| Abate, Michelle Ann. "‘Always gettin’ in trouble’: The Li’l Tomboy comic-book series, the good female consumer, and the fifties bad girl." Journal of Graphic Novels and Comics 6. (2015): 59–90. |
 
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| Abate, Michelle. "Art Spiegelman’s In the Shadow of No Towers as Board Book: From the Matter of Materiality to the Way That Materiality Matters." Jeunesse 7. 2 2015. Accessed 17Feb. 2016. <http://www.jeunessejour ... p/yptc/article/view/253>. |
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| Abel, Julia and Christian Klein, eds. Comics und Graphic Novels: Eine Einführung. Stuttgart: Metzler, 2015. |
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| Abel, Julia and Christian Klein. "Leitfaden zur Comicanalyse." Comics und Graphic Novels. Eine Einführung. Eds. Julia Abel and Christian Klein. Stuttgart: Metzler, 2015. 77–106. |
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| Abirached, Zeina. "Artist’s Statement." European Comic Art 8. (2015): 69–86. |
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| Acheson, Charles. "Expanding the Role of the Gutter in Nonfiction Comics: Forged Memories in Joe Sacco’s Safe Area Goražde." Studies in the Novel 47. (2015): 291–307. |
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| Adin, Mariah. The Brooklyn Thrill-Kill Gang and the Great Comic Book Scare of the 1950s. Santa Barbara: Praeger, 2015. |
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| Aeschimann, Éric and Nicoby. La révolution Pilote 1968–1972: Les années Goscinny, quand la bande dessinée est devenue adulte! Paris: Dargaud, 2015. |
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| Ahmed, Maaheen. "State Protection and Identification in Hellboy: Of reformed devils and other Others in the Pentagon." European Journal of American Studies 10. 2 2015. Accessed 12Oct. 2015. <https://ejas.revues.org/10938>. |
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| Ahrens, Jörn. "Krieg Gottes? Der Kampf der Engel und Dämonen in Ted McKeevers Metropol." Comics – Bilder, Stories und Sequenzen in religiösen Deutungskulturen. Eds. Jörn Ahrens, Frank Thomas Brinkmann and Nathanael Riemer. Wiesbaden: Springer VS, 2015. 257–75. |
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| Ahrens, Jörn. "Engel aus Eisen: Ted McKeevers Mini-Comicserie Metropol als Apokalypse der modernen Gesellschaft." Aktualität des Apokalyptischen. Zwischen Kulturkritik und Kulturversprechen. Eds. Olaf Briese, Richard Faber and Madleen Podewski. Würzburg: Königshausen & Neumann, 2015. 201–22. |
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| Ahrens, Jörn, Frank Thomas Brinkmann, and Nathanael Riemer, eds. Comics – Bilder, Stories und Sequenzen in religiösen Deutungskulturen. Wiesbaden: Springer VS, 2015. |
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| Al-Jawad, Muna. "Comics are Research: Graphic Narratives as a New Way of Seeing Clinical Practice." Journal of Medical Humanities 36. (2015): 369–74. |
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| Alaniz, José. "Does Khrushchev Tell Kennedy? Superpowered Rivalry and Silver Age Iron Man." The Ages of Iron Man. Essays on the Armored Avenger in Changing Times. Ed. Joseph J. Darowski. London, New York: McFarland, 2015. 51–76. |
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| Alary, Viviane, Danielle Corrado, and Benoît Mitaine, eds. Autobio-graphismes: Bande dessinée et représentation de soi. L’Équinoxe. Chêne-Bourg: Georg, 2015. |
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| Aldous, Steve. The World of Shaft: A Complete Guide to the Novels, Comic Strip, Films and Television Series. Jefferson, London: McFarland, 2015. |
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| Alegría Sabogal, Diego Cristóbal. "Voices Staged and Shaded: Comic Collaborations between P. Craig Russell and Neil Gaiman." Cuadernos Literarios 9. (2015). |
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| Ali, Nyala. "Outsiders and Onlookers: Formulations of Girlhood in Two Novels by Mariko Tamaki." Jeunesse 7. 1 2015. Accessed 16Aug. 2019. <http://jeunessejournal. ... p/yptc/article/view/291>. |
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| de Almeida, Moana Luri. "The Evil Woodcutter and the Amazon Jungle: What Comics Have Taught Me About the Environment." Popular Culture Studies Journal 3. (2015): 386–414. |
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| Alonso Jerez, Marta. "New Gender Identities in the Twenty-First Century: Blending Victorian and Steampunk Cultures." Victorianomania. Reimagining, Refashioning, and Rewriting Victorian Literature and Culture. Eds. Simonetta Falchi, Greta Perletti and Maria Isabel Romero Ruiz. Critica letteraria e linguistica. Milano: FrancoAngeli, 2015. 59–72. |
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| Amano, Ikuho. "Visualizing the self in comedic pathos: Japanese autobiographical manga at the limit of multiculturalism." East Asian Journal of Popular Culture 1. (2015): 239–53. |
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| Ambühl, Annemarie. "Die Coma Berenices im Comic." thersites 1 2015. Accessed 20May. 2019. <http://www.thersites.un ... .php/thr/article/view/6>. |
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| Amihay, Ofra. "Red Diapers, Pink Stories: Color Photography and Self-Outing in Jewish Women’s Comics." Image [&] Narrative 16. 2 2015. Accessed 13Jul. 2015. <http://www.imageandnarr ... rative/article/view/811>. |
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| Anderson, Emily R. "Sin City, Style, and the Status of Noir." Critical Approaches to the Films of Robert Rodriguez. Ed. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2015. 81–102. |
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| Anderson, Reynaldo. "Critical Afrofuturism: A Case Study in Visual Rhetoric, Sequential Art, and Post-Apocalyptic Black Identity." The Blacker the Ink. Constructions of Black Identity in Comics and Sequential Art. Eds. Frances Gateward and John Jennings. New Brunswick: Rutgers Univ. Press, 2015. 171–92. |
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| Anderson, Kane. "Becoming Batman: Cosplay, Performance, and Ludic Transformation at Comic-Con." Play, Performance, and Identity. How Institutions Structure Ludic Spaces. Eds. Matt Omasta and Drew Chappell. New York & London: Routledge, 2015. 105–16. |
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| Andersson, Fred. "An Artist, a Cowboy and Some Ontological Jokes: A Nordic Contribution to the Understanding of Comics in Art." Comics and Power. Representing and Questioning Culture, Subjects and Communities. Eds. Rikke Platz Cortsen, Erin La Cour and Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015. 44–71. |
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| Arnerud Mejhammar, Kristina. "On Politics, Everyday Life, and Humor in Cecilia Torudd’s Comic Strip Ensamma mamman." Comics and Power. Representing and Questioning Culture, Subjects and Communities. Eds. Rikke Platz Cortsen, Erin La Cour and Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015. 131–53. |
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| de Assis, Érico Gonçalves. "The Letterer as a Translator in Comics Translation." Comics – Übersetzungen und Adaptionen. Ed. Nathalie Mälzer. TRANSÜD. Berlin: Frank & Timme, 2015. 251–68. |
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| Aurylaite, Kristina. "Spatial Politics and a Native American Reservation: Reading Red Power: A Graphic Novel with Author Brian Wright-McLeod." European Journal of American Studies 10. 2 2015. Accessed 15Aug. 2015. <http://ejas.revues.org/10863>. |
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| Aust, Robin M. "Transformationstechniken und intermediale Zitate in Karasiks und Mazzucchellis Paul Austers Stadt aus Glas." Graphisches Erzählen. Neue Perspektiven auf Literaturcomics. Eds. Florian Trabert, Mara Stuhlfauth-Trabert and Johannes Waßmer. Bielefeld: Transcript, 2015. 285–300. |
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| Austin, Shannon. "Batman’s Female Foes: The Gender War in Gotham City." Journal of Popular Culture 48. (2015): 285–95. |
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| Aúz García, Rocío A. and Tobias Lotter. "Superman in Mekka: Botschaften und Rezeption des islamischen Superhelden Comics." Comics – Bilder, Stories und Sequenzen in religiösen Deutungskulturen. Eds. Jörn Ahrens, Frank Thomas Brinkmann and Nathanael Riemer. Wiesbaden: Springer VS, 2015. 235–54. |
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| Backe, Hans-Joachim. "Alan Moores League of Extraordinary Gentlemen: Comics als/über/durch Literaturgeschichte." Literaturgeschichte und Bildmedien. Eds. Achim Hölter and Monika Schmitz-Emans. Hermeia. Heidelberg: Synchron, 2015. 293–310. |
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| Backe, Hans-Joachim. "Preachers, Butchers, Politicians, or: The Gravitational Pull of Liminal Superheroes." Breaking the Panel! Comics as a Medium. Eds. Rebecca Klütsch, Sina A. Nitzsche and Stefan Schlensag. masteRResearch. Berlin [etc.]: LIT, 2015. 21–36. |
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| Baetens, Jan. "Adapting and displaying multiple temporalities: What became of Trollope’s John Caldigate and Maupassant’s Boule de Suif in Simon Grennan’s Dispossession and Dino Battaglia’s Contes et nouvelles de guerre?." Transforming Anthony Trollope. Dispossession, Victorianism and Nineteenth-Century Word and Image. Eds. Simon Grennan and Laurence Grove. Studies in European Comics and Graphic Novels. Leuven: Leuven Univ. Press, 2015. 15–32. |
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| Baetens, Jan. "“Fun Home”: Novela gráfica y posmodernidad." deSignis (2015): 21–28. |
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| Baetens, Jan. "L’adaptation, une stratégie d’écrivain ?." Bande dessinée et adaptation. Littérature, cinéma, TV. Eds. Benoît Mitaine, David Roche and Isabelle Schmitt-Pitiot. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2015. 41–60. |
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| Baetens, Jan. "The Photographic Novel." Handbook of Intermediality. Literature – Image – Sound – Music. Ed. Gabriele Rippl. Handbooks of English and American Studies. Berlin: de Gruyter, 2015. 219–39. |
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| Baetens, Jan. "Not Telling, but Retelling: From Raymond Queneau’s Exercises in Style to Matt Madden’s 99 Ways to Tell a Story and Back." Drawn from the Classics. Essays on Graphic Adaptations of Literary Works. Eds. Stephen E. Tabachnick and Esther Bendit Saltzman. Jefferson, London: McFarland, 2015. 235–48. |
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| Bahr, David. "Choreographing Time: Art Spiegelman’s Present, Past(s) and The Craft of Creative Non Fiction Comics." American Creative Non-Fiction. Ed. Jay Ellis. Critical Insights. Englewood Cliffs: Salem Pr. 2015. 196–212. |
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| Bahr, David. "Outside the Box: Teaching Graphic Narrative in the Multicultural Community College." Class, Please Open Your Comics. Essays on Teaching with Graphic Narratives. Ed. Matthew L. Miller. Jefferson: McFarland, 2015. 51–61. |
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| Bainbridge, Jason. "Seduction of the Serial Killer: Representing Justice with Lecter, Dexter and the Death Note." The Australian Journal of Crime Fiction 1. 2 2015. Accessed 8Jan. 2016. <http://www.australiancr ... on-of-the-serial-killer>. |
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| Bainbridge, Jason. "“The Call to do Justice”: Superheroes, Sovereigns and the State During Wartime." International Journal for the Semiotics of Law – Revue internationale de Sémiotique juridique 28. (2015): 745–63. |
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| Bainbridge, Jason. "“The Call to do Justice” Superheroes, Sovereigns and the State During Wartime." International Journal for the Semiotics of Law – Revue internationale de Sémiotique juridique 28. (2015): 745–63. |
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| Baloup, Clément. "Artist’s Statement." European Comic Art 8. (2015): 52–68. |
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| Banita, Georgiana. "A Thousand Plateaus: Mining Entropy in Days of Destruction, Days of Revolt." The Comics of Joe Sacco. Journalism in a Visual World. Ed. Daniel Worden. Critical Approaches to Comics Artists. Jackson: Univ. Press of Mississippi, 2015. 101–22. |
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| Barbieri, Daniele. "La experiencia de la lectura a través de una historia de Alberto Breccia." deSignis (2015): 65. |
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| Barbour, Chad A. "When Captain America Was an Indian: Heroic Masculinity, National Identity, and Appropriation." Journal of Popular Culture 48. (2015): 269–84. |
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| Barker, Kim. "Holy blurring of core copyright principles, Batmobile!." Graphic Justice. Intersections of Comics and Law. London, New York: Routledge, 2015. 19–35. |
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| Baroni, Raphaël. "L’exploration temporelle comme modalité du voyage imaginaire dans la bande dessinée franco-belge (1930–1980)." Image [&] Narrative 16. 2 2015. Accessed 3Sep. 2015. <http://www.imageandnarr ... rative/article/view/864>. |
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| Barton, Kristin M. "Roamers versus biters: A rhetorical examination of the differences between Woodbury and the Prison Group in The Walking Dead comics." Journal of Graphic Novels and Comics 6. (2015): 260–68. |
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| Bauer, Heike. "Tangles: An interview with Sarah Leavitt." Studies in Comics 6. (2015): 329–37. |
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| Bauer, Heike. "Comics, Graphic Narratives, and Lesbian Lives." The Cambridge Companion to Lesbian Literature. Ed. Jodie Medd. Cambridge Companions to Literature. Cambridge [etc.]: Cambridge Univ. Press, 2015. 219–36. |
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| Beaty, Bart. Twelve-Cent Archie. Comics Culture. New Brunswick: Rutgers Univ. Press, 2015. |
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| Becegato, Vinicius Idalgo. "Colosso às Avessas: A Influência de “The Colossus Of Ylourgne” em “Almost Colossus”, de Hellboy." Anais do Seminário Nacional de Literatura, História e Memória 12. (2015). |
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| Beckett, Chris. "Reading Watchmen." 2015. Accessed 12Jun. 2018. <http://www.readingwatchmen.com>. |
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| Bell, Blake. "Comic Books Kinky Hooks: Five Faces of Steve Ditko." Dripping with Fear. The Steve Ditko Archives Volume 5. Ed. Blake Bell. Seattle: Fantagraphics, 2015. 7–17. |
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| Bellefroid, Thierry, ed. L’âge d’or de la bande dessinée belge: La collection du Musée des Beaux-Arts de Liège. Bruxelles: Les Impressions Nouvelles, 2015. |
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| Benesch, Susan. "Charlie the Freethinker: Religion, Blasphemy, and Decent Controversy." Religion & Human Rights 10. (2015): 244–54. |
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| Benson, Anya. "The utopia of suburbia: The unchanging past and limitless future in Doraemon." Japan Forum 27. (2015): 235–56. |
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| Beringer, Alex. "Transatlantic Picture Stories: Experiments in the Antebellum American Comic Strip." American Literature 87. (2015): 455–88. |
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| Berlatsky, Noah. Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941–1948. Comics Culture. New Brunswick: Rutgers Univ. Press, 2015. |
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| Berlatsky, Eric. "“Does That Change Anything?”: (Post)Feminist Implications of Gemma Bovery." Drawn from the Classics. Essays on Graphic Adaptations of Literary Works. Eds. Stephen E. Tabachnick and Esther Bendit Saltzman. Jefferson, London: McFarland, 2015. 127–46. |
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| Berndt, Jaqueline. Manga: Medium, Kunst und Material: Manga: Medium, Art and Material. Leipzig: Leipziger Universitätsverlag, 2015. |
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| Berndt, Jaqueline. "Skim as Girl: Reading a Japanese North American Graphic Novel through Manga Lenses." Drawing New Color Lines. Transnational Asian American Graphic Narratives. Ed. Monica Chiu. Global Connections. Hong Kong: Hong Kong Univ. Press, 2015. 257–78. |
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| Berthou, Benoît, ed. La bande dessinée: Quelle lecture, quelle culture ? Paris: Éd. de la Bibliothèque publique d’information, 2015. |
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| Berthou, Benoît and Jean-Philippe Martin. "La lecture de bande dessinées : quelle étude?." La bande dessinée: quelle lecture, quelle culture? Ed. Benoît Berthou. Études et Recherches. Éd. de la Bibliothèque publique d’information, 2015. 1–35. |
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| Berthou, Benoît. "Médiation, figuration, traduction: Trois conceptions de l’adaptation d’œuvres littéraires en bande dessinée." Bande dessinée et adaptation. Littérature, cinéma, TV. Eds. Benoît Mitaine, David Roche and Isabelle Schmitt-Pitiot. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2015. 61–80. |
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| Besson, Cyril. "Aesthetics fiction ? Comics, avant-gardes visuelles et genre dans Doom Patrol de Grant Morrison." ReS Futurae 5 2015. Accessed 3Dec. 2021. <http://journals.openedition.org/resf/660>. |
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| Bevin, Phillip. "Batman Versus Superman: A Conversation." Many More Lives of the Batman. Eds. Roberta E. Pearson, William Uricchio and Will Brooker. London: BFI Palgrave, 2015. 123–33. |
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| Bianchi, Roberto. "War and Comics (Italy)." 1914–1918-online. International Encyclopedia of the First World War 2015. Accessed 16Dec. 2015. <http://encyclopedia.191 ... le/war_and_comics_italy>. |
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| Bishop, Kyle W. How Zombies Conquered Popular Culture: The Multifarious Walking Dead in the 21st Century. Jefferson, London: McFarland, 2015. |
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| Bjegac, Vesna and Anna Waczek. "Spiel mit Perspektiven: Hilda und der Mitternachtsriese von Luke Pearson." Praxis Deutsch (2015): 15–18. |
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| Blank, Juliane. Literaturadaptionen im Comic: Ein modulares Analysemodell. Bildnarrative. Bochum: Ch.A. Bachmann, 2015. |
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| Blank, Juliane. "Schoko oder Vanille? Zur Rolle von zufälligen Leseentscheidungen im interaktiven (Web-)Comic." Ästhetik des Zufalls. Ordnungen des Unvorhersehbaren in Literatur und Theorie. Eds. Christoph Pflaumbaum, et al. Beihefte zum Euphorion. Heidelberg: Winter, 2015. 355–72. |
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| Blin-Rolland, Armelle. Adapted Voices: Transpositions of Céline’s Voyage au bout de la nuit and Queneau’s Zazie dans le métro. Transcript. London: Legenda, 2015. |
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| Bökös, Borbála. Intermediality and Narrative Identity in Paul Auster’s Oeuvre. Saarbrücken: Lambert Academic Publ. 2015. |
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| Borggreen, Gunhild. "Drawing Disaster: Manga Response to the Great Eastern Japan Earthquake." Comics and Power. Representing and Questioning Culture, Subjects and Communities. Eds. Rikke Platz Cortsen, Erin La Cour and Anne Magnussen. Newcastle upon Tyne: Cambridge Scholars Publ. 2015. 263–84. |
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| Börnchen, Stefan. Poetik der Linie: Wilhelm Busch, Max und Moritz und die Tradition. Hannover: Wehrhahn, 2015. |
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| Börnchen, Stefan. "Psyche im Farbenfluss: Friedrich Schillers Körner-Aquarell in den Avanturen des neuen Telemachs." Jahrbuch für Literatur und Psychoanalyse 34. (2015): 291–312. |
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| Borodo, Michał. "Multimodality, translation and comics." Perspectives 23. (2015): 22–41. |
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| Bottero, Alessandro. Il razzismo nei fumetti: Da All Negro alle Black Panter, da Martin Luther King a Luke Cage. L’arte delle Nuvole. Roma: NPE, 2015. |
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| Botting, Fred. "Horrorspace: Reading House of Leaves." Horror Studies 6. (2015): 239–53. |
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| Bourelle, Andrew. "Multimodality 101: Graphic Narratives and Multimodal Composition." Class, Please Open Your Comics. Essays on Teaching with Graphic Narratives. Ed. Matthew L. Miller. Jefferson: McFarland, 2015. 91–102. |
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| Bousquet, Mark. "Marvel’s Illuminati: Who Watches the Watchmen?." Marvel Comics’ Civil War and the Age of Terror. Critical Essays on the Comic Saga. Ed. Kevin Michael Scott. Jefferson: McFarland, 2015. 37–47. |
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| Brackett, Jeffrey M. "Religion and Comics." Religion Compass 9. 12 2015. Accessed 17Jul. 2021. <https://onlinelibrary.w ... /abs/10.1111/rec3.12167>. |
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| Bramlett, Frank. "The role of culture in comics of the quotidian." Journal of Graphic Novels and Comics 6. (2015): 246–59. |
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| Bremgartner, Mathias. "Performing ‘Readings’: The Interplay of Theatre And Digital Comics In Tezuka." Networking Knowledge 8. 4 2015. Accessed 15Apr. 2021. <https://ojs.meccsa.org. ... etknow/article/view/391>. |
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