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| Dolle-Weinkauff, Bernd. "Geschichte zwischen Grandiosität und Gag: Historisches erzählen in bildgeschichte und comic." GeschichtsBilder. Historische Jugendbücher aus vier Jahrhunderten. Eds. Carola Pohlmann and Rüdiger Steinlein. Wiesbaden: Reichert, 2000. 301–16. |
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| Ellis, Allen and Doug Highsmith. "About Face: Comic books in library literature." Serials Review 26. (2000): 21–43. |
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| Frahm, Ole. "Weird Signs: Aesthetics of comics as a parody." International Journal of Comic Art 2. (2000): 76–84. |
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| Frahm, Ole. "Weird Signs: Comics as means of parody." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 177–91. |
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| Freeman, Linton C. "See you in the Funny Papers: Cartoons and social networks." Connections 23. (2000): 32–42. |
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| Galli Mastrodonato, Paola. "L’imaginaire du Nouveau Monde dans la bande dessinée italienne: Le cas de blek macigno." De l’écrit à l’écran. Littératures populaires : mutations génériques, mutations médiatiques. Ed. Jacques Migozzi. Limoges: Presses Univ. de Limoges, 2000. 663–79. |
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| Gibson, Mel. "Memories of Reading: British girls and their comics." Consuming for Pleasure. Selected Essays on Popular Fictions. Eds. Julia Hallam and Nickianne Moody. Liverpool: Media Critical and Creative Arts, John Moores Univ., Ass. for Research in Popular Fictions, 2000. 210–27. |
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| Graves, Michael P. "The Comics Meet the Quakers: Scott mccloud's theory of the comics employed to unravel the quaker tapestry." Studies in Popular Culture 23. (2000): 75–90. |
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| Groensteen, Thierry. "Why are Comics Still in Search of Cultural Legitimization?." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 29–41. |
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| Grünewald, Dietrich. "Zwischen banal und kongenial: Literarische stoffe als comic erzählt." Kinder, Literatur, neue Medien. Eds. Karin Richter and Sabine Riemann. Diskussionsforum Deutsch. Baltmannsweiler: Schneider-Verl. Hohengehren, 2000. 153–68. |
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| Harper, Morten. Fra flittige barn til trøtte typer: 100 år med norske tegneserier. Bergen: Raptus, 2000. |
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| Harvey, Robert C. and Gus Arriola. Accidental Ambassador Gordo: The comic strip art of gus arriola. Jackson: Univ. Press of Mississippi, 2000. |
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| Hatfield, Charles. "Graphic Interventions: Form and argument in contemporary comics." Dissertation Ph.D. University of Connecticut, 2000. |
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| Helford, Elyce Rae. "Postfeminism and the Female Action-Adventure Hero: Positioning tank girl." Future Females, The Next Generation. New Voices and Velocities in Feminist Science Fiction Criticism. Ed. Marleen S. Barr. Lanham [etc.]: Rowman & Littlefield, 2000. 291–308. |
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| How, James. "2000AD and Hollywood: The special relationship between a british comic and american film." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 225–41. |
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| Inge, M. Thomas, ed. Charles M. Schulz: Conversations. Conversations with Comic Artists. Jackson: Univ. Press of Mississippi, 2000. |
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| Inge, M. Thomas. "From Ahab to Peg-Leg Pete: A comic cetology." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 157–76. |
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| Jacob, Lars. Bildschrift – Schriftbild: Zu einer eidetischen fundierung von erkenntnistheorie im modernen roman. Epistemata. Würzburg: Königshausen & Neumann, 2000. |
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| Jüngst, Heike Elisabeth. "Educational Comics – Text-type, or Text-types in a Format?." Image [&] Narrative 1. 1 2000. Accessed 27 Jul. 2009. <http://www.imageandnarr ... ikeelisabethjuengst.htm>. |
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| Jüngst, Heike Elisabeth. "Das Frauenbild in Posy Simmonds’ Comics: Tradition und ironie." Frauen in Kultur und Gesellschaft. Ausgewählte Beiträge der 2. Fachtagung Frauen-/Gender-Forschung in Rheinland-Pfalz. Ed. Renate von Bardeleben. Frauen-/Gender-Forschung in Rheinland-Pfalz. Tübingen: Stauffenburg, 2000. 349–62. |
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| Kawa, Abraham. "What if the Apocalypse Never Happens: Evolutionary narratives in contemporary comics." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 209–24. |
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| Kluver, Randy. "Comic Effects: Postcolonial political mythologies in the world of lily wong." Journal of Communication Inquiry 24. (2000): 195–215. |
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| Köhn, Stephan and Martina Schönbein. "Dem Story-manga auf der Spur: Potentielle prototypen des modernen japanischen comics in der text/bild-tradition der edo-zeit." Japonica Humboldtiana 4. (2000): 21–58. |
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| Kraemer, Christine Hoff. "The Creative Apocalypse: Post-wwii narratives of death, rebirth, and transformation." Thesis B.A. Univ. of Texas, 2000. |
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| Lambert, Emma. "‘Don’t fight it. You can’t whip Mickey Mouse’: Disneyland’s america 1955–59." Containing America. Cultural Production and Consumption in 50s America. Eds. Nathan Abrams and Julie Hughes. Birmingham: Univ. of Birmingham Press, 2000. 29–48. |
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| Lancaster, Kurt. "Neil Gaiman’s “A Midsummer Night’s Dream”: Shakespeare integrated into popular culture." Journal of American & Comparative Cultures 23. (2000): 69–77. |
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| Lee, William. "From Sazae-san to Crayon Shin-chan: Family anime, social change, and nostalgia in japan." Japan Pop! Inside the World of Japanese Popular Culture. Ed. Timothy J. Craig. Armonk: M. E. Sharpe, 2000. 186–203. |
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| Lefèvre, Pascal. "Narration in Comics." Image [&] Narrative 1. 1 2000. Accessed 27 Jul. 2009. <http://www.imageandnarr ... ology/pascallefevre.htm>. |
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| Lefèvre, Pascal. "The Importance of Being ‘Published’: A comparative study of different comics formats." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 91–105. |
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| Legrady, Georges. "Modular Structure and Image/Text Sequences: Comics and interactive media." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 79–90. |
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| Lent, John A. "East European Cartooning: Differences over time and space." International Journal of Comic Art 2. (2000): 102–08. |
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| MacWilliams, Mark W. "Japanese Comics and Religion: Osamu tezuka’s story of the buddha." Japan Pop! Inside the World of Japanese Popular Culture. Ed. Timothy J. Craig. Armonk: M. E. Sharpe, 2000. 109–37. |
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| Magnussen, Anne and Hans-Christian Christiansen, eds. Comics & Culture. Analytical and Theoretical Approaches to Comics. Copenhagen: Museum Tusculanum, 2000. |
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| Magnussen, Anne. "The Semiotics of C.S. Peirce as a Theoretical Framework for the Understanding of Comics." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 193–207. |
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| McIlvenny, Paul. "Disabling Men: Masculinity and disability in al davison’s graphic autobiography the spiral cage." Bending Bodies. Moulding Masculinities. Eds. Søren Ervø and Thomas Johansson. Vol. 2. Aldershot: Ashgate, 2000. 238–58. |
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| McLelland, Mark J. "The Love Between ‘Beautiful Boys’ in Japanese Women's Comics." Journal of Gender Studies 9. (2000): 13––25. |
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