| Abmeier, Armin. "Zwischentöne sind nur Krampf: Henning Wagenbreth." Mutanten. Die deutschsprachige Comic-Avantgarde der 90er Jahre. Ed. Christian Gasser. Ostfildern-Ruit: Hatje Cantz, 1999. 70–71. |
 
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| Adams, Jeff. "Of Mice and Manga: Comics and Graphic Novels in Art Education." Journal of Art & Design Education 18. (1999): 69–75. |
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| Adams, Kenneth Alan and Lester Hill, Jr. "Castration Anxiety in Japanese Group-Fantasies." Journal of Psychohistory 26. (1999): 779–809. |
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| Alaniz, José. "Towards a History of a ‘Stalled’ Medium: Comics in Russia." International Journal of Comic Art 1. (1999): 4–28. |
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| Althaus, Karin. "Schönheit und Pathos – Das Nachleben der Antike in der neunten Kunst." »Antico-mix«. Antike in Comics. Ed. Thomas Lochmann. Basel: Skulpturhalle Basel, 1999. 40–51. |
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| Augereau, Pierre-Louis. Hergé au pays des tarots: Une lecture symbolique, ésotérique et alchimique des aventures de Tintin. Collection l'or bleu. Le Coudray-Macouard: Cheminements, 1999. |
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| Baetens, Jan. "Reading vision? What contexts for the ‘pictorial turn’?." Semiotica (1999): 203–18. |
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| Balzer, Jens. "Die Schrift in der Vertikalen. Zum »Yellow Kid« von Richard F. Outcault." Testcard (1999): 250–57. |
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| Balzer, Jens. "Handgriff (A) des seriellen Erzählens: Rube Goldberg und seine Maschinen." Schreibheft (1999): 189–91. |
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| Balzer, Jens. "Revue der Erniedrigungen: Winsor McCays Dreams of the Rarebit Fiend." Schreibheft (1999): 159–61. |
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| Balzer, Jens. "Träumender Taucher: Martin tom Dieck." Mutanten. Die deutschsprachige Comic-Avantgarde der 90er Jahre. Ed. Christian Gasser. Ostfildern-Ruit: Hatje Cantz, 1999. 30–31. |
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| Balzer, Jens. "Ungleichzeitige Gegenwart. Über das Erzählen im Comic.." Mutanten. Die deutschsprachige Comic-Avantgarde der 90er Jahre. Ed. Christian Gasser. Ostfildern-Ruit: Hatje Cantz, 1999. 19–23. |
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| Bär, Iris Andrea. "Historiker im »Bilderdschungel«: Zwischen »Comicgeschichte« und »Geschichte im Comic«." Magisterarbeit M.A. Universität Münster, 1999. |
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| Barker, Martin. "Fredric Wertham—The Sad Case of the Unhappy Humanist." Pulp Demons. International Dimensions of the Postwar Anti-Comics Campaign. Ed. John A. Lent. Madison [etc.]: Fairleigh Dickinson Univ. Press, 1999. 215–33. |
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| Barker, Martin. "Getting a Conviction: Or, How the British Horror Comics Campaign Only Just Succeeded." Pulp Demons. International Dimensions of the Postwar Anti-Comics Campaign. Ed. John A. Lent. Madison [etc.]: Fairleigh Dickinson Univ. Press, 1999. 69–92. |
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| Added by: joachim Last edited by: joachim 2/22/13, 4:26 PM |
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| Beaty, Bart. "All our Innocences: Fredric Wertham, Mass Culture and the Rise of the Media Effects Paradigm, 1940–1972." Thesis Doctor of Philosophy. McGiIl University, 1999. |
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| Beaty, Bart. "Featuring Stories by the World’s Greatest Authors: Classics Illustrated and the “Middlebrow Problem” in the Postwar Era." International Journal of Comic Art 1. (1999): 122–39. |
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| Beaty, Bart. "The Search for Comics Exceptionalism." The Comics Journal (1999): 67–72. |
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| Beck, Rose Marie. "Comic in Swahili or Swahili Comic?." Afrikanistische Arbeitspapiere 60. (1999): 67–101. |
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| Bender, Hy. The Sandman Companion: A Dreamer’s Guide to the Award-Winning Comics Series. New York: DC Comics, 1999. |
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| Beronä, David A. "Breaking Taboos: Sexuality in the Work of Will Eisner and the Early Wordless Novels." International Journal of Comic Art 1. (1999): 90–103. |
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| Berres, Werner P. Comic-Fachpressen-Index 1989–1995. Zebra Sonderband. Köln: Georg K. Berres, 1999. |
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| Added by: joachim 11/24/09, 12:59 AM |
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| Brabant, Sarah and Linda A. Mooney. "The Social Construction of Family Life in the Sunday Comics: Race as a Consideration." Journal of Comparative Family Studies 30. (1999): 113–33. |
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| Braun, Alexander. "Wuchernder Mikrokosmos: Atak." Mutanten. Die deutschsprachige Comic-Avantgarde der 90er Jahre. Ed. Christian Gasser. Ostfildern-Ruit: Hatje Cantz, 1999. 40–41. |
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| Brenne, Stefan. "Asterix und die Antike." »Antico-mix«. Antike in Comics. Ed. Thomas Lochmann. Basel: Skulpturhalle Basel, 1999. 106–19. |
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| Brinkmann, Frank Thomas. Comics und Religion: Das Medium der »Neunten Kunst« in der gegenwärtigen Deutungskultur. Praktische Theologie heute. Stuttgart [etc.]: Kohlhammer, 1999. |
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| Bronfen, Elisabeth. "Der Heimatlose schlägt zurück." Heimweh. Illusionsspiele in Hollywood. Berlin: Volk und Welt, 1999. 465–526. |
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| Brooker, Will. "Batman: One life, many faces." Adaptations. From Text to Screen, Screen to Text. Eds. Deborah Cartmell and Imelda Welehan. London, New York: Routledge, 1999. 185–98. |
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| Brown, Jeffrey A. "Comic Book Masculinity and the New Black Superhero." African American Review 33. (1999): 25–42. |
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| Added by: joachim Last edited by: joachim 2/1/10, 12:26 AM |
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| Byrne, Eleanor and Martin McQuillan. Deconstructing Disney. London: Pluto, 1999. |
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| Added by: joachim 4/24/17, 10:59 AM |
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| Caneppele, Paolo and Günter Krenn. Film ist Comics: Wahlverwandtschaften zweier Medien. Die Projektionen des Filmstars Louise Brooks in den Comics von John Striebel bis Guido Crepax. Filmarchiv Austria, 1999. |
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| Carpenter, Stanford W. "The Tarzan vs. Predator Comic Book Mini-Series: An Ethnographic Analysis." International Journal of Comic Art 1. (1999): 195–215. |
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| Added by: joachim Last edited by: joachim 5/2/13, 5:38 PM |
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| Caswell, Lucy Shelton and Helena Frenkil Schlam, eds. Jewish Cartoonists and the American Experience. Columbus: The Ohio State University Cartoon, Graphic and Photographic Arts Research Library, 1999. |
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| Ceviker, Turgut. "The City and Housing in Turkish Cartoons." International Journal of Comic Art 1. (1999): 127–31. |
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| Chaney, Michael A. "The Dismantling Evolution of Heroes: Aquaman’s Amputation." International Journal of Comic Art 1. (1999): 55–65. |
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| Chavdia, Christophe. "Il était une fois Hara-Kiri, « journal bête et méchant », et ses interdictions." « On tue à chaque page! » La loi de 1949 sur les publications destinées à la jeunesse. Eds. Thierry Crépin and Thierry Groensteen. Paris: Édition du Temps, 1999. 137–48. |
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| Christiansen, Hans-Christian. "Forskning i tegneserier." MedieKultur 30 1999. Accessed 25Nov. 2009. <http://ojs.statsbibliot ... ultur/article/view/1142>. |
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| Cochet, François. "La bande dessinée en France et aux États-Unis dans l’entredeux-guerres: Deux modèles culturels en action." Les Américains et la France (1917–1947). Engagements et représentations. Eds. François Cochet, Marie-Claude Genet-Delacroix and Hélène Trocmé. Paris: Maisonneuve et Larose, 1999. 189–207. |
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| Added by: joachim 12/25/19, 12:41 AM |
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| Collins, Jim. "Batman: Film, fortælling: Det hyperbevidste." MedieKultur 30 1999. Accessed 20Jan. 2010. <http://ojs.statsbibliot ... /article/view/1147/1052>. |
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| Cooke, Jon B. "A Spirited Relationship: Will Eisner discusses his experiences with Warren." Comic Book Artist (1999): 100–02. |
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| Crowley, John. "Fiction in Review." The Yale Review 87. (1999): 159–66. |
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| Cwiklik, Gregory. "Understanding the Real Problem." The Comics Journal (1999): 62–66. |
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| Daniels, Les. Batman: The Complete History. San Francisco: Chronicle Books, 1999. |
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| Degens, Marc. "Donald Duck und die Dichter: Intertextualität und Distinktion. Formen und Funktionen des Comiczitats in deutschsprachiger Gegenwartsliteratur." Magisterarbeit M.A. Ruhr-Universität Bochum, 1999. |
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| Delany, Samuel R. "Neil Gaiman I, II, and III." Shorter Views. Queer Thoughts & The Politics of the Paraliterary. Hanover, London: Wesleyan Univ. Press, 1999. 359–72. |
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| Delany, Samuel R. "The Politics of Paraliterary Criticism." Shorter Views. Queer Thoughts & The Politics of the Paraliterary. Hanover, London: Wesleyan Univ. Press, 1999. 218–70. |
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| Diederichsen, Dietrich. "Die Simpsons der Gesellschaft." SPEX (1999): 40–42. |
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| Added by: joachim 12/30/11, 12:12 AM |
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| Dillmann, Martina and Claude Keisch, eds. Marriage à-la-mode – Hogarth und seine deutschen Bewunderer. Berlin: G-und-H-Verl. 1999. |
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| Added by: joachim Last edited by: joachim 4/10/14, 9:18 PM |
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| Dohm, Annekatrin. Historisches Lernen an Comics, untersucht an Art Spiegelmans Maus. Oldenburger Vor-Drucke. Oldenburg: ZpB, 1999. |
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| Added by: joachim Last edited by: joachim 1/1/10, 3:17 PM |
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| Dolle-Weinkauff, Bernd. "Entstehungsgeschichte des Comic." Medienwissenschaft. Ein Handbuch zur Entwicklung der Medien und Kommunikationsformen. Eds. Joachim-Felix Leonhard, et al. Vol. 1. Handbücher zur Sprach- und Kommunikationswissenschaft. Berlin u. New York: de Gruyter, 1999. 776–84. |
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| Added by: joachim Last edited by: joachim 5/14/16, 5:41 PM |
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| Douglas, Allen and Fedwa Malti-Douglas. "Islamic Classics Illustrated: Regendering Medieval Philosophy in a Modern Tunisian Strip." International Journal of Comic Art 1. (1999): 98–106. |
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| Douvry, Jean-François and Jean-Pierre Mercier. Macherot: Une monographie. Bulles dingues. Saint-Egrève: Mosquito, 1999. |
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| Added by: joachim 10/4/13, 3:20 PM |
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| Duncan, Randy. "Toward a Theory of Comic Book Communication." Academic Forum (1999–2000): 71–88. |
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| Added by: joachim Last edited by: joachim 8/20/17, 3:45 PM |
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| Eakin, Paul John. How Our Lives Become Stories: Making Selves. Ithaca: Cornell Univ. Press, 1999. |
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| Added by: joachim 5/25/14, 11:02 AM |
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| Eco, Umberto. "Die unbestimmte Geographie des Corto Maltese." Lüge und Ironie. Vier Lesarten zwischen Klassik und Comic. München u. Wien: Hanser, 1999. 129–42. |
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| Added by: joachim Last edited by: joachim 12/29/13, 1:23 AM |
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| Eco, Umberto. "Quattro modi di parlare di fumetti." Fucine Mute 09 1999. Accessed 29May. 2012. <http://www.fucinemute.i ... -di-parlare-di-fumetti/>. |
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| Faucon, Térésa. "Dessine moi un raccord: Donald and Pluto, Walt Disney." Cinématheque (1999): 72–79. |
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| Added by: joachim 11/7/16, 10:09 AM |
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| Feeney, Warren, ed. Gruesome! The Influence of Comics on Contemporary New Zealand Artists. Christchurch: McDougall Contemporary Art Annex, 1999. |
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| Added by: joachim 8/14/14, 5:50 PM |
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| Feeney, Warren. "Born Under a Bad Sign." Gruesome! The Influence of Comics on Contemporary New Zealand Artists. Ed. Warren Feeney. Christchurch: McDougall Contemporary Art Annex, 1999. 1–20. |
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| Added by: joachim 8/14/14, 4:10 PM |
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| Frahm, Ole. "Stille Wahrheiten: Markus Huber." Mutanten. Die deutschsprachige Comic-Avantgarde der 90er Jahre. Ed. Christian Gasser. Ostfildern-Ruit: Hatje Cantz, 1999. 80–81. |
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| Added by: joachim 12/6/12, 2:24 PM |
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| Frahm, Ole. "Im Schatten der Vergangenheit. Tiermetaphern als Darstellungsmittel des Holocaust und ihre Dekonstruktion in Art Spiegelmans MAUS." Die Zoologie der Träume. Studien zum Tiermotiv in der Literatur der Moderne. Ed. Dorothee Römhild. Opladen: Westdeutscher Verl. 1999. 222–44. |
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| Francis, Catherine. "From Superman to Super-Being: Dr. Manhattan and the Nuclear Sublime." 1999. Accessed 11Aug. 2009. <http://ginka.armageddon.org/~sanvean/watchmen.html>. |
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| Added by: joachim Last edited by: joachim 9/9/10, 1:40 PM |
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| Francis, Catherine. "Tank Girl." 1999. Accessed 10Aug. 2009. <http://www.armageddon.org/~sanvean/tankgirl.html>. |
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| Frank, Ursula. "Paul Auster's “City of glass”: The novel and a graphic mystery (Sekundarstufe II)." Englisch betrifft uns (1999): 14–21. |
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| Frank, Hilmar and Tanja Frank. "Zur Erzählforschung in der Kunstwissenschaft." Die erzählerische Dimension. Eine Gemeinsamkeit der Künste. Ed. Eberhard Lämmert. Berlin: Akademie Verl. 1999. 35–51. |
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| Added by: joachim Last edited by: joachim 5/28/13, 12:59 AM |
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| Frey, Hugo. "Tintin: The extreme right-wing and the 70th anniversary debates." Modern and Contemporary France 7. (1999): 361–63. |
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| Added by: joachim Last edited by: joachim 11/23/12, 3:14 PM |
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| Frome, Jonathan. "Identification in Comics." The Comics Journal (1999): 82–86. |
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| Added by: joachim 7/24/10, 12:07 PM |
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| Fuller, Linda K. "Singapore’s Mr. Kiasu, Kiasu Krossover, Kiasu Max, and Kiasu the Xtraman: Comics Reflecting a Nation’s Personality and Popular Culture." Themes and Issues in Asian Cartooning. Cute, Cheap, Mad, and Sexy. Ed. John A. Lent. Bowling Green: Bowling Green State Univ. Popular Press, 1999. 77–90. |
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| Added by: joachim Last edited by: joachim 3/19/11, 12:58 AM |
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| Will Eisner: Profession: Cartoonist. 1999. |
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| Added by: joachim Last edited by: joachim 4/21/13, 6:43 PM |
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| Gasser, Christian, ed. Mutanten: Die deutschsprachige Comic-Avantgarde der 90er Jahre. Ostfildern-Ruit: Hatje Cantz, 1999. |
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| Added by: joachim Last edited by: joachim 12/6/12, 2:48 PM |
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| Gasser, Christian and Jim Avignon. "Der Mann, der schneller malt als sein Schatten: Jim Avignon." Mutanten. Die deutschsprachige Comic-Avantgarde der 90er Jahre. Ed. Christian Gasser. Ostfildern-Ruit: Hatje Cantz, 1999. 90–91. |
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| Added by: joachim 12/6/12, 2:28 PM |
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| Gasser, Christian. "Damendramen im Honigmond: Anna Sommer." Mutanten. Die deutschsprachige Comic-Avantgarde der 90er Jahre. Ed. Christian Gasser. Ostfildern-Ruit: Hatje Cantz, 1999. 50–51. |
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| Added by: joachim 12/6/12, 2:18 PM |
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| Gasser, Christian. "Geisterbahn der Mutanten: M.S. Bastian." Mutanten. Die deutschsprachige Comic-Avantgarde der 90er Jahre. Ed. Christian Gasser. Ostfildern-Ruit: Hatje Cantz, 1999. 60–61. |
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| Added by: joachim 12/6/12, 2:21 PM |
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| Gasser, Christian. "Mutantenkosmos: Von Mickey Maus zur Explomaus." Mutanten. Die deutschsprachige Comic-Avantgarde der 90er Jahre. Ed. Christian Gasser. Ostfildern-Ruit: Hatje Cantz, 1999. 5–18. |
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| Added by: joachim Last edited by: joachim 11/2/11, 5:46 PM |
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| Gasser, Christian. "Wo steckt Marcello La Lupara? Thomas Ott." Mutanten. Die deutschsprachige Comic-Avantgarde der 90er Jahre. Ed. Christian Gasser. Ostfildern-Ruit: Hatje Cantz, 1999. 150–51. |
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| Added by: joachim 12/6/12, 2:42 PM |
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| Gerold, Susanne and Gerd Rottenecker. "USA und Antike – Auf der Suche nach dem verlorenen Mythos." »Antico-mix«. Antike in Comics. Ed. Thomas Lochmann. Basel: Skulpturhalle Basel, 1999. 142–53. |
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| Added by: joachim 7/4/13, 3:28 PM |
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| Gleason, Monica. "“They have a bad effect”: Crime Comics, Parliament, and the Hegemony of the Middle Class in Postwar Canada." Pulp Demons. International Dimensions of the Postwar Anti-Comics Campaign. Ed. John A. Lent. Madison [etc.]: Fairleigh Dickinson Univ. Press, 1999. 129–54. |
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| Added by: joachim Last edited by: joachim 11/22/12, 12:35 AM |
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| Goldweber, David E. "Mr. Punch, Dangerous Savior." International Journal of Comic Art 1. (1999): 157–70. |
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| Added by: Deleted user 8/10/09, 1:33 PM |
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| Gottschall, Ute W. "Rezeptionsarten antiker Skulptur im Überblick." »Antico-mix«. Antike in Comics. Ed. Thomas Lochmann. Basel: Skulpturhalle Basel, 1999. 54–59. |
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| Added by: joachim 7/4/13, 4:07 PM |
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| Greenfield, Steve and Guy Osborn. "Film, law and the delivery of justice: The case of Judge Dredd and the disappearing courtroom." Journal of Criminal Justice and Popular Culture 6. 2 1999. Accessed 17Jul. 2022. <https://jcjpc.org/s/1-Greenfield-1999.docx>. |
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| Added by: joachim Last edited by: joachim 7/17/22, 1:29 PM |
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| Grigsby, Mary. "The Social Production of Gender as Reflected in Two Japanese Culture Industry Products: Sailormoon and Crayon Shin-Chan." Themes and Issues in Asian Cartooning. Cute, Cheap, Mad, and Sexy. Ed. John A. Lent. Bowling Green: Bowling Green State Univ. Popular Press, 1999. 183–210. |
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| Added by: joachim Last edited by: joachim 4/1/11, 12:25 AM |
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| Groensteen, Thierry, ed. L’humour graphique fin de siècle: De Goossens à Daumier, de Caran d’Ache à Glen Baxter. Saint-Denis: PUV, 1999. |
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| Added by: joachim 7/17/11, 10:18 AM |
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| Groensteen, Thierry. "Særtræk i den 7. og 9. kunstart." MedieKultur 30 1999. Accessed 25Nov. 2009. <http://ojs.statsbibliot ... ultur/article/view/1143>. |
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| Groensteen, Thierry. Système de la bande dessinée. Formes sémiotiques. Paris: Presses Univ. de France, 1999. |
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| Added by: joachim Last edited by: joachim 3/21/10, 3:20 AM |
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| Groensteen, Thierry. "Jimmy Corrigan, une tragédie pour rire." L’humour graphique fin de siècle. De Goossens à Daumier, de Caran d’Ache à Glen Baxter. Ed. Thierry Groensteen. Humoresques. Saint-Denis: PUV, 1999. |
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| Added by: joachim 7/17/11, 10:09 AM |
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| Grove, Laurence. "Visual Cultures, National Visions: The Ninth Art of France." New Directions in Emblem Studies. Ed. Amy Wygant. Glasgow: GES, 1999. 43–57. |
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| Added by: joachim Last edited by: joachim 5/21/13, 10:35 AM |
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| Grünewald, Dietrich. "Zwischen banal und kongenial: Literarische Stoffe als Comic erzählt." Bilderwelten. Vom Bildzeichen zur CD-ROM. Eds. Kurt Franz and Günter Lange. Schriftenreihe der Deutschen Akademie für Kinder- und Jugendliteratur. Baltmannsweiler: Schneider-Verl. Hohengehren, 1999. 90–108. |
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| Added by: joachim Last edited by: joachim 6/19/11, 3:54 PM |
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| Gubern, Román. "Et originalt og komplekst sprog." MedieKultur 30 1999. Accessed 26Nov. 2009. <http://ojs.statsbibliot ... ultur/article/view/1145>. |
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| Hamrah, A. S. "The Beckett/Bushmiller Letters." The Hermenaut (1999). |
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| Hangartner, Urs. "Menschen, Medien. Motive und Methoden: Hendrik Dorgathen." Mutanten. Die deutschsprachige Comic-Avantgarde der 90er Jahre. Ed. Christian Gasser. Ostfildern-Ruit: Hatje Cantz, 1999. 110–11. |
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| Added by: joachim 12/6/12, 2:32 PM |
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| Harvey, Robert C. Children of the Yellow Kid: The Evolution of the American Comic Strip. Seattle: Univ. of Washington Press, 1999. |
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| Added by: joachim Last edited by: joachim 5/17/11, 7:43 PM |
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| Heggs, Dan. "Cyberpsychology and Cyborgs." Cyberpsychology. Eds. Ángel J. Gordo-López and Ian Parker. London, New York: Routledge, 1999. 184–201. |
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| Holsinger, M. Paul, ed. War and American Popular Culture: A Historical Encyclopedia. Westport: Greenwood, 1999. |
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| Horn, Maurice, ed. The World Encyclopedia of Cartoons[u]. 2nd ed. Philadelphia: Chelsea House, 1999. |
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| Huffman, Kerri. "Super Octane Girls Get Down Tonight! Author Patricia Seaman makes herself laugh and her readers dance." Taddle Creek 3. (1999). |
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| Hungerford, Amy. "Surviving Rego Park: Holocaust Theory from Art Spiegelman to Berel Lang." The Americanization of the Holocaust. Ed. Hilene Flanzbaum. Baltimore: Johns Hopkins Univ. Press, 1999. 102–24. |
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