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Alcover, Marta and Alicia Molina. "Mexican Comics as Culture Industry." Comics and Visual Culture. Research Studies from ten Countries. Eds. Alphons Silbermann and Hans-Dieter Dyroff. München [etc.]: Saur, 1986. 196–212. |
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Aurrecoechea, Juan Manuel and Armando Bartra. Puros cuentos: La historia de la historieta mexicana, 1874–1934. Vol. 1. México: Grijalbo, 1989. |
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Aurrecoechea, Juan Manuel and Armando Bartra. Puros cuentos: La historia de la historieta mexicana, 1934–1950. Vol. 2. México: Grijalbo, 1993. |
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Aurrecoechea, Juan Manuel and Armando Bartra. Puros cuentos: La historia de la historieta mexicana. Vol. 3. México: Grijalbo, 1995. |
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Barataud, Marie-Alexandra. "Fantômas, personnage mobile et intertextuel: De la série française à l’œuvre cortazarienne." Belphégor 11. 1 2013. Accessed 27Dec. 2013. <http://belphegor.revues.org/87>. |
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Bartra, Armando. "Dawn, Noon, and Dusk of a Tumultuous Narrative: The Evolution of Mexican Comic Art." Cartooning in Latin America. Ed. John A. Lent. Cresskill: Hampton, 2005. 253–78. |
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Brunner, Markus. "»Erinnern, Wiederholen, Durcharbeiten«: Zur Funktion der Bilder in Comic-Sachbüchern (›Graphic Guides‹)." Psychologie und Gesellschaftskritik 38. (2014): 99–135. |
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Campbell, Bruce. ¡Viva la historieta! Mexican Comics, NAFTA, and the Politics of Globalization. Jackson: Univ. Press of Mississippi, 2009. |
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Cornejo, Leobardo. "Semiótica de Los Supermachos y Los Agachados de Rius." El comic es algo serio. Ed. David Alfie. México: Ediciones Eufesa, 1982. 120–29. |
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Davies, Dominic. "Dreamlands, Border Zones, and Spaces of Exception: Comics and Graphic Narratives on the US-Mexico Border." a/b: Auto/Biography Studies 35. (2020): 383–403. |
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Fernández L’Hoeste, Héctor D. "The Mystery of Kaliman, el Hombre Increible: Race and Identity in Mexican Comics." International Journal of Comic Art 5. (2003): 220–30. |
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Fernández L’Hoeste, Héctor D. "How To Face Neoliberalism and Make It as a Mexican Cartoonist: Óscar González Loyo and the ka-Boom! Experience." International Journal of Comic Art 7. (2005): 304–16. |
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Fernández L’Hoeste, Héctor D. "On Angels, Drugs, and Trade: Edgar Clément’s Operación Bolívar." International Journal of Comic Art 8. (2006): 163–80. |
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Fernández L’Hoeste, Héctor D. "From Mexifornia to Newyorktitlan: East vs. West Meets the Mexican Tradition." International Journal of Comic Art 11. (2009): 229–46. |
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Fernández L’Hoeste, Héctor D. "Edgar Clément’s “The Sword of God”: On The Practice of Hybridization in Mexican Comics." International Journal of Comic Art 12. (2010): 135–46. |
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García, Enrique. "Coon Imagery in Will Eisner’s The Spirit and Yolanda Vargas Dulché’s Memín Pinguín and Its Legacy in the Contemporary United States and Mexican Comic Book Industries." International Journal of Comic Art 12. (2010): 112–24. |
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Gordon, Ian. "Beyond the Funnies: Comic Books, History, and Hegemony." American Quarterly 52. (2000): 145–50. |
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Grande-de-Prado, Mario. "Quantitative review of articles about comic & education in ibero-america." Journal of Graphic Novels and Comics (2021): 1–15. |
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Hamilton, Patrick L. "Lost in Translation: Jessica Abel’s La Perdida, the Bildungsroman, and “That ‘Mexican’ Feel”." Multicultural Comics. From Zap to Blue Beetle. Ed. Frederick Luis Aldama. Austin: Univ. of Texas Press, 2010. 120–31. |
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Hansen, Bert. "Medical History’s Graphic Power in American True-Adventure Comic Books of the 1940s." Handbook of Popular Culture and Biomedicine. Knowledge in the Life Sciences as Cultural Artefact. Eds. Arno Görgen, German Alfonso Nunez and Heiner Fangerau. Cham: Springer, 2019. 179–94. |
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Harvey, Robert C. and Gus Arriola. Accidental Ambassador Gordo: The Comic Strip Art of Gus Arriola. Jackson: Univ. Press of Mississippi, 2000. |
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Hill, Jane H. and Carole Browner. "Gender Ambiguity and Class Stereotyping in the Mexican Fotonovela." Studies in Latin American Popular Culture 1. (1982). |
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Hinds Jr., Harold E. "Chanoc: Adventure and Slapstick on Mexico's Southeast Coast." Journal of Popular Culture 14. (1980): 424–36. |
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Hinds Jr., Harold E. and Charles Tatum. "Images of Women in Mexican Comic Books." Journal of Popular Culture 18. (1984): 146–62. |
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Hinds Jr., Harold E. and Charles Tatum. Not Just For Children. The Mexican Comic Book in the Late 1960s and 1970s. Contributions to the Study of Popular Culture. Westport: Greenwood, 1992. |
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Huska, Melanie. "Image and Text in Service of the Nation: Historically-themed Comic Books as Civic Education in 1980s Mexico." Comics as History, Comics as Literature. Roles of the Comic Book in Scholarship, Society, and Entertainment. Ed. Annessa Ann Babic. Madison [etc.]: Fairleigh Dickinson Univ. Press, 2014. 65–78. |
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Merino, Ana. "Variable Identities in the Mexican Comic-Strip: Don Catarino in the Stereotypical Space of the Cannibals." International Journal of Comic Art 8. (2006): 362–77. |
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Merino, Ana. "Comic Art at the Margins of Hierarchy: The Mexican Multicultural Expression of La Familia Burrón and Los Supermachos." Latin American Literature and Mass Media. Eds. Edmundo Paz Soldán and Debra A. Castillo. Hispanic Issues. New York: Garland, 2001. 152–68. |
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Nericcio, William Anthony. "Autopsy of a Rat: Odd, Sundry Parables of Freddy Lopez, Speedy Gonzales, and Other Chicano/Latino Marionettes Prancing About Our First World Visual Emporium." Camera Obscura (1996): 189–237. |
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Wicke, Charles R. "The Burrón Family: Class Warfare and the Culture of Poverty." Studies in Latin American Popular Culture 3. (1983). |
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Wischmann, Christina. Die mexikanische Fotonovela: Eine Untersuchung über Struktur, Ideologie und Rezeption von Massenliteratur in Mexiko und Lateinamerika. Wiesbaden: Heymann, 1976. |
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