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| Condry, Ian. The Soul of Anime: Collaborative Creativity and Japan’s Media Success Story. Experimental Futures. Durham: Duke Univ. Press, 2013. |
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| Cosse, Isabella. Mafalda: A Social and Political History of Latin America's Global Comic. trans. Laura Pérez Carrara. Durham: Duke Univ. Press, 2019. |
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| Lamarre, Thomas. "A Series of Ugly Feelings: Fabulation & Abjection in Shōjo Manga." Abjection Incorporated. Mediating the Politics of Pleasure and Violence. Eds. Maggie Hennefeld and Nicholas Sammond. Durham: Duke Univ. Press, 2020. 268–90. |
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| Miller, Nancy K. "Cartoons of the Self. Portrait of the Artist as a Young Murderer—Art Spiegelman’s Maus." M/E/A/N/I/N/G: an Anthology of Artists' Writings, Theory, and Criticism. Eds. Susan Bee and Mira Schor. Durham: Duke Univ. Press, 2000. 388–404. |
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| Moon, Michael. Darger’s Resources. Durham: Duke Univ. Press, 2012. |
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| Rubenstein, Anne. Bad Language, Naked Ladies, and Other Threats to the Nation: A Political History of Comic Books in Mexico. Durham: Duke Univ. Press, 1998. |
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| Sammond, Nicholas. Babes in Tomorrowland: Walt Disney and the Making of the American Child, 1930–1960. Durham: Duke Univ. Press, 2005. |
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| Shamoon, Deborah. "Office Sluts and Rebel Flowers: The Pleasures of Japanese Pornographic Comics for Women." Porn Studies. Ed. Linda Williams. Durham: Duke Univ. Press, 2004. 77–103. |
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| Song, Min Hyoung. The Children of 1965: On Writing, and Not Writing, as an Asian American. Durham: Duke Univ. Press, 2013. |
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