Wanzo, Rebecca. The Content of Our Caricature: African American Comic Art and Political Belonging. Postmillennial Pop. New York, London: New York Univ. Press, 2020.
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|Resource type: Book
Language: en: English
ID no. (ISBN etc.): 9781479840083
BibTeX citation key: Wanzo2020
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Keywords: Caricature, Ethnicity, Stereotypes, USA
Publisher: New York Univ. Press (New York, London)
Revealing the long aesthetic tradition of African American cartoonists who have made use of racist caricature as a black diasporic art practice, Rebecca Wanzo demonstrates how these artists have resisted histories of visual imperialism and their legacies. Moving beyond binaries of positive and negative representation, many black cartoonists have used caricatures to criticize constructions of ideal citizenship in the United States, as well as the alienation of African Americans from such imaginaries. The Content of Our Caricature urges readers to recognize how the wide circulation of comic and cartoon art contributes to a common language of both national belonging and exclusion in the United States.
Historically, white artists have rendered white caricatures as virtuous representations of American identity, while their caricatures of African Americans are excluded from these kinds of idealized discourses. Employing a rich illustration program of color and black-and-white reproductions, Wanzo explores the works of artists such as Sam Milai, Larry Fuller, Richard “Grass” Green, Brumsic Brandon Jr., Jennifer Cruté, Aaron McGruder, Kyle Baker, Ollie Harrington, and George Herriman, all of whom negotiate and navigate this troublesome history of caricature. The Content of Our Caricaturearrives at a gateway to understanding how a visual grammar of citizenship, and hence American identity itself, has been constructed.
Table of Contents
Introduction: A Visual Grammar of Citizenship (1)
1. “Impussanations,” Coons, and Civic Ideals: A Black Comics Aesthetic (31)
To Caricature, with Love: A Black Panther Coda (207)