| Abrams, Nathan. "A Secular Talmud: The Jewish Sensibility of Mad Magazine." Studies in American Humor (2014): 111–22. |
 
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| Abusch, Dorit. "Temporal Succession and Aspectual Type in Visual Narrative." The Art and Craft of Semantics. A Festschrift for Irene Heim. Eds. Luka Crnič and Uli Sauerland. MITWPL. Cambridge: MIT Working Papers in Linguistics, 2014. 9–29. |
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| Ahmed, Maaheen. "The Art of Splicing: Autofiction in Words and Images." International Journal of Comic Art 16. (2014): 322–38. |
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| Ahrens, Jörn. "Imagine Reality: Negotiating Comics along David B.’s Epileptic." European Comic Art 7. (2014): 64–89. |
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| Al-Tabaa, Najwa. "TEACHING! POW! COMICS! BAM! Pedagogical Approaches to Comics in Post-Secondary Classrooms." ImageTexT 7. 3 2014. Accessed 25Dec. 2014. <http://www.english.ufl. ... v7_3/introduction.shtml>. |
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| Alaniz, José. Death, Disability, and the Superhero: The Silver Age and Beyond. Jackson: Univ. Press of Mississippi, 2014. |
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| Alaniz, José. "“No!”: Great Lakes Avengers and the Uses of Enfreakment." The Ages of the Avengers. Essays on the Earth’s Mightiest Heroes in Changing Times. Ed. Joseph J. Darowski. Jefferson: McFarland, 2014. 139–54. |
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| Alexandru, Maria-Sabina Draga. "Narrative Exploration against Mentality Issues: Indirect Education for Multiculturalism in Tintin." Representing Multiculturalism in Comics and Graphic Novels. Eds. Carolene Ayaka and Ian Hague. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2014. 163–76. |
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| Alfatti Appetiti, Roberto. I fumetti che hanno fatto l’Italia: Breve storia dei comics nel Bel Paese. Saggistica. Cesena: Giubilei Regnani, 2014. |
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| Alkazemi, Mariam F. "Kuwaiti political cartoons during the Arab Spring: Agenda setting and self-censorship." Journalism (2014). |
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| Allen, Todd W. Economics of Digital Comics. Indignant Media, 2014. |
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| Anan, Nobuko. "The Rose of Versailles: Women and Revolution in Girls’ Manga and the Socialist Movement in Japan." Journal of Popular Culture 47. (2014): 41–63. |
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| van den Anker, Marinus J. J. and Piet Verhoeven. "Corporate communication: Analysing Marvel and DC." Studies in Comics 5. (2014): 117–29. |
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| Anwer, Megha. "Beyond the photograph: A graphic history of lynching." Journal of Graphic Novels and Comics 5. (2014): 15–28. |
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| Apatoff, David, et al. The Art of Richard Thompson. Kansas City: Andrews McMeel, 2014. |
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| Apgar, Garry, ed. A Mickey Mouse Reader. Jackson: Univ. Press of Mississippi, 2014. |
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| Arizpe, Evelyn, Teresa Colomer, and Carmen Martínez-Roldán. Visual Journeys Through Wordless Narratives: An International Inquiry With Immigrant Children and The Arrival. New York: Bloomsbury Academic, 2014. |
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| Arnaudo, Marco. "Stilistica del primo « Dylan Dog »: Tratti e significato." Contemporanea 12 2014. Accessed 17Sep. 2018. <https://www.libraweb.ne ... ve=201402301&rivista=23>. |
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| Aucoin, Julianna. "The Superhero Diversity Problem." Harvard Political Review 2014. Accessed 28Mar. 2017. <http://harvardpolitics. ... hero-diversity-problem/>. |
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| Austin, Sara. "Sita, Surpanakha and Kaikeyi as political bodies: Representations of female sexuality in idealised culture." Journal of Graphic Novels and Comics 5. (2014): 125–36. |
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| Ayaka, Carolene and Ian Hague, eds. Representing Multiculturalism in Comics and Graphic Novels. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2014. |
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| Babaian, Caryn Sona. "“The Thyroidectomy Story”: Comic Books, Graphic Novels, and the Novel Approach to Teaching Head and Neck Surgery Through the Genre of the Comic Book." Journal of Surgical Education 71. (2014): 413–18. |
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| Babic, Annessa Ann, ed. Comics as History, Comics as Literature: Roles of the Comic Book in Scholarship, Society, and Entertainment. Madison [etc.]: Fairleigh Dickinson Univ. Press, 2014. |
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| Babic, Annessa Ann. "Wonder Woman as Patriotic Icon: The Amazon Princess for the Nation and Femininity." Comics as History, Comics as Literature. Roles of the Comic Book in Scholarship, Society, and Entertainment. Ed. Annessa Ann Babic. Madison [etc.]: Fairleigh Dickinson Univ. Press, 2014. 93–106. |
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| Babilas, Dorota. "Her Majesty’s Own Murderer? Queen Victoria and Jack the Ripper in Popular Fiction." Crime Scenes. Modern Crime Fiction in an International Context. Eds. Urszula Elias and Agnieszka Sienkiewicz-Charlish. Gdańsk Transatlantic Studies in British and North American Culture. Frankfurt am Main [etc.]: Peter Lang, 2014. 213–28. |
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| Bachmann, Christian A., ed. Bildlaute & laute Bilder: Zur ›Audiovisualität‹ von Bilderzählungen. Bochum: Ch.A. Bachmann, 2014. |
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| Bachmann, Christian A. "Bildlaute und laute(r) Bilder: Onomatopöien, Sprechblasen und andere »audio-visuelle« Darstellungsmittel in Comics und Bildergeschichten – zur Einführung." Bildlaute & laute Bilder. Zur ›Audiovisualität‹ von Bilderzählungen. Ed. Christian A. Bachmann. Bochum: Ch.A. Bachmann, 2014. 7–24. |
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| Bachmann, Christian A. "Nackte Helden und »Faschingsbarbarossas«: ›Hypertrophe‹ Bärte und ›hypertrophe‹ Zeichen – zu Bärten im Comic." Anything Grows. 15 Essays zur Geschichte, Ästhetik und Bedeutung des Bartes. Eds. Jörg Scheller and Alexander Schwinghammer. Stuttgart: Franz Steiner, 2014. 207–28. |
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| Bachmann, Christian A. "Superhelden." Metzler Lexikon moderner Mythen. Figuren, Konzepte, Ereignisse. Eds. Stephanie Wodianka and Juliane Ebert. Stuttgart: Metzler, 2014. 352–56. |
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| Backe, Hans-Joachim. "Politrickery: Brian K. Vaughans Meta-Politik." Comics & Politik. Comics & Politics. Ed. Stephan Packard. Bochum: Ch.A. Bachmann, 2014. 443–60. |
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| Baetens, Jan. "Reworking or Making Up? A Note on Photonovels in Diarmuid Costello’s Approach of Medium Theory." Critical Inquiry 41. (2014): 163–66. |
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| Baetens, Jan and Hugo Frey. The Graphic Novel: An Introduction. Cambridge Introductions to Literature. Cambridge [etc.]: Cambridge Univ. Press, 2014. |
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| Baetens, Jan and Pascal Lefèvre. "Texts and Images." The French Comics Theory Reader. Eds. Ann Miller and Bart Beaty. Studies in European Comics and Graphic Novels. Leuven: Leuven University Press, 2014. 183–90. |
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| Baetens, Jan and Pascal Lefèvre. "The Work and its Surround." The French Comics Theory Reader. Eds. Ann Miller and Bart Beaty. Studies in European Comics and Graphic Novels. Leuven: Leuven University Press, 2014. 191–202. |
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| Bajac-Carter, Maja, Norma Jones, and Bob Batchelor, eds. Heroines of Comic Books and Literature: Portrayals in Popular Culture. Lanham [etc.]: Rowman & Littlefield, 2014. |
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| Bakis, Maureen. The Graphic Novel Classroom: Powerful Teaching and Learning with Images. New York: Skyhorse, 2014. |
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| Banhold, Lars. "»Yet Always Must it Love Sweet Music More«: Zur Funktion von Musik in V for Vendetta." Bildlaute & laute Bilder. Zur ›Audiovisualität‹ von Bilderzählungen. Ed. Christian A. Bachmann. Bochum: Ch.A. Bachmann, 2014. 129–47. |
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| Barbieri, Daniele. Breve storia della letteratura a fumetti[u]. 7th ed. Roma: Carocci, 2021. |
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| Barker, Cory, Chris Ryan, and Myc Wiatrowski, eds. Mapping Smallville: Critical Essays on the Series and Its Characters. Jefferson, London: McFarland, 2014. |
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| Barrier, Michael. Funnybooks: The Improbable Glories of the Best American Comic Books. Berkeley: Univ. of California Press, 2014. |
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| Barry, Lynda. Syllabus: Notes from an Accidental Professor. Montreal: Drawn & Quarterly, 2014. |
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| Bateman, John A. Text and Image: A Critical Introduction to the Visual/Verbal Divide. London, New York: Routledge, 2014. |
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| Bateman, John A. and Janina Wildfeuer. "A multimodal discourse theory of visual narrative." Journal of Pragmatics 74. (2014): 180–208. |
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| Bateman, John A. and Janina Wildfeuer. "Defining units of analysis for the systematic analysis of comics: A discourse-based approach." Studies in Comics 5. (2014): 373–403. |
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| Bauer, Heike. "Vital Lines Drawn From Books: Difficult Feelings in Alison Bechdel’s Fun Home and Are You My Mother?." Journal of Lesbian Studies 18. (2014): 266–81. |
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| Baurin, Camille. "Le metacomic: Panorama du comic de super-héros après Watchmen." du9 2014. Accessed 11Feb. 2018. <http://neuviemeart.citebd.org/spip.php?article726>. |
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| Beaty, Bart. "Modernism in Riverdale: Reading the Self-Evident Text Ambiguously." Jeunesse 6. 2 2014. Accessed 16Aug. 2019. <http://jeunessejournal. ... p/yptc/article/view/274>. |
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| Beemer, Lawrence. "Superhero Comic Book Narrative and Continuity: From Freytag’s Pyramid to The Sierpienski Triangle." International Journal of Comic Art 16. (2014): 513–27. |
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| Begley, Joshua. "Ceci N’est Pas Une Femme: The Negation of the Male Gaze in Gail Simone’s Red Sonja and Alex de Campi’s Grindhouse: Doors Open at Midnight." Works & Days 32. (2014): 181–205. |
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| Bendis, Brian Michael. Words for Pictures: The Art and Business of Writing Comics and Graphic Novels. New York: Watson-Guptill, 2014. |
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| Bennett, Tamryn. "Comics Poetry: Beyond ‘Sequential Art’." Image [&] Narrative 15. 2 2014. Accessed 11May. 2023. <http://www.imageandnarr ... rative/article/view/544>. |
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| Bennett, Tamryn and Guillermo Batiz. "Comics Poetry: Praxis and Pedagogy." ImageTexT 7. 3 2014. Accessed 25Dec. 2014. <http://www.english.ufl. ... v7_3/bennett_and_batiz/>. |
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| Berenato, Joseph F. New Life and New Civilizations: Exploring Star Trek Comics. Edwardsville: Sequart Research & Literacy Organization, 2014. |
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| Berndt, Jaqueline. "Manga ist nicht gleich Manga: Plädoyer für eine Differenzierung." Aus Politik und Zeitgeschichte 64. (2014): 49–54. |
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| Berndt, Jaqueline. "Studying Comics From Southeast Asia." Kyoto Review of Southeast Asia 16 2014. Accessed 6Jan. 2016. <http://kyotoreview.org/ ... cs-from-southeast-asia/>. |
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| Berry, Ellen E. "Becoming-Girl/Becoming-Fly/Becoming-Imperceptible: Gothic Posthumanism in Lynda Barry’s Cruddy: An Illustrated Novel." A Companion to American Gothic. Ed. Charles L. Crow. Blackwell Companions to Literature and Culture. Chichester: Wiley-Blackwell, 2014. 405–17. |
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| Birek, Wojciech. Z teorii i praktyki komiksu: Propozycje i obserwacje. Refleksje i analizy. Poznań: Centrala Mądre Komiksy, 2014. |
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| Birken, Jacob. "Set Pieces: Cultural Appropriation and the Search for Contemporary Identities in Shōnen Manga." Representing Multiculturalism in Comics and Graphic Novels. Eds. Carolene Ayaka and Ian Hague. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2014. 146–62. |
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| Blanc-Hoàng, Henri-Simon. "Antiquity and Bandes Dessinées: Schizophrenic Nationalism Between Atlanticism and Marxism." Comics as History, Comics as Literature. Roles of the Comic Book in Scholarship, Society, and Entertainment. Ed. Annessa Ann Babic. Madison [etc.]: Fairleigh Dickinson Univ. Press, 2014. 15–32. |
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| Blancher, Marc. "On affame bien les rats!: oder: Ein ästhetischer Bericht über die Unterdrückung in den 70er Jahren." Comics & Politik. Comics & Politics. Ed. Stephan Packard. Bochum: Ch.A. Bachmann, 2014. 327–43. |
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| Blank, Juliane. Vom Sinn und Unsinn des Begriffs Graphic Novel. Comiqheft / Comiqbook. Bochum: Ch.A. Bachmann, 2014. |
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| Blin-Rolland, Armelle. "Re-inventing the origins of the boy who wouldn’t grow up: Régis Loisel’s Peter Pan." Studies in Comics 5. (2014): 275–92. |
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| Blouin, Michael J. "Robert Kirkman and Tony Moore’s The Walking Dead." The Graphic Novel. Ed. Gary Hoppenstand. Critical Insights. Englewood Cliffs: Salem Pr. 2014. 183–94. |
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| Böger, Astrid. "Grafische Literatur (A. Bechdel: Fun Home und D. Small: Stitches)." Handbuch Literatur & Visuelle Kultur. Eds. Claudia Benthien and Brigitte Weingart. Handbücher zur kulturwissenschaftlichen Philologie. Berlin u. Boston: de Gruyter, 2014. 544–60. |
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| Bökös, Borbála. "Intermediality and Narrative Identity in Paul Auster’s Oeuvre." PhD Dissertation. Debreceni Egyetem, 2014. |
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| Bökös, Borbála. "Palimpsestuous Intermediality: Paul Auster’s City of Glass (1985) and City of Glass: The Graphic Novel (1994)." Hungarian Journal of English and American Studies 20. (2014). |
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| Bolling, Ben and Matthew J. Smith, eds. It Happens at Comic-Con: Ethnographic Essays on a Pop Culture Phenomenon. Jefferson, London: McFarland, 2014. |
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| Boltanski, Luc. "The Constitution of the Comics Field." The French Comics Theory Reader. Eds. Ann Miller and Bart Beaty. Studies in European Comics and Graphic Novels. Leuven: Leuven University Press, 2014. 281–301. |
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| Bolton, Christopher. "From Ground Zero to Degree Zero: Akira from Origin to Oblivion." Mechademia 9. (2014): 295–315. |
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| Bonilla Cerezo, Rafael and Javier Gutiérrez Parera. "El diablo dijo … “¡acción!”: Hellboy en el laberinto Del Toro." Caracteres 3. 2 2014. Accessed 24Apr. 2021. <http://revistacaractere ... boy-laberinto-del-toro/>. |
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| Booker, M. Keith, ed. Comics through Time: A History of Icons, Idols, and Ideas. Vol. 1–4. New York: Greenwood, 2014. |
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| Booth, Paul. "Playing Dead: Transmedia Pathos and Plot in The Walking Dead Board Games." Intensities: The Journal of Cult Media 7 2014. Accessed 1Jul. 2016. <https://intensitiescult ... aying-dead-pp-21-35.pdf>. |
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| Boschenhoff, Sandra Eva. Tall Tales in Comic Diction: From Literature to Graphic Fiction: An Intermedial Analysis of Comic Adaptations of Literary Texts. Focal Point. Trier: Wissenschaftlicher Verlag Trier, 2014. |
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| Boucher, François-Emmanuël, Sylvain David, and Maxime Prévost, eds. Mythologies du superhéros: Histoire, physiologie, géographie, intermédialités. ACME. Liège: Presses Univ. de Liège, 2014. |
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| Boucher, François-Emmanuël, Sylvain David, and Maxime Prévost, eds. Mythologies du superhéros: Histoire, physiologie, géographie, intermédialités. ACME. Liège: Presses Univ. de Liège, 2014. |
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| Bouyer, Sylvain. "Comics and Specificity: Concerning an Article Written in 1986." The French Comics Theory Reader. Eds. Ann Miller and Bart Beaty. Studies in European Comics and Graphic Novels. Leuven: Leuven Univ. Press, 2014. 83–91. |
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| Bouyer, Sylvain. "There is no Specificity at the Number you have Dialled." The French Comics Theory Reader. Eds. Ann Miller and Bart Beaty. Studies in European Comics and Graphic Novels. Leuven: Leuven Univ. Press, 2014. 75–81. |
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| Boxer, Sarah. "An Interview with John Porcellino." The Comics Journal 2014. Accessed 11Oct. 2014. <http://www.tcj.com/an-i ... w-with-john-porcellino/>. |
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| Brandt, Susanne. "»Der Krieg sind wir« – eine vielschichtige Debatte um den Ersten Weltkrieg in Notre Mère la Guerre." Comparativ 24. (2014): 59–79. |
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| Brantner, Cornelia and Katharina Lobinger. "Campaign Comics: The Use of Comic Books for Strategic Political Communication." International Journal of Communication 8 2014. Accessed 27Aug. 2014. <http://ijoc.org/index.php/ijoc/article/view/2142>. |
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| Braun, Alexander. Going West! Der Blick des Comics Richtung Westen. Bonn: German Academy of Comic Art, 2014. |
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| Bredehoft, Thomas A. The Visible Text: Textual Production and Reproduction from Beowulf to Maus. Oxford Textual Perspectives. New York: Oxford Univ. Press, 2014. |
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| Brienza, Casey E. "Sociological Perspectives on Japanese Manga in America." Sociology Compass 8. (2014): 468–77. |
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| Brizzi, Giovanni and Sergio Tisselli. "Ein Streifzug durch einen historischen Comic: Die Abenteuer von Ducarius dem Gallier." Caesar, Attila & Co. Comics und die Antike. Ed. Filippo Carlà. Darmstadt: Philipp von Zabern, 2014. 22–31. |
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| Brühwiler, Claudia Franziska. "“A is A”: Spider-Man, Ayn Rand, and What Man Ought to Be." PS: Political Science and Politics 47. (2014): 90–93. |
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| Added by: joachim 1/8/14, 6:06 PM |
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| Brunner, Markus. "»Erinnern, Wiederholen, Durcharbeiten«: Zur Funktion der Bilder in Comic-Sachbüchern (›Graphic Guides‹)." Psychologie und Gesellschaftskritik 38. (2014): 99–135. |
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| Bühner, Björn. "Unsichtbares zeigen: Über die Funktion der Text-Bild-Kombinationen in Hans Magnus Enzensberger, Jan Peter Tripps und Justine Landats Blauwärts. Ein Ausflug zu dritt." Bilderbuch und literar-ästhetische Bildung. Aktuelle Forschungsperspektiven. Ed. Gabriela Scherer. KOLA – Koblenz-Landauer Studien zu Geistes-, Kultur- und Bildungswissenschaften. Trier: Wissenschaftlicher Verlag Trier, 2014. 323–38. |
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| Bukatman, Scott. "Sculpture, Stasis, the Comics, and Hellboy." Critical Inquiry 40. (2014): 104–17. |
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| Burroughs, Todd Steven. "The Spy King: How Christopher Priest’s Version of the Black Panther Shook Up Earth’s Mightiest Heroes." The Ages of the Avengers. Essays on the Earth’s Mightiest Heroes in Changing Times. Ed. Joseph J. Darowski. Jefferson: McFarland, 2014. 103–19. |
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| Calargé, Carla and Alexandra Gueydan-Turek. "La guerre du Liban à/et l’écran des souvenirs dans Le Jeu des hirondelles et Je me souviens. Beyrouth de Zeina AbiRached." French Cultural Studies 25. (2014): 202–20. |
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| Call, Lewis. "“That Weird, Unbearable Delight”: Representations of Alternative Sexualities in Joss Whedon’s Astonishing X-Men Comics." Slayage 12.2/13.1 2014/15. Accessed 1May. 2015. <http://www.whedonstudie ... l_slayage_12.2-13.1.pdf>. |
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| Campbell, Hayley. The Art of Neil Gaiman: The Story of a Writer with Handwritten Notes, Drawings, Manuscripts & Personal Photographs. New York: Harper Design, 2014. |
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