| Affolter, Cuno and Urs Hangartner. "Mit ÄCHZ und ORKH quer durch New York: Hochhaus-architektur im comic." Bauwelt 87. (1996): 2604–09. |
 
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| Aldama, Frederick Luis. "Jaime Hernandez (of Los Bros Hernandez)." Spilling the Beans in Chicanolandia. Conversations with Writers and Artists. Austin: Univ. of Texas Press, 1996. 119–28. |
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| Allen, Chadwick. "Hero with Two Faces: The lone ranger as treaty discourse." American Literature 68. (1996): 609–38. |
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| Allison, Anne. Permitted and Prohibited Desires: Mothers, comics, and censorship in japan. 2nd ed. Berkeley: Univ. of California Press, 2000. |
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| Last edited by: joachim 02/04/2014, 17:54 |
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| Assouline, Pierre. Hergé. 2nd ed. Paris: Gallimard, 1998. |
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| Last edited by: joachim 31/10/2011, 15:34 |
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| Azuma, Hiroki. "Anime or Something Like It: Neon genesis evangelion." InterCommunication (1996). |
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| Last edited by: joachim 07/08/2011, 17:31 |
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| Bachmann, Holger. "Die Funktion idiomatischer Wendungen in populärer Literatur am Beispiel Comicbook. Mit einer beispielinterpretation von alan moores »the killing joke«." Sprachwissenschaft 21. (1996): 337–66. |
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| Baer, Reto. "Literatur in Sprechblasen: Immer wieder entstehen auch in der schweiz comics nach literarischen vorlagen." Librarium 36. (1996): 178–207. |
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| Baetens, Jan. "Simultanéité: Pour une approche plurielle du simultané dans correspondance de peeters-plissart." Jules Romains et les écritures de la simultanéité. Galsworthy, Musil, Döblin, Dos Passos, Valéry, Simon, Butor, Peeters, Plissart. Ed. Dominique Viart. UL3, Travaux et recherches. Villeneuve d’Ascq: Presses Univ. du Septentrion, 1996. 293–303. |
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| Added by: joachim 27/08/2015, 16:59 |
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| Balzer, Jens. "Das Wesen des Comics: Über dialektik und indifferenz in bild-text-verhältnissen." Magisterarbeit Universität Hamburg, 1996. |
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| Balzer, Jens. "Welches Bild? Welche Bewegung? Über einige Bezüge zwischen Chronophotographie und frühen Comics." Die Mobilisierung des Sehens. Zur Vor- und Frühgeschichte des Films in Literatur und Kunst. Ed. Harro Segeberg. Mediengeschichte des Films. München: Fink, 1996. 279–93. |
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| Barker, Kenneth. "The Comic Series of the New York Sunday Herald 1899–1924 and the New York Sunday Tribune 1914–1916, 1919–1924." Inks 3. (1996): 10–19. |
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| Bartholomae, Joachim, ed. Mal mir mal nen Schwulen: Das buch zu ralf könig. Hamburg: MännerschwarmSkript, 1996. |
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| Bell, Anthea. "Translating Astérix." Translation. Here and There. Now and Then. Eds. Jane Taylor, Edith McMorran and Guy Leclercq. Exeter: Elm Bank, 1996. 125–38. |
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| Berger, Arthur Asa. Narratives in Popular Culture, Media, and Everyday Life. Thousand Oaks [etc.]: Sage, 1996. |
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| Berndt, Jaqueline. El fenómeno manga. Ediciones Martínez Roca, 1996. |
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| Bleicher, Thomas. "Rechts-seitig oder rechts-zeitig – Anmerkungen zum Denken und Wirken Rolf Kaukas." Krägermanns Comic Katalog 97/98. Ed. Andreas Krägermann. Berin: Krägermann, 1996. 105–12. |
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| Added by: joachim 18/08/2011, 03:01 |
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| Bohn, Klaus. Das Erika-Fuchs-Buch: Disneys deutsche übersetzerin von donald duck und micky maus: ein modernes mosaik. Lüneburg: Dreidreizehn, 1996. |
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| Bonfand, Alain and Jean-Luc Marion. Hergé: Tintin le terrible ou l’alphabet des richesses. Pluriel Lettres. 2nd ed. Paris: Hachette, 2006. |
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| Brayshaw, Christopher. "Between Two Worlds: The mike mignola interview." The Comics Journal (1996): 64–90. |
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| Canosa, Michele and Enrico Fornaroli, eds. Desideri in forma de nuvole: Cinema e fumetto. Zeta cinema. Pasian di Prato: Campanotto, 1996. |
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| Cowart, David and Bradford R. Collins. "Through the Looking-Glass: Reading warhol’s superman." American Imago 53. (1996): 107–37. |
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| Crawford, Ben. "Emperor Tomato-Ketchup: Cartoon properties from japan." Hibakusha Cinema. Hiroshima, Nagasaki and the Nuclear Image in Japanese Film. Ed. Mick Broderick. London, New York: Kegan Paul Int. 1996. 75–90. |
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| Crocker, Elisabeth. "“Some Say it With A Brick”: George herriman’s krazy kat." 1996. Accessed 19 Jun. 2011. <http://www2.iath.virginia.edu/crocker/>. |
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| Cwiklik, Gregory. "The Inherent Limitations of the Comics Form as a Narrative Medium." The Comics Journal (1996): 116–20. |
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| Doherty, Thomas. "Art Spiegelman’s Maus: Graphic art and the holocaust." American Literature 68. (1996): 69–84. |
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| Dolle-Weinkauff, Bernd. "Danach, das Ende und der Anfang: Aktuelle comic-schlaglichter auf die zeit der ns-herrschaft und des ii. weltkrieges." Bücher haben ihre Geschichte. Kinder- und Jugendliteratur, Literatur und Nationalsozialismus, Deutschdidaktik. Eds. Petra Joosting and Jan Wirrer. Hildesheim, New York: Olms, 1996. 161–76. |
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| Douvry, Jean-François. Rendez-Vous 120, Rue de la Gare: Autopsie einer adaption. Zürich: Edition Moderne, 1996. |
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| Dumontet, Carlo. "Comics Collections in the National Art Library, Victoria and Albert Museum, London, England." Inks 3. (1996): 32–36. |
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| Dyson, Anne Haas. "Cultural Constellations and Childhood Identities: On greek gods, cartoon heroes, and the social lives of schoolchildren." Harvard Educational Review 66. (1996): 471–96. |
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| Edwards, Brian. "The Popularisation of War in Comic Strips 1958–1988." History Workshop Journal (1996): 180–89. |
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| Eisner, Will. Graphic Storytelling and Visual Narrative. Tamarac: Poorhouse Press, 1996. |
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| Enciclopedia online del fumetto: La vostra guida nel mondo della nona arte. Accessed 25 Jun. 2011. [Online]. Available: http://www.ubcfumetti.com/enciclopedia/. |
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| Added by: joachim 25/06/2011, 17:28 |
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| Fein, Ofer and Asa Kasher. "How to do things with words and gestures in comics." Journal of Pragmatics 26. (1996): 793–808. |
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| Fischer, Roger. Them Damned Pictures: explorations in american political cartoon art[u]. New Haven: Archon, 1996. |
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| Added by: joachim 21/10/2019, 18:35 |
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| Fix, Marianne. "Politik und Zeitgeschichte im Comic: Mit einer annotierten bibliographie für öffentliche bibliotheken." Bibliothek 20. (1996): 161–84. |
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| Foulet, Alain and Olivier Maltret. Presque tout Tardi. Dieppe: Sapristi, 1996. |
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| Last edited by: joachim 13/04/2014, 16:31 |
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| Freiberg, Freda. "Akira and the Postnuclear Sublime." Hibakusha Cinema. Hiroshima, Nagasaki and the Nuclear Image in Japanese Film. Ed. Mick Broderick. London, New York: Kegan Paul Int. 1996. 91–102. |
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| Fresnault-Deruelle, Pierre. "Un dessin « fabuleux » ou l’esprit d’à propos." Mots 48. (1996): 146–48. |
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| Fried, Alan A. "Lyonel Feininger: A kinder, gentler comic strip." Inks 3. (1996): 12–23. |
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| Gabilliet, Jean-Paul. "A Comics Interlude." European Readings of American Popular Culture. Eds. John Dean and Jean-Paul Gabilliet. Contributions to the Study of Popular Culture. Westport: Greenwood, 1996. 23–42. |
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| Gabler, Sabine. "Judenverfolgung und Holocaust als Thema des Comic." Mitteilungen des Instituts für Jugendbuchforschung (1996): 10–20. |
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| Gaumer, Patrick. Les Années Pilote : 1959–1989. Paris: Dargaud, 1996. |
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| Geipel, Kaye and François Schuiten. "Brüsseler Zustände: Die stadtkritik des zeichners françois schuiten." Bauwelt 87. (1996): 2616–19. |
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| Gersdorf, Catrin. "The Digedags Go West: Images of america in an east german comic strip." Journal of American Culture 19. (1996): 35–45. |
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| Gilbert, Roger. "Four-Panel Epiphanies: The art of lynda barry." Northwest Review 4. (1996): 78–96. |
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| Göransson, Henrik and Jens Prenke. "Serien – det oäkta barnet." Rum, relation, retorik. Ett projekt om bildteori och bildanalys i det postmoderna samhället. Ed. Gert Z. Nordström. Stockholm: Carlsen, 1996. 125–66. |
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| Grote, Hans. "Hugo Pratts Erzähler: Narratologische überlegungen zum comic." Horizonte. Italianistische Zeitschrift für Kulturwissenschaft und Gegenwartsliteratur 1. (1996): 80–92. |
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| Hamlin, Vincent T. "The Man Who Walked with Dinosaurs." Inks 3. (1996): 20–29. |
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| Harper, Morten. Kapteinens skrekk: Den 9. kunstart. Tegneserien i og utenfor rutene. Bø i Telemark: Telemark tegneserieverksted, 1996. |
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| Harvey, Robert C. "Martin Nodell and the Golden Age of Green Lantern." Inks 3. (1996): 38–39. |
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| Harvey, Robert C. The Art of the Comic Book: An aesthetic history. Studies in Popular Culture. Jackson: Univ. Press of Mississippi, 1996. |
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| Last edited by: joachim 17/07/2010, 17:50 |
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| Hecke, Helene. "Die Superhelden und das Wirtschaftswunder: Über den import amerikanischer comic-kultur und ihrer kritik im nachkriegsdeutschland." Staatsarbeit Universität Bremen, 1996. |
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| Horak, Carl. A Steve Canyon Companion. Mountain Home: Manuscript Pr. 1996. |
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| Last edited by: joachim 27/09/2012, 23:49 |
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| Horn, Maurice, ed. 100 Years of American Newspaper Comics: An illustrated encyclopedia. New York: Gramercy Books, 1996. |
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| Added by: joachim 16/09/2017, 11:51 |
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| Horrocks, Dylan. "Tuhituhi Noa: Mapping a path through new zealand comix." Comix. Contemporary New Zealand Comics. Ed. Lars Cawley. Manukau City: Fisher Gallery, 1996. 1–3. |
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| Ibelings, Hans. "Der Architekt, die Zeichnung, der Comic." Bauwelt 87. (1996): 2620–22. |
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| Added by: joachim 25/02/2010, 09:57 |
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| Inge, M. Thomas. "Sut, Scarlet, and Their Comic Cousins: The south in the comic strip." Studies in Popular Culture 19. (1996): 153–66. |
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| Inge, M. Thomas. "Was Krazy Kat Black? The Racial Identity of George Herriman." Inks 3. (1996): 2–9. |
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| Jans, Michel, et al. Juillard: Une monographie. Bulles dingues. Saint-Egrève: Mosquito, 1996. |
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| Johnson, Judy M. "A Brief History of Paper Dolls." The Doll Sourcebook (1996): 254–. |
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| Johnson, Judy M. "History of Paper Dolls." The Doll Sourcebook. Ed. Argie Manolis. Cincinatti: Betterway, 1996. 254–62. |
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| Kaenel, Philippe. Le métier d’illustrateur 1830–1880: Rodolphe töpffer, j.-j. grandville, gustave doré. Paris: Éd. Messene, 1996. |
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| Kaps, Joachim. "Und wenn es aber kommt? Zur geschichte und aktuellen situation von comics im buchhandel." Krägermanns Comic Katalog 97/98. Ed. Andreas Krägermann. Berin: Krägermann, 1996. |
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| Kemp, Wolfgang. Die Räume der Maler: Zur bilderzählung seit giotto. München: C.H. Beck, 1996. |
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| Added by: joachim 22/07/2013, 18:03 |
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| Keßler, Christine. "Von den Digedags und anderen Helden: Comics in der ddr." Beiträge zur Text- und Stilanalyse. Eds. Angelika Feine and Hans-Joachim Siebert. Sprache – System und Tätigkeit. Frankfurt am Main [etc.]: Peter Lang, 1996. 87–95. |
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| Kinsella, Sharon. "Changes in the social status, form and content of adult manga, 1986–1996." Japan Forum 8. (1996): 103–12. |
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| Klauser, Wilhelm. "Mangas in Japan: Der japanische comic als spiegel einer urbanisierten gesellschaft." Bauwelt 87. (1996): 2610–15. |
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| Knigge, Andreas C. Comics: Vom massenblatt ins multimediale abenteuer. rororo Handbuch. Reinbek bei Hamburg: Rowohlt, 1996. |
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| Added by: joachim 11/04/2014, 10:50 |
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| Krägermann, Andreas, ed. Krägermanns Comic Katalog 97/98. Berin: Krägermann, 1996. |
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| Last edited by: joachim 18/08/2011, 03:36 |
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| Kranz, Armin. Verzeichnis der im Carlsen Verlag erschienenen Comics. Köln: Adlib, 1996. |
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| Last edited by: joachim 03/12/2010, 19:27 |
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| Kress, Gunther and Theo van Leeuwen. Reading Images: The grammar of visual design. 2nd ed. London, New York: Routledge, 2006. |
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| Krüger, Peter. Dürers »Apokalypse«: Zur poetischen struktur einer bilderzählung der renaissance. Gratia. Wiesbaden: Harassowitz, 1996. |
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| Lamb, Christopher. "Drawing the Line: An absolute defense for political cartoons." Inks 3. (1996): 2–11. |
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| Lara, Antonio, ed. Tebeos: Los primero 100 años. Madrid: Biblioteca Nacional, 1996. |
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| Lent, John A. Comic Art in Africa, Asia, Australia, and Latin America: A comprehensive, international bibliography. Bibliographies and Indexes in Popular Culture. Santa Barbara: Greenwood, 1996. |
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| Lettkemann, Gerd and Michael F. Scholz. "Vom ideologischen Schwänzchen zur Sammlerrarität: Die Mosaik-Beilagen." Krägermanns Comic Katalog 97/98. Ed. Andreas Krägermann. Berin: Krägermann, 1996. 219–23. |
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| Little, Jonathan. "From the Comic Book to the Comic: Charles johnson’s variations on creative expression." African American Review 30. (1996): 579–601. |
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| Martin, Jean-Philippe. "La théorie du zéro pour cent." Critix (1996). |
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| Meyer, Eva. "Wie man sich als Zuhörer malt." Faltsache. Frankfurt am Main, Basel: Stroemfeld/Nexus, 1996. 23–48. |
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| Moliterni, Claude and Phillipe Mellot. Chronologie de la bande dessinée: Guide culturel. Tout lʹart: encyclopédie. Paris: Flammarion, 1996. |
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| Moliterni, Claude, Phillipe Mellot, and Michel Denni. Les aventures de la BD. Découvertes Gallimard. Paris: Gallimard, 1996. |
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| Napier, Susan J. The Fantastic in Modern Japanese Literature: The subversion of modernity. The Nissan Institute/Routledge Japanese Studies. London, New York: Routledge, 1996. |
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| Nericcio, William Anthony. "Autopsy of a Rat: Odd, sundry parables of freddy lopez, speedy gonzales, and other chicano/latino marionettes prancing about our first world visual emporium." Camera Obscura (1996): 189–237. |
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| Nevins, Mark David. "Mythology and Superheroes." Inks 3. (1996): 24–30. |
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| Nyberg, Amy Kiste. "Percival Chubb and the League for the Improvement of the Children’s Comic Supplement." Inks 3. (1996): 31–34. |
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| Nyberg, Amy Kiste. "William Gaines and the Battle over EC Comics." Inks 3. (1996): 2–15. |
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| Palandt, Ralf. "Streng verboten: Raubcomics." Krägermanns Comic Katalog 97/98. Ed. Andreas Krägermann. Berin: Krägermann, 1996. 167–72. |
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| Pape, Walter. "The Battle of the Signs: Robert crumb’s visual reading of james boswell’s “london journal”." Icons – Texts – Iconotexts. Essays on Ekphrasis and Intermediality. Ed. Peter Wagner. European Cultures. Berlin: de Gruyter, 1996. 324–45. |
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| Parsch, Stefan. "Der deutsche Comicmarkt: Strukturen und tendenzen." Magisterarbeit M.A. Ruhr Universität Bochum, 1996. |
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| Pauer, Frank. "An Afternoon in Berlin." Inks 3. (1996): 30–31. |
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| Paulson, Ronald. "The Harlot, Her Father, and the Parson: Representing and interpreting hogarth in the eighteenth century." Icons – Texts – Iconotexts. Essays on Ekphrasis and Intermediality. Ed. Peter Wagner. European Cultures. Berlin: de Gruyter, 1996. 149–74. |
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| Pekar, Harvey. "Frank Stack: An appreciation." Inks 3. (1996). |
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| Added by: Deleted user 22/01/2010, 13:27 |
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| Phillipps, Susanne. Erzählform Manga: Eine analyse der zeitstrukturen in tezuka osamus hi no tori (»phönix«). Iaponia Insula. München: Harassowitz, 1996. |
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| Last edited by: joachim 21/05/2013, 16:47 |
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| Phillipps, Susanne. "Manga für ein deutschsprachiges Publikum: Möglichkeiten der übertragung von text-bild-verbindungen." Japanstudien 8. (1996): 193–210. |
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| Pigeon, Gérard G. "Black Icons of Colonialism: African characters in french children’s comic strip literature." Social Identities 2. (1996): 135–59. |
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| Last edited by: joachim 08/11/2018, 17:37 |
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| Pigeon, Gérard G. "Black icons of colonialism: African characters in french children’s comic strip literature." Social Identities 2. (1996): 135–60. |
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| Rich, Paul and Guillermo De Los Reyes. "Mexican Caricature and the Politics of Popular Culture." Journal of Popular Culture 30. (1996): 133–45. |
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| Robbins, Trina. The Great Women Superheroes. Northampton: Kitchen Sink Pr. 1996. |
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| Last edited by: joachim 23/09/2016, 00:54 |
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| Sabin, Roger. Comics, Comix & Graphic Novels: A history of comic art. 2nd ed. London: Phaidon Press, 2001. |
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| Last edited by: joachim 13/10/2016, 21:36 |
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