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Jachia, Paolo. "Dylan Dog: una lettura semiotica da Michail Bachtin a Umberto Eco." Eroi di carta e celluloide. Il Medioevo germanico nelle forme espressive moderne. Eds. Maria Grazia Saibene and Marusca Francini. Viareggio: Mauro Baroni, 2004. 93–127. |
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Koch, Christina Maria. "Comic-Grotesque Metamorphoses: Boundaries between Illness and Health in Ken Dahl’s Monsters." Comics an der Grenze. Sub/Versionen von Form und Inhalt. Eds. Matthias Harbeck, Linda-Rabea Heyden and Marie Schröer. Berlin: Ch.A. Bachmann, 2017. 149–64. |
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Kodencheri, Anupama and Gandhapodi K. Chithra. "Carnivalesque, creativity, and the becomings: A critical assessment of the politics of resistance in Batman: Arkham Asylum." Creativity Studies 17. (2024): 59–72. |
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Koh, Wilon. "“Put Not Your Trust in Princes”: Fables and the Problematisation of Everyday Life." Nebula 6. 2 2009. Accessed 29May. 2012. <http://www.nobleworld.biz/images/Koh.pdf>. |
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Kukkonen, Karin. Neue Perspektiven auf die Superhelden: Polyphonie in Alan Moores »Watchmen«. Marburg: Tectum, 2008. |
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Lindberg, Ylva. "The Power of Laughter to Change the World: Swedish Female Cartoonists Raise their Voices." Scandinavian Journal of Comic Art 2. 2 2016. Accessed 28Jun. 2016. <http://sjoca.com/wp-con ... oCA-2-2-02-Lindberg.pdf>. |
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Moore, Michael. "The Economics of Cultural Legitimacy in Hip Hop’s Counterpublic Space." gnovis 8. 1 2007. Accessed 3Jun. 2011. <http://gnovisjournal.or ... Cultural-Legitimacy.pdf>. |
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Packard, Stephan. "Closing the Open Signification: Forms of Transmedial Storyworlds and Chronotopoi in Comics." Storyworlds 7. (2015): 55–74. |
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Packard, Stephan. "Historical Time in Panel Spaces: Chronotopic Appropriations in Comics." Geschichte im Comic. Befunde – Theorien – Erzählweisen. Ed. Bernd Dolle-Weinkauff. Berlin: Ch.A. Bachmann, 2018. 57–74. |
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Romero-Jódar, Andrés. "Greek Romance, Alternative History and Political Trauma in Alan Moore and Dave Gibbons’ Watchmen." Trauma and Romance in Contemporary British Literature. Eds. Jean-Michel Ganteau and Susana Onega. Routledge Studies in Contemporary Literature. London, New York: Routledge, 2013. 181–99. |
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Sommers, Joseph Michael. "Crooked Appalachia: The Laughter of the Melungeon Witches in Mike Mignola’s Hellboy: The Crooked Man." Comics and the U.S. South. Eds. Brannon Costello and Qiana J. Whitted. Jackson: Univ. Press of Mississippi, 2012. 214–41. |
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Vice, Sue. "»It's about time«: The Chronotope of the Holocaust in Art Spiegelman's Maus." The Graphic Novel. Ed. Jan Baetens. Symbolae Facultatis Litterarum Lovaniensis. Series D: Litteraria. Leuven: Leuven Univ. Press, 2001. 47–60. |
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Vogler, Thomas A. "Tank Girl, Anodder Oddyssey: Joyce lebt (und stirbt) in der Populärkultur." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 61–88. |
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