| Abel, Guy. "Trazo de tiza de Miguelanxo Prado: El improbable relato entre novela y cuadro." Historietas, Comics y Tebeos españoles. Ed. Viviane Alary. Collection Hespérides. Toulouse: Presses Univ. du Mirail, 2002. 196–209. |
 
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| Alary, Viviane, ed. Historietas, Comics y Tebeos españoles. Collection Hespérides. Toulouse: Presses Univ. du Mirail, 2002. |
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| Alary, Viviane. "Balance y perspectivas: Memoria genérica de la historieta española." Historietas, Comics y Tebeos españoles. Ed. Viviane Alary. Collection Hespérides. Toulouse: Presses Univ. du Mirail, 2002. 122–38. |
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| Alary, Viviane. "Hito de la historieta española: El caso de K-Hito en la serie “De cómo pasan el rato Currinche y Don Turulato” (o de cómo pasar el rato con Currinche y Don Turulato)." Historietas, Comics y Tebeos españoles. Ed. Viviane Alary. Collection Hespérides. Toulouse: Presses Univ. du Mirail, 2002. 142–63. |
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| Alary, Viviane. "La historieta española 1870–1939: Breve reseña." Historietas, Comics y Tebeos españoles. Ed. Viviane Alary. Collection Hespérides. Toulouse: Presses Univ. du Mirail, 2002. 22–42. |
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| Alberich, Ricardo, Joe Miro-Julia, and Francesc Rosselló. "Marvel Universe looks almost like a real social network." cond-mat.dis-nn 2002. Accessed 4May. 2013. <http://arxiv.org/abs/cond-mat/0202174>. |
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| Alsina, Jean. "La narración en El Artefacto perverso: Algunas calas en un objeto inagotable." Historietas, Comics y Tebeos españoles. Ed. Viviane Alary. Collection Hespérides. Toulouse: Presses Univ. du Mirail, 2002. 210–28. |
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| Altarriba, Antonio. "La historieta española de 1960 a 2000." Historietas, Comics y Tebeos españoles. Ed. Viviane Alary. Collection Hespérides. Toulouse: Presses Univ. du Mirail, 2002. 76–121. |
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| Baetens, Jan. "History Against the Grain? On the Relationship Between Visual Aesthetics and Historical Interpretation in the Contemporary Spanish Graphic Novel." Rethinking History 6. (2002): 345–56. |
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| Bailey, Beth. "Sex as a Weapon: Underground Comix and the Paradox of Liberation." Imagine Nation. The American Counterculture of the 1960's and 70's. Eds. Peter Braunstein and Michael William Doyle. London, New York: Routledge, 2002. 305–24. |
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| Balzer, Jens. "Der Horizont bei Herriman: Zeit und Zeichen zwischen Zeitzeichen und Zeichenzeit." Ästhetik des Comic. Eds. Michael Hein, Michael Hüners and Torsten Michaelsen. Berlin: Erich Schmidt, 2002. 143–52. |
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| Barbieri, Daniele. "Zeit und Rhythmus in der Bilderzählung." Ästhetik des Comic. Eds. Michael Hein, Michael Hüners and Torsten Michaelsen. Berlin: Erich Schmidt, 2002. 125–42. |
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| Barker, Martin. "Kicked into the Gutters: or, “My Dad Doesn’t Read Comics, He Studies Them”." International Journal of Comic Art 4. (2002): 64–77. |
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| Basel, Marie-Catherine. "Jacky Fleming: “Falling in Love”." Image [&] Narrative 2. 2 2002. Accessed 3Jan. 2011. <http://www.imageandnarr ... mariecatherinebasel.htm>. |
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| Berger, Arthur Asa. "Is This the Kind of Thing That Serious Academics Do?." International Journal of Comic Art 4. (2002): 40–47. |
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| Berger, Arthur Asa. "Writing My Dissertation on Li'l Abner." Agent in the Agency. Media, Popular Culture, and Everyday Life in America. The Hampton Press Communication Series. Popular Culture. Cresskill: Hampton, 2002. 137–42. |
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| Berndt, Jaqueline. "Un/sichtbare Nacktheit. Zur kulturellen und ästhetischen Spezifik japanischer Comics." Nacktheit. Ästhetische Inszenierungen im Kulturvergleich. Ed. Kerstin Gernig. Literatur – Kultur – Geschlecht. Kleine Reihe. Köln, Weimar, Wien: Böhlau, 2002. 327–48. |
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| Berres, Werner P. Comic-Fachpressen-Index 2000: Inhaltsverzeichnis und Register deutschsprachiger Comic-Fachperiodika. Zebra Sonderband. Köln: Georg K. Berres, 2002. |
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| Bleton, Paul. "Bande dessinée : bien vu et malentendu." Image [&] Narrative 2. 2 2002. Accessed 3Jan. 2011. <http://www.imageandnarr ... e/gender/paulbleton.htm>. |
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| Bloemink, Barbara. "Is it ok to laugh yet?." Comic Release. Negotiating Identity for a New Generation. New York: D.A.P. 2002. 94–109. |
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| Breithaupt, Fritz. "Das Indiz: Lessings und Goethes Laookon-Texte und die Narrativität der Bilder." Ästhetik des Comic. Eds. Michael Hein, Michael Hüners and Torsten Michaelsen. Berlin: Erich Schmidt, 2002. 37–49. |
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| Broderick, Mick. "Anime’s Apocalypse: Neon Genesis Evangelion as Millennarian Mecha." Intersections 7 2002. Accessed 18Apr. 2011. <http://intersections.an ... 7/broderick_review.html>. |
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| Buchholz, Barbara. "Kriminalliteratur in Bild und Text: Zu Comicadaptionen ausgewählter Romane Léo Malets und Didier Daeninckx." Magisterarbeit M.A. Rheinische Friedrich-Wilhelms-Universität Bonn, 2002. |
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| Bukatman, Scott. "Online Comics and the Reframing of the Moving Image." The New Media Book. Ed. Dan Harries. Berkeley: Univ. of California Press, 2002. 133–43. |
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| Carpenter, Stanford W. "Alex Simmons and the African-American Soldier of Fortune Known as Blackjack: A Case Study in Independent Comic Book Publishing." International Journal of Comic Art 4. (2002): 228–38. |
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| Clark, Vicky A. "The Power of Suggestion … … The Suggestion of Power." Comic Release. Negotiating Identity for a New Generation. Eds. Vicky A. Clark and Barbara Bloemink. New York: D.A.P. 2002. 26–42. |
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| Clausberg, Karl. "Metamorphosen am laufenden Band. Ein kurzgefaßter Problemumriß der Sprechblasenentwicklung." Ästhetik des Comic. Eds. Michael Hein, Michael Hüners and Torsten Michaelsen. Berlin: Erich Schmidt, 2002. 17–36. |
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| Constable, Liz. "Consuming Realities: The Engendering of Invisible Violences in Posy Simmonds’s Gemma Bovery (1999)." South Central Review 19/20. (2002–2003): 63–84. |
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| Cooke, Jon B. "Hellboy on Earth: The Magic of Mike Mignola." Comic Book Artist (2002): 10–34. |
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| Cornwell, Nancy C. and Mark P. Orbe. "“Keepin' It Real” and/or “Sellin' Out to the Man”: African-American Responses to Aaron McGruder's The Boondocks." Say It Loud! African American Audiences, Media and Identity. Ed. Robin R. Means Coleman. London, New York: Routledge, 2002. 27–43. |
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| Added by: joachim 11/8/10, 6:24 PM |
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| Corrado, Danielle. "Carlos Giménez y el pacto autobiográfico." Historietas, Comics y Tebeos españoles. Ed. Viviane Alary. Toulouse: Presses Univ. du Mirail, 2002. 174–94. |
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| Costa, LeeRay M. and Andrew Matzner. "Abusing Images: Domestic Violence in Thai Cartoon Books." Intersections 8 2002. Accessed 25Jul. 2009. <http://intersections.anu.edu.au/issue8/costa.html>. |
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| Cremins, Brian. "“Why have you allowed me to see you without your mask?”: Captain America #133 and the Great American (Protest) Novel." International Journal of Comic Art 4. (2002): 239–47. |
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| Cuccolini, Giulio C. "In Search of Lost Time or Time Regained." International Journal of Comic Art 4. (2002): 26–39. |
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| Cuccolini, Giulio C. "Ein Bastard auf Papier." Ästhetik des Comic. Eds. Michael Hein, Michael Hüners and Torsten Michaelsen. Berlin: Erich Schmidt, 2002. 59–69. |
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| Daeuber, Benjamin. "Mental Movies and Action Heroes: The Adaptation of Comics to Film." 2002. Accessed 12Aug. 2009. <http://www.bendaeuber.com/comicbookpaper.pdf>. |
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| Dammann, Günter. "Temporale Strukturen des Erzählens im Comic." Ästhetik des Comic. Eds. Michael Hein, Michael Hüners and Torsten Michaelsen. Berlin: Erich Schmidt, 2002. 91–101. |
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| Added by: joachim Last edited by: joachim 2/5/11, 5:38 PM |
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| Dayez, Hugues. Blain / Blutch / David B. / de Crécy / Dupuy-Berberian / Guibert / Rabaté / Sfar: La Nouvelle bande dessinée. Entretiens avec Hugues Dayez. Profession. 2nd ed. Bruxelles: Niffle, 2004. |
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| Added by: joachim Last edited by: joachim 12/22/19, 7:15 PM |
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| Dean, Michael. "Kirby and Goliath: The Fight for Jack Kirby’s Marvel Artwork." Jack Kirby. Ed. Milo George. The Comics Journal Library. Seattle: Fantagraphics, 2002. 88–95. |
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| Delannoy, Pierre Alban. MAUS d’Art Spiegelman: Bande dessinée et shoah. Champs visuels. Paris: L’Harmattan, 2002. |
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| Dergatchov, Oleg. "Rosta Windows: As a Phenomenon of Russian Revolutionary Comic Strips." International Journal of Comic Art 4. (2002): 218–27. |
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| Diamond, Matthew. "No Laughing Matter: Post-September 11 Political Cartoons in Arab/Muslim Newspapers." Political Communication 19. (2002): 251–72. |
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| Added by: joachim 8/29/16, 10:05 AM |
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| Dolle-Weinkauff, Bernd. "›Fremde im Paradies‹? Jugendliche Lebenswelten und Jugendkulturen in Comic-Erzählungen der 80er/90er Jahre." Deutschdidaktik und berufliche Bildung. Eds. Petra Josting and Ann Peyer. Diskussionsforum Deutsch. Baltmannsweiler: Schneider-Verl. Hohengehren, 2002. 132–46. |
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| Added by: joachim Last edited by: joachim 2/2/10, 2:55 PM |
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| Dolle-Weinkauff, Bernd. "Crime Fiction im kinderliterarischen Comic: Eine aktuelle Bestandsaufnahme." Auf heißer Spur in allen Medien. Kinder- und Jugendkrimis zum Lesen, Hören, Sehen und Klicken. Eds. Petra Josting and Gudrun Stenzel. Beiträge Jugendliteratur und Medien. München: Juventa, 2002. 97–106. |
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| Added by: joachim 12/30/09, 6:56 AM |
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| Dolle-Weinkauff, Bernd. "La bande dessinée en Allemagne." « Image-in ». Culture de l’image, culture d’enfance. De l’image concrète aux animations du virtuel. Ed. Jean Perrot. Versailles: CRDP, 2002. 85–91. |
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| Drazen, Patrick. Anime Explosion! The What? Why? & Wow! of Japanese Animation. Berkeley: Stone Bridge Press, 2002. |
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| Added by: joachim 10/24/10, 11:39 AM |
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| Duncan, Randy. "The Weaver’s Art: An Examination of Comic Book “Writing”." International Journal of Comic Art 4. (2002): 134–42. |
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| Added by: joachim Last edited by: joachim 8/20/17, 3:53 PM |
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| Eaglestone, Robert. "Madness or Modernity? The Holocaust in Two Anglo-American Comics." Rethinking History 6. (2002): 319–30. |
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| Ebihara, Akiko. "Japan's Feminist Fabulation: Reading Marginal with Unisex Reproduction as a Key Concept." Genders 36 2002. Accessed 3Apr. 2011. <http://www.genders.org/g36/g36_ebihara.html>. |
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| Ehrlich, David. "Growing up with Dinosaurs: An Interview with Steve Bissette." International Journal of Comic Art 4. (2002): 97–133. |
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| Added by: Deleted user 8/4/09, 3:27 PM |
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| Eisner, Will. "Comics and Electronics." International Journal of Comic Art 4. (2002): 60–63. |
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| Added by: Deleted user 8/6/09, 1:29 PM |
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| Evanier, Mark. Mad Art: A Visual Celebration of the Art of Mad Magazine and the Idiots Who Create It. New York: Watson-Guptill, 2002. |
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| Added by: joachim 3/28/10, 2:29 PM |
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| Fara, Patricia. "Caricatures of Katterfelto." Endeavour 26. (2002): 81–82. |
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| Added by: joachim 8/4/18, 11:01 AM |
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| Faulstich, Werner. "Groschenromane, Heftchen, Comics und die Schmutz-und-Schund-Debatte." Kulturgeschichte des zwanzigsten Jahrhunderts: Die Kultur der fünfziger Jahre. Ed. Werner Faulstich. München: Fink, 2002. 199–215. |
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| Added by: joachim 10/23/21, 7:35 PM |
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| Fernández L’Hoeste, Héctor D. "Resurrecting the Nation Through the Eyes of a Native: The Case of Turey el Taino." International Journal of Comic Art 4. (2002): 70–83. |
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| Foster, III, William. "The Image of Blacks (African Americans) in Underground Comix: New Liberal Agenda or Same Racist Stereotypes?." International Journal of Comic Art 4. (2002): 168–85. |
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| Frahm, Ole. "»Comics sind eine schmutzige Kunstform«: Ole Frahm im Gespräch mit Ben Katchor." Plaque (2002): 7–16. |
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| Added by: joachim 2/26/10, 11:04 PM |
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| Frahm, Ole. "Weird Signs: Zur parodistischen Ästhetik der Comics." Ästhetik des Comic. Eds. Michael Hein, Michael Hüners and Torsten Michaelsen. Berlin: Erich Schmidt, 2002. 201–16. |
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| François, Édouard. R. Macherot: Monographie. Charleroi: L’Age d’or, 2002. |
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| Frey, Hugo. "History and Memory in Franco-Belgian Bande Dessinée (BD)." Rethinking History 6. (2002): 293–304. |
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| Fuchs, Wolfgang J. "The Story of an “Anatomy” That Gave Recognition to Comics as a Mass Medium." International Journal of Comic Art 4. (2002): 48–59. |
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| Gaiman, Neil. Adventures in the Dream Trade. Framingham: NESFA, 2002. |
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| Added by: joachim 10/15/13, 11:15 AM |
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| Garvey, Ellen Gruber. "Out of the Mainstream and Into the Streets: Small Press Magazines, the Underground Press, Zines and Artists’ Books." Perspectives on American Book History: Artifacts and Commentary. Eds. Scott E. Casper, Joanne D. Chaison and Jeffrey D. Groves. Amherst: Univ. of Massachusetts Press, 2002. 367–402. |
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| Added by: joachim 11/18/09, 2:46 PM |
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| Gasser, Christian. "»Ich habe den Eindruck, immer wieder dasselbe Buch zu machen«: Christian Gasser im Gespräch mit Lorenzo Mattotti." Plaque (2002): 81–94. |
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| Added by: joachim 2/26/10, 11:34 PM |
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| Gaumer, Patrick. La BD. Guide Totem. Paris: Larousse, 2002. |
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| George, Milo, ed. Jack Kirby. The Comics Journal Library. Seattle: Fantagraphics, 2002. |
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| Added by: joachim 9/29/13, 12:33 AM |
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| Gilleir, Anke. "“This story, shall the good man teach his son”: History and Femininity in François Bourgeon's Les compagnons du crépuscule." Image [&] Narrative 2. 2 2002. Accessed 27Jul. 2009. <http://www.imageandnarr ... /gender/ankegilleir.htm>. |
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| Goldsmith, Francisca. "What Comics Do When They Do It Right: An Interview with Art Spiegelman." Voice of Youth Advocates 25. (2002): 360–62. |
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| Gravett, Paul. "»Der Magier von Northampton«: Paul Gravett interviewt Alan Moore." Plaque (2002): 39–60. |
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| Added by: joachim 2/17/10, 10:56 PM |
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| Gresh, Lois H. and Robert Weinberg. The Science of Superheroes. Hoboken: Wiley, 2002. |
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| Added by: joachim 12/15/09, 1:46 PM |
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| Groensteen, Thierry. La Construction de La Cage. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2002. |
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| Groensteen, Thierry. "The Building of The Cage: Autopsy of a visual novel." 2002. Accessed 3Aug. 2009. <http://www.editionsdela ... teen/PDF/The%20Cage.pdf>. |
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| Harvey, Robert C., ed. Milton Caniff: Conversations. Conversations with Comic Artists. Jackson: Univ. Press of Mississippi, 2002. |
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| Hayles, Katherine. "Saving the Subject: Remediation in House of Leaves." American Literature 74. (2002): 779–806. |
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| Added by: joachim 3/16/14, 5:39 PM |
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| Hein, Michael. "Zwischen Panel und Strip: Auf der Suche nach der ausgelassenen Zeit." Ästhetik des Comic. Eds. Michael Hein, Michael Hüners and Torsten Michaelsen. Berlin: Erich Schmidt, 2002. 51–58. |
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| Hein, Michael, Michael Hüners, and Torsten Michaelsen, eds. Ästhetik des Comic. Berlin: Erich Schmidt, 2002. |
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| Heinisch, Severin, ed. Die vielen Gesichter des Robert Crumb. St.Pölten/Krems: Niederösterreichisches Pressehaus/Karikaturmuseum, 2002. |
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| Herman, Daniel. Gil Kane: Art and Interviews. Neshannock: Hermes, 2002. |
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| Added by: joachim 12/8/10, 1:47 PM |
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| Herrmann, Maike. "Literatur in Comic-Adaptionen: Ein aktueller Überblick." Diplomarbeit Dipl. Fachhochschule Stuttgart – Hochschule der Medien, 2002. |
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| Added by: joachim 7/26/12, 7:29 PM |
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| Heuman, Josh and Richard Burt. "Suggested for Mature Readers? Deconstructing Shakespearean Value in Comic Books." Shakespeare after Mass Media. Ed. Richard Burt. New York [etc.]: Palgrave Macmillan, 2002. 151–71. |
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| Hoffmann-Curtius, Kathrin. "Unikat und Plagiat: Die Meistererzählung im Comic." Ästhetik des Comic. Eds. Michael Hein, Michael Hüners and Torsten Michaelsen. Berlin: Erich Schmidt, 2002. 153–69. |
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| Holländer, Hans. "Zeit-Zeichen der Malerei." Ästhetik des Comic. Eds. Michael Hein, Michael Hüners and Torsten Michaelsen. Berlin: Erich Schmidt, 2002. 103–24. |
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| Added by: joachim Last edited by: joachim 2/5/11, 5:48 PM |
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| Hopkins, Susan. Girl Heroes: The New Force in Popular Culture. Media.culture. Annandale: Pluto, 2002. |
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| Added by: joachim Last edited by: joachim 8/24/10, 1:13 PM |
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| Horn, Maurice. "How It All Began, or Present at the Creation." International Journal of Comic Art 4. (2002): 6–22. |
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| Horn, Maurice. "The Lady, or the Dragon?." International Journal of Comic Art 4. (2002): 224–28. |
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| Huberty, Maren. "Astérix erobert Rumänien: Die Comic-Reihe Astérix in rumänischer Übersetzung." Zeitschrift für germanistische Linguistik 30. (2002): 211–33. |
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| Added by: joachim Last edited by: joachim 5/31/13, 3:56 AM |
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| Hunt, Nancy Rose. "Tintin and the Interruptions of Congolese Comics." Images and Empires. Visuality in Colonial and Postcolonial Africa. Eds. Paul S. Landau and Deborah D. Kaspin. Berkeley: Univ. of California Press, 2002. 90–123. |
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| Added by: joachim 12/12/12, 1:19 PM |
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| Huxley, David. Nasty Tales: Sex, Drugs, Rock'n'Roll and Violence in the British Underground. Primal-Spinal Comix History. Manchester: Critical Vision, 2002. |
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| Inge, M. Thomas. "Comic Books." The Greenwood Guide to American Popular Culture. Eds. M. Thomas Inge and Dennis Hall. New York: Greenwood, 2002. |
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| Added by: joachim 7/25/09, 10:37 PM |
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| Inge, M. Thomas. "Comic Strips." The Greenwood Guide to American Popular Culture. Eds. M. Thomas Inge and Dennis Hall. New York: Greenwood, 2002. |
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| Added by: joachim 7/25/09, 10:37 PM |
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| Introvigne, Massimo. "Brainwashing the Working Class: Vampire Comics and Criticism from Dr. Occult to Buffy." Slayage 2. 3 2002. Accessed 1May. 2015. <http://slayageonline.com/PDF/introvigne.pdf>. |
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| Ito, Kinko. "The World of Japanese Ladies’ Comics: From Romantic Fantasy to Lustful Perversion." Journal of Popular Culture 36. (2002): 68–85. |
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| Jacobs, Kristien. "‘La Cage’ by Martin Vaughn-James." Image [&] Narrative 2. 2 2002. Accessed 27Jul. 2009. <http://www.imageandnarr ... nder/kristienjacobs.htm>. |
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| Janson, Klaus. The DC Comics Guide to Pencilling Comics. New York: Watson-Guptill, 2002. |
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| Added by: joachim 9/7/13, 10:18 AM |
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| Jones, Gerard. Killing Monsters: Why Children Need Fantasy, Super Heroes, and Make-Believe Violence. New York: Basic Books, 2002. |
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