| Adams, Jeff. "Working Out Comics." Journal of Art & Design Education 19.(2000): 304–12. |
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| Allison, Anne. "A Challenge to Hollywood? Japanese character goods hit the us." Japanese Studies 20.(2000): 67–88. |
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| Allison, Anne. "Sailor Moon: Japanese superheroes for global girls." Japan Pop! Inside the World of Japanese Popular Culture. Ed. Timothy J. Craig. Armonk: M. E. Sharpe, 2000. 259–78. |
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| Amiran, Eyal. "George Herriman’s Black Sentence: The legibility of race in krazy kat." Mosaic 33.(2000): 57–79. |
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| Andersson, Lars M. En jude är en jude är en jude …: Representationen av »juden« i svensk skämtpress omkring 1900–1930. Lund: Nordic Academic Pr, 2000. |
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| Ault, Donald. "“Cutting Up” Again Part II: Lacan on barks on lacan." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 123–40. |
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| Baetens, Jan. "Towards a New Modernism in European Comics?." Popular Culture Review 11.(2000): 89–97. |
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| Pleasures of Urban Decay. 2000. Liam Romalis. |
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| Banner, Gillian. Holocaust Literature: Schulz, levi, spiegelman and the memory of the offence. Parkes-Wiener series on Jewish studies. London: Vallentine Mitchell, 2000. |
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| Beach, Sarah. "Robin Hood and Green Arrow: Outlaw bowmen in the modern urban landscape." Robin Hood in Popular Culture. Violence, Transgression, and Justice. Ed. Thomas Hahn. Cambridge: D.S. Brewer, 2000. 21–28. |
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| Beaumenay-Joannet, Isabelle, ed. Chaland et les publicitaires. Brussels: Champaka, 2000. |
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| Berns, Jörg Jochen. Film vor dem Film: Bewegende und bewegliche bilder als mittel der imaginationssteuerung in mittelalter und früher neuzeit. Marburg: Jonas Verl, 2000. |
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| Berres, Werner P. Comic-Fachpressen-Index 1999. Zebra Sonderband. Köln: Georg K. Berres, 2000. |
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| Blanco de la Cruz, Caridad. "Always the Other One: Salomón." International Journal of Comic Art 2.(2000): 178–89. |
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| Bongco, Mila. Reading Comics. Language, Culture, and the Concept of the Superhero in Comic Books. New York: Garland, 2000. |
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| Boyask, Ruth. "Reading Community in Funtime Comics: A new zealand narrative." International Journal of Comic Art 2.(2000): 152–63. |
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| Brooker, Will. Batman Unmasked: Analyzing a cultural icon. London, New York: Continuum, 2000. |
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| Brooker, Will. "Containing Batman: Rereading fredric wertham and the comics of the 1950s." Containing America. Cultural Production and Consumption in 50s America. Eds. Nathan Abrams and Julie Hughes. Birmingham: Univ. of Birmingham Press, 2000. 151–67. |
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| Brown, Jeffrey A. Black Superheroes, Milestone Comics, and Their Fans. Studies in Popular Culture. Jackson: Univ. Press of Mississippi, 2000. |
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| Bukatman, Scott. "Boys in the Hoods: Glossing the urban superhero." Iconics 5.(2000): 42–50. |
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| Carrier, David. The Aesthetics of Comics. University Park: Penn State Univ. Press, 2000. |
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| Christiansen, Hans-Christian. "Comics and Film: A narrative perspective." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 107–21. |
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| Couch, N.C. Christopher. "The Publication and Formats of Comics, Graphic Novels, and Tankobon." Image [&] Narrative 1.1 2000. Accessed 27 Jul. 2009. <http://www.imageandnarr ... ratology/chriscouch.htm>. |
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| Couderc, Marie-Anne. Bécassine inconnue. Paris: CNRS Ed, 2000. |
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| Cuadrado, Jesús. De la historieta y su uso, 1873–2000. Atlas español de la cultura popular. 2 vols. Madrid: Sinsentido, 2000. |
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| Czapla, Ralf Georg. "Morbus Gravis (Druuna)." Lexikon der Comics. Ed. Marcus Czerwionka. Meitingen: Corian, 2000. |
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| Daniels, Les. Wonder Woman: The complete history. the life and times of the amazon princess. San Francisco: Chronicle Books, 2000. |
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| Dolle-Weinkauff, Bernd. "Von zierlichen Zigeunerinnen und Roma-Rambos: Beobachtungen zum zigeunerbild im zeitgenössischen comic." Zigeunerbilder in der Kinder- und Jugendliteratur. Ed. Anita Awosusi. Schriftenreihe des Dokumentations- und Kulturzentrums Deutscher Sinti und Roma. Heidelberg: Wunderhorn, 2000. 97–116. |
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| Dolle-Weinkauff, Bernd. "Comics für Kinder und Jugendliche." Taschenbuch der Kinder- und Jugendliteratur. Ed. Günter Lange. Grundlagen – Gattungen. Baltmannsweiler: Schneider-Verl. Hohengehren, 2000. 495–524. |
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| Dolle-Weinkauff, Bernd. "Mecki schmunzelt und Sandmann bringt den Abendgruß: Populäre medienidyllen der fünfziger und sechziger jahre in deutschland-ost und -west." Konfigurationen des Fremden in der Kinder- und Jugendliteratur nach 1945. Eds. Ulrich Nassen and Gina Weinkauff. München: iudicium, 2000. 141–54. |
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| Dolle-Weinkauff, Bernd. "Geschichte zwischen Grandiosität und Gag: Historisches erzählen in bildgeschichte und comic." GeschichtsBilder. Historische Jugendbücher aus vier Jahrhunderten. Eds. Carola Pohlmann and Rüdiger Steinlein. Wiesbaden: Reichert, 2000. 301–16. |
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| Ellis, Allen and Doug Highsmith. "About Face: Comic books in library literature." Serials Review 26.(2000): 21–43. |
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| Ewert, Jeanne C. "Reading Visual Narrative: Art spiegelman's maus." Narrative 8.(2000): 87–103. |
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| Frahm, Ole. "Weird Signs: Aesthetics of comics as a parody." International Journal of Comic Art 2.(2000): 76–84. |
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| Frahm, Ole. "Weird Signs: Comics as means of parody." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 177–91. |
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| Freeman, Linton C. "See you in the Funny Papers: Cartoons and social networks." Connections 23.(2000): 32–42. |
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| Frenzel, Martin. "Protestantische Comic-Wüste Germanien? Deutsche autorencomics der 80er und 90er jahre (1980–2000). eine bestandsaufnahme aus der vogelperspektive." COMIC!-Jahrbuch (2000): 40–77. |
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| Galli Mastrodonato, Paola. "L’imaginaire du Nouveau Monde dans la bande dessinée italienne: Le cas de blek macigno." De l’écrit à l’écran. Littératures populaires : mutations génériques, mutations médiatiques. Ed. Jacques Migozzi. Limoges: Presses Univ. de Limoges, 2000. 663–79. |
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| Geissman, Grant and Fred Von Bernewitz. Tales of Terror! The ec companion. Seattle: Fantagraphics, 2000. |
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| Gibson, Mel. "Reading as Rebellion: The case of the girls’ comic in britain." International Journal of Comic Art 2.(2000): 135–51. |
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| Gibson, Mel. "Memories of Reading: British girls and their comics." Consuming for Pleasure. Selected Essays on Popular Fictions. Eds. Julia Hallam and Nickianne Moody. Liverpool: Media Critical and Creative Arts, John Moores Univ., Ass. for Research in Popular Fictions, 2000. 210–27. |
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| Gordon, Ian. "Beyond the Funnies: Comic books, history, and hegemony." American Quarterly 52.(2000): 145–50. |
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| Grabensberger, Horst. "»Ächz! Stöhn! Grunz!« Soziokulturelle und ökonomische interdependenzen, die zur marginalisierung des mediums comic in österreich führten." Diplomarbeit FH St. Pölten, 2000. |
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| Graves, Michael P. "The Comics Meet the Quakers: Scott mccloud's theory of the comics employed to unravel the quaker tapestry." Studies in Popular Culture 23.(2000): 75–90. |
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| Groensteen, Thierry. Asterix, Barbarella & Co. Geschichte des comic im französischen sprachraum. Paris: Somogy, 2000. |
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| Groensteen, Thierry. "Gustave Doré's Comics." International Journal of Comic Art 2.(2000): 111–20. |
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| Groensteen, Thierry, ed. Maîtres de la bande dessinée européenne. Paris: Seuil, 2000. |
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| Groensteen, Thierry. "Why are Comics Still in Search of Cultural Legitimization?." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 29–41. |
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| Grünewald, Dietrich. Comics. Grundlagen der Medienkommunikation. Tübingen: Niemeyer, 2000. |
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| Grünewald, Dietrich. "Zwischen banal und kongenial: Literarische stoffe als comic erzählt." Kinder, Literatur, neue Medien. Eds. Karin Richter and Sabine Riemann. Diskussionsforum Deutsch. Baltmannsweiler: Schneider-Verl. Hohengehren, 2000. 153–68. |
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| Harper, Morten. Fra flittige barn til trøtte typer: 100 år med norske tegneserier. Bergen: Raptus, 2000. |
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| Harvey, Robert C. and Gus Arriola. Accidental Ambassador Gordo: The comic strip art of gus arriola. Jackson: Univ. Press of Mississippi, 2000. |
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| Hatfield, Charles. "Graphic Interventions: Form and argument in contemporary comics." Dissertation Ph.D. University of Connecticut, 2000. |
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| Helford, Elyce Rae. "Postfeminism and the Female Action-Adventure Hero: Positioning tank girl." Future Females, The Next Generation. New Voices and Velocities in Feminist Science Fiction Criticism. Ed. Marleen S. Barr. Lanham [etc.]: Rowman & Littlefield, 2000. 291–308. |
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| Hill, Michael. "Outside Influence / Local Color: The australian small press." International Journal of Comic Art 2.(2000): 117–32. |
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| Horak, Carl. A Terry and the Pirates Companion. Manitou Springs: Spec Productions, 2000. |
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| Horn, Maurice. "American Comic Strips And Silent Seriable: A parallel." International Journal of Comic Art 2.(2000): 85–89. |
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| How, James. "2000AD and Hollywood: The special relationship between a british comic and american film." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 225–41. |
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| Inge, M. Thomas, ed. Charles M. Schulz Conversations. Conversations with Comic Artists. Jackson: Univ. Press of Mississippi, 2000. |
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| Inge, M. Thomas. "From Ahab to Peg-Leg Pete: A comic cetology." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 157–76. |
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| Jacob, Lars. Bildschrift – Schriftbild: Zu einer eidetischen fundierung von erkenntnistheorie im modernen roman. Epistemata. Würzburg: Königshausen & Neumann, 2000. |
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| Jahraus, Oliver. "Die Peanuts trauern: Nachruf auf charles m. schulz, den schöpfer von snoopy, charlie brown & co.." Medienobservationen 2000. Accessed 20 Feb. 2014. <http://www.medienobserv ... ikel/comics/schulz.html>. |
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| Jüngst, Heike Elisabeth. "Educational Comics – Text-type, or Text-types in a Format?." Image [&] Narrative 1.1 2000. Accessed 27 Jul. 2009. <http://www.imageandnarr ... ikeelisabethjuengst.htm>. |
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| Jüngst, Heike Elisabeth. "Das Frauenbild in Posy Simmonds’ Comics: Tradition und ironie." Frauen in Kultur und Gesellschaft. Ausgewählte Beiträge der 2. Fachtagung Frauen-/Gender-Forschung in Rheinland-Pfalz. Ed. Renate von Bardeleben. Frauen-/Gender-Forschung in Rheinland-Pfalz. Tübingen: Stauffenburg, 2000. 349–62. |
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| Kawa, Abraham. "What if the Apocalypse Never Happens: Evolutionary narratives in contemporary comics." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 209–24. |
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| Kawczynski, Guido. "Comicfanzines in Deutschland." Diplomarbeit Hochschule für Technik, Wirtschaft und Kultur Leipzig, 2000. |
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| Kinsella, Sharon. Adult Manga: Culture and power in contemporary japanese society. ConsumAsian. London, New York: Routledge, 2000. |
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| Kirsh, Steven J. and Paul V. Olczak. "Violent Comic Books and Perceptions of Ambiguous Provocation Situations." Media Psychology 2.(2000): 47–62. |
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| Kluver, Randy. "Comic Effects: Postcolonial political mythologies in the world of lily wong." Journal of Communication Inquiry 24.(2000): 195–215. |
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| Köhn, Stephan. "Gourmetcomics in Japan: Betrachtungen zum begründer und trendsetter oishinbo [der kleine feinschmecker]." Japanstudien 12.(2000): 183–209. |
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| Köhn, Stephan and Martina Schönbein. "Dem Story-manga auf der Spur: Potentielle prototypen des modernen japanischen comics in der text/bild-tradition der edo-zeit." Japonica Humboldtiana 4.(2000): 21–58. |
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| Kraemer, Christine Hoff. "The Creative Apocalypse: Post-wwii narratives of death, rebirth, and transformation." Thesis B.A. Univ. of Texas, 2000. |
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| Lambert, Emma. "‘Don’t fight it. You can’t whip Mickey Mouse’ Disneyland’s america 1955–59." Containing America. Cultural Production and Consumption in 50s America. Eds. Nathan Abrams and Julie Hughes. Birmingham: Univ. of Birmingham Press, 2000. 29–48. |
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| Lancaster, Kurt. "Neil Gaiman’s “A Midsummer Night’s Dream”: Shakespeare integrated into popular culture." Journal of American & Comparative Cultures 23.(2000): 69–77. |
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| Langevin, Sébastien. "Plaidoyer pour une bande dessinée Africaine." Africultures (2000). |
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| Laser, Björn. "Heftchenflut und Bildersturm – Die westdeutsche Comic-Debatte in den 50ern." Die janusköpfigen 50er Jahre. Ed. Georg Bollenbeck. Kulturelle Moderne und bildungsbürgerliche Semantik. Opladen: Westdeutscher Verl, 2000. 63–86. |
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| Lee, William. "From Sazae-san to Crayon Shin-chan: Family anime, social change, and nostalgia in japan." Japan Pop! Inside the World of Japanese Popular Culture. Ed. Timothy J. Craig. Armonk: M. E. Sharpe, 2000. 186–203. |
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| Lefèvre, Pascal. "Narration in Comics." Image [&] Narrative 1.1 2000. Accessed 27 Jul. 2009. <http://www.imageandnarr ... ology/pascallefevre.htm>. |
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| Lefèvre, Pascal. "The Importance of Being ‘Published’: A comparative study of different comics formats." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 91–105. |
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| Legrady, Georges. "Modular Structure and Image/Text Sequences: Comics and interactive media." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 79–90. |
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| Lent, John A. "East European Cartooning: Differences over time and space." International Journal of Comic Art 2.(2000): 102–08. |
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| Lewis, Barbara Jo. "Cyborg Might: Conceptions of power in comic book art." International Journal of Comic Art 2.(2000): 144–58. |
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| Lim, Cheng Tju. "Political Cartoons in Singapore: Misnomer or redefinition necessary?." Journal of Popular Culture 34.(2000): 77–83. |
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| Lindenberger, Jan. Collecting Garfield®: An unauthorized handbook and price guide. Lancaster: Schiffer, 2000. |
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| Lumbala, Hilaire Mbiye. "Etat des lieux de la bande dessinée en Afrique." Africultures (2000). |
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| Lumbala, Hilaire Mbiye. "An Inventory of the Comic Strip in Africa." Africultures (2000). |
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| Lusted, David. "Children and Popular Culture: The case of turtle power." A Necessary Fantasy? The Heroic Figure in Children’s Popular Culture. Eds. Dudley Jones and Tony Watkins. Children’s Literature and Culture. New York: Garland, 2000. 267–90. |
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| MacWilliams, Mark W. "Japanese Comics and Religion: Osamu tezuka’s story of the buddha." Japan Pop! Inside the World of Japanese Popular Culture. Ed. Timothy J. Craig. Armonk: M. E. Sharpe, 2000. 109–37. |
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| Magnussen, Anne and Hans-Christian Christiansen, eds. Comics & Culture. Analytical and Theoretical Approaches to Comics. Copenhagen: Museum Tusculanum, 2000. |
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| Magnussen, Anne. "The Semiotics of C.S. Peirce as a Theoretical Framework for the Understanding of Comics." Comics & Culture. Analytical and Theoretical Approaches to Comics. Eds. Anne Magnussen and Hans-Christian Christiansen. Copenhagen: Museum Tusculanum, 2000. 193–207. |
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| Mahony, Diana L. "The psychological appeal of Bill Watterson's Calvin." Humor. International Journal of Humor Research 13.(2000): 19–40. |
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| Marsh, Jackie. "But I want to fly too! Girls and superhero play in the infant classroom." Gender and Education 12.(2000): 209–20. |
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| Matton, Annette. "Reader Responses to Doug Murray’s The ’Nam." International Journal of Comic Art 2.(2000): 33–43. |
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| Matzner, Andrew. "Not a Pretty Picture: Images of married life in thai comic books." International Journal of Comic Art 2.(2000): 57–75. |
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| McCloud, Scott. Reinventing Comics: How imagination and technology are revolutionizing an art form. New York: Harper, 2000. |
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| McIlvenny, Paul. "Disabling Men: Masculinity and disability in al davison’s graphic autobiography the spiral cage." Bending Bodies. Moulding Masculinities. Eds. Søren Ervø and Thomas Johansson. Vol. 2. Aldershot: Ashgate, 2000. 238–58. |
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| McKinney, Mark. "The Representation of Ethnic Minority Women in Comic Books." Women, Immigration and Identities in France. Eds. Jane Freedman and Carrie Tarr. Oxford, New York: Berg, 2000. 85–102. |
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| McLelland, Mark J. "The Love Between ‘Beautiful Boys’ in Japanese Women's Comics." Journal of Gender Studies 9.(2000): 13––25. |
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| McLelland, Mark J. Male Homosexuality in Modern Japan: Cultural myths and social realities. Richmond: Curzon Pr, 2000. |
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| McQuillan, Libbie. "Between the Sheets at Pilote: 1968–1973." International Journal of Comic Art 2.(2000): 159–77. |
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| Last edited by: joachim 9/18/12, 10:29 PM |
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