| Abdullah, Muhamad Azhar. "The Development of Malaysia Comic Art." International Journal of Comic Art 15.(2013): 306–22. |
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| Abusch, Dorit. "Applying Discourse Semantics and Pragmatics to Co-reference in Picture Sequences." Proceedings of Sinn und Bedeutung 17. Eds. Emmanuel Chemla, Vincent Homer and Grégoire Winterstein. Washington: Linguistic Society of America, 2013. 9–25. |
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| Adler, Silvia. "Silent and semi-silent arguments in the graphic novel." Pragmatics 23.(2013): 389–402. |
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| Adolphson, Jeremy V. "Creative expression or compulsive exploitation in underground comix: The scapegoating of mike diana’s boiled angel." Journal of Graphic Novels and Comics 4.(2013): 297–308. |
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| Ahmed, Michael. "Captain America, Watergate, and the Falcon Rediscovering the american dream?." Intensities: The Journal of Cult Media 5 2013. Accessed 2 Jul. 2016. <https://intensitiescult ... dream-michael-ahmed.pdf>. |
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| Ahrens, Jörn. "Comic und traumgebundene Realität: David b.s die heilige krankheit als kunst des erinnerns." Erzählen im Comic. Beiträge zur Comicforschung. Eds. Otto Brunken and Felix Giesa. Bochum: Ch.A. Bachmann, 2013. 273–92. |
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| Aldama, Frederick Luis. "Mood, Mystery, and Demystification in Gilbert Hernandez’s Twentieth-First-Century NeoNoir Stand-Alones." ImageTexT 7.1 2013. Accessed 16 Dec. 2014. <http://www.english.ufl. ... t/archives/v7_1/aldama/>. |
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| Alexandre-Bidon, Danièle. "À l’origine de l’imagerie onirique: La peinture du rêve dans l’art médiéval." Nocturnos. Le rêve dans la bande dessinée. Ed. Thierry Groensteen. Paris: Citadelles & Mazenod, 2013. 13–26. |
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| Allègre, Dominique. Astérix dévoilé: Argot, jeux de mots et gauloiseries. Démons et merveilles. Agnières: Le Temps Présent, 2013. |
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| Altehenger, Jennifer. "A Socialist Satire: Manhua magazine and political cartoon production in the prc, 1950–1960." Frontiers of History in China 8.(2013): 78–103. |
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| Amihay, Ofra. "Passing under separation: Comics representations of the holocaust and the berlin wall." Journal of Graphic Novels and Comics 4.(2013): 278–96. |
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| Andelman, Bob. Will Eisner: Una vita per il fumetto. Spoltore: DOUbLe SHOt, 2013. |
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| Antonutti, Isabelle. "Fumetto et fascisme: La naissance de la bande dessinée italienne." Comicalités 2013. Accessed 18 Dec. 2015. <http://comicalites.revues.org/1306>. |
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| Apostolidès, Jean-Marie. Lettre à Hergé. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2013. |
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| Argiolas, Pier Paolo, et al. Le Grandi Parodie Disney, ovvero, I classici fra le nuvole. L’arte delle Nuvole. Roma: NPE, 2013. |
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| Arizpe, Evelyn. "Meaning-making from wordless (or nearly wordless) picturebooks: What educational research expects and what readers have to say." Cambridge Journal of Education 43.(2013): 163–76. |
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| Arnaudo, Marco. The Myth of the Superhero. Baltimore: Johns Hopkins Univ. Press, 2013. |
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| Arndt, Richard J. Horror Comics in Black and White: A history and catalog, 1964–2004. Jefferson, London: McFarland, 2013. |
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| Auer, Christina. D-Manga: Der japanische comic und seine deutsche adaption. Initialen. München: Grin, 2013. |
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| Avery-Natale, Edward. "An Analysis of Embodiment among Six Superheroes in DC Comics." Social Thought and Research 32.(2013): 71–106. |
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| Bachmann, Christian A. "Der Comic als Labor semiotischer Interpiktorialitätsforschung Paul karasiks und david mazzucchellis city of glass." Interpiktorialität. Theorie und Geschichte der Bild-Bild-Bezüge. Ed. Guido Isekenmeier. Bielefeld: Transcript, 2013. 299–318. |
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| Bachmann, Christian A., Véronique Sina, and Lars Banhold, eds. Comics intermedial. Bochum: Ch.A. Bachmann, 2013. |
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| Baetens, Jan. "Abstraction et narration: Une alliance paradoxale (notes sur la bande dessinée abstraite)." Études de Lettres (2013): 45–68. |
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| Baetens, Jan. "Comics and characterization: The case of fritz haber (david vandermeulen)." Journal of Graphic Novels and Comics 4.(2013): 84–91. |
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| Baetens, Jan. "Du roman-photo aux romans-photos." Textimage Varia 3 2013. Accessed 25 Jul. 2014. <http://www.revue-textim ... 7_varia_3/baetens1.html>. |
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| Baetens, Jan. "Entre transposition et imagination : à propos de Détective (1991): Jan baetens s’entretient avec antonio altarriba." Formules (2013): 55–61. |
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| Baetens, Jan. "Image and visual culture after the pictorial turn: An outsider’s note." Visual Studies 28.(2013): 180–85. |
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| Baetens, Jan. "Learning From Comics (and Bart Beaty): On the institutionalization of comics. an interview with bart beaty." Interférences littéraires / Literaire interferenties 11 2013. Accessed 7 Oct. 2014. <http://www.interferenceslitteraires.be/node/232>. |
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| Baetens, Jan. "The Photo-Novel: Stereotype as surprise." History of Photography 37.(2013): 137–52. |
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| Added by: joachim 8/24/13, 9:46 AM |
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| Baetens, Jan. "« Une question de curseur » : un entretien sur NogegoN (1990): Jan baetens s’entretient avec françois schuiten." Formules (2013): 63–68. |
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| Baetens, Jan. "The Photo-Graphic Novel: Hybridization and genre theory." The Cultural Dynamics of Generic Change in Contemporary Fiction. Theoretical Frameworks, Genres and Model Interpretations. Eds. Michael Basseler, Ansgar Nünning and Christine Schwanecke. Trier: Wissenschaftlicher Verlag Trier, 2013. 147–62. |
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| Baetens, Jan and Steven Surdiacourt. "European Graphic Narratives: Toward a cultural and mediological history." From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative. Eds. Daniel Stein and Jan-Noël Thon. Narratologia. Berlin u. Boston: de Gruyter, 2013. 347–62. |
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| Last edited by: joachim 10/14/13, 1:52 AM |
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| Baetens, Jan. "Uncaging and Reframing Martin Vaughn-James’s The Cage." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 67–85. |
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| Bainbridge, Jason and Craig Norris. "Posthuman Drag: Understanding cosplay as social networking in a material culture." Intersections 32 2013. Accessed 26 Jul. 2014. <http://intersections.an ... 2/bainbridge_norris.htm>. |
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| Baird, John. "Evaluating Math Concept Learning Using Comics." International Journal of Comic Art 15.(2013): 456–68. |
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| Baker, James. "Satirising a Prince, or Making Light of a Culture of Errors." The Comics Grid 3.3 2013. Accessed 4 Apr. 2016. <http://www.comicsgrid.com/articles/10.5334/cg.ac/>. |
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| Ball, David M. "Allusive Confessions: The literary lives of alison bechdel’s fun home." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 3–25. |
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| Ballhausen, Thomas. "Stählernes Insektenzeitalter: Zu jacques tardis und benjamin legrands tueur de cafards/der kakerlakenkiller." Medienimpulse 3 2013. Accessed 21 Jun. 2016. <http://www.medienimpulse.at/articles/view/566>. |
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| Ballis, Anja. "Dem Fremden begegnen: »die verwandlung« als graphic novel." Deutschunterricht 66.(2013): 20–25. |
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| Bamberger, W. C. "The Near-Awakening of Diana Prince." The Ages of Wonder Woman. Essays on the Amazon Princess in Changing Times.. Ed. Joseph J. Darowski. Jefferson: McFarland, 2013. 117–25. |
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| Banita, Georgiana. "Cosmopolitan Suspicion: Comics journalism and graphic silence." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 49–66. |
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| Barataud, Marie-Alexandra. "Fantômas, personnage mobile et intertextuel De la série française à l’œuvre cortazarienne." Belphégor 11.1 2013. Accessed 27 Dec. 2013. <http://belphegor.revues.org/87>. |
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| Barkman, Adam. "Superman: From Anti-Christ to Christ-Type." Superman and Philosophy. What Would the Man of Steel Do?. Ed. Mark D. White. Blackwell Philosophy and Pop Culture. Chichester: Wiley-Blackwell, 2013. 111–20. |
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| Bartley, Aryn. "Staging Cosmopolitanism: The transnational encounter in joe sacco’s footnotes in gaza." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 67–82. |
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| Bartosch, Sebastian. "Genre und Comic." Filmwissenschaftliche Genreanalyse. Eine Einführung. Eds. Markus Kuhn, Irina Scheidgen and Nicola Valeska Weber. De Gruyter Studium. Berlin: de Gruyter, 2013. 381–408. |
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| Bartosch, Sebastian and Andreas Stuhlmann. "Reconsidering adaptation as translation: The comic in between." Studies in Comics 4.(2013): 59–74. |
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| Added by: joachim 8/4/13, 11:02 AM |
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| Basu, Lopamudra. "The Graphic Memoir in a State of Exception: Transformations of the personal in art spiegelman’s in the shadow of no towers." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 163–84. |
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| Bateman, John A. and Francisco O. D. Veloso. "The semiotic resources of comics in movie adaptation: Ang lee’s hulk (2003) as a case study." Studies in Comics 4.(2013): 135–58. |
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| Baurin, Camille. "Alan Moore: Métalepse et réflexivité." L’engendrement des images en bande dessinée. Ed. Henri Garric. Iconotextes. Tours: Presses Univ. François-Rabelais, 2013. 81–96. |
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| Bavlnka, Timothy. "/Co/operation and /co/mmunity in /co/mics: 4chan’s hypercrisis." Transformative Works and Cultures 13 2013. Accessed 19 Jun. 2013. <http://journal.transfor ... wc/article/view/442/397>. |
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| Bavlnka, Timothy. "The Joke’s On Him: Shamanism, literary magic, and the textualization of grant morrison, heath ledger, and the joker." Intensities: The Journal of Cult Media 5 2013. Accessed 2 Jul. 2016. <https://intensitiescult ... e-joker-tim-bavlnka.pdf>. |
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| Added by: joachim 7/2/16, 12:56 PM |
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| Bazemore, Chanae. "The Art of Trauma: Holocaust restatement in the graphic novel." Is This a Culture of Trauma? An Interdisciplinary Perspective. Eds. Jessica Aliaga Lavrijsen and Michael Bick. Oxford: Inter-Disciplinary Pr, 2013. |
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| Added by: joachim 9/12/14, 12:22 PM |
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| Becker, Andreas. "Lady Snowblood (Shurayukihime) und Lone Wolf and Cub (Kozure Ôkami): Ein vergleich zwischen weiblicher und männlicher rache im manga und in der filmadaption." Mörderinnen. Künstlerische und mediale Inszenierungen weiblicher Verbrechen. Eds. Hyunseon Lee and Isabel Maurer Queipo. Bielefeld: Transcript, 2013. 197–218. |
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| Beckman, Karen and Liliane Weissberg, eds. On Writing with Photography. Minneapolis: Univ. of Minnesota Press, 2013. |
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| Begag, Azouz. "Mai 1945 à Sétif: Genèse d’une bande dessinée." Contemporary French and Francophone Studies 17.(2013): 99–116. |
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| Behrisch Elce, Erika. "“In Sum, Evil Has Prevailed” The moral morass of science and exploration in jacques tardi’s the arctic marauder." Steaming into a Victorian Future. A Steampunk Anthology. Eds. Julie Anne Taddeo and Cynthia J. Miller. Lanham: Scarecrow, 2013. 105–23. |
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| Bell, Steve and Eli Valley. "Drawing truth to power: A conversation about cartoons between steve bell and eli valley." Jewish Quarterly 60.(2013): 28–33. |
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| Bell, Blake and Michael J. Vassallo. The Secret History of Marvel Comics: Jack kirby and the moonlighting artists at martin goodman’s empire. Seattle: Fantagraphics, 2013. |
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| Bellefroid, Thierry. François Schuiten: L’horloger du rêve. Tournai: Casterman, 2013. |
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| Benton, Bond. "Redemptive anti-Americanism and the death of Captain America." Studies in Communication Sciences 13.(2013): 75–83. |
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| Benton, Bond and Daniela Peterka-Benton. "When the Abyss Looks Back: Treatments of human trafficking in superhero comic books." The Popular Culture Studies Journal 1.1 & 2 2013. Accessed 8 Oct. 2014. <http://mpcaaca.org/wp-c ... he-Abyss-Looks-Bac1.pdf>. |
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| Added by: joachim 10/8/14, 10:40 PM |
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| Benton, Bond and Daniela Peterka-Benton. "When the Abyss Looks Back: Treatments of human trafficking in superhero comic books." Popular Culture Studies Journal 1.(2013): 18–35. |
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| Berlatsky, Eric. "Between Supermen: Homosociality, misogyny, and triangular desire in the earliest superman stories." Comics Forum 2013. Accessed 12 Apr. 2013. <http://comicsforum.org/ ... ries-by-eric-berlatsky/>. |
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| Berlatsky, Eric. "Time and Free Will: Bergson, modernism, superheroes, and watchmen." Understanding Bergson, Understanding Modernism. Eds. Paul Ardoin, S. E. Gontarski and Laci Mattison. London, New York: Continuum, 2013. 256–80. |
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| Berndt, Jaqueline. "The Intercultural Challenge of the “Mangaesque”: Reorienting manga studies after 3/11." Manga’s Cultural Crossroads. Eds. Jaqueline Berndt and Bettina Kümmerling-Meibauer. Routledge Advances in Art and Visual Studies. London, New York: Routledge, 2013. 65–84. |
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| Berndt, Jaqueline and Bettina Kümmerling-Meibauer, eds. Manga’s Cultural Crossroads. Routledge Advances in Art and Visual Studies. London, New York: Routledge, 2013. |
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| Berndt, Jaqueline. "Ghostly: ‘asian graphic narratives,’ nonnonba, and manga." From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative. Eds. Daniel Stein and Jan-Noël Thon. Narratologia. Berlin u. Boston: de Gruyter, 2013. 363–84. |
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| Berning, Nora. Towards a Critical Ethical Narratology: Analyzing value construction in literary non-fiction across media. Handbücher und Studien zur Medienkulturwissenschaft. Trier: Wissenschaftlicher Verlag Trier, 2013. |
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| Berninger, Mark. "“Scott Pilgrim Gets It Together”: The cultural crossovers of bryan lee o’malley." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 243–56. |
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| Beronä, David A. "Woodcut Novels: Cutting a path to the graphic novel." Comics Forum 2013. Accessed 9 Sep. 2013. <http://comicsforum.org/ ... ovel-by-david-a-berona/>. |
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| Best, Daniel. The 1955 Romance Comics Trial. Norwood: Blaq Books, 2013. |
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| Bieloch, Katharina and Sharif Bitar. "Batman Goes Transnational: The global appropriation and distribution of an american hero." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 113–26. |
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| Birmingham, Elisabeth. "Girls’ Fantasies, Freedom, and Brotherly Love Incest narratives in shōjo anime." Intensities: The Journal of Cult Media 5 2013. Accessed 2 Jul. 2016. <https://intensitiescult ... lizabeth-birmingham.pdf>. |
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| Bishop, Kyle W. "Battling Monsters and Becoming Monstrous: Human devolution in the walking dead." Monster Culture in the 21st Century. A Reader. Eds. Marina Levina and Diem-My T. Bui. New York: Bloomsbury, 2013. 73–85. |
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| Blanco Cordón, Tatiana. "L’image de la femme dans les cómics femeninos des années 1960–1970 en Espagne: Conflit identitaire ou schizophrénie de genre." Comicalités 2013. Accessed 9 Mar. 2015. <http://comicalites.revues.org/1569>. |
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| Blank, Juliane. "»Aber wir dürfen uns vor dem Bösen nicht verstecken«: Die vergegenwärtigung historischer mordfälle in der »serienmörder-trilogie« von peer meter." Der dokumentarische Comic. Reportage und Biografie. Ed. Dietrich Grünewald. Bochum: Ch.A. Bachmann, 2013. 101–17. |
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| Blin-Rolland, Armelle. "Fidelity versus Appropriation in Comics Adaptation: Jacques carelman’s and clément oubrerie’s zazie dans le métro." European Comic Art 6.(2013): 88–109. |
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| Bock, Charles. "On Archer’s Underground Comix Roots: How underground comic books helped give rise to archer." Harper’s Magazine 2013. Accessed 4 Feb. 2015. <http://harpers.org/blog ... nderground-comix-roots/>. |
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| Boer, Nienke. "Taking a Joke Seriously: Mickey mouse and william kentridge." MLN 128.(2013): 1146–69. |
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| Boesenberg, Eva. "Family Business: Death in alison bechdel’s fun home." American Lives. Ed. Alfred Hornung. American Studies – A Monograph Series. Heidelberg: Winter, 2013. 327–38. |
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| Boge, Chris. "Visualizing Histories and Stories: Revisionary graphic novels of the 1980s and 1990s." Medienimpulse 3 2013. Accessed 21 Jun. 2016. <http://www.medienimpulse.at/articles/view/571>. |
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| Boillat, Alain. "Récit(s) en fragments: Logiques sérielle et mondaine dans little nemo in slumberland de winsor mccay." Études de Lettres (2013): 93–124. |
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| Boillat, Alain and Raphaël Oesterlé. "Enjeux méthodologiques et théoriques liés à l’exploitation d’un fonds d’archives de magazines de bandes dessinées (1946–1959)." Cinergie 4 2013. Accessed 24 Aug. 2020. <https://cinergie.unibo.it/article/view/7368>. |
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| Bolton, Matthew. "Narrativity, Purpose, and Visible Adaptation in Shari Springer Berman and Robert Pulcini’s American Splendor (2003)." Miranda 8 2013. Accessed 6 Oct. 2014. <http://miranda.revues.org/3537>. |
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| Bordwell, David and Kristin Thompson. Christopher Nolan: A labyrinth of linkages. [Self-publ.], 2013. |
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| Bormann, Daniel Candel. "Moving Possible World Theory from Logic to Value." Poetics Today 34.(2013): 177–231. |
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| Boulboulle, Guido. "Absurde Bilderfindungen: Comic und groteske kunst heute." Kaboom! Comic in der Kunst. Comics in Art. Ed. Ingo Clauß. Heidelberg: Kehrer, 2013. 80–111. |
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| Bourdaa, Mélanie. "‘Following the Pattern’: The creation of an encyclopaedic universe with transmedia storytelling." Adaptation 6.(2013): 202–14. |
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| Bowden, Jonathan. Pulp Fascism: Right-wing themes in comics, graphic novels, & popular literature. Ed. Greg Johnson. San Francisco: Counter-Currents, 2013. |
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| Bradshaw, Michael. "‘The sleep of reason’: swamp thing and the intertextual reader." Alan Moore and the Gothic Tradition. Ed. Matthew J. A. Green. Manchester, New York: Manchester Univ. Press, 2013. 121–39. |
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| Bragard, Véronique. "Conrad’s Two Visions: Intermedial transgenericity in anyango and mairowitz’s graphic adaptation of heart of darkness." European Comic Art 6.(2013): 45–65. |
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| Bright, Amy. "Evaluating Text and Image Ratios in Contemporary Young Adult Literature." International Journal of Comic Art 15.(2013): 146–62. |
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| Brillenburg Wurth, Kiene, Sara Rosa Espi, and Inge van de Ven. "Visual Text and Media Divergence: Analogue literary writing in a digital age." European Journal of English Studies 17.(2013): 92–108. |
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| Brisbin, Ally and Paul Booth. "The Sand/wo/man: The unstable worlds of gender in neil gaiman’s sandman series." Journal of Popular Culture 46.(2013): 20–37. |
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| Brooker, Will. "Batgirl." Barthes’ Mythologies Today. Readings of Contemporary Culture. Eds. Pete Bennett and Julian McDougall. Routledge Research in Cultural and Media Studies. London, New York: Routledge, 2013. 27–31. |
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| Brown, Lisa. "The Speaking Animal: Nonhuman voices in comics." Speaking for Animals. Ed. Margo DeMello. Routledge Advances in Sociology. Jefferson, London: McFarland, 2013. 73–77. |
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| Bruhn, Jørgen. "Now a Major Soundtrack! Madness, music, and ideology in shutter island." Adaptation 6.(2013): 320–37. |
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