Atkinson, Paul. "Movements within Movements: Following the line in animation and comic books." Animation 4. (2009): 265–81. |
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Bigelow, Susan J. "Technologies of Perception: Miyazaki in theory and practice." Animation 4. (2009): 55–75. |
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Bukatman, Scott. "Comics and the Critique of Chronophotography, or ‘He Never Knew When It Was Coming!’." Animation 1. (2006): 83–103. |
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Dicker, Barnaby. "Dryden Goodwin in Conversation with Barnaby Dicker." Animation 4. (2009): 303–20. |
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Hernández, María Lorenzo. "A Film of One’s Own: The animated self-portraits of young contemporary female animators." Animation 5. (2010): 73–90. |
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Lamarre, Thomas. "Platonic Sex: Perversion and shôjo anime (part one)." Animation 1. (2006): 45–49. |
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Lamarre, Thomas. "Platonic Sex: Perversion and shôjo anime (part two)." Animation 2. (2007): 9–25. |
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Martin, Daniel. "Reanimating the Dark Knight: Superheroes, animation and the critical reception of the lego batman movie." Animation 15. (2020): 93–107. |
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Morton, Drew. "Sketching Under the Influence? Winsor mccay and the question of aesthetic convergence between comic strips and film." Animation 5. (2010): 295–312. |
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Added by: joachim 08/11/2011, 17:09 |
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Ndalianis, Angela. "The Frenzy of the Visible in Comic Book Worlds." Animation 4. (2009): 237–48. |
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Pedler, Martyn. "The Fastest Man Alive: Stasis and speed in contemporary superhero comics." Animation 4. (2009): 249–63. |
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Pitkethly, Clare. "Derrida, Deleuze and a Duck: The movement of the circulating differential in comic book analysis." Animation 4. (2009): 283–302. |
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Shin, Hyewon. "Voice and Vision in Oshii Mamoru’s Ghost in the Shell: Beyond cartesian optics." Animation 6. (2011): 7–23. |
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Added by: joachim 05/03/2014, 23:57 |
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