| Abad, Ernesto J. and Gabriel E. Abad. "Cels Piñol: The Comics Fan and the Author." International Journal of Comic Art 5. (2003): 119–37. |
 
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| Alaniz, José. "Into Her Dead Body: Moore & Campbell’s From Hell." Alan Moore. Portrait of an Extraordinary Gentleman. Eds. smoky man and Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003. 145–49. |
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| Alaniz, José. "Rutting in Free Fall: Moore & Bissette/Zulli’s Act of Faith." Alan Moore. Portrait of an Extraordinary Gentleman. Eds. smoky man and Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003. 129–34. |
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| Alaniz, José. "Speaking the ‘Truth’ of Sex: Moore & Gebbie’s Lost Girls." Alan Moore. Portrait of an Extraordinary Gentleman. Eds. smoky man and Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003. 273–76. |
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| Alary, Viviane. "Briefness in Spanish Comics: A Few Landmarks." International Journal of Comic Art 5. (2003): 5–27. |
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| Alejo, Miguel. "Chumy Chúmez: The Work of José Maria González Castrillo." International Journal of Comic Art 5. (2003): 110–18. |
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| Allen, Kate and John Ingulsrud. "Manga Literacy: Popular Culture and the Reading Habits of Japanese College Students." Journal of Adolescent & Adult Literacy 46. (2003): 674–83. |
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| Ammann, René, ed. Globi und seine Zeit: Begegnung mit einem Schweizer Phänomen. Zürich: Globi-Verl. 2003. |
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| Anderson, John C. and Bradly Katz. "Read Only Memory. Maus and Its Marginalia on CD-Rom." Considering Maus. Approaches to Art Spiegelman’s “Survivor's tale” of the Holocaust. Ed. Deborah R. Geis. Tuscaloosa: Univ. of Alabama Press, 2003. 159–74. |
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| Apostolidès, Jean-Marie. Tintin et le mythe du surenfant. Bruxelles: Moulinsart, 2003. |
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| Arams, Nathan. "From Madness to Dysentery: Mad’s Other New York Intellectuals." Journal of American Studies 37. (2003): 435–51. |
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| Ault, Donald, ed. Carl Barks: Conversations. Conversations with Comic Artists. Jackson: Univ. Press of Mississippi, 2003. |
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| Ault, Donald. "In the Trenches, Taking the Heat: Confessions of a Comics Professor." International Journal of Comic Art 5. (2003): 241–60. |
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| Ault, Donald. "Visionary Synchronicities in Carl Barks Comics." Comic Art (2003): 44–58. |
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| Auster, Paul. "The Art of Worry." Collected Prose. London: Faber, 2003. 458–63. |
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| Banta, Martha. Barbaric Intercourse: Caricature and the Culture of Conduct, 1841–1936. Chicago: Univ. of Chicago Press, 2003. |
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| Baron, Lawrence. "X-Men as J-Men: The Jewish Subtext of a Comic Book Movie." Shofar 22. (2003): 44–52. |
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| Barrero, Manuel. "The Evolution of Children’s Comics in Spain." International Journal of Comic Art 5. (2003): 28–49. |
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| Barrier, Michael. "Will Eisner: Moved by The Spirit." 2003. Accessed 26Nov. 2009. <http://www.michaelbarri ... Eisner/essay_Eisner.htm>. |
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| Baudoux, Vincent and Roland Jadinon. "La couleur comme mode narratif." Neuvième art (2003). |
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| Beaty, Bart. "The Contemporary Field of European Comics: The Example of Lewis Trondheim." International Journal of Comic Art 5. (2003): 168–83. |
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| Becker, Jörg. "Afrikanischer Medienkannibalismus: Karikaturen über Medien." Communicatio Socialis 36. (2003): 366–75. |
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| Beerbohm, Robert. "“There’s A Whole Lot of Myth Out There!”." Alter Ego (2003). |
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| Beez, Jigal. "They Are Crazy These Swahili: Komredi Kipepe in the Footsteps of Asterix. Globalization in East African Comics." International Journal of Comic Art 5. (2003): 95–114. |
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| Beez, Jigal and Stefanie Kolbusa. "Kibiriti Ngoma: Gender Relations in Swahili Comics and Taarab-music." Stichproben 3. (2003): 49–71. |
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| Behr, Maiko. "Undefining Gender in Shimizu Reiko’s Kaguyahime." U.S.-Japan Women's Journal (2003): 8–29. |
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| Bellwald, Waltraut. Globi, ein Freund fürs Leben: Die Erfolgsgeschichte einer Reklamefigur. Zürich: Orell Füssli, 2003. |
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| Bemong, Nele. "Exploration # 6: The Uncanny in Mark Z. Danielewski’s “House of Leaves”." Image [&] Narrative 3. 1 2003. Accessed 26Dec. 2013. <http://www.imageandnarr ... /uncanny/nelebemong.htm>. |
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| Berlatsky, Eric. "Memory as Forgetting: The Problem of the Postmodern in The Book of Laughter and Forgetting and Maus." Cultural Critique 55. (2003): 101–51. |
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| Berndt, Jaqueline. "Eine zeitlos schöne Nation: Das Neue Geschichtslehrbuch als Bildergeschichte." Vergangenheit im Gesellschaftskonflikt. Ein Historikerstreit in Japan. Ed. Steffi Richter. 2003. 191–217. |
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| Bissette, Stephen R. "Mr. Moore and Me." Alan Moore. Portrait of an Extraordinary Gentleman. Eds. smoky man and Gary Spencer Millidge. Leigh-on-Sea: Abiogenesis, 2003. 217–32. |
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| Blackbeard, Bill. "The Four Color Paper Trail: A Look Back." International Journal of Comic Art 5. (2003): 205–15. |
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| Blumberg, Arnold T. "‘The Night Gwen Stacy Died’: The End of Innocence and the Birth of the Bronze Age." Reconstruction 3. 4 2003. Accessed 20Jan. 2011. <http://reconstruction.e ... issues/034/blumberg.htm>. |
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| Bosmaijan, Hamida. "The Orphaned Voice in Art Spiegelman’s Maus." Considering Maus. Approaches to Art Spiegelman’s “Survivor's tale” of the Holocaust. Ed. Deborah R. Geis. Tuscaloosa: Univ. of Alabama Press, 2003. 26–43. |
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| Brown, Clarence. "Krazy, Ignatz and Vladimir: Nabokov and the Comic Strip." Nabokov at Cornell. Ed. Gavriel Shapiro. Ithaca: Cornell Univ. Press, 2003. 251–63. |
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| Bukatman, Scott. "The Boys in the Hoods: A Song of the Urban Superhero (2000)." Matters of Gravity. Special Effects and Supermen in the 20th Century. Durham: Duke Univ. Press, 2003. 184–223. |
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| Bukatman, Scott. "X-Bodies: The Torment of the Mutant Superhero (1994)." Matters of Gravity. Special Effects and Supermen in the 20th Century. Durham: Duke Univ. Press, 2003. 48–78. |
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| Burdiek, Dunja. "Die Comics des Lyonel Feininger." Magisterarbeit M.A. Ruhr Universität Bochum, 2003. |
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| Cassel, Valerie, ed. Splat Boom Pow! The Influence of Cartoons in Contemporary Art. New York: Distributed Art Publ. 2003. |
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| Cassel, Valerie. "Between a Bedrock and a Nuclear Power Plant." Splat Boom Pow! The Influence of Cartoons in Contemporary Art. Ed. Valerie Cassel. Houston: Contemporary Arts Museum Houston, 2003. 17–29. |
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| Cesaretti, Enrico. "‘Il Giocattolo Futurista’: Futurism and Fumetti." Romance Studies 21. (2003): 191–202. |
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| du Chatenet, Aymar. Le Dictionnaire Goscinny. Paris: JC Lattès, 2003. |
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| Chen, Jin-Shiow. "The Comic/Anime Fan Culture in Taiwan: With Focus on Adolescent’s Experience." Journal of Social Theory in Art Education 23. (2003): 89–103. |
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| Christensen, William, ed. Alan Moore’s The Courtyard: A Companion. Rantoul: Avatar, 2003. |
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| Clark, Beverly Lyon. "The Case of the Disney Version." Kiddie Lit. The Cultural Construction of Children’s Literature in America. Baltimore: Johns Hopkins Univ. Press, 2003. 168–83. |
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| Cohn, Neil. Early Writings on Visual Language. [Self-publ.], 2003. |
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| Collins, Bradford R. "Modern Romance: Lichtenstein’s Comic Book Paintings." American Art 17. (2003): 61–85. |
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| Cooke, Jon B. and George Khoury. "Alan Moore and the Magic of Comics." Comic Book Artist (2003): 8–45. |
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| Coppin, Lisa. "Looking Inside Out: The vision as particular gaze in From Hell (Alan Moore & Eddie Campbell)." Image [&] Narrative 3. 1 2003. Accessed 27Jul. 2009. <http://www.imageandnarr ... /uncanny/lisacoppin.htm>. |
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| Cremins, Brian. "“I Asked for Water (She Gave Me Gasoline)”: Tim Truman’s Scout and Social Satire in the Independent Comics of the 1980s." International Journal of Comic Art 5. (2003): 339–50. |
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| Croissant, Doris. "Sexualizing Cultural Memory: The Manga Hermeneutics of The Tale of Genji." Review of Japanese Culture and Society 15. (2003): 90–91. |
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| Davidson, Sol M. "Culture & the Comic Strips." International Journal of Comic Art 5. (2003): 233–40. |
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| Desai, Chetan. "The Krishna Conspiracy." International Journal of Comic Art 5. (2003): 325–33. |
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| Dolle-Weinkauff, Bernd. "Astro Boy, Battle Angel Alita und Video-Girl Ai: Zukunftsvisionen im Comic zwischen Alltag und Katastrophe." Anderswelten in Serie. Dokumentation einer Tagung der Evangelischen Akademie Tutzing in Kooperation mit der AVJ – Arbeitsgemeinschaft von Jugendbuchverlagen e.V. vom 21. bis 23. Juni 2002. Eds. Roswitha Terlinden and Hans-Heino Ewers. Tutzinger Materialien. Tutzing: Evangelische Akad. Tutzing, 2003. 73–100. |
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| Douglas, Allen and Fedwa Malti-Douglas. "Tardi and Daeninckx: Comic Strips, Detective Novels, and World War I." International Journal of Comic Art 5. (2003): 134–46. |
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| Edwardson, Ryan. "The Many Lives of Captain Canuck: Nationalism, Culture, and the Creation of a Canadian Comic Book Superhero." Journal of Popular Culture 37. (2003): 184–201. |
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| el-Setouhy, Rio F. "Stigma Reduction and Improved Knowledge And Attitudes Towards Filariasis Using a Comic Book for Children." Journal of the Egyptian Society of Parasitology 33. (2003): 55–65. |
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| Epstein, Daniel Robert. "Jaime Hernandez of Love & Rockets." Suicide Girls 2003. Accessed 14Dec. 2013. <http://suicidegirls.com ... rviews/Jaime+Hernandez/>. |
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| Fernández L’Hoeste, Héctor D. "The Mystery of Kaliman, el Hombre Increible: Race and Identity in Mexican Comics." International Journal of Comic Art 5. (2003): 220–30. |
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| Fiedler, Sabine. "Merkmale computervermittelter Kommunikation (dargestellt am Beispiel einer Comic-Fan-Gemeinschaft)." Interlinguistische Informationen, Beiheft (2003): 54–63. |
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| Fiedler, Sabine. Sprachspiele im Comic: Das Profil der deutschen Comic-Zeitschrift Mosaik. Leipzig: Leipziger Universitätsverlag, 2003. |
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| Fischer, Craig. "Fantastic Fascism? Jack Kirby, Nazi Aesthetics, and Klaus Theweleit's Male Fantasies." International Journal of Comic Art 5. (2003): 334–54. |
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| Frahm, Ole. "Too Much Is Too Much: The Never Innocent Laughter of the Comics." Image [&] Narrative 4. 1 2003. Accessed 15Apr. 2014. <http://www.imageandnarr ... aphicnovel/olefrahm.htm>. |
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| Fresnault-Deruelle, Pierre. "La Marque Jaune : lecture d’une planche d’Edgar-Pierre Jacobs: Entre Fantômas et Nosferatu." Communication et langages (2003): 4–11. |
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| Gariglio, Stefano. "Neon Genesis Evangelion e la nuova animazione seriale giapponese." Tesi datt. Universita degli studi, 2003. |
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| Geis, Deborah R., ed. Considering Maus. Approaches to Art Spiegelman's »Survivor's tale« of the Holocaust. Tuscaloosa: Univ. of Alabama Press, 2003. |
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| Gibson, Mel. ""You Can't Read Them, They're for Boys!" British Girls, American Superhero Comics and Identity." International Journal of Comic Art 5. (2003): 305–24. |
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| Gibson, Mel. "‘What became of Bunty?’: The emergence, evolution and disappearance of the girls’ comic in post-war Britain." Art, Narrative and Childhood. Eds. Morag Styles and Eve Bearne. Stoke on Trent, Sterling: Trentham, 2003. 87–98. |
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| Ginman, Mariam and Sara von Ungern-Sternberg. "Cartoons as information." Journal of Information Science 29. (2003): 69–77. |
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| Giuliani, Luca. Bild und Mythos: Geschichte der Bilderzählung in der griechischen Kunst. München: C.H. Beck, 2003. |
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| Gordon, Ian. "Superman on the Set: The Market, Nostalgia and Television Audiences." Quality Popular Television. Cult TV, the Industry and Fans. Eds. Mark Jancovich and James Lyons. London: British Film Institute, 2003. 148–62. |
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| Gorman, Michele. Getting Graphic! Using Graphic Novels to Promote Literacy with Preteens and Teens. Worthington: Linworth, 2003. |
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| Groensteen, Thierry. Lignes de vie: Le visage dessiné. Saint-Egrève: Mosquito, 2003. |
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| Groensteen, Thierry. "Mattotti: Corps et graphes." Neuvième art (2003): 58–61. |
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| Grun, Maria and Cay Dollerup. "‘Loss’ and ‘Gain’ in Comics." Perspectives. Studies in Translatology 11. (2003): 197–216. |
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| Gunston, John. "The Inverted Quest of Ashitaka: A Jungian Analysis of Princess Mononoke." Ecclectica 2003. Accessed 3Jun. 2011. <http://www.ecclectica.ca/issues/2003/1/gunston.asp>. |
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| Harper, Morten. Hverdagen er ikke som du tror: Nye norske tegneserier. Oslo: Biblioteksentralen, 2003. |
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| Harrison, Dick. "Det förflutna som den andre: Medeltiden i de tecknade seriernas värld." Visuella spår. Bilder i kultur och samhällsanalys. Eds. Anna Sparrman, Ulrika Torell and Eva Åhrén Snickare. Lund: Studentlitteratur, 2003. 25–43. |
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| Hegerfors, Sture. "Sture Hegerfors and Swedish Comics Scholarship." International Journal of Comic Art 5. (2003): 8–20. |
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| Hesse, Brian A. "A Rhetorical Analysis of the Entertaining Comics Group’s New Trend Series." Thesis PhD. Regent University, 2003. |
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| Highsmith, Doug. "The Long, Strange Trip of Barbara Gordon: Images of Librarians in Comic Books." The Reference Librarian 37. (2003): 61–83. |
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| Höltgen, Stefan. "The Juwes are not the men That Will be Blamed for nothing: Über die Agonie des Profilers im Jack the Ripper-Film." f.lm. texte zum film (2003): 15–22. |
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| Hungerford, Amy. The Holocaust of Texts: Genocide, Literature, and Personification. Chicago: Univ. of Chicago Press, 2003. |
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| Inge, M. Thomas. "Portrait of the Professor as a Failed Cartoonist." International Journal of Comic Art 5. (2003): 21–30. |
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| Inge, M. Thomas. "William Faulkner and the Graphic Novel." International Journal of Comic Art 5. (2003): 214–19. |
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| Ito, Kinko. "Japanese Ladies' Comics as Agents of Socialization: The Lessons They Teach." International Journal of Comic Art 5. (2003): 425–36. |
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| Jewett, Robert and John Shelton Lawrence. Captain America and the Crusade against Evil: The Dilemma of Zealous Nationalism. Grand Rapids, Cambridge: William B. Eerdmans, 2003. |
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| Jobs, Richard Ivan. "Tarzan under Attack: Youth, Comics, and Cultural Reconstruction in Postwar France." French Historical Studies 26. (2003): 687–725. |
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