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Abbott, Stacey. "It (Re-)Started with a Girl: The Creative Interplay Between TV and Comics in Angel: After the Fall." The Literary Angel. Essays on Influences and Traditions Reflected in the Joss Whedon Series. Eds. AmiJo Comeford and Tamy Burnett. Jefferson, London: McFarland, 2010. 221–32. |
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Ahrens, Jörn. "Übersetzungsprobleme: Narrativer und ästhetischer Import in Robert Rodriguez’ Verfilmung von Frank Millers Sin City." Comic. Intermedialität und Legitimität eines popkulturellen Mediums. Ed. Thomas Becker. Bochum: Ch.A. Bachmann, 2011. 77–90. |
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Alegría Sabogal, Diego Cristóbal. Von Endlosen, Ewigen und Anderen: Die Darstellung des Undarstellbaren bei Neil Gaiman. Studia Comparatistica. Berlin: Ch.A. Bachmann, 2021. |
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Alegría Sabogal, Diego Cristóbal. "Autorenfunktion, Comic-Kontinuität und Transmedia Storytelling: Intertextuelle Bedeutungsketten bei Neil Gaiman." Ketten. Ed. Petra Gehring. Essen: Blaue Eule, 2017. 111–28. |
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Allen, Jeremy. "A Virtual Revolution: Australian Comic Creators and the Web." International Journal of Comic Art 3. (2001): 22–37. |
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Amihay, Ofra. "Red Diapers, Pink Stories: Color Photography and Self-Outing in Jewish Women’s Comics." Image [&] Narrative 16. 2 2015. Accessed 13Jul. 2015. <http://www.imageandnarr ... rative/article/view/811>. |
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Anderson, Kane. "V for Occupy: Transmedial Theatricality, V for Vendetta, and the Occupy Movement." International Journal of Comic Art 14. (2012): 143–68. |
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Anderson, John C. and Bradly Katz. "Read Only Memory. Maus and Its Marginalia on CD-Rom." Considering Maus. Approaches to Art Spiegelman’s “Survivor's tale” of the Holocaust. Ed. Deborah R. Geis. Tuscaloosa: Univ. of Alabama Press, 2003. 159–74. |
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Anderst, Leah. "“It Both Is and Isn’t My Life”: Autobiography, Adaptation and Emotion in Fun Home, the Musical." The Comics of Alison Bechdel. From the Outside In. Ed. Janine Utell. Critical Approaches to Comics Artists. Jackson: Univ. Press of Mississippi, 2020. 105–18. |
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Arnold, Markus. "La violence et l’intermédialité en bande dessinée: Usages et significations du hors-champ, de l’entr’images, de la photographie dans l’œuvre du dessinateur Hippolyte." Figures de l’Art (2017): 183–204. |
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Atkinson, Paul. "Movements within Movements: Following the Line in Animation and Comic Books." Animation 4. (2009): 265–81. |
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Austin, Sara. "Understanding Rhetoric, Understanding Genre: A Rhetorical Genre Studies Approached Writing Course." Teaching Graphic Novels in the English Classroom. Pedagogical Possibilities of Multimodal Literacy Engagement. Ed. Alissa Burger. New York [etc.]: Palgrave Macmillan, 2018. 29–41. |
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Bachmann, Christian A. Little Orphan Annies Transformationen: Medienformatwechsel und mediale Eigenzeit zwischen Zeitung, Buch und Heft. Graphische Narration im Journal. Hannover: Wehrhahn, 2021. |
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Bachmann, Christian A. "Bildlaute und laute(r) Bilder: Onomatopöien, Sprechblasen und andere »audio-visuelle« Darstellungsmittel in Comics und Bildergeschichten – zur Einführung." Bildlaute & laute Bilder. Zur ›Audiovisualität‹ von Bilderzählungen. Ed. Christian A. Bachmann. Bochum: Ch.A. Bachmann, 2014. 7–24. |
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Bachmann, Christian A. "From the Newspaper to the Book: Little Orphan Annie’s Media Entanglement and Transformation." A Mixed Picture. Media Transfer and Media Competition in Illustrated Periodicals, 1840s–1960s. Eds. Christian A. Bachmann and Nora Ramtke. Journalliteratur. Hannover: Wehrhahn, 2024. 75–94. |
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Bachmann, Christian A. "Radio(-)Comics: Stichproben in einem Feld transsensorischer Intermedialität." Comics intermedial. Eds. Christian A. Bachmann, Véronique Sina and Lars Banhold. Bochum: Ch.A. Bachmann, 2012. 199–216. |
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Bachmann, Christian A. " In der Bastardzone: Hybridität als Schnittstelle von Kinder- und Jugendmedienforschung und Comicforschung am Beispiel der Serien Big Little Books und Weltliteratur für Junge Leser." Schnittstellen der Kinder- und Jugendmedienforschung. Aktuelle Positionen und Perspektiven. Eds. Ute Dettmar, Caroline Roeder and Ingrid Tomkowiak. Stuttgart: Metzler, 2019. |
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Bachmann, Christian A. "Bilderbuch und Comic im Dialog: Paul Kirchners und Guy Billouts Geschichten über Busse – ein Fallbeispiel." Die Welt im Bild erfassen. Multidisziplinäre Perspektiven auf das Bilderbuch. Eds. Tobias Kurwinkel, Corinna Norrick-Rühl and Philipp Schmerheim. Kinder- und Jugendliteratur intermedial. Würzburg: Königshausen & Neumann, 2020. |
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Bachmann, Christian A., Véronique Sina, and Lars Banhold, eds. Comics intermedial. Bochum: Ch.A. Bachmann, 2013. |
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Backe, Hans-Joachim. "Beyond Dominance, Mixture, and Hybridity: On the Challenges of Hypercomplex Objects." Between 10. 20 2020. Accessed 2Jan. 2021. <https://ojs.unica.it/in ... tween/article/view/4204>. |
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Backe, Hans-Joachim. "Vom Yellow Kid zu Super Mario: Zum Verhältnis von Comics und Computerspielen." Comics intermedial. Eds. Christian A. Bachmann, Véronique Sina and Lars Banhold. Bochum: Ch.A. Bachmann, 2012. 143–57. |
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Backe, Hans-Joachim. "Narrative Feedback: Computer Games, Comics, and the James Bond Franchise." The Cultures of James Bond. Eds. Joachim Frenk and Christian Krug. Trier: Wissenschaftlicher Verlag Trier, 2011. 221–33. |
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Backe, Hans-Joachim. "Writing as medium of the Unspeakable: Written language as an expression of the ephemeral in literary comics and digital games." Schrift und Graphisches im Vergleich. Eds. Monika Schmitz-Emans, Linda Simonis and Simone Sauer-Kretschmer. Bielefeld: Aisthesis, 2019. 485–96. |
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Baetens, Jan. "Of Graphic Novels and Minor Cultures: The Fréon Collective." Yale French Studies 114. (2008): 95–115. |
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Baetens, Jan. "How Many is Multi? On the Example of Photo Narrative, High and Low." Image [&] Narrative 10. 3 2009. Accessed 1Jun. 2013. <http://www.imageandnarr ... tive/article/view/37/22>. |
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Baetens, Jan. "Entre transposition et imagination : à propos de Détective (1991): Jan Baetens s’entretient avec Antonio Altarriba." Formules (2013): 55–61. |
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Baetens, Jan. "Learning From Comics (and Bart Beaty): On the Institutionalization of Comics. An Interview with Bart Beaty." Interférences littéraires / Literaire interferenties 11 2013. Accessed 7Oct. 2014. <http://www.interferenceslitteraires.be/node/232>. |
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Baetens, Jan. "Drawing Photo Novels." ImageTexT 9. 2 2017. Accessed 7Feb. 2018. <http://www.english.ufl. ... /archives/v9_2/baetens/>. |
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Baetens, Jan. Pour le roman-photo. Réflexions faites. Bruxelles: Les Impressions Nouvelles, 2017. |
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Baetens, Jan. "Alfred Hitchcock’s Rear Window as “Cineromanzo”." Comics Studies Here and Now. Ed. Frederick Luis Aldama. Routledge Advances in Comics Studies. London: Routledge, 2018. 90–101. |
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Baetens, Jan. "Un exemple de collaboration interartistique: Élégie à Michel-Ange de Sandrine Willems et Marie-Françoise Plissart." L’hétérogénéité du visuel. T. 3: Intermédialité visuelle. Eds. Sémir Badir and Nathalie Roelens. Limoges: Presses Univ. de Limoges, 2008. |
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Baetens, Jan. "The Postwar Drawn Novel." The Cambridge History of the Graphic Novel. Eds. Jan Baetens, Hugo Frey and Stephen E. Tabachnick. The Cambridge Companions to Philosophy, Religion and Culture. Cambridge [etc.]: Cambridge Univ. Press, 2018. 75–91. |
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Baetens, Jan. "The Photo-Graphic Novel: Hybridization and Genre Theory." The Cultural Dynamics of Generic Change in Contemporary Fiction. Theoretical Frameworks, Genres and Model Interpretations. Eds. Michael Basseler, Ansgar Nünning and Christine Schwanecke. Trier: Wissenschaftlicher Verlag Trier, 2013. 147–62. |
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Baetens, Jan and Hugo Frey. "The Graphic Novel." The Cambridge Companion to the Novel. Ed. Eric Bulson. Cambridge Companions to Literature. Cambridge [etc.]: Cambridge Univ. Press, 2018. 238–53. |
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Baetens, Jan, Hugo Frey, and Fabrice Leroy, eds. Intermediality in French-Language Comics and Graphic Novels. Lafayette: Univ. of Louisiana at Lafayette Press, 2022. |
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Baetens, Jan. "« Bandes dessinées écrites »: La question des rapports texte/image en bande dessinée à la lumière du Château d’Olivier Deprez (Olivier Deprez, Le Château de Kafka)." Déconstruire l’image. Ed. Christophe Genin. Esthétique. Paris: Publications de la Sorbonne, 2011. 37–50. |
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Baetens, Jan and Pascal Lefèvre. "Texts and Images." The French Comics Theory Reader. Eds. Ann Miller and Bart Beaty. Studies in European Comics and Graphic Novels. Leuven: Leuven University Press, 2014. 183–90. |
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Baetens, Jan and Caren Litherland. "Latent Violence (Escher, Franc, Vaughn-James)." Yale French Studies (1994): 222–41. |
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Baetens, Jan. "The Photographic Novel." Handbook of Intermediality. Literature – Image – Sound – Music. Ed. Gabriele Rippl. Handbooks of English and American Studies. Berlin: de Gruyter, 2015. 219–39. |
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Baetens, Jan and Steven Surdiacourt. "How to ‘Read’ Images with Texts: The Graphic Novel Case." The SAGE Handbook of Visual Research Methods. Eds. Eric Margolis and Luc Pauwels. Thousand Oaks [etc.]: Sage, 2011. 590–600. |
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Baetens, Jan. "Simultanéité: Pour une approche plurielle du simultané dans Correspondance de Peeters-Plissart." Jules Romains et les écritures de la simultanéité. Galsworthy, Musil, Döblin, Dos Passos, Valéry, Simon, Butor, Peeters, Plissart. Ed. Dominique Viart. UL3, Travaux et recherches. Villeneuve d’Ascq: Presses Univ. du Septentrion, 1996. 293–303. |
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Ball, David M. "Allusive Confessions: The Literary Lives of Alison Bechdel’s Fun Home." Drawing from Life. Memory and Subjectivity in Comic Art. Ed. Jane Tolmie. Jackson: Univ. Press of Mississippi, 2013. 3–25. |
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Balzer, Jens. "Das Wesen des Comics: Über Dialektik und Indifferenz in Bild-Text-Verhältnissen." Magisterarbeit Universität Hamburg, 1996. |
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Balzer, Jens. "Die Schrift in der Vertikalen. Zum »Yellow Kid« von Richard F. Outcault." Testcard (1999): 250–57. |
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Balzer, Jens and Martin tom Dieck. "Nicht versöhnt: Bilder und Texte im Comic." Schreibheft (1998): 47–50. |
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Balzer, Jens. "Dies ist keine Bildergeschichte: Über Michel Foucault, René Magritte und George Herrimans Krazy Kat-Comics." Theorien des Comics. Ein Reader. Eds. Barbara Eder, Elisabeth Klar and Ramón Reichert. Kultur- und Medientheorie. Bielefeld: Transcript, 2011. 187–202. |
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Balzer, Jens. "Welches Bild? Welche Bewegung? Über einige Bezüge zwischen Chronophotographie und frühen Comics." Die Mobilisierung des Sehens. Zur Vor- und Frühgeschichte des Films in Literatur und Kunst. Ed. Harro Segeberg. Mediengeschichte des Films. München: Fink, 1996. 279–93. |
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Banerjee, Abanti. "Convergences of the Global and the Local: Graphic Narrative and Patua Art in Sita’s Ramayana." Gnosis Special Issue (2019): 92–112. |
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Banhold, Lars. "»Yet Always Must it Love Sweet Music More«: Zur Funktion von Musik in V for Vendetta." Bildlaute & laute Bilder. Zur ›Audiovisualität‹ von Bilderzählungen. Ed. Christian A. Bachmann. Bochum: Ch.A. Bachmann, 2014. 129–47. |
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Banhold, Lars and David Freis. "Von postmodernen Katzen, abwesenden Katzen und Dinosaurier reitenden Banditen: Medienästhetik, Distribution und medialer Kontext von Webcomics." Comics intermedial. Eds. Christian A. Bachmann, Véronique Sina and Lars Banhold. Bochum: Ch.A. Bachmann, 2012. 159–77. |
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Banita, Georgiana. "Cosmopolitan Suspicion: Comics Journalism and Graphic Silence." Transnational Perspectives on Graphic Narratives. Comics at the Crossroads. Eds. Shane Denson, Christina Meyer and Daniel Stein. New York: Bloomsbury, 2013. 49–66. |
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Barck, Karlheinz. "Max Ernsts Ästhetik des ›dépaysement‹. Ein Beitrag zur Theorie und Praxis dialektischer Bilder." Bild und Text im Dialog. Ed. Klaus Dirscherl. PINK. Passau: Wissenschaftsverl. Rothe, 1993. 255–74. |
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Barnes, Spencer. "On the Use of Encapsulation, Parity, and Visual Storytelling in Graphic Medicine." Health Humanities in Application. Eds. Christian Riegel and Katherine M. Robinson. Sustainable Development Goals. New York [etc.]: Palgrave Macmillan, 2023. 265–86. |
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Baroni, Raphaël, Gaëlle Kovaliv, and Olivier Stucky. "La transition numérique de la bande dessinée franco-belge, une mutation impossible ?." Belphégor 19. 1 2021. Accessed 15Jul. 2023. <https://journals.openedition.org/belphegor/3948>. |
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Barrett, Kyle. "The Dark Knight’s Many Stories: Arkham Video Games as Transmedia Pathway." Iperstoria 16 2020. Accessed 23Feb. 2024. <https://iperstoria.it/article/view/917>. |
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Bartosch, Sebastian. "Genre und Comic." Filmwissenschaftliche Genreanalyse. Eine Einführung. Eds. Markus Kuhn, Irina Scheidgen and Nicola Valeska Weber. De Gruyter Studium. Berlin: de Gruyter, 2013. 381–408. |
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Bartosch, Sebastian and Andreas Stuhlmann. "Reconsidering adaptation as translation: The comic in between." Studies in Comics 4. (2013): 59–74. |
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Bateman, John A. and Francisco O. D. Veloso. "The semiotic resources of comics in movie adaptation: Ang Lee’s Hulk (2003) as a case study." Studies in Comics 4. (2013): 135–58. |
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Bateman, John A., Janina Wildfeuer, and Tuomo Hiippala. Multimodality: Foundations, Research and Analysis. A Problem-Oriented Introduction. Mouton Textbook. De Gruyter Mouton, 2017. |
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Bauer, Heike. "Vital Lines Drawn From Books: Difficult Feelings in Alison Bechdel’s Fun Home and Are You My Mother?." Journal of Lesbian Studies 18. (2014): 266–81. |
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Bearden-White, Roy. "Closing the Gap: Examining the Invisible Sign in Graphic Narratives." International Journal of Comic Art 11. (2009): 347–62. |
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Beaty, Bart. "Superhero fan service: Audience strategies in the contemporary interlinked Hollywood blockbuster." The Information Society 32. (2016): 318–25. |
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Becker, Thomas. "Einführung: Legitimität des Comics zwischen interkulturellen und intermedialen Transfers." Comic. Intermedialität und Legitimität eines popkulturellen Mediums. Ed. Thomas Becker. Kultur- und Medientheorie. Bochum: Ch.A. Bachmann, 2011. 7–19. |
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Becker, Thomas. "Cool premedialisation as symbolic capital of innovation: On intercultural intermediality between comics, literature, film, manga, and anime." Intercultural Crossovers, Transcultural Flows. Manga/Comics. Ed. Jaqueline Berndt. Global Manga Studies. Kyoto: International Manga Research Center, Kyoto Seika University, 2011. 107–17. |
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Beckman, Frida. "Good Girl Art – facing images of women in David Mack’s Kabuki." Journal of Graphic Novels and Comics 2. (2011): 39–54. |
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Beckman, Karen and Liliane Weissberg, eds. On Writing with Photography. Minneapolis: Univ. of Minnesota Press, 2013. |
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Beddows, Emma. "Buffy the Transmedia Hero." Colloquy 24 2012. Accessed 28Dec. 2012. <http://artsonline.monas ... wenty-four_/beddows.pdf>. |
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op de Beeck, Nathalie. "On Comics-Style Picture Books and Picture-Bookish Comics." Children’s Literature Association Quarterly 37. (2012): 468–76. |
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Beil, Benjamin and Hanns Christian Schmidt. "The World of The Walking Dead – Transmediality and Transmedial Intermediality." Acta Universitatis Sapientiae, Film and Media Studies 10. (2016): 73–88. |
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Bellwald, Waltraut and Ingrid Tomkowiak. "Globi: Eine Schweizer Reklamefigur wird zum Mythos." Erzählkulturen im Medienwandel. Ed. Christoph Schmitt. Rostocker Beiträge zur Volkskunde und Kulturgeschichte. Münster: Waxmann, 2008. 325–42. |
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Benecchi, Eleonora. "Cream Soda: The rhythm of everyday life." Image [&] Narrative 12. 1 2011. Accessed 5Sep. 2011. <http://www.imageandnarr ... article/viewFile/125/96>. |
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Benvenuti, Giuliana, Sara Colaone, and Lucia Quaquarelli, eds. Bande à part 2: Fumetto e transmedialità. Tracciati. Milano: Morellini, 2018. |
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