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Adams, Jeff. "The pedagogy of the image text: Nakazawa, sebald and spiegelman recount social traumas." Discourse 29.(2008): 35–49. |
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Adamson, Jennifer L. "Genji in Graphic Form: the tale of genji in manga, and the bond between japan’s past and present in popular art." Thesis Master of Arts. University of Cincinnati, 2008. |
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Ahmed, Maaheen. Monstrous Imaginaries: The legacy of romanticism in comics. Jackson: University Pr. of Mississippi, 2019. |
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Aust, Robin-M. »Es ist ja auch eine Methode, alles zur Karikatur zu machen« Nicolas mahlers literatur-comics alte meister und alice in sussex nach thomas bernhard und h.c. artmann. Germanistische Literaturwissenschaft. Würzburg: Ergon, 2016. |
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Aust, Robin M. "Transformationstechniken und intermediale Zitate in Karasiks und Mazzucchellis Paul Austers Stadt aus Glas." Graphisches Erzählen. Neue Perspektiven auf Literaturcomics. Eds. Florian Trabert, Mara Stuhlfauth-Trabert and Johannes Waßmer. Bielefeld: Transcript, 2015. 285–300. |
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Ayres, Jackson. "“A very, very bad mood” The turn to horror in alan moore’s late comics." Journal of Graphic Novels and Comics (2021). |
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Bachmann, Christian A. "Der Comic als Labor semiotischer Interpiktorialitätsforschung Paul karasiks und david mazzucchellis city of glass." Interpiktorialität. Theorie und Geschichte der Bild-Bild-Bezüge. Ed. Guido Isekenmeier. Bielefeld: Transcript, 2013. 299–318. |
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Backe, Hans-Joachim. "Narrative Feedback: Computer games, comics, and the james bond franchise." The Cultures of James Bond. Eds. Joachim Frenk and Christian Krug. Trier: Wissenschaftlicher Verlag Trier, 2011. 221–33. |
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Baetens, Jan. "Of Graphic Novels and Minor Cultures: The fréon collective." Yale French Studies 114.(2008): 95–115. |
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Baetens, Jan. "The Postwar Drawn Novel." The Cambridge History of the Graphic Novel. Eds. Jan Baetens, Hugo Frey and Stephen E. Tabachnick. The Cambridge Companions to Philosophy, Religion and Culture. Cambridge [etc.]: Cambridge Univ. Press, 2018. 75–91. |
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Baetens, Jan. "Nederlandse literatuur en strips (met enkele uitstapjes naar de film)." Internationale neerlandistiek: een vak in beweging. Eds. Jane Fenoulhet and Jan Renkema. Lage Landen Studies. Gent: Academia, 2010. 255–68. |
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Baetens, Jan. "« Bandes dessinées écrites »: La question des rapports texte/image en bande dessinée à la lumière du château d’olivier deprez (olivier deprez, le château de kafka)." Déconstruire l’image. Ed. Christophe Genin. Esthétique. Paris: Publications de la Sorbonne, 2011. 37–50. |
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Baetens, Jan. "Adapting and displaying multiple temporalities: What became of trollope’s john caldigate and maupassant’s boule de suif in simon grennan’s dispossession and dino battaglia’s contes et nouvelles de guerre?." Transforming Anthony Trollope. Dispossession, Victorianism and Nineteenth-Century Word and Image. Eds. Simon Grennan and Laurence Grove. Studies in European Comics and Graphic Novels. Leuven: Leuven Univ. Press, 2015. 15–32. |
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Baetens, Jan. "L’adaptation, une stratégie d’écrivain ?." Bande dessinée et adaptation. Littérature, cinéma, TV. Eds. Benoît Mitaine, David Roche and Isabelle Schmitt-Pitiot. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2015. 41–60. |
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Baetens, Jan. "A Cultural Approach to Nonnarrative Graphic Novels: A case study from flanders." Teaching the Graphic Novel. Ed. Stephen E. Tabachnick. Options for Teaching. New York: The Modern Language Assoc. of America, 2009. 281–87. |
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Baetens, Jan. "Not Telling, but Retelling From raymond queneau’s exercises in style to matt madden’s 99 ways to tell a story and back." Drawn from the Classics. Essays on Graphic Adaptations of Literary Works. Eds. Stephen E. Tabachnick and Esther Bendit Saltzman. Jefferson, London: McFarland, 2015. 235–48. |
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Ball, David M. "Lynd Ward’s Modernist “Novels in Woodcuts”: Graphic narratives lost between art history and literature." Journal of Modern Literature 39.(2016): 126–43. |
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Ball, David M. "World Literature." The Cambridge History of the Graphic Novel. Eds. Jan Baetens, Hugo Frey and Stephen E. Tabachnick. The Cambridge Companions to Philosophy, Religion and Culture. Cambridge [etc.]: Cambridge Univ. Press, 2018. 591–608. |
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Ball, David M. "Chris Ware’s Failures." The Comics of Chris Ware. Drawing is a Way of Thinking. Eds. David M. Ball and Martha B. Kuhlman. Jackson: Univ. Press of Mississippi, 2010. 45–61. |
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Ball, David M. "Allusive Confessions: The literary lives of alison bechdel’s fun home." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 3–25. |
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Ball, David M. "Comics Against Themselves: Chris ware’s graphic narratives as literature." The Rise of the American Comics Artist. Creators and Contexts. Eds. Paul Williams and James Lyons. Jackson: Univ. Press of Mississippi, 2010. 103–23. |
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Bandel, Jan-Frederik. "Heftiger Zug nach unten: Comics, literatur und der trockengelegte graben." Neue Rundschau 123.(2012): 30–41. |
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Bandel, Jan-Frederik and Sascha Hommer. "Geteilte Beute: Comics & literatur." Schreibheft (2007): 18–20. |
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Banerjee, Abanti. "Convergences of the Global and the Local: Graphic narrative and patua art in sita’s ramayana." Gnosis Special Issue (2019): 92–112. |
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Banner, Gillian. Holocaust Literature: Schulz, levi, spiegelman and the memory of the offence. Parkes-Wiener series on Jewish studies. London: Vallentine Mitchell, 2000. |
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Barbieri, Daniele. "Scrivere per immagini: Dino battaglia tra letteratura e fumetto." Écrire et traduire pour les enfants. Voix, images et mots/Writing and Translating for Children. Voices, Images and Texts. Eds. Elena Di Giovanni, Chiara Elefante and Roberta Pederzoli. Recherches comparatives sur le livre et le multimédia d’enfances. Bern [etc.]: Peter Lang, 2010. |
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Baroni, Raphaël. "Le suspense dans le feuilleton littéraire et dans la bande dessinée." Bédé, ciné, pub et art. D’un média à l’autre. Eds. Philippe Kaenel and Gilles Lugrin. Gollion: Infolio, 2007. 141–65. |
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Bartosch, Sebastian and Andreas Stuhlmann. "Reconsidering adaptation as translation: The comic in between." Studies in Comics 4.(2013): 59–74. |
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Bartual, Roberto. "Towards a Panoptical Representation of Time and Memory – Chris Ware, Marcel Proust and Henri Bergson’s “Pure Duration”." Scandinavian Journal of Comic Art 1.1 2012. Accessed 11 Jun. 2012. <http://sjoca.com/wp-con ... 1-1-Article-Bartual.pdf>. |
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Basu, Lopamudra. "The Graphic Memoir in a State of Exception: Transformations of the personal in art spiegelman’s in the shadow of no towers." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 163–84. |
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Bates, Brian. "Graphic and Digital Keats: “la belle dame sans merci” in poetry comics." Reconstruction 16.1 2016. Accessed 1 Jun. 2016. <http://reconstruction.e ... /Issues/161/Bates.shtml>. |
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Battafarano, Italo Michele. "Grimmelshausens ›Courage‹ als Graphic Novel in italienischer Sprache." Simpliciana 30.(2008): 181–90. |
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Bautista, Daniel. "Comic Book Realism: Form and genre in junot díaz’s the brief wondrous life of oscar wao." Journal of the Fantastic in the Arts 21.(2010): 41–53. |
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Beach, Sarah. "Robin Hood and Green Arrow: Outlaw bowmen in the modern urban landscape." Robin Hood in Popular Culture. Violence, Transgression, and Justice. Ed. Thomas Hahn. Cambridge: D.S. Brewer, 2000. 21–28. |
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Beaty, Bart. "Featuring Stories by the World’s Greatest Authors: Classics illustrated and the “middlebrow problem” in the postwar era." International Journal of Comic Art 1.(1999): 122–39. |
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Becegato, Vinicius Idalgo. "Colosso às Avessas: A influência de “the colossus of ylourgne” em “almost colossus”, de hellboy." Anais do Seminário Nacional de Literatura, História e Memória 12.(2015). |
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Becher, Johannes. "Literarische Traditionen im Comic – am Beispiel der Asterix-Serie." Magisterarbeit M.A. Universität Frankfurt, 1997. |
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Becker, Thomas. "Cool premedialisation as symbolic capital of innovation: On intercultural intermediality between comics, literature, film, manga, and anime." Intercultural Crossovers, Transcultural Flows. Manga/Comics. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2011. 107–17. |
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Beineke, Colin. "Towards a Theory of Comic Book Adaptation." Thesis Master of Arts. University of Nebraska-Lincoln, 2011. |
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Bennett, Tamryn and Guillermo Batiz. "Comics Poetry: Praxis and pedagogy." ImageTexT 7.3 2014. Accessed 25 Dec. 2014. <http://www.english.ufl. ... v7_3/bennett_and_batiz/>. |
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Berlatsky, Eric. "“Does That Change Anything?” (post)feminist implications of gemma bovery." Drawn from the Classics. Essays on Graphic Adaptations of Literary Works. Eds. Stephen E. Tabachnick and Esther Bendit Saltzman. Jefferson, London: McFarland, 2015. 127–46. |
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Bermudez Brataas, Delilah. "Gods and monsters: Authorial creation in gaiman’s sandman and mccreery and del col’s kill shakespeare." Journal of Graphic Novels and Comics (2020): 1–24. |
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Berninger, Mark. "Workshop III: Teaching Comics and Literary Studies—Neil Gaiman and Charles Vess’ “A Midsummer Night’s Dream”." Comics as a Nexus of Cultures. Essays on the Interplay of Media, Disciplines and International Perspectives. Eds. Mark Berninger, Jochen Ecke and Gideon Haberkorn. Critical Explorations in Science Fiction and Fantasy. Jefferson, London: McFarland, 2010. 253–64. |
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Berres, Werner P. Annotierter Index historischer Personen und Comics in Michael Chabon's Die unglaublichen Abenteuer von Kavalier und Clay. Zebra Sonderband. 2nd ed. Köln: Georg K. Berres, 2008. |
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Berthou, Benoît. "Médiation, figuration, traduction Trois conceptions de l’adaptation d’œuvres littéraires en bande dessinée." Bande dessinée et adaptation. Littérature, cinéma, TV. Eds. Benoît Mitaine, David Roche and Isabelle Schmitt-Pitiot. Littératures. Clermont-Ferrand: Presses Univ. Blaise Pascal, 2015. 61–80. |
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Bhat, Shilpa Daithota. "Sita-centric Revisionism in Sita’s Ramayana, Androcentric Encoding and Conceptualizing the Diasporic abla nari." Journal of Graphic Novels and Comics (2021): 1–18. |
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Blackbeard, Bill. Sherlock Holmes in America. New York: Abrams, 1981. |
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Blackmore, Tim. "Blind Daring: Vision and revision of sophocles’s oedipus tyrranus [sic] in frank miller’s daredevil: born again." Journal of Popular Culture 27.(1993): 135–62. |
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Blackmore, Tim. "Krazy as a Fool: Erasmus of rotterdam's praise of folly and herriman of coconino's krazy kat." Journal of Popular Culture 31.(1997): 19–46. |
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Blank, Juliane. "Erzählperspektive im Medienwechsel: Visuelle fokalisierung in comic-adaptionen von texten franz kafkas." kunsttexte.de 1 2011. Accessed 13 Dec. 2011. <http://edoc.hu-berlin.d ... juliane-9/PDF/blank.pdf>. |
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Blank, Juliane. Literaturadaptionen im Comic: Ein modulares analysemodell. Bildnarrative. Bochum: Ch.A. Bachmann, 2015. |
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Blin-Rolland, Armelle. "Narrative Techniques in Tardi’s Le Der des ders and Voyage au bout de la nuit." European Comic Art 3.(2010): 23–36. |
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Blin-Rolland, Armelle. "Fidelity versus Appropriation in Comics Adaptation: Jacques carelman’s and clément oubrerie’s zazie dans le métro." European Comic Art 6.(2013): 88–109. |
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Blin-Rolland, Armelle. "Re-inventing the origins of the boy who wouldn’t grow up: Régis loisel’s peter pan." Studies in Comics 5.(2014): 275–92. |
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Blin-Rolland, Armelle. Adapted Voices: Transpositions of céline’s voyage au bout de la nuit and queneau’s zazie dans le métro. Transcript. London: Legenda, 2015. |
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Bliss, Jennifer Anderson. "Redrawing History: Visual postmemory in tardi’s 120, rue de la gare." Mosaic 49.(2016): 73–92. |
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Bock, Marek. "Bilder, die bilden? Comic-umsetzungen von romanen, dramen und gedichten." Masterarbeit Master. RWTH Aachen, 2011. |
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Bohnet, Ilja, Johann N. Schmidt, and Michael Will. "120, Rue de la gare." Lexikon der Comics. Ed. Marcus Czerwionka. Meitingen: Corian, 1994. |
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Bökös, Borbála. "On Media Combinations and Identity (De)construction in Paul Auster’s City of Glass: The Graphic Novel." The Round Table 3 2012. Accessed 22 Mar. 2017. <http://www.theroundtabl ... ty_(De)construction.pdf>. |
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Bökös, Borbála. "Intermediality and Narrative Identity in Paul Auster’s Oeuvre." PhD Dissertation. Debreceni Egyetem, 2014. |
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Bökös, Borbála. "Palimpsestuous Intermediality: Paul auster’s city of glass (1985) and city of glass: the graphic novel (1994)." Hungarian Journal of English and American Studies 20.(2014). |
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Bökös, Borbála. Intermediality and Narrative Identity in Paul Auster’s Oeuvre. Saarbrücken: Lambert Academic Publ, 2015. |
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Bökös, Borbála. "On Media Combinations and Identity (De)construction in Paul Auster’s City of Glass: The Graphic Novel." ELLE Proceedings 2011. Ed. Liviu Cotrău. Cluj-Napoca: Casa Cărţii de Ştiinţă, 2012. 179–86. |
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Bolton, Matthew. "Fidelity and Period Aesthetics in Comics Adaptation." ImageTexT 6.1 2011. Accessed 10 Nov. 2011. <http://www.english.ufl. ... t/archives/v6_1/bolton/>. |
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Börnchen, Stefan. "Laut-Linien: Zur grafischen Darstellung auditiver Phänomene: Marcel beyers und ulli lusts »flughunde«." Text+Kritik (2018): 100–18. |
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Börnchen, Stefan. "Marcel Beyer im Gespräch mit der Comiczeichnerin Ulli Lust: Roman in sprechblasen." Marcel Beyer. Eds. Torsten Hahn and Christof Hamann. transLIT. Köln: Buchhandl. Klaus Bittner, 2016. 49–80. |
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Bosold-DasGupta, Bettina. "Dante »travestito«: Von edoardo sanguinetis commedia dell’lnferno zum comic." Dante Alighieri und sein Werk in Literatur, Musik und Kunst bis zur Postmoderne. Ed. Klaus Ley. Mainzer Forschungen zu Drama und Theater. Tübingen: Francke, 2010. 43–55. |
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Botting, Fred. "Horrorspace: Reading house of leaves." Horror Studies 6.(2015): 239–53. |
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Bragard, Véronique. "Conrad’s Two Visions: Intermedial transgenericity in anyango and mairowitz’s graphic adaptation of heart of darkness." European Comic Art 6.(2013): 45–65. |
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Braithwaite, Jean. "Words + Pictures: A Manifesto." Studies in 20th & 21st Century Literature 42.1 2017. Accessed 4 May. 2021. <https://newprairiepress.org/sttcl/vol42/iss1/4/>. |
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Last edited by: joachim 6/28/21, 11:35 AM |
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Brauner, David. "Intertextuality, authenticity and Gonzo Selves in Anya Ulinich’s Lena Finkle’s Magic Barrel." Studies in Comics 6.(2015): 253–69. |
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Last edited by: joachim 11/26/16, 7:23 PM |
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