten Caeners, and Matthias Keidel, eds. Religiöse Helden: Glaube, religion und moralität in der superheroischen popkultur. Comic-Kulturen. Bielefeld: Transcript, 2023. |
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| Edwards, Jedidiah. "Satan or Savior? Analyzing the conflicting religious imagery of mike mignola’s hellboy." Thesis. Guilford College, 2020. |
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| Kirkpatrick, Ellen. Recovering the Radical Promise of Superheroes: Un/making worlds. Santa Barbara: Punctumbooks, 2023. |
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| Brown, Jeffrey A. Super Bodies: Comic book illustration, artistic styles, and narrative impact. World Comics and Graphic Nonfiction. Austin: Univ. of Texas Press, 2023. |
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| Deman, J. Andrew. The Claremont Run: Subverting gender in the x-men. World Comics and Graphic Nonfiction. Austin: Univ. of Texas Press, 2023. |
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| Borenstein, Eliot. Marvel Comics in the 1970s: The world inside your head. Ithaca: Cornell Univ. Press, 2023. |
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| Schummers, Timo and Maike Jokisch. "Der graphische Historienroman zur Thematisierung des Nationalsozialismus im Literaturunterricht? Eine untersuchung des literar-ästhetischen und literaturdidaktischen potenzials von barbara yelins irmina." Historisches Erzählen in der Gegenwartsliteratur. Positionen der germanistischen Literaturdidaktik. Eds. Sebastian Bernhardt and Jan Standke. Bielefeld: Transcript, 2022. 87–110. |
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| Ingermann, Lisa. "Literarische Ausgestaltung historischer Dokumente: Die funktion der erzählebenen in der comic-adaption das tagebuch der anne frank von ari folman und david polonsky." Historisches Erzählen in der Gegenwartsliteratur. Positionen der germanistischen Literaturdidaktik. Eds. Sebastian Bernhardt and Jan Standke. Bielefeld: Transcript, 2022. 71–86. |
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| Guilbert, Xavier. "Circulations de la bande dessinée : achat, emprunt, collection." La bande dessinée: quelle lecture, quelle culture? Ed. Benoît Berthou. Études et Recherches. Éd. de la Bibliothèque publique d’information, 2015. 74–91. |
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| Anderst, Leah. "“It Both Is and Isn’t My Life”: Autobiography, adaptation and emotion in fun home, the musical." The Comics of Alison Bechdel. From the Outside In. Ed. Janine Utell. Critical Approaches to Comics Artists. Jackson: Univ. Press of Mississippi, 2020. 105–18. |
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| Labarre, Nicolas. "Comics Genres: Cracking the codes." The Cambridge Companion to Comics. Ed. Maaheen Ahmed. Cambridge [etc.]: Cambridge Univ. Press, 2023. 166–84. |
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| Gibson, Mel. "Readers and Fans: Lived comics cultures." The Cambridge Companion to Comics. Ed. Maaheen Ahmed. Cambridge [etc.]: Cambridge Univ. Press, 2023. 287–307. |
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| Rading, Erik. Bildung im Comic: Die pädagogischen elemente des bildungsromans in keiji nakazawas barfuß durch hiroshima. Kieler Berichte. Kiel: Universitätsverl. Kiel, 2023. |
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| Davis, Blair. Christianity and Comics: Stories we tell about heaven and hell. New Brunswick: Rutgers Univ. Press, 2023. |
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| Moura, Pedro, ed. Ilan Manouach in Review: Critical approaches to his conceptual comics. Routledge Advances in Comics Studies. London, New York: Routledge, 2024. |
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| Roman, Christopher Michael. Queering Wolverine in Comics and Fanfiction: A fastball special. Routledge Focus on Gender, Sexuality, and Comics. London, New York: Routledge, 2023. |
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| Werber, Niels and Daniel Stein. "Paratextual Negotiations: Fan forums as digital epitexts of popular superhero comic books and science fiction pulp novel series." Arts 12. 2 2023. Accessed 30 Aug. 2023. <https://www.mdpi.com/2076-0752/12/2/77>. |
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| Nayar, Pramod K. "The Plasto(s)cene: Ecographics in rachel hope allison’s i’m not a plastic bag." Global Perspectives on Eco-Aesthetics and Eco-Ethics. A Green Critique. Eds. Krishanu Maiti and Soumyadeep Chakraborty. Lanham [etc.]: Lexington, 2020. 61–69. |
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| von Reumont, Frederik and Alexandra Budke. "Learning about climate change with comics and text: A comparative study." Sustainability Science 2023. Accessed 24 Aug. 2023. <https://link.springer.c ... 1007/s11625-023-01398-x>. |
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| Crucifix, Benoît. Drawing from the Archives: Comics memory in the contemporary graphic novel. Cambridge Studies in Graphic Narratives. Cambridge [etc.]: Cambridge Univ. Press, 2023. |
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| Fernández, Laura Cristina, Amadeo Gandolfo, and Pablo Turnes, eds. Burning Down the House: Latin american comics in the 21st century. New Delhi: Routledge, 2022. |
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| Revaz, Françoise. "The Poetics of Suspended Narrative." Contemporary French and Francophone Narratology. Ed. John Pier. Theory and Interpretation of Narrative. Columbus: Ohio State Univ. Press, 2020. 92–109. |
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| Tilley, Carol L. "By Sappho’s Stylus! Reading wonder woman with wertham." Journal of Graphic Novels and Comics 9. (2018): 555–65. |
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| Vermes, Timur. Comicverführer. Hamburg: HarperCollins, 2022. |
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| Benash, Richard W. "Black Panther and Blaxploitation: Intersections." Quarterly Review of Film and Video 38. (2021): 45–60. |
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| Jaji, Tsitsi. "Fan mail: what Wakanda means to Zimerican me." Safundi 20. (2019): 30–32. |
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| Nasson, Bill. "Black Panther on its continent: Prowling, pouncing, and parading." Safundi 20. (2019): 26–29. |
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| Coetzee, Carli. "Between the world and Wakanda." Safundi 20. (2019): 22–25. |
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| Omanga, Duncan and Pamela C. Mainye. "More than just a homecoming: The reception of black panther in kenya." Safundi 20. (2019): 18–21. |
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| González, Christopher. "A metonym for the marginalized." Safundi 20. (2019): 14–17. |
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| Makhubu, Nomusa. "On the borders of Wakanda." Safundi 20. (2019): 9–13. |
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| Carrington, André. "From blaxploitation to fan service: Watching wakanda." Safundi 20. (2019): 5–8. |
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| D’Agostino, Anthony Michael. "“Who are you?”: Representation, identification, and self-definition in black panther." Safundi 20. (2019): 1–4. |
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| Bucciferro, Claudia. "Representations of gender and race in Ryan Coogler’s film Black Panther: Disrupting hollywood tropes." Critical Studies in Media Communication 38. (2021): 169–82. |
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| Osei, Elisabeth Abena. "Wakanda Africa do you see? Reading black panther as a decolonial film through the lens of the sankofa theory." Critical Studies in Media Communication 37. (2020): 378–90. |
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| Ward, Jonathan. "Wakanda liberation is this? Interrogating black panther’s relationship with colonialism." Slavery & Abolition 41. (2020): 14–28. |
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| Albarrán-Torres, César and Liam Burke. "Postcolonial Superheroes: Unmasking black panther: wakanda forever and namor, its mesoamerican antihero." Quarterly Review of Film and Video (2023). |
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| Börnchen, Stefan. "Psyche im Farbenfluss: Friedrich schillers körner-aquarell in den avanturen des neuen telemachs." Jahrbuch für Literatur und Psychoanalyse 34. (2015): 291–312. |
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| Börnchen, Stefan. "DING, BINGG, Dings: Kaffee, soundwords und bewegungsspuren in max baitingers comic röhner (2016)." Lauschen und Überhören. Literarische und mediale Aspekte auditiver Offenheit. Eds. Stefan Börnchen and Claudia Liebrand. München: Fink, 2020. 123–58. |
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| Soper, Kerry. "Performing ‘Jiggs’: Irish caricature and comedic ambivalence toward assimilation and the american dream in george mcmanus’s bringing up father." Journal of the Gilded Age and Progressive Era 4. (2005): 173–213. |
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| Scholz, Michael F. "»Comics and Their Creators« (1942): Zu den anfängen der amerikanischen comicforschung." Studien zur Geschichte des Comic. Eds. Bernd Dolle-Weinkauff and Dietrich Grünewald. Berlin: Ch.A. Bachmann, 2023. 129–45. |
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| Becker, Romain. "How a German Publisher Appropriates Comics It Did Not Originally Publish." Comics and Agency. Eds. Vanessa Ossa, Jan-Noël Thon and Lukas R. A. Wilde. Comics Studies. Berlin u. Boston: de Gruyter, 2022. 59–80. |
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| Haist, Iris, ed. Vater und Sohn in Amerika: E.o.plauen trifft frank kings gasoline alley. Berlin: Ch.A. Bachmann, 2023. |
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| Pisula, Radosław and Łukasz Słoński. "Geralt w niewoli kadru: Strategie adaptacyjne i recepcja polskich komiksów o wiedźminie." Wiedźmin – polski fenomen popkultury. Eds. Robert Dudziński and Joanna Płoszaj. Wrocław: Trickster, 2016. 127–40. |
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| Barnes, Spencer. "On the Use of Encapsulation, Parity, and Visual Storytelling in Graphic Medicine." Health Humanities in Application. Eds. Christian Riegel and Katherine M. Robinson. Sustainable Development Goals. New York [etc.]: Palgrave Macmillan, 2023. 265–86. |
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| Frangos, Mike Classon. "Family Journeys: Refugee histories in vietnamese american graphic memoirs." Refugee Genres. Essays on the Culture of Flight and Refuge. Eds. Mike Classon Frangos and Sheila Ghose. New York [etc.]: Palgrave Macmillan, 2022. 45–66. |
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| Connolly, Paula T. "Mickey & Co. Enlist: Disney’s world war ii animated shorts." Forgotten Disney. Essays on the Lesser-Known Productions. Eds. Kathy Merlock Jackson, Carl H. Sederholm and Mark I. West. Jefferson: McFarland, 2023. 22–30. |
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| Horstkotte, Silke and Nancy Pedri. "The Body at Work: Subjectivity in graphic memoir." Subjectivity across Media. 2016. 77–91. |
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| Baetens, Jan. "Série ou collection? Notes sur le roman-photo." Belphégor 19. 1 2021. Accessed 15 Jul. 2023. <https://journals.openedition.org/belphegor/3923>. |
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| Baroni, Raphaël, Gaëlle Kovaliv, and Olivier Stucky. "La transition numérique de la bande dessinée franco-belge, une mutation impossible ?." Belphégor 19. 1 2021. Accessed 15 Jul. 2023. <https://journals.openedition.org/belphegor/3948>. |
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| Means-Shannon, Hannah. "Strength and the Supernatural: Navigating liminal zones in the herakles tradition and alan moore’s tom strong." International Journal of Comic Art 14. (2012): 251–66. |
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| Rauchenbacher, Marina. "Das »Wunder an unserem Kinde«: Körper, dis_ability, krankheit in heidi-comics – am beispiel klara." Wiedersehen mit Heidi. Polyperspektivische Lektüren der Heidi-Romane von Johanna Spyri. Eds. Linda Leskau and Sigrid Nieberle. Bielefeld: Transcript, 2023. 313–32. |
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| Perry, Andrew. "Encrumbed by the Signifying Monkey: Con men, cackling clowns and the exigencies of desire in the comics of robert crumb." International Journal of Comic Art 21. (2019): 4–46. |
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| Kottas, Lisa and Martin Schwarzenbacher. "The Comic at the Crossroads: The semiotics of ‘voodoo storytelling’ in the hole: consumer culture vol. 1." The Comics Grid Accessed 11 Jul. 2023. <https://www.comicsgrid.com/article/id/3591/>. |
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| Kupczyńska, Kalina. "Comics in polnischen Gedenkstätten: „chleb wolnościowy“ von paweł piechnik (2019) im kontext der polnischen holocaust-comics." Geschichte in Wissenschaft und Unterricht 74. (2023): 261–74. |
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| Becegato, Vinicius Idalgo. "Colosso às Avessas: A influência de “the colossus of ylourgne” em “almost colossus”, de hellboy." Anais do Seminário Nacional de Literatura, História e Memória 12. (2015). |
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| Levi, Antonia. "The sweet smell of Japan: Anime, manga, and japan in north america." Journal of Asian Pacific Communication 23. (2013): 3–18. |
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| de la Iglesia, Martin. The Early Reception of Manga in the West. Bildnarrative. Berlin: Ch.A. Bachmann, 2023. |
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| Darowski, John, ed. Adapting Superman: Essays on the transmedia man of steel. Jefferson: McFarland, 2021. |
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| Olsen, Jason. Mark Gruenwald and the Star Spangled Symbolism of Captain America, 1985–1995. Jefferson: McFarland, 2021. |
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| Kee, Chera. "No Grave Can Hold Them: night of the living dead and the rise and rebirth of zombies in comics." Beyond the Living Dead. Essays on the Romero Legacy. Eds. Bruce Peabody and Gloria Pastorino. Contributions to Zombie Studies. Jefferson: McFarland, 2021. 32–53. |
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| Austin, Emma. "Splat Panel Shocks: Romero, ec horror and innovation." Beyond the Living Dead. Essays on the Romero Legacy. Eds. Bruce Peabody and Gloria Pastorino. Contributions to Zombie Studies. Jefferson: McFarland, 2021. 15–31. |
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| Goodman, Alicia M., et al., eds. Judge, Jury and Executioner: Essays on the punisher in print and on screen. Jefferson: McFarland, 2021. |
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| Grande Branger, Luis A. "Aquaman and American White Supremacy." The Cinema of James Wan. Critical Essays. Eds. Fernando Gabriel Pagnoni Berns and Matthew Edwards. Jefferson: McFarland, 2021. 71–90. |
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| Lovasz, Adam. "Aquaman as Meta-Utopia: A nozickian reading." The Cinema of James Wan. Critical Essays. Eds. Fernando Gabriel Pagnoni Berns and Matthew Edwards. Jefferson: McFarland, 2021. 33–52. |
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| Frankel, Valerie Estelle. The Villain’s Journey: Descent and return in science fiction and fantasy. Jefferson: McFarland, 2022. |
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| Stern, Lewis M. Jim Scancarelli: Fiddler, banjo player and gasoline alley cartoonist. Jefferson: McFarland, 2022. |
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| Kahan, Jeffrey. Why We Need Superheroes. Jefferson: McFarland, 2022. |
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| Dalboth, Thomas. Schachnovelle im Comic: Ein komparatistischer blick auf stefan zweigs novelle und thomas humeaus adaption. Siegen Research in Graphic Narrative. Siegen: Universi, 2023. |
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| Schallegger, René Reinhold. "Reality Denied? – On Multicultiphobia, Just Government, and Textual Authority in Zac Thompson’s Relay (2019)." Zeitschrift für Fantastikforschung 10. (2022): 1–18. |
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| Mehrbrey, Sophie. "»We’re all haunted by our choices« – die Verhandlung ethischer Leitlinien in Snowpiercer." Zeitschrift für Fantastikforschung 10. (2022): 1–25. |
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| Hallet, Wolfgang and Martin Lüthe. "Haunted by images of 9/11: Art spiegelman’s graphic novel in the shadow of no towers." Unterricht Englisch (2011): 38–42. |
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| Utell, Janine. Howard Cruse. Biographix. Jackson: Univ. Press of Mississippi, 2023. |
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| Allen, Paul V. Jack Kent: The wit, whimsy, and wisdom of a comic storyteller. Jackson: Univ. Press of Mississippi, 2023. |
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| Givens, Joseph R. and Darius A. Spieth, eds. Robert Williams: Conversations. Conversations with Comic Artists. Jackson: Univ. Press of Mississippi, 2023. |
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| Fraser, Benjamin. Ben Katchor. Biographix. Jackson: Univ. Press of Mississippi, 2023. |
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| Glaude, Benoît. Comics and Novelization: A literary history of bandes dessinées. Routledge Interdisciplinary Perspectives on Literature. London, New York: Routledge, 2023. |
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| Casper, Cord-Christian. "Multiversaler Heroismus im Superhelden-Genre des Comics." Heroen – Helden. Eine Geschichte der literarischen Exorbitanz von der Antike bis zur Gegenwart. Eds. Christoph Petersen and Markus May. Göttingen: Wallstein, 2022. 325–52. |
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| Ahrens, Jörn. "Bringing the War Back Home: Reflecting violence in brian wood’s dmz." Contexts of Violence in Comics. Eds. Ian Hague, Ian Horton and Nina Mickwitz. Routledge Advances in Comics Studies. London, New York: Routledge, 2019. 115–27. |
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| Kaplan, Avery. "Let’s Get Physical." The Comics Journal 2023. Accessed 6 Jun. 2023. <https://www.tcj.com/lets-get-physical/>. |
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| Cates, Isaac. "The Diagram of a Life." The Comics Journal 2012. Accessed 6 Jun. 2023. <https://www.tcj.com/the-diagram-of-a-life/>. |
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| Gilmore, Shawn. "Formal Disruption and Narrative Progress in Building Stories." The Comics Journal 2012. Accessed 6 Jun. 2023. <https://www.tcj.com/for ... ss-in-building-stories/>. |
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| Davis-McElligatt, Joanna. "Body Schemas." The Comics Journal 2012. Accessed 6 Jun. 2023. <https://www.tcj.com/body-schemas/>. |
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| Banita, Georgiana. "The Silent Sublime." The Comics Journal 2012. Accessed 6 Jun. 2023. <https://www.tcj.com/the-silent-sublime/>. |
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| Last edited by: joachim 06/06/2023, 11:46 |
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| Fink, Margaret. "The Toc Toc of “Nothing, Really”." The Comics Journal 2012. Accessed 6 Jun. 2023. <https://www.tcj.com/the-toc-toc-of-nothing-really/>. |
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| Added by: joachim 06/06/2023, 11:28 |
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| Godbey, Matt. "At the Still Point of the Turning World: Chris ware’s building stories and the search for structure in the contemporary city." The Comics Journal 2012. Accessed 6 Jun. 2023. <https://www.tcj.com/at- ... -the-contemporary-city/>. |
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| Last edited by: joachim 06/06/2023, 11:23 |
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